$S $U $O $N $I $RIVISTA BIMESTRALE DI MUSICA $GENNAIO-$FEBBRAIO #BJAG N. #HB $ANNO $XXI $BOB $DYLAN =#,O= $DIR. RESP.: $PIETRO $PISCITELLI $REDATTORE $MATTEO $BONETTI $SEGR. DI REDAZ. $FRANCO DE $PONTI $REGISTRAZIONE $TRIB. $MONZA #AD-#AJ-#BJAE N. #AF $COPIA IN OMAGGIO $STAMPATO IN $BRAILLE A CURA DELLA $BIBLIOTECA $ITALIANA PER I $CIECHI VIA $FERRARI, #E\$A $TEL. #JCI-#BH.CB.GA - #BJIJJ $MONZA - #BJAG $INDICE #B $A $HARD $RAIN.S A $GONNA $FALL...#C $ALL $I $REALLY $WANT TO $DO......#H $BALLAD OF A $THIN $MAN..........#AA $DON.T $THINK $TWICE, $IT.S $ALL $RIGHT.......................#AF $IT $AIN.T $ME, $BABE............#BB $IT.S $ALL $OVER $NOW, $BABY $BLUE........................#BF $JUST LIKE $TOM THUMB.S BLUES....#BI $LEOPARD-SKIN PILL-BOX HAT.......#CB $LOVE MINUS $ZERO - $NO LIMIT....#CF $MAGGIE.S FARM...................#CI $MIXED-$UP $CONFUSION............#DB $POSITIVELY #DTH STREET..........#DD $SHE BELONGS TO ME...............#DG $TOMORROW IS A LONG TIME.........#EJ $A $HARD $RAIN.S A $GONNA $FALL #C $WORDS AND MUSIC BY $BOB $DYLAN, #AIFC =*= MODERATO 222#C/ #, #; <; $OH, WHERE HAVE YOU BEEN, MY BLUE-EYED SON? $OH, '. 0 @$A !W WWW'-:@.2_P. T8 9R PV VVW #: <; WHERE HAVE YOU BEEN, MY DAR- LING YOUNG ONE? #A/ $I.VE '. !WWW'-2_P. TW W98 QV'-2_T. M M VV@$B$42K. #/ <; STUMBLED ON THE SIDE OF TWEL -VE MISTY MOUNTAINS, #B/ $I.VE '. 2=$44$K$DD!,$4'-2_S. NJAI2@$D4.JAI W98'-2_P. 8P M M #,#;#:.VV$42; ?#B/ WALKED AND $I.VE CRAWLED ON SIX CROOKED HIGHWAYS,@ #: / $I.VE STEPPED IN THE MIDDLE OF SEVEN SAD FORESTS,@ #/ / $I.VE BEEN OUT IN FRONT OF A DOZEN DEAD OCEANS,@ #,-; <; $I.VE BEEN TEN THOUSAND MI =*= $EDIZIONI MUSICALI $SPE- #D CIAL $RIDER $MUSIC, #AIIC/ $PUBLI- SHED #AIIC BY $AMSCO $PUBLICATIONS/ -LES IN THE MOUTH OF A GRAVEYARD, '. #/.VV@$C$DD'-2_P. 444'-2_S. NJI W98'-2_P. 8P #; <; *$AND IT.S A HARD,* IT.S A '.VX!FFF'-2_P. P. VXFFF Q.'-2_T. VVJJ #: <; HARD,*AND IT.S A HARD* RAIN.S '.!T.'-2_P. VX$FFF P.'-2_S. VXFFF 6PA"C'-2_P. #/ <; A GONNA FALL '. $P.A'-2_P. !T."C'-2_T. W.IHG 8AP"C'-2_P. P.'-2_S. M'-2_P. VV!2K. !0 $PIANO MODERATO 222#C/ #, $@.=@QUASI GUITAR=@MF.V!6#)=! '-_@>6VV V!60*='->9VV V!50)='->WVV V!6#)!'->6V!2K. #; 0 @$A @MF!W'-V !WWW2@V!80)=! '->6VV T82@V!80)6#'-= 9R2@V!6#='->6VV PV2@V_W0='-= VV!W2@V!6#)V'-= #E #: !WWW2@V!80)='->6VV TW2@V!80)='-= W982@V!6#='->6VV QV2@V!50='->WVV M2@V!50='-= M2@='-= VV@$B$42@V!50V'->WVV2K. #/ 2=$44DD2@V!9#='->9VV NJI2@V!9#)60'-= W982@V!6#='->6VV 8P2@V_W0='-= M2@V_W0='->6VV = #,#;#:.VV$42@V!W0V'->6VV2; #,-; #/.VV@$C$DD2@V!WV'->6VV 4442@V!9#)='->9VV NJI2@V!9#6#'-= W982@V!6#='->6VV 8P2@V_W0='->6VV #; VX!FFF2@V_W0V'->6VV P.2@VX_J0J0J0'-VX>FFF VX!FFF2@_W0T0! '->6P Q.2@VX!E0E0E0'-VX>J*J*J* VV!JJ2@!50O0'->W*T* #: !T.2@VX!H0H0H0'-VX_F*F*F* VX$FFF2@!80R0'-_6*P* P.2@VX$D0D0D0'-VX>I-I-I- VXFFF2@$40)N0)'->9-VV 6P"C2@V!W0*=! '->WVV #/ $P.2@V!W0*='->WVV !T."C2@V!70*='-"WVV W.IHG2@V!70*50'-"WVV 8P"C2@V_W0='->6VV P.2@V!40='->9VV V!6#)='-_6>W8 P#)!'->P!2K. !0 #B/ =$A= $OH, WHAT DID YOU #F SEE, MY BLUE EYED SON?@ $OH, WHAT DID YOU SEE, MY DARLING YOUNG ONE?@ =$B= $I SAW A NEW BORN BABY WITH WILD WOLVES ALL AROUND IT,@ $I SAW A HIGHWAY OF DIAMONDS WITH NOBODY ON IT,@ $I SAW A BLACK BRANCH WITH BLOOD THAT KEPT DRIPPIN.,@ $I SAW A ROOM FULL OF MEN WITH THEIR HAMMERS A-BLEEDIN.,@ $I SAW A WHITE LADDER ALL COVERED WITH WATER,@ $I SAW TEN THOUSAND TALKERS WHOSE TONGUES WERE ALL BROKEN,@ =$C= $I SAW GUNS AND SHARP SWORDS IN THE HANDS OF YOUNG CHILDREN,@ *$AND IT.S A HARD,* *IT.S A HARD,*@ $AND IT.S A HARD RAIN.S A GONNA FALL/@ #C/ =$A= $AND WHAT DID YOU HEAR, MY BLUE EYED SON?@ $AND WHAT DID YOU HEAR, MY DARLING YOUNG ONE?@ =$B= $I HEARD THE SOUND OF A THUNDER, IT ROA -RED OUT A WARNIN.,@ $HEARD THE ROAR OF A WAVE THAT COULD DROWN THE WHOLE WORLD,@ $HEARD ONE HUNDRED DRUMMERS WHOSE HANDS WERE A BLAZIN.,@ $HEARD TEN THOUSAND WHISPERIN. AND NOBODY LISTENIN.,@ $HEARD ONE PERSON STAR- VE, $I HEARD MANY PEOPLE LAU- #G GHIN.,@ $HEARD THE SONG OF A POET WHO DIED IN THE GUTTER,@ =$C= $HEARD THE SOUND OF A CLOWN WHO CRIED IN THE ALLEY,@ *$AND IT.S A HARD,* *IT.S A HARD,*@ $AND IT.S A HARD RAIN.S A GONNA FALL/@ #D/ =$A= $OH, WHO DID YOU MEET, MY BLUE EYED SON?@ $WHO DID YOU MEET, MY DARLING YOUNG ONE?@ =$B= $I MET A YOUNG CHILD BESIDE A DEAD PO- NY,@ $I MET A WHITE MAN WHO WALKED A BLACK DOG,@ $I MET A YOUNG WOMAN WHO -SE BODY WAS BURNING,@ $I MET A YOUNG GIRL, SHE GAVE ME A RAINBOW,@ $I MET ONE MAN WHO WAS WOUNDED IN LO -VE,@ =$C= $I MET ANOTHER MAN WHO WAS WOUNDED WITH HATRED,@ *$AND IT.S A HARD,* *IT.S A HARD,*@ $AND IT.S A HARD RAIN.S A GONNA FALL/@ #E/ =$A= $OH, WHAT.LL YOU DO NOW, MY BLUE EYED SON?@ $OH, WHAT.LL YOU DO NOW, MY DARLING YOUNG ONE?@ =$B= $I.M A GOIN. BACK OUT .FORE THE RAIN STARTS A-FALLIN.,@ $I.LL WALK TO THE DEPTH OF THE DEEPEST BLACK FOREST,@ $WHERE THE PEOPLE ARE MANY AND THEIR HANDS ARE ALL EMPTY,@ $WHERE THE #H PELLETS OF POISON ARE FLOODING THEIR WATERS,@ $WHERE THE HOME IN THE VAL- LEY MEETS THE DAMP DIRTY PRISON,@ $WHERE THE EXECUTIONER.S FACE IS AL- WAYS WELL HIDDEN,@ $WHERE HUNGER IS UGLY, WHERE SOULS ARE FORGOTTEN,@ $WHERE BLACK IS THE COLOR, WHERE NO- NE IS THE NUMBER,@ $AND $I.LL TELL IT AND THINK IT AND SPEAK IT AND BREATHE IT,@ $AND REFLECT IT FROM THE MOUNTAIN SO ALL SOULS CAN SEE IT,@ $THEN $I.LL STAND ON THE OCEAN UNTIL $I START SINKIN.,@ =$C= $BUT $I.LL KNOW MY SONG WELL BEFORE $I START SINGIN.,@ *$AND IT.S A HARD,* *IT.S A HARD,*@ $AND IT.S A HARD RAIN.S A GONNA FALL/@@ $ALL $I $REALLY $WANT TO $DO $W. AND MUSIC BY $BOB $DYLAN, #AIFD MEDIUM BRIGHT 22#C/ #, #; <; $I AIN.T LOOKIN. TO COMPETE WITH YOU, '. @VERSE 2=$P6'-:@.2_P. #I E5.EE'-2_T. N4'-$Q. T.'-2_T. #: <; $BEAT OR CHEAT OR MISTREAT YOU, '. !P6'-2_P. O5'-2_T. N4'-$Q. T.'-2_T. #/ <; $SIMPLIFY YOU, CLASSIFY YOU, $DE- '. $P6'-2_P. O5'-2_T. N4'-$Q. TJF'-2_T. #,-; <; NY, DEFY OR CRUCIFY YOU/ '. !P"CFF'-2_P. O5'-2_T. N4'-$Q. TW'-2_T.2K. #; <; $ALL $I REALLY WANT TO DO '. @REFRAIN !7Q"C'-2_T. Q. 8T"C! '-2_P. TJJ W@FALSETTO$T"C'-2_T. T."C'-2_P. #: <; $IS, $BABY, BE FRIENDS WITH YOU/ '. $T!5'-2_T. 54W OW'-!O2_6 T."C'-2_T. T."C'-2_P. #,#;#:#/_T.! '-2_T.2; #?_T.'-2_T.2K $PIANO MEDIUM BRIGHT 22#C/ #, $@ @MF$P62@!R.0'->6W_8 O52@!Q.0'->7_5_W N42@!P.0'->9_69 T.2@!O.0'->W572K. #AJ #; 2=$P62@!R.0'->6W_8 E5.EE2@!Q.0'->7_5_W N42@!P.0'->7_69 T.2@!O.0'->W57 #: !P62@_T.0'->6W_6 O52@_T.#'->7W5 N42@_S.0'->7892@_P. T.2@_Q.'->W752@_O. #/ $P62@!R.0'->6W_8 O52@!Q.0'->7_5_W N42@!P.0'->7_69 TJF2@!O.0'->W57 #,-; !P"CFF2@_T.0'->6W_6 O52@_T.#'->7W5 N42@_S.0'->7892@_P. TW2@_Q.'->W0452K. #; !70Q0$C'->W57 Q.0'-= 80T0$C'->W_68 T0JJ'-= W$T"C'->W_7!5 T."C'->W_8!6 #: $T!5'->W_Q 54W'->Q.2@_765 O#W0'-V>Q2@_Q6 _T."C#'-_5W5 T."C2@_R.'-_6>W_6 #,#;#:#/_T.#! '-_5W52; #?_T.#'->T.02K #B/ $NO, AND $I AIN.T LOOKIN. TO FIGHT WITH YOU@ $FRIGHTEN YOU, OR TIGHTEN YOU, $DRAG YOU DOWN, OR BRING YOU DOWN,@ $CHAIN YOU DOWN, OR BRING YOU DOWN/@ =$REFRAIN= #C/ $I DON.T WANT TO STRAIGHT FACE YOU,@ $RACE,OR CHASE YOU, TRACK #AA OR TRACE YOU,@ $OR DISGRACE YOU, OR DISPLACE YOU,@ $OR DEFINE YOU, OR CONFINE YOU/@ =$REFRAIN= #D/ $I DON.T WANT TO MEET YOUR KIN,@ $MAKE YOU SPIN, OR DO YOU IN,@ $OR SELECT YOU, OR DISSECT YOU,@ $OR INSPECT YOU, OR REJECT YOU/@ =$RE- FRAIN= #E/ $I DON.T WANT TO FAKE YOU OUT,@ $TAKE, OR SHAKE OR FORSAKE YOU OUT,@ $I AIN.T LOOKIN. FOR YOU TO FEEL LIKE ME,@ $SEE LIKE ME, OR BE LIKE ME/@ =$REFRAIN= $BALLAD OF A $THIN $MAN $W. AND MUSIC BY $BOB $DYLAN, #AIFE SLOWLY 33#D/ #, #; <; $YOU WALK INTO THE ROOM $WITH YOUR PENCIL IN YOUR HAND '. 0 @VERSE 2=.X.!]]]]]EAW.'-:@!] X]]]]]]EAW.'-!]3: #: <; $YOU SEE SOMEBODY NAKED AND YOU SAY WHO IS THAT MAN? $YOU TRY SO HARD $BUT YOU #AB '. X.!]]]]]E.]JJ'-<] X.];EJET'-$& X.]J.]JJW'-_[ #,-; <; $DON.T UNDERSTAND $JUST WHAT YOU.LL SAY WHEN YOU GET HOME/ '. X.!]J.]O'-<& ;W99J.^$EE'-_Z XW."CW.!'-!]2K. #; <; $BECAUSE SOMETHING IS HAPPE- NING HERE $BUT YOU DON.T KNOW WHAT IT IS '. @REFRAIN !G G.%G.%^%GG&Z'-!] F.Z=&AZAJ"CW'-_Z #: <; $DO YOU, $MISTER $JONES? '. V!GE"C5J.^-'_[: #,#;_WVU'-!] M2; ?#B/ $YOU RAISE UP YOUR HEAD@ $AND YOU ASK IS THIS WHERE IT IS?@ $AND SOMEBODY POINTS TO YOU AND SAYS@ $IT.S HIS/@ $AND YOU SAY WHAT.S MI- NE@ $AND SOMEBODY ELSE SAYS WHERE WHAT IS?@ $AND YOU SAY OH MY $GOD@ $AM $I HERE ALL ALONE?@ #C/ $YOU HAND IN YOUR TICKET@ $AND YOU GO WATCH THE GEEK@ $WHO IMMEDIA- TELY WALKS UP TO YOU@ $WHEN HE HEARS YOU SPEAK@ $AND SAYS HOW DOES IT FEEL@ $TO BE SUCH A FREAK?@ #AC $AND YOU SAY IMPOSSIBLE@ $AS HE HANDS YOU A BONE/@ #/ <; $JONES? '. #:_WVU'-!] @TO BRIDGE 2K. #/#?#+_WVU'-!] M2; @FINE #,-: <; $YOU HAVE MANY CONTACTS $A -MONG THE LUMBERJACKS $TO '. @BRIDGE X.$Z;EEE;EAJE"C5'-!] X.ZZ]Z]55'-<] #; <; GET YOU FACTS WHEN SOMEONE ATTACKS YOUR IMAGINATION $BUT NOBODY HAS ANY RESPECT '. $ZZZ]ZEZ5]EEJ'-_[ 5!Q.'-!] X.$ZZZZZ;EEJW #: <; $ANYWAY THEY ALREADY EXPECT YOU $TO ALL GIVE A CHECK TO '. X$Z];EEE;EEJEJ'-<] X.Z;EEJ55'-_[ #/ <; TAX DEDUCTIBLE CHARITY ORGA- NIZATIONS/ '. $EJ;EJI=='-<& $5!S.'-$6$S. M2K. !0 $PIANO #AD SLOWLY 33#D/ #, $@.@F.2,M'->2_% V!W#)D#:J#)$CW#)'->T."CJ.% =#C 2K. #; @VERSE #D/ 0 2=.@MF.X.!]]]]]EW.2@!Q.070'-_@>T.-W- X]]]]]]EW.2@!Q.070'->T.3:W: #: X.!]]]]]E.]JJ2@!Q.070'->T.1:W: X.];EJET2@!O.5'->T.#3)W#) X.]J.]JJW2@_T.W'-1>R.*1-8*- #,-; X.!]J.]O2@!O.5'->P.*-6* ;W99J.^$EE2@!O.5'->S.#)9#) XW."CW.!2@!ODW!'->T"CW!2@_QH7!2K. #; @REFRAIN!G'-X G.%G.%^%GG&Z2@!Z0'->]* F.ZF.Z! &ZJ"CW2@_^0'->Z- #: V!GE"C5!,_T.$K_J.^'->[* #,#;_W!W#)D#:J#)$CW#)'->T."CJ.% VW#)D#:J#)$CW#)'-=2; #/ #:_W!W#)D#:J#)$CW#)! '->T."CJ.%2K. @TO BRIDGE #/#?#+#=! _W!W#)D#:J#)$CW#)'->T."CJ.% V$4#:T#)'->]2; @FINE #,-: @BRIDGE.X.$Z;EEE;EJE"C52@! !Q.070'->T.-W- X.$ZZ]Z]552@! !Q.070'->T.:W: #; $ZZZ]ZEZ5]EEJ2@!O.5'->T.)W) 5!Q.2@!55='->W*W*= #AE X.$ZZZZZ;EEJ52@!Q.070'->T.-W- #: X$Z];EEE;EEJEJ2@!Q.070'->T.:W- X.$Z;EEJ552@!O.5'->T.)W) #/ $EJ;EJI;$EJI=2@!R.#8#'-_P.*6* 5!S.2@!8#8*8*='-_6*>9*== I\\))I! ;III=;III\)->I**I;III=;III*2K. !0 #D/ $YOU.VE BEEN WITH THE PROFES- SORS@ $AND THEY.VE ALL LIKED YOUR LOOKS@ $WITH GREAT LAWYERS YOU HAVE@ $DISCUSSED LEPERS AND CROOKS@ $YOU.VE BEEN THROUGH ALL OF@ $F. $SCOTT $FITZGERALD.S BOOKS@ $YOU.RE VERY WELL READ@ $IT.S WELL KNOWN/@ $REFRAIN:@ #E/ $WELL, THE SWORD SWALLOWER HE COMES UP TO YOU@ $AND THEN HE KNEELS@ $HE CROSSES HIMSELF@ $AND THEN HE CLICKS HIS HIGH HEELS@ $AND WITHOUT FURTHER NOTICE@ $HE ASKS YOU HOW IT FEELS@ $AND HE SAYS HERE IS YOUR THROAT BACK@ $THANKS FOR THE LOAN/@ $REFRAIN:@ #F/ $NOW YOU SEE THIS ONE-EYED MID -GET@ $SHOUTING THE WORD (NOW)@ $AND YOU SAY FOR WHAT REASON@ $AND HE SAYS HOW?@ $AND YOU SAY, WHAT #AF DOES THIS MEAN?@ $AND HE SCREAMS BACK YOU.RE A COW@ $GIVE ME SOME MILK@ $OR ELSE GO HOME/@ $REFRAIN:@ #G/ $WELL, YOU WALK INTO THE ROOM@ $LIKE A CAMEL AND THEN YOU FROWN@ $YOU PUT YOUR EYES IN YOUR POCKET@ $AND YOUR NOSE ON THE GROUND@ $THERE OUGHT TO BE A LAW@ $AGAINST YOU CO- MIN. 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ON YOUR LIGHT, $BABE@ $I.M ON THE DARK SIDE OF THE ROAD/@ $STILL $I WISH THERE WAS SOMETHIN. YOU WOULD DO OR SAY@ $TO TRY #AH AND MAKE ME CHANGE MY MIND AND STAY/@ $WE NEVER DID TOO MUCH TAL- KIN. ANYWAY@ $SO DON.T THINK TWICE, IT.S ALL@ <; RIGHT/ $I.M '. #;_[2@?.!['-_[ UV!W'-$Z #,-: <; WALKIN. DOWN THAT LONG, LO -NESOME ROAD, $BABE '. 2=!JWJ"CW.J'-_[ $O!,$E5.$K$55! '-_Z W.H"CR'-!& M #; <; $WHERE $I.M BOUND, $I CAN.T TELL $BUT '.V!N4'-_Y 44WA4 Z'-_[ UV!W'-$Z #: <; GOODBYE.S TOO GOOD A WORD, $GAL '.!WT.2@!JWJ"CW.J'-_[ $O552@$E5.55'-_Z W.H"CR2@!$6.!H"CR! '-!& M #/ <; $SO $I.LL JUST SAY FARE THEE WELL/ $I AIN.T '.V$K!888!,!R8'-$^ !R782@!8878 Z'-_Z U88'-$Z #,-/ <; SAYIN. YOU TREATED ME UN- KIND $YOU '.!8R.2@!88='-_[ R892@!8889 T.W2@!TWW'-$[ T.9 #AI #; <; COULD HAVE DONE BETTER BUT $I DON.T MIND/ '.!88R2@!R88'-_Y 8R."C'-_N$S 8WWW ]2@_T.W #: <; $YOU JUST KINDA WASTED MY PRECIOUS TIME/ $BUT DON.T THINK '.!WW=2@!TWW'-_[ WT.2@!TWW WTW'-!& &'-_Y V888'-_[ #/ <; TWICE, $IT.S ALL RIGHT/ $IT '.!O55'-$Z #,_[2@?.!['-_[ UV!W'-$Z2; ?#C/ AIN.T NO USE IN CALLIN. OUT MY NAME, $GAL@ $LIKE YOU NEVER DID BEFORE@ $IT AIN.T NO USE IN CALLIN. OUT MY NAME, $GAL@ $I CAN.T HEAR YOU ANYMORE/@ $I.M A-THINKIN. AND A- -WOND.RIN. ALL THE WAY DOWN THE ROAD@ $I ONCE LOVED A WOMAN A CHILD $I.M TOLD@ $I GIVE HER MY HEART BUT SHE WANTED MY SOUL/@ $BUT DON.T THINK TWICE, $IT.S ALL@ <; RIGHT/ '.#;_[2@'?!['-_[ M2K $PIANO #BJ MODERATO 3_C #, $@.@F!EE'-V 8.#)H#)8#)=! '-_@>8V_5>5 7.0#G0#$CQ0#'->9._E"C5>5 #B#A !9.0)I0)$C90)!'-__5.>E"C5!2K. #; $@.@MF!W#)'-V 0A 2=!J0)W0)J"C0"C)"C$K!W.J!,!R#! 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'->6V"9V ]2@!83*R*8*'-= #: $@!W0)=.='->8V5V WT.2@!8#R#8#! '-= W0*T0*W0*'->6V= &2@!4#N#4#'->4V= V8#)=='->8V5V #/ $@!O552@!4*N*4*'->9V5V #,![2@!5.0E050='->8V_5>5 5.\)E\)$C5\)!W#)'->9.E"C5V2; #;![2@!5.0E050='->8V_5>5 8.0)H0)$C80)V'->8.*H*$C8*V2K $IT $AIN.T $ME $BABE #BB $W. AND MUSIC BY $BOB $DYLAN, #AIFD VERY BRIGHTLY 3_C #, <; $GO .WAY FROM MY '.#DM2K. !TT'-_[ TO #; <; WINDOW; LEAVE AT YOUR OWN CHOSEN SPEED/ '.!TS"C'-_Y ^ TW5'-_[ TW9'-_Z ["C'-_[ ["C'-_Y ["C #: <; $I.M NOT THE ONE YOU WANT, $BABE; $I.M NOT THE ONE YOU '.!8VT'-_[ TT TO TS"C'-_Y S.9 TO'-_[ TWA9'-_Z #,-; <; NEED/ $YOU SAY YOU.RE WOR- KIN. FOR SOMEONE NEVER '.!["C'-_[ ["C'-_Y ["C'-_[ 8VT TT'-!] TO TS'-!^ 9A889 #; <; WEAK BUT ALWAYS STRONG TO PROTECT YOU AN. DEFEND YOU WHETHER '.!TT'-!] OT ^"C'-!^ 9VWW TT'-!] OT TS"C'-!^ SWW #: <; YOU ARE RIGHT OR WRONG... SO -MEONE TO OPEN EACH AND EV.RY DOOR: '.!TT'-!] OT ^"C'-!^ 9V$P 6.F66'-_Y 6556 %"C'-_Z 7V!2K. #/ <; $BUT IT AIN.T ME, $BABE; NO, NO, NO, IT AIN.T ME, $BABE; #BC '.@CHORUS$EE5 O!R"C'-_[ [ $RQ'-_Y P"CFE5'-_Z O!R"C'-_[ #,-: <; $IT AIN.T ME YOU.RE LOO- KIN. FOR, $BABE/ '.!R"CH$D4'-_[ NT'-_Y SS'-_Z RR"C'-_[ ["C ["C #; '.!8VU'-_[ M'-_Y M'-_R$O M'-_[ M'-_Y M'-_[ M2K $PIANO VERY BRIGHTLY 3_C #, $@.@MF!Z0'->[2@V_O5 &0'->[2@! V_P6 #B2K. @MP!T0)='->[2@V_O5 T0)O0*'-= #; $@!T*:S#)$C'-_Y2@V_R8 ^#)$C'-= TW52@!R#='-_Z2@V_R8 0A !T#)W#"C)90"C)'->Z2@V_Q7 ["C#)'->[2@V_O5 [*-$C'->[2@V_P6 [#)$C'->[2@_O5 #:#, !8VT2@!O0R#'->[2@V_O51 T0)='-= T0)O0*'-= T*:S#)$C'-_Y2@V_R8 S.#)9#)'-= T0)O0*'_Z2@V_R8 !0A !T#)='->]"C2@V_T9"C T#)O0-'->]2@_9R7 T*S#'->^"C2@V_O4"C 98892@!&! '->^2@_4U9 #; !T#)='->]"C2@V_T9"C O0-T#)'->]2@_9R7 ^#)$C! #BD '->^"C2@V_P8 9VWW2@!60VP0'->^2@_5P8 #D#B !T*S#$C'->^"C2@V!O4"C S#W*:='->^2@!4T9 #: $@!T#)='->]"C2@V_T9"C O0-T#)'->]2@_9R7 ^#)$C'->^2@V_P8 9#)V$P0*'->^2@_5P8 $6.F662@$Y#)'-_Y* 65562@$Y#)'-_Y* %0)-$C'-U_N2@_Z*$C 70)-V!'->9#-V!2K. #/ $@.@F$EE52@!S0'->O O0*!R#)$C! '->["C2@U_O [#)'->[2@_PO $R*-Q#-! '-_Y2@!PO P0-$CF0-E-5-'-U>O2@>^) O0*-!R#)$C! '->["C2@U_O #,-: $@!R#)$CH#)$D4)-'->[2@_PO N)-T*-'->Y2@V_P5 S0*='->Z2@V_O5 R#)=$C'->["C2@U_O ["C#)'->[2@_PO [#)$C'->["C2@U_O #; $@!8#)VU'->[2@_PO !&0'-_4N4 O0N0'-V_O>5 @MP_]0'->[2@V_O5 Y#'->Y2@V_P6 ]0$C'->[2@V_O5"C ]0'->[*2K #B/ $GO LIGHTLY FROM THE LEDGE, $BABE,@ $GO LIGHTLY ON THE GROUND,@ $I.M NOT THE ONE YOU WANT, $BABE,@ $I WILL ONLY LET YOU DOWN/@ $YOU SAY YOU.RE LOOKIN. FOR SOMEONE@ #BE $WHO WILL PROMISE NEVER TO PART,@ $SOMEONE TO CLOSE HIS EYES FOR YOU,@ $SOMEONE TO CLOSE HIS HEART/@ $SOMEO -NE WHO WILL DIE FOR YOU AN. MORE@ $BUT IT AIN.T ME, $BABE,@ $NO, NO, NO, IT AIN.T ME, $BABE,@ $IT AIN.T ME YOU.RE LOOKIN. FOR, $BABE/@ #C/ $GO MELT BACK INTO THE NIGHT, $BABE@ $EVERYTHING INSIDE IS MADE OF STONE,@ $THERE.S NOTHING IN HERE MO- VING@ $AN. ANYWAY $I.M NOT ALONE/@ $YOU SAY YOU.RE LOOKIN. FOR SOMEONE@ $WHO.LL PICK YOU UP EACH TIME YOU FALL,@ $TO GATHER FLOWERS CONSTAN- TLY@ $AN. TO COME EACH TIME YOU CALL/@ $A LOVER FOR YOUR LIFE AN. NO -THING MORE@ $BUT IT AIN.T ME, $BA- BE,@ $NO, NO, NO, IT AIN.T ME, $BA- BE,@ $IT AIN.T ME YOU.RE LOOKIN. FOR, $BABE/@@ $IT.S $ALL $OVER $NOW $BABY #BF $BLUE $W. AND MUSIC BY $BOB $DYLAN, #AIFE MEDIUM SLOW 33$C #, #; <; $YOU MUST LEAVE NOW $TAKE WHAT YOU NEED, YOU THINK WILL LAST $BUT WHAT- '.2=$F6F"CF6.'-<& ;66665 E!7G"CQ"C'-_Z) Q.$EE #: <; EVER YOU WISH TO KEEP, $YOU BETTER GRAB IT FAST/ '.;$66666'-<& 655W E!7G"CQ"C'-_Z) % #/ <; $YONDER STANDS YOUR ORPHAN, WITH HIS GUN/ '.!6667'-<& 65J5E"C Z"C'-_Z) Z #,-; <; $CRYING LIKE A FIRE IN THE SUN/ $LOOK OUT THE '.!6667'-<& FA5.J5E"C Z"C'-_Z) Z $G7G"CQ'-_[: #; <; $SAINTS ARE COMIN. THROUGH $AND IT.S ALL OVER '.$76F5E"C'-_R:

6-"W-= ;6666\#)50*:'-= E0#)!70*)G0*)$CQ0*)! '->5-"9-= 1$D0*)!610*:3E0#)$CO0#)! '->77"WW2K. #; $@ 2=.@MF.#D#B $E0#)!70*)G0*)$CQ0*)$C'->5-"9-= Q.0*)$E0#)E0#*'->E--E4W9- #: $@.;$6\\##))6666'->6-"W-= 6\#)50*:=W0*)'-= E0#)!70*)G0*)$CQ0*)$C'.>5-"9-= %0*)! '->E--E4W9- #/ $@!6\#)==70*:'->6"W= 6\#)50*J050*E0#)$C'->66"99 Z0#)$C'->5EE4DD Z0#)'-"WJJ99 . #,-; $@!6\#)==70*:'->6"W= F#)5.0*J050*E0#)$C'->66"99 Z0#)$C! '->5EE4DD Z0#)'-"WJJ99 70*::G0*:G0*:$CQ0*:'->8-5-= #; $@$70*:6\#)F0#)50*E0#)$C! '->8-5-6-"9- Z0#)$C'->5->E_E>4-D_D O.0#)!6'-"WJ>J"S- 6\#)==70*:'->6"W= #: $@!O0*E0*50*E0#)$C'->66"99 #BH #,#;#:!O0#)Q#)'->5_5>4_4 1$N0*)T\#3)'-1>41_4"W>W2; #/!Z0#)R0#)'->5_5= T0*)50#)V! '->5_5>5V2K #B/ $THE HIGHWAY IS FOR GAMBLERS, BETTER USE YOUR SINS@ $TAKE WHAT YOU HAVE GATHERED FROM COINCIDENCE@ $THE EMPTY HANDED PAINTER FROM YOUR STREETS@ $IS DRAWING CRAZY PATTERNS ON YOUR SHEETS@ $THIS SKY TOO, IS FOLDING UNDER YOU@ $AND IT.S ALL O- VER NOW, $BABY $BLUE/@ #C/ $ALL YOUR SEASICK SAILORS, THEY ARE ROWING HOME@ $ALL YOUR REIN -DEER ARMIES, ARE ALL GOING HOME@ $THE LOVER WHO JUST WALKED OUT YOUR DOOR@ $HAS TAKEN ALL HIS BLANKETS FROM THE FLOOR@ $THE CARPET, TOO, IS MOVING UNDER YOU@ $AND IT.S ALL OVER NOW, $BABY $BLUE/@ #D/ $LEAVE YOUR STEPPING STONES BEHIND, SOMETHING CALLS FOR YOU@ $FORGET THE DEAD YOU.VE LEFT, THEY WILL NOT FOLLOW YOU@ $THE VAGABOND WHO.S RAPPING AT YOUR DOOR@ $IS STAN -DING IN THE CLOTHES THAT YOU #BI ONCE WORE@ $STRIKE ANOTHER MATCH, GO START ANEW@ $AND IT.S ALL OVER NOW, $BABY $BLUE/@@ $JUST LIKE $TOM THUMB.S BLUES $W. AND MUSIC BY $BOB $DYLAN, #AIFE MODERATO =IN #D= 2$C #, #; <; $WHEN YOU.RE LOST IN THE RAIN IN $JUAREZ $AND IT.S $EASTER TI -ME TOO '.2=!DJ IIIJ"CJIII"C'-:@_% 9II= ^"C #: <; $AND YOUR GRAVITY FAILS $AND NEGATIVITY DON.T PULL YOU '.!S"CID4'-_% IIIJ"CJIJI JIHG"C7II #/ <; THROUGH $DON.T PUT ON ANY AIRS $WHEN YOU.RE '.!^"C'-_% S.9'-_Q.$7 JJ=WJJ'-2_] #,-; <; DOWN ON $RUE $MORGUE $AVE- NUE/ $THEY GOT SOME '.!JJ="CWII Y"C'-_% N"CD3!HIJ #; <; HUNGRY WOMEN THERE $AND THEY REALLY MAKE A MESS OUTTA YOU/ '.$4FD"CDJD]]'-$Y JJ=WGG #CJ %"C'-_Q2_T Q.!'-2>T_7! 2K @REPEAT #E TIMES $PIANO MODERATO =IN #D= 2$C #, $@.@MF$DJ'-V I00)I)I)I*$CI*I)! I*I0)'->7VV4 J**:J:J:J)$CJ)J:J)J*:! '->8VV4 #B#A !J**)J)J)J)W*:! '->8V4!2K.! #; $@.2=$DJ'-V I0)I0)I0)J#:$C! J#:I0)I0)I0)$C'->7VV4 900))IIII90)! '->7VV4 ^"C2@!G##G#G#G0$CG0G#G0G#! '->7VV4 #: $@!S"CID42@!G0G0G0G#$C7#90)! '->7VV4 I0)I0)I0)J#:$CJ#:I0)J#:I0)! '->7VV4 J#:I0)H*:G#)$C7#)I0)I0)! '->7VV4 #/ $@!^"C2@!G#G#G#G0$CG0G#G0G#! '->7VV4 !S.92@!G0G0G0G#$C7#260! '->7VV7 J##))JJJWJJ#)'->WVV7 #,-; $@!J##))JJJ$CW#)II'->WXJ"CWV Y"C2@!I00)I)I)I*$CI*I)I*I0)'->7VV4 N"CD3!HIJ2@!I00*I*I*I)$CI0)XV! '->7XG"CGXV #; $@$4\)F01)D*)$CD\)JD\)]]'->8VV4 J**JJJW*GG'->8V4V %"C2@! !D00DDE$CEDED0'->7.G"C77 #CA Q.!,!E0E0E0D0$C40!'->7.G"C7!2; @REPEAT #E TIMES #B/ $NOW IF YOU SEE $SAINT $ANNIE@ $PLEASE TELL HER THANKS A LOT@ $I CANNOT MOVE@ $MY FINGERS ARE ALL IN A KNOT@ $I DON.T HAVE THE STRENGTH@ $TO GET UP AND TAKE ANOTHER SHOT@ $AND MY BEST FRIEND MY DOCTOR@ $WON.T EVEN SAY WHAT IT IS $I.VE GOT/@ #C/ $SWEET $MELINDA@ $THE PEASANTS CALL HER THE GODDESS OF GLOOM@ $SHE SPEAKS GOOD $ENGLISH@ $AND SHE INVI- TES YOU UP INTO HER ROOM@ $AND YOU.RE SO KIND@ $AND CAREFUL NOT TO GO TO HER TOO SOON@ $AND SHE TAKES YOUR VOICE@ $AND LEAVES YOU HOWLING AT THE MOON@ #D/ $UP ON $HOUSING $PROJECT $HILL@ $IT.S EITHER FORTUNE OR FAME@ $YOU MUST PICK UP ONE OR THE OTHER@ $THOUGH NEITHER OF THEM ARE TO BE WHAT THEY CLAIM@ $IF YOU.RE LOOKIN. TO GET SILLY@ $YOU BETTER GO BACK TO FROM WHERE YOU CAME@ $BECAUSE THE COPS DON.T NEED YOU@ $AND MAN #CB THEY EXPECT THE SAME@ #E/ $NOW ALL THE AUTHORITIES@ $THEY JUST STAND AROUND AND BOAST@ $HOW THEY BLACKMAILED THE SERGEANT- -AT-ARMS@ $INTO LEAVING HIS POST@ $AND PICKING UP $ANGEL WHO@ $JUST AR -RIVED HERE FROM THE COAST@ $WHO LOO -KED SO FINE AT FIRST@ $BUT LEFT LOO -KING JUST LIKE A GHOST@ #F/ $I STARTED OUT ON BURGUNDY@ $BUT SOON HIT THE HARDER STUFF@ $EVE -RYBODY SAID THEY.D STAND BEHIND ME@ $WHEN THE GAME GOT ROUGH@ $BUT THE JOKE WAS ON ME@ $THERE WAS NOBODY E- VEN THERE TO CALL MY BLUFF@ $I.M GOING BACK TO $NEW $YORK $CITY@ $I DO BELIEVE $I.VE HAD ENOUGH@@ $LEOPARD-SKIN PILL-BOX HAT $W. AND MUSIC BY $BOB $DYLAN, #AIFF 333#AB( #, '.M'-:@$& M #; <; $WELL, $I '.M'-_9$9'4$62@>93414W U.V$F6.'-_S$P #CC #: <; SEE YOU GOT YOUR BRAND NEW LEOPARD-SKIN PILL-BOX HAT '.2=.V$F1DED"C4.V.'-_^ X1DDDIG$4!G"C73$D"C'-$Z #,-; <; $YES, $I '.$4.V.U.'-_^ U.V.$61D #; <; SEE YOU GOT YOUR BRAND NEW LEOPARD-SKIN PILL-BOX HAT '.V$E1DED"C4.V.'-$Z XEE2F1DI4I"C93D"C #: <; $WELL, YOU MUST '.$4.V.U.'-_^ U.VE4F #/ <; TELL ME, BABY HOW YOUR HEAD FEELS UNDER SOMETHIN. LIKE THAT '.$6E"CEED5D"C4E"C'-$& 53EF1EFDJD6. #,-: <; UNDER YOUR BRAND NEW LEO- PARD-SKIN PILL-BOX HAT/ $WELL YOU '.M$&FF6F2F1DIJII"C'-_9$9'4$6! 2@>93414W #,.#/!9.V.V.$53D'-_S$P2; #?!^.2L'-_^2K $PIANO 333#AB( #, $@.@MF$F\))FF6FFFF='->6*F*6)F)! 6:F:6)F F\\))FF==6.\)'-= #; !9.#)F$D!F2F1$D!FE!J!E! '->9I41*D*14#D#W3)J) 9_)!D0! #CD 503E30161\)$F\)6.\)'->9*-I71G6F6F2K. #: $@.2=.V$F01D0ED0$C4.V.'->9*I*! 9)#I)91:I:9)I X1D*D*D*IG$4*!G""C73$D)$C! '->5*E*5)E)51:E:5.) #,-; $@$4.)V.U.! '->9*I*9)I)91:I:9)I) U.V.$60*1D! '->9*I*9)I)91:I:9*I) #; $@.V$E)1D*ED*$C4.*V.! '->5*E*5)E)51:E:5)E1# XE)E)2F:1DI! 4*I0$C903D\)$C'->5*E*5)E)51:E:E)1HI #: $@$4.)V.U.'->9*I*9)I)91:I)I:_GF U.V$E#40F0*'->9*I*9)I)91:I:9)I* #/ $@$6)E*$CE*ED5*D#$C4#E*$C! '->6*F*6)F)6:F*6)I 5*3EF)1EFD#JD6.)! '->6*F*6)F)6:F:6)F #,-: $@.M$&0*F0*F0*6*1)F*)2F*:1DI! J30)II#3)$C'->9I4D14DWF #,.#/$9.#)V.6.\)$5*:3D'->9F6F==2; #?!^.#)'->9G6>I"CS.2L2K #B/ LOOK SO PRETTY IN IT@ $HONEY, CAN $I JUMP ON IT SOMETIME?@ $YES, $I JUST WANNA SEE@ $IF IT.S REALLY THAT EXPENSIVE KIND@ $YOU KNOW IT BA -LANCES ON YOUR HEAD@ $JUST LIKE A MATTRESS BALANCES@ $ON A BOTTLE #CE OF WINE@ $YOUR BRAND NEW LEOPARD- -SKIN PILL-BOX HAT@ #C/ $WELL, IF YOU WANNA SEE THE SUN RISE@ $HONEY, $I KNOW WHERE@ $WE.LL GO OUT AND SEE IT SOMETIME@ $WE.LL BOTH JUST SIT THERE AND STA- RE@ $ME WITH MY BELT@ $WRAPPED A- ROUND MY HEAD@ $AND YOU JUST SITTIN. THERE@ $IN YOUR BRAND NEW LEOPARD- -SKIN PILL-BOX HAT@ #D/ $WELL, $I ASKED THE DOCTOR IF $I COULD SEE YOU@ $IT.S BAD FOR YOUR HEALTH, HE SAID@ $YES, $I DISOBEYED HIS ORDERS@ $I CAME TO SEE YOU@ $BUT $I FOUND HIM THERE INSTEAD@ $YOU KNOW, $I DON.T MIND HIM CHEATIN. ON ME@ $BUT $I SURE WISH HE.D TAKE THAT OFF HIS HEAD@ $YOUR BRAND NEW LEO- PARD-SKIN PILL-BOX HAT@ #E/ $WELL, $I SEE YOU GOT A NEW BOYFRIEND@ $YOU KNOW, $I NEVER SEEN HIM BEFORE@ $WELL, $I SAW HIM@ $MA- KIN. LOVE TO YOU@ $YOU FORGOT TO CLO -SE THE GARAGE DOOR@ $YOU MIGHT THINK HE LOVES YOU FOR YOUR MONEY@ $BUT $I KNOW WHAT HE REALLY LOVES YOU FOR@ $IT.S YOUR BRAND NEW #CF LEOPARD-SKIN PILL-BOX HAT@@ $LOVE MINUS $ZERO - $NO LIMIT $W. AND MUSIC BY $BOB $DYLAN, #AIFE SLOWLY, WITH FEELING 33$C #, #; <; $MY LOVE SHE SPEAKS LIKE SI- LENCE $WITHOUT IDEALS OR VIOLENCE '.2=!E 5.E57'-_Z 9S. XJJJW.J'-_[ IIS.'-_Z #: <; $SHE DOESN.T HAVE TO SAY SHE.S FAITHFUL $YET SHE.S TRUE, LIKE ICE, LIKE FIRE/ '.X!JJJ=J.['-_[ 9QGG'-_Z 8765'-<& &"C'-_^ & #,-; <; $PEOPLE CARRY ROSES $AND MAKE PROMISES BY THE HOURS '.!5.E57'-_Z 9S. XJW;JJJIH'-_[ I9."CS'-_Z #; <; $MY LOVE SHE LAUGHS LIKE THE FLOWERS $VALENTINES CAN.T BUY HER/ '.X!JJJWIH'-_[ I7."CQ'-_Z VHH8.F! '-!P.$9 F5."CO'-_Z UVX!2K. @REPEAT #C TIMES $PIANO #CG SLOWLY, WITH FEELING 33$C #, $@.@MF!5.E572@_S0='->Z2@_54WW9 S\*S\)'->^2@_8767 XJJJW.I2@_TT! '->[2@_8765 876"CF!2@!O040$CD0!'->P9"CI!2K. #; $@.2=@PP!E'-X 5.E572@!N0=! '->Z2@_54W9 9S.2@!65452@_^'->Z2@V_Q7 XJJJW.J2@_TT'->[2@_8765 IIS.2@!65452@_^'->%2@V_Q7 #: $@.X!JJJ=J.[2@_TT'->[2@_8765 9QGG2@!70O#5#'->O_O 87652@!O0T0! '->P_P &"C2@V_S9'->^2@VN040 &2@V_S9! '-= #,-; $@!5.E572@^0='-_54W9 9S.2@!65452@_^'->%2@V_Q7 XJW;JJJIH2@_TT'->[2@_8765 I9."CS2@!65452@_^'->%2@V_Q7 #; $@.X!JJJWIH2@_TT'->[2@_8765 I0*7.0)$CQ0)'->Z2@>59_57 VHH8.F2@_RW0"C9\'->PS2@>T54 F5."CO2@V_S090'->Z2@V_O5 UVX!'->O"C5.!2@V_5"C5.!2; @REPEAT #C TIMES #B/ $IN THE DIME STORES AND BUS STATIONS@ $PEOPLE TALK OF SITUA- TIONS@ $READ BOOKS, REPEAT QUO- #CH TATIONS@ $DRAW CONCLUSIONS ON THE WALL@ $SOME SPEAK OF THE FUTURE@ $MY LOVE, SHE SPEAKS SOFTLY@ $SHE KNOWS THERE.S NO SUCCESS LIKE FAILURE@ $AND THAT FAILURE.S NO SUCCESS AT ALL/@ #C/ $THE CLOAK AND DAGGER DAN- GLES@ $MADAMS LIGHT THE CANDLES@ $IN CEREMONIES OF THE HORSEMEN@ $EVEN THE PAWN MUST HOLD A GRUDGE@ $STA- TUES MADE OF MATCH STICKS@ $CRUMBLE INTO ONE ANOTHER@ $MY LOVE WINKS, SHE DOES NOT BOTHER@ $SHE KNOWS TOO MUCH TO ARGUE OR TO JUDGE/@ #D/ $THE BRIDGE AT MIDNIGHT TREM- BLES@ $THE COUNTRY DOCTOR RAMBLES@ $BANKERS. NIECES SEEK PERFECTION@ $EXPECTING ALL THE GIFTS THAT WISE MEN BRING@ $THE WIND HOWLS LIKE A HAMMER@ $THE NIGHT BLOWS COLD AND RAINY@ $MY LOVE SHE.S LIKE SOME RA- VEN@ $AT MY WINDOW WITH A BROKEN WING/@@ $MAGGIE.S FARM #CI $W. AND MUSIC BY $BOB $DYLAN, #AIFE MEDIUM BRIGHT 3_C #, #; <; $I AIN.T GONNA WORK ON $MAG- GIE.S FARM NO MORE '. 2=!W WT39'-!& W39W9 T88"C [ #: <; $NO, $I AIN.T GONNA WORK ON $MAGGIE.S '.M'-!& U!WW WT39 W39= #,-; <; FARM NO MORE $WELL, $I WA- KE IN THE '.!T66"C'-!& & M UWW TWW #; <; MORNING $FOLD MY HANDS AND PRAY FOR RAIN/ $I GOT A HEAD FULL OF I- '.!J8.WW'-!& WW= TXJJJ WW= #: <; DEAS $THAT ARE DRIVIN. ME IN -SANE $IT.S A SHAME THE WAY SHE '.!J8."C8JJ'-!& WWW39 JA8.WW W.G77'-_] #,-: <; MAKES ME SCRUB THE FLOOR $I AIN.T GONNA WORK ON $MAGGIE.S '.!77='-_] %"C QT 8R6'-!& 66= #; <; FARM NO MORE/ '.!R56"C'-!P_5!6 &'-!& M'-!6_5= UV!'-!P.2; @REPEAT #D TIMES #DJ $PIANO MEDIUM BRIGHT 3_C #, $@!W-'-V W0*--T0*-39\#3.! '->6-V"W-V W0*39\#='-= T03:T30)'->P-1Q- T\3)$CW\)-!! '-3>Q-"W-!2K. #; 2=!W--'-V #D#B !T0*80)80)-$C'->6-V"W-V [2@!6#)=V6#)'-= #: $@.V!W0*V80)$C'-"6V"WV2@_T88"C 80)=W-W-'->6VU2@_RU W0*--T0*39\#! '-"6-V"W-V W0*39##='-= #,-; $@!T0*6#)6#)-$C'->6V"WV &2@_W0*W0*VW0*'->6V"WV _T66"C! 2@V_W0*V6#)$C'->6V"WV P!,!6#)=$K! W-W-'->6VU T0*--W0*W0*'->6-V"W-V #; $@!J8.!,!P#$K!9*-='-= W0*-=.='-= T0*XJJJJ'-= W0*=.=! '->6V"W-V #: $@!J8."C8JJ2@!P#$C6#80)'-= W0*-==39\#-'-= J8.!,!P#$K!W-W-! '->6-VU W.#3)-G0*70*70*'->7-V"W-V #,-: $@!730*=.='->7-V"W-V %"C2@3!50=V50'-= QT2@V3!50Q0*'-= 80)R0)6#)'->6-V"W-V 6#)=.='-= #; $@!R0)5#)6#)$C'->6V"W-V #DA &2@_W0=VW0'-= 80)70)6#)5#)'-= P#)6#)!'->P-6-!2; @TREPEAT #D TIMES #B/ $I AIN.T GONNA WORK FOR $MAG- GIE.S BROTHER NO MORE@ $NO, $I AIN.T GONNA WORK FOR $MAGGIE.S BROTHER NO MORE@ $WELL HE HANDS YOU A NICKEL@ $HE HANDS YOU A DIME@ $HE ASKS WITH A GRIN@ $IF YOU.RE HAVIN. A GOOD TI- ME@ $THEN HE FINES YOU EVERY TIME YOU SLAM THE DOOR@ $I AIN.T GONNA WORK FOR $MAGGIE.S BROTHER NO MORE/@ #C/ $I AIN.T GONNA WORK FOR $MAG- GIE.S PA NO MORE@ $NO, $I AIN.T GON- NA WORK FOR $MAGGIE.S PA NO MORE@ $WELL HE PUTS HIS CIGAR@ $OUT IN YOUR FACE JUST FOR KICKS@ $HIS BE- DROOM WINDOW@ $IT IS MADE OUT OF BRICKS@ $THE $NATIONAL $GUARD STANDS AROUND HIS DOOR@ $AH, $I AIN.T GONNA WORK FOR $MAGGIE.S PA NO MORE/@ #D/ $I AIN.T GONNA WORK FOR $MAG- GIE.S MA NO MORE@ $NO, $I AIN.T GON- NA WORK FOR $MAGGIE.S MA NO MORE@ $WELL SHE TALKS TO ALL THE SERVANTS@ $ABOUT MAN AND $GOD AND LAW@ $EVERY- BODY SAYS SHE.S THE BRAINS #DB BEHIND PA@ $SHE.S SIXTY-EIGHT, BUT SHE SAYS SHE.S TWENTY-FOUR@ $I AIN.T GONNA WORK FOR $MAGGIE.S MA NO MO- RE/@ #E/ $I AIN.T GONNA WORK ON $MAG- GIE.S FARM NO MORE@ $I AIN.T GONNA WORK ON $MAGGIE.S FARM NO MORE@ $WELL, $I TRY MY BEST@ $TO BE JUST LIKE $I AM@ $BUT EVERYBODY WANTS YOU@ $TO BE JUST LIKE THEM@ $THEY SING WHILE YOU SLAVE@ $AND $I JUST GET BORED@ $I AIN.T GONNA WORK ON $MAGGIE.S FARM NO MORE/@@ $MIXED-$UP $CONFUSION $W. AND MUSIC BY $BOB $DYLAN, #AIFB FREELY 3_C #, <; $I GOT MIXED UP CONFUSION, MAN, IT.S A-KILLIN. '.@F.@=NO CHORDS$E5 5O7 5NV 5O7 5A42T BRIGHT COUNTRY ROCK #; <; ME/ '.!["C'-$[ ["C ["C 8V2K. #: <; $WELL, THERE.S TOO MA- #DC NY '.!W4 2=$5O."C'-$Z Z"C Z"C OQ #/ <; PEOPLE/ $AND THEY.RE ALL TOO '.$5N.'-$Z M M U$55 OR #,-; <; HARD TO PLEASE '.$5AN39'-$Z WAR.'-_[ #CM #; <; $WELL, MY '.#CM'-_[ U2K.@FINE$552; $PIANO #, VX #D!M BRIGHT COUNTRY ROCK 3_C #; $@!["C2@V1!7*='->R_65 ='->O_65 ["C2@='->R_65 8V!,V1!7*$K!'->O!2K. #: $@_W040'-_65 2=!5O."C2@V!4*=! '->9V_65 Z"C2@V!4*='->O_65 Z"C2@='->S_65 OQ2@V!4*='->O_65 #/ !54*V4*'->S_65 V$O#5#'->O_65 E#!5E$D01G$53)$C'->S_65 5)!555! '->O_65 OR2@V!4#='->S_65 #,-; $@!5N392@V!Q.'->O_65 ?3IWR.! '->R_65 V$R#8#'->O_65 @FADE OUT ON LAST CHORUS $8#;H*ED82)81)$C'->R_65 R)8-8#! '->O_65 #DD #; $@ #B $8#;H*ED82)81)$C'->R_65 8)!82K.@FINE!55'->O_652; #B/ HAT.S IN MY HAND,@ $BABE, $I.M WALKIN. DOWN THE LINE/@ #C/ $AN. $I.M LOOKIN. FOR A WOMAN@ $WHOSE HEAD.S MIXED UP LIKE MINE/@ #D/ $WELL, MY HEAD.S FULL OF QUE- STIONS,@ $MY TEMP.RATURE.S RISIN. FAST/@ #E/ $WELL, $I.M LOOKIN. FOR SOME ANSWERS@ $BUT $I DON.T KNOW WHO TO ASK/@ #F/ $BUT $I.M WALKIN. AND WONDE- RIN.@ $AND MY POOR FEET DON.T EVER STOP/@ #G/ $SEEIN. MY REFLECTION@ $I.M HUNG OVER, HUNG DOWN, HUNG UP+@@ $POSITIVELY #DTH STREET $W. AND MUSIC BY $BOB $DYLAN, #AIFE MEDIUM TEMPO 3$C #, #; <; $YOU GOT A LOTTA NERVE $TO SAY YOU ARE MY FRIEND #DE '. 2=.V$65W'-_[ IIW"CW.J'-_Y IW.W9'-!Y !Z'-_[ #: <; $WHEN $I WAS DOWN $YOU JUST STOOD THERE GRINNING '.!J5EO'-_R_O F5.J5.'-_N_R F5."CO'-_Z M2; #ABTH TIMES TO 0L CODA REPEAT #AA TIMES #/ '.@CODA 0L M'-_[ M'-_Y M'-!Y M'-_[2K $PIANO MEDIUM TEMPO 3$C #, $@.@MF$F5."CO2@!]0'-X_EHJ!65 E4."CN2@![0'-X_DFH!54 J9."CS2@![20'-X_D2FHW9 F5."CO2@!^0'-X_EGI!652K. #; $@.2=.V$65W'-@K>[*0 IIW"CW.J2@!PP'-_N*= IW.W92@2!PP'-= Z02@_I8.78'->[* #: $@!J5EO2@!R#S*'->R-S) F5.J5.2@!R0R#'-_N*T) F5."CO2@!^0'-X_EGI!65 ='-=2; #ABTH TIME TO 0L CODA REPEAT #AA TIMES #/ $@.0L @CODA$F5."CO2@!]0'-X_EHJ!65 E4."CN2@![0'-X_DFH!54 J9."CS2@![20'-X_D2FHW9 #DF ]0)'-_[2K #B/ $YOU GOT A LOTTA NERVE@ $TO SAY YOU GOT A HELPING HAND TO LEND@ $YOU JUST WANT TO BE ON@ $THE SIDE THAT.S WINNING@ #C/ $YOU SAY $I LET YOU DOWN@ $YOU KNOW IT.S NOT LIKE THAT@ $IF YOU.RE SO HURT@ $WHY THEN DON.T YOU SHOW IT@ #D/ $YOU SAY YOU LOST YOUR FAITH@ $BUT THAT.S NOT WHERE IT.S AT@ $YOU HAD NO FAITH TO LOSE@ $AND YOU KNOW IT@ #E/ $I KNOW THE REASON@ $THAT YOU TALK BEHIND MY BACK@ $I USED TO BE AMONG THE CROWD@ $YOU.RE IN WITH@ #F/ $DO YOU TAKE ME FOR SUCH A FOOL@ $TO THINK $I.D MAKE CONTACT@ $WITH THE ONE WHO TRIES TO HIDE@ $WHAT HE DON.T KNOW TO BEGIN WITH@ #G/ $YOU SEE ME ON THE STREET@ $YOU ALWAYS ACT SURPRISED@ $YOU SAY (HOW ARE YOU?), (GOOD LUCK)@ $BUT YOU DON.T MEAN IT@ #H/ $WHEN YOU KNOW AS WELL AS ME@ $YOU.D RATHER SEE ME PARALYZED@ #DG $WHY DON.T YOU JUST COME OUT ONCE@ $AND SCREAM IT@ #I/ $NO, $I DO NOT FEEL THAT GOOD@ $WHEN $I SEE THE HEART BREAKS YOU EMBRACE@ $IF $I WAS A MASTER THIEF@ $PERHAPS $I.D ROB THEM@ #AJ/ $AND NOW $I KNOW YOU.RE DIS- SATISFIED@ $WITH YOUR POSITION AND YOUR PLACE@ $DON.T YOU UNDERSTAND@ $IT.S NOT MY PROBLEM@ #AA/ $I WISH THAT FOR JUST ONE TI -ME@ $YOU COULD STAND INSIDE MY SHOES@ $AND JUST FOR THAT ONE MO- MENT@ $I COULD BE YOU@ #AB/ $YES, $I WISH THAT FOR JUST ONE TIME@ $YOU COULD STAND INSIDE MY SHOES@ $YOU.D KNOW WHAT A DRAG IT IS@ $TO SEE YOU@@ $SHE BELONGS TO ME $W. AND MUSIC BY $BOB $DYLAN, #AIFE MODERATO #D/ #, #; <; $SHE.S GOT EV.RYTHING SHE NEEDS $SHE.S AN ARTIST $SHE #DH DON.T LOOK '.2=!H8 [[H"CHF7DD'-_N_Q F4D64'-_Y #: <; BACK $SHE.S GOT EV.RYTHING SHE NEEDS $SHE.S AN '.!6VU'-_N_Q UX$D4'-_Y YYD"CDD4IH'-_N_Q #,-; <; ARTIST, SHE DON.T LOOK BACK $SHE CAN TAKE THE '.$D!8H$49'-_Y 8VU'-_N_Q UX$YYDD'-_Y #; <; DARK OUT OF THE NIGHTTIME $AND PAINT THE DAYTIME BLACK/ '.$4YYDD9I"C'-_N_Q I4I49'-_Y 8VU'-_N_Q UV!'-_N.2; @REPEAT #D TIMES $PIANO MODERATO #D/ #, $@.@MF$[[H"CHF7FE2@$N#T\'-_@!PO 64O2@X!80H0X8\H\'-!NT ![[H"CHF7FE2@!N#T\'-_PO 64E!,V_80H$K!'-_NJ!2K. #; 2=@MP!H8'-XV [[H"CHF7DD2@! X!F0$CF0DXD0XI'->N-Q F4D642@X_80H0! X80H0'->NN #: $@!6VU2@X!4#)D#)X40*D0*'->NQ UX$D42@X!4#)D#)X80H0'->N4V #DI YYD"CDD4IH2@X!H0$CH0H0XI0X!D'->N-Q #,-; $@$D!8H$492@X!60F0X!H0*XF0! '->N-= 8VU2@X!60)F0)X7#)G#)'->N-Q UX$YYDD2@X!60)F0)X80H0'->N-= #; $@$4YYDD9I"C2@X!80H0X7#F0$C! '->N-Q I4I492@!F080F0XH0*XF0'->N-= 8VU2@X!60)F0)X7#)G#)'->N-Q UX!2@X!60)F0)X!'->N-D-!2; @REPEAT #D TIMES #B/ $YOU WILL START OUT STANDING@ $PROUD TO STEAL HER ANYTHING SHE SEES@ $YOU WILL START OUT STANDING@ $PROUD TO STEAL HER ANYTHING SHE SEES@ $BUT YOU WILL WIND UP PEEKING THROUGH HER KEYHOLE@ $DOWN UPON YOUR KNEES/@ #C/ $SHE NEVER STUMBLES@ $SHE.S GOT NO PLACE TO FALL@ $SHE NEVER STUMBLES@ $SHE.S GOT NO PLACE TO FALL@ $SHE.S NOBODY.S CHILD@ $THE LAW CAN.T TOUCH HER AT ALL/@ #D/ $SHE WEARS AN $EGYPTIAN RING@ $THAT SPARKLES BEFORE SHE SPEAKS@ $SHE WEARS AN $EGYPTIAN RING@ $THAT SPARKLES BEFORE SHE SPEAKS@ $SHE.S A HYPNOTIST COLLECTOR@ $YOU ARE A #EJ WALKING ANTIQUE/@ #E/ $BOW DOWN TO HER ON $SUNDAY@ $SALUTE HER WHEN HER BIRTHDAY COMES@ $BOW DOWN TO HER ON $SUNDAY@ $SALUTE HER WHEN HER BIRTHDAY COMES@ $FOR $HALLOWEEN GIVE HER A TRUMPET@ $AND FOR $CHRISTMAS, BUY HER A DRUM/@@ $TOMORROW IS A LONG TIME $W. AND MUSIC BY $BOB $DYLAN, #AIFC MODERATO RUBATO #D3$C #, #; <; $IF TODAY WAS NOT AN ENDLESS HIGHWAY; $IF TO- '.0 ![A^ W.JJJ1ZF.'-_& !JW."CW.&A[ #: <; NIGHT WAS NOT A CROOKED TRAIL; $IF TOMORROW WASN.T SUCH A '.!W"CJJJJ1ZF.'-_& !T.X&[ I9.!,@=*=!^^II^^$K!H%A&%G.'-_^ #,-; <; LONG TIME; $THEN LONESOME WOULD MEAN NOTHING TO YOU AT ALL; $YES, AND '.!F6."C6.I'-_& II"C^^H;GAHG&AG&! '-_S.$W P.X$YY'-_6_9_P2K. #; <; ONLY IF MY OWN TRUE LO- #EA VE WAS WAITIN.; $YES, AND IF '.@REFRAIN$DDDJJIIH'-_^ H8."C8.;$YYY'-_& #: <; $I COULD HEAR HER HEART A- -SOFTLY POUNDIN.; $ONLY IF SHE WAS LYIN. '.$DD=J.^HG'-_^ F6."CP'-_& I9I! [A%FGG'-_S.$W #/ <; BY ME $THEN $I.D LIE IN MY BED ONCE AGAIN/ '.!%A&F"CPII'-_^ 9IH?G8&AG&'-_S.$W P.X!'-_6_96.!2K. !0 $PIANO MODERATO RUBATO #D3$C #, $@.@MF![^'-X !JWJJIH.%2@!R0605#'->FJ_H>J9*J"J P"C!,!W0V$K!6.'->FJ_H@DIM.>JFJ_H!2K. #; $@ 0 @P![^'-X @CANTAB,ILE! !W.JJJ1ZF.2@!R080W0'->FJ_H>J= !J0*W.0*$CW.0*&['->FJ_H>JFJ_8 #: $@!WJJJJ1ZF.2@!R080W0'->FJ_H>J= !T.0*X&['->FJ_H>JFJ_8 I9.H%&%G.2@! !D4D='->I*9*I*= #, $@!F)6."C6.I'->FJ_H>JFJ_HX II"C^^H;GHG&0G0&02@!D4D49! '->I*9*I*9*J"J P.X$YY2@_HFIF! #EB HF"CFX'->6"C*$6"C)6*_(FX2K. #; $@ @REFRAIN$DDDJJIIH2@!9#)=60=! '->^* H0)8.0)$C8.0);$YYY! '->FJ_H_JFJ_8 #: $@$DD=J.^HG2@!9#)=60='->^* F6."CP2@_W0VU'->FJ_H_JFJ_8 I9I! [%FGG2@!N45#'->S*9*J"J #/ $@!%&F"CPII2@_W0VU'->FJ_H>JF_FV 9IH8&0G0&02@!N49'->S*9*J"J P.X!,_HFIF! HF"CF$K!'->6"C*6"C)6*_LF!2K !0 #B/ $I CAN.T SEE MY REFLECTION IN THE WATERS;@ $I CAN.T SPEAK THE SOUNDS THAT SHOW NO PAIN;@ $I CAN.T HEAR THE ECHO OF MY FOOTSTEPS;@ $OR CAN.T REMEMBER THE SOUND OF MY OWN NAME;@ #C/ $THERE.S BEAUTY IN THE SILVER, SINGIN. RIVER;@ $THERE.S BEAUTY IN THE SUNRISE IN THE SKY;@ =*= :_$BUT NONE OF THESE AND NOTHING ELSE CAN TOUCH _THE BEAUTY@ $THAT $I REMEMBER IN MY TRUE LOVE.S EYES;@