$S $U $O $N $I $RIVISTA BIMESTRALE DI MUSICA $GENNAIO-$FEBBRAIO #BJAI N. #ID $ANNO $XXIII $SUCCESSI INTERNAZIONALI $WHITNEY $HOUSTON - $AMY $WINEHOUSE $DIR. RESP.: $PIETRO $PISCITELLI $REDATTORE $MATTEO $BONETTI $SEGR. DI REDAZ. $GIANLUCA $CASALINO $REGISTRAZIONE $TRIB. $MONZA #AD-#AJ-#BJAE N. #AF $COPIA IN OMAGGIO $STAMPATO IN $BRAILLE A CURA DELLA $BIBLIOTECA $ITALIANA PER I $CIECHI VIA $G. $FERRARI, #E\$A $TEL. #JCI-#BH.CB.GA - #BJIJJ $MONZA - #BJAI $INDICE #B $WHITNEY $HOUSTON $ALL AT ONCE......................#C $I HAVE NOTHING...................#G $I WANNA DANCE WITH SOMEBODY =WHO LOVES ME=....................#AD $RUN TO YOU......................#AG $THE GREATEST LOVE OF ALL........#BC $AMY $WINEHOUSE $BACK TO BLACK...................#BH $LOVE IS A LOSING GAME...........#CC $REHAB...........................#CF $STRONGER THAN ME................#DJ $YOU KNOW $I.M NO GOOD...........#DE $WHITNEY $HOUSTON #C $ALL AT ONCE $W. BY $J. $OSBORNE & $M. $MASSER $M. BY $MICHAEL $MASSER $EDIZ. MUS. $WARNER $CHAPPELL, #AIHE SLOWLY AND EXPRESSIVELY 4=#FF 22#D/ #, $@.@MP$EYZ"C2K. $5D.%510#H#G! '-2_W$K_7!,>9$K_8'\_8!,>W G0FF)Z&4$I.['-6 _@.V2K. @WITH@PEDAL_W*^!%I_H.^1W N$K_7!,!I^!Y"C$K_6) #; $@$H.#*:%"CGYZ"CE.0*)ZFG'-T2K. 0 @MP! !50]YZ&$K!7H.Y!,!O\'-2_T_Q!,>S _@>TT2@_7!VH.%62K. 0 >T*S) #/ <; FIN.LLY TOOK A MOMENT AND $I.M REALIZING THAT $@!E0YZ"CE%]"C$K!J^]"CJYZ"C!,!Q0! '-Q E&Y"CD]Y"CN2@!R#S0)! '-2_P:_Q!,2>P _@>R:Q P-P #D #,-; <; YOU.RE NOT COMING BACK/ $AND IT.S FIN.LLY HIT ME ALL AT ON- CE/ $@$DEJ^]"CWIG2@!Q#O#'-7$K$7 _@>O-R: _N>Q- #; <; $ALL AT ONCE $I $@!W.)G*6#EYZ"C'-2_T2_P!,2>T 50EF! 70#$D.!Y'-2_T_Q!,>S _@ >T"C!,_7.I$K>W.)G T*S) #: <; STARTED COUNTING TEARDROPS AND AT LEAST A MILLION FELL/ $MY $@!E0YZ"CE%]"C$K!J^]"CJYZ! !,!Q0-!R2_T!,>Q E&Y"CDZY"C4.D! 2@!R#S0)'-2_P_Q!,2>P _@>R:Q P-P #/ <; EYES BEGAN TO SWELL, AND ALL MY DREAMS WERE SHATTERED ALL AT ON- CE/ $@$DZ]"CJ^]"CWG.Z2@!Q#O0'-Q _@>O-R: _N>Q- #? <; $EVER SINCE $I MET YOU, YOU.RE THE ONLY LOVE $I.VE KNOWN/ $@.#B/ !W)$&EJG'-2_T2K. #D/ @BRIDGE: @MF!H0[^J0*Y]"C! #E $K!J7%%!,!Q0'-2_P2_T!,>O $F03:ZZ"C! E#-DW.A0)IA0)'-$52'\$K_5!,3>7$K!8_7 _@.#B/ >T*2K. #D/ >P*55 5378.G #,-: <; $AND $I CAN.T FORGET YOU, THOUGH $I MUST FACE IT ALL A- $@!H0)[^J0*Y]"C$K!JG"C%%%%!,!750! '-2_P$K2_W!,>5$K<8 #B/ $EYY"CDJ! 2@!T0* _@>P58 #B/ _4:>DZ& #; <; LONE/ $ALL AT ONCE $I.M DRIF -TING ON A LONE- $@.#D/ $N\#);!G20*_IJ!G#&%"C! '-Q$K2_8!,2>9$K2$9 #E2 2=.@CHORUS.@F!7"CG.%G%]"CJ^^"C! 2@!5#=607*'-2_O$K<72_W!,2>W5 _@.>Q!,@CRES.;X_EF;GHI$K2>92:9: #E2 2=.>O>W:15 #: <; LY SEA, WISHING YOU.D COME BACK TO ME/ $AND THAT.S ALL THAT MAT- $@!I[["C8F&$Y"CD]]"C2@!50=4!9#! '-28 J^^"C9!,!60F*D$K! !E0%%H#)^^"C'-6..-&9-8- 7.-GW.:I #/ <; TERS NOW/ $ALL AT ONCE $I.M DRIFTING ON A LONE- $@!IZZ"C5!,!70*_W\$K!50G0*&%"C! #F '-2_R:\2_R!,2>S #D#A _@>8..[9:9: O>W:15 #? <; LY SEA, HOLDING ON TO MEMO- RIES/ $AND IT.S HURT ME MORE $@.#D#B _@>6..-&98 7.-GW:JI #,-/ <; THAN YOU KNOW, SO MUCH MO- RE THAN IT SHOWS ALL AT ONCE/ $@!9"C^[%Z"C!,!70*50$K! !50#$CZ0#]Z^"C'-2_[:\ #,!9"C^[%Z"C!,!50=$K!50#E0#YZ"C! '-2_['\!,2>^ _@>R88 S:9:= #; <; $ALL AT ONCE $@.#B/ !O#)'-2_O2K. #D/ 1$Z)&1)Z)]*H.)%7\*1:E1#YZ"C! '-7$K$72K. @D.S. 0 #;#:.! @ETC.!9"C^[%Z"C!,!5050$K!50#G#&%"C! '-2_R.'\!,>S.$K2$92; @REPEAT AD LIB. AND FADE _@.#B/ >O* #D/ _N:>7@DIM.>7:2K. >S:9:9:2; $I HAVE NOTHING #G $W. AND $M. BY $LINDA $THOMPSON AND $DAVID $FOSTER $EDIZ. MUS. $WARNER TAMERLAME, #AIIB MODERATELY, WITH (#B) FEEL 3#F( #, '.M'-_R: M M'-!P'# M #; '.M'-_N:\ M M'-!^'# M'-!9'#_5 M'-@NO CHORD 2K. #: <; $SHARE MY LIFE, TAKE ME FOR WHAT $I AM/ .$CAUSE '.2=!8.8.'-_R:\ 8.HGE 5.5.'-!P'# 5.V_H #,-; <; $I.LL NEVER CHANGE ALL MY COLORS FOR YOU/ '.!FFE6.'-_N:\ VYZF5"C'-_O!,>N EEE"C5.'-_R:\ M'-<9$5 #; <; $TAKE MY LOVE, $I.LL NEVER ASK FOR TOO MUCH, JUST '.!8.$K8.!,!8H'-#H 8.HGE 5.5J 5.V$K_H!,_[[ #: <; ALL THAT YOU ARE AND EVERY- THING THAT YOU DO/ '.!FF&AZ6. X.ZYZFED O. #/ <; $I DON.T REALLY NEED TO LOOK VERY MUCH FURTHER, '.M2K. _]EEJEJ5.'-!S'\ JEEJ5'-O #: <; =$YOUR LOVE $I.LL REMEMBER FOREVER= $DON.T MAKE ME '.?#;ND @TIME @ONLY !II^[IIM[ !^A[JA]A[A9.* V.!I2JD'-_O2K. #/ <; CLOSE ONE MORE DOOR, $I DON.T WANNA HURT ANY- '.122 $5."CED]]"C'-2_6.:\"C67 5."CED]]"C! '-#D WM[JJ.Y 9."CIHG #; <; THERE/ $DON.T WALK AWAY FROM ME/ $I HAVE NOTHING, NOTHING, '.!%A[AEXEGM% HJJ"CW.A'-!N'\ 7.XHJ! '-<5<8 JHXJGX'-2_6:$K2_W\!,>5 #: <; NOTHING IF $I DON.T HAVE YOU, YOU, #I '.#,$EJXXJI'-Q 8.9.'-<4!,>7$K$7 DW"CW.'-2_T V.JAIAGA #/ <; YOU, YOU, YOU/ '.!8."CH.A%AE'-Q 4.9.'-<4@N.C. !W.4.2K. 11#E3 $5."CED]]"C! .'-_6:\$C637 #: <; ARMS IF YOU DARE, OR MUST $I IMAGINE YOU '.$5."CED]]"C'-#D WM[JJ.Y 9."CIHG #/ <; THERE/ $DON.T WALK AWAY #AJ FROM ME, NO/ $DON.T WALK A- '.!%A[AEXEGM% HJJ"CW.'-36.*:X_IJ 5.\_9. #; $@$E!GH= = = $D#)D#)XE#)E#)X =NO CHORD= M2K. _@>4.*_W.\# >4.*_9.# #AA >9.*\_9.\# >IIX_EEX M2K. #: $@.2=!8.-8.: 8.)HGE 5.*5.# 5.0$C50_H _@.2=>H_EHHGE = >FJ_FHGE = #,-; $@!FFE6.2@_T.0 !70)YZ$K!F5!,_9.0 X!EE!,_9.0$K!H\#_IJ !8*:FH\#*_I!E _@>DH_D"CD>DH 4."CD_DI H_58. >I_65. #; $@!8.-8.: 8.)HGE 5.*5#J 5.0$C50_H _@>H_EHHGE >H_EHHGE >FJ_FHGE = #: $@!FF&Z!,_W.0$K!FDE G.0)ZYZ$K!FED!,_9.0 !E0#GH$E!FG _@>DH_D"C4. >4."CD_DI 8._8. #/ $@!8.0*:9.0*)2K. _]EEJEJ!,_8.$K!5.0* JEEJ52@_9.08. _@>9._5>%[2K. 9."C93I W.6J #,-: $@_]EEJEJ!,_8.$K!6.0#) HGF!,!5.#$K!F#)E0*X ]EEJEJ!,_8.$K!60#)_H _@>S. WEFEX >9."C9I #; $@_JEE6E2@_S.0 !FH[^"C^[FE2@!N.\ #C( !F0)G0)H0) #F( S.\#) _@>W."CJIJ N. #C( IJD #F( 5."C5>I #: $@!I#)! =#;ND TIME ONLY= !I#)^[I#)I#)M[ ^[J][9.2@! #AB !F060$C6.0 !7.0#I2JD2K. _@>EEX= E5"C5. 5.V.2K. #/ $@.122$5.!,!J0#J0#J0#$K! !J0#D]#)]*:$C J*:!EFJ*:Y]]Y 9.!,!G0#G0#G0#$K!G0#HG _@.122 >6."CFFF 4."C4D 5."C5G #,-/ $@!%0*[E0E0!J#)D*:G 5.!,!J0#J0#J0#$K!J0#D]#)]*:$C J*:!E&[$K!JJ.Y!,!6.0 !9.!,!G0#G0#G0#$K!G0#HG _@>8.GGX 6."CFFE 4."C4D 5.5G #; $@!%0*[E0E0E#G0)M% HJJ"C!,!6.0$K!J!EF 7.!,!D0D0D0$K!G0*HJ J0)H#XJ#:G#X _@>8.GGX 4.4D 5.HGG FFXEEX #: $@.#,$E*:W0*$CJ0*JI 8.0*9.#) D*:J!E!J#)!EG J#)!EGJ#)IG _@.#,>G7"C7."C Q. T."C W.9. #/ $@!H#)EGJ#)!EG J#)!DHI0)EG H#)EGJ#)!EE H*:_ID3G0#1FZ^2; _@>R. VZ&7. P. 5._E>I1J2; #,-? $@$E0*:4\#)$C4.\#)$C 4.\#)9. W.4.2K. 11#E3 5.!,!J0#J0#J0#$K!J0#D]#)]*:$C _@>G7"C7."C 7._9. W.4.2K. 11#E3 >6."CFFE #; $@!J*:!EFJ*:Y]]Y #AC 9.!,!G0#G0#G0#$K!G0#HG %0*[E0E0!J#)D*:G _@>4."C4D 5."C5G 8.GGX #: $@$5.!,!J0#J0#J0#$K! !J0#D]#)]*:$C J*:!E&[$K!JJ.Y!,!6.0 !9.!,!G0#G0#G0#$K!G0#HG _@>6."CFFE 4."C4D 5.5G #/ $@!%0*[E0E0E#G)M% HJJ"CW.2@!6.00FFF0 $4.!,!G0G0G0$K$E0*D0*J _@>8HGGX 4."C4D 5HHGX #,-+ $@$DEZYW.2@!8.00HHH0 !I0*$EJ50)Z] 4#)!H$K!]Y"C4!,!H0H0H0 _@>4.4D 5.[^JD >4."C4D #; $@$D0*D0*D0*X!HJ J0)H#X$E0)J#X ED.]!,!H080$K$EY]G"C _@>5."CEDE FFXEEX G7"C7."C #: $@!GJI8.0*: X$DJ!EGJ J#)!EGJ#)IG H#)EGJ#)!EG _@>Q. T. W.9. R. #/ $@!J#)!DHI0)EG H#)EGH#)_JE @RIT.!G\#_JDFEY^ !T.#)-2L2K _@>8.7. P. Q. T.2L2K $I WANNA DANCE WITH SOMEBODY #AD =WHO LOVES ME= $W. AND $M. BY $GEORGE $MERRILL AND $SHANNON $RUBICAM $EDIZ. MUS. $IRVING MUSIC, #AIHF MODERATE ROCK 4=#AAB 2#D/ #, $@.@F$940VI.^2@$%#'-:@_% H7HGIC82@$Y0 940VI.^2@$%# _@>G.%EGV5 G.%"CGG7V #B#A #; $@$H7HGIHG2@$Y0 940VI.^2@$%#'-G.%"C7_76 E.Z>I_EV>9 _E.Z"CE>I_54 J.]"CJJVW #: <; $THE CLOCK STRIKES UP- $@$GHIH"C872@$5060504\'-<8!92_W)$4# 7<40U2@$Y0'-_% I0H0*G#G#)V! @MF!I0H0$C2K. @VERSE 0 !H0@VERSE_H!44XD'-_Y _@>89W4 >G.%EGV5 GEDGU2K. _D.YIDVX>H #/ <; ON THE HOUR WHEN THE SUN BE- GINS TO FADE/ $THERE.S STILL ENOUGH TIME TO $@!4DE"C5FF 70)FG"CG9E"C'-!Z EIGE! JEI0)H0$C'-!O<8$K_7!,>9 H0_H!D.YE4D'-_Y #AE _@_D.Y"CDDV4 E.ZDEVXD E.ZDE>8:9) D.YIDVXI #? <; FIGURE OUT HOW TO CHASE MY BLUES AWAY/ $I.VE DONE ALRIGHT UP $@!5DE"C5FF 7FG"CG9E"C2@!Z#'-!Z OG0H090 00 !JJ=J9I"C2@!R.#XG#$C! '-!R..$K_G!,>D _@_D.Y"CDDV4 E.ZDEVXD E.Z"CED5_9 _8X.[HIJD #,-; <; TILL NOW; IT.S THE LIGHT OF DAY THAT SHOWS ME HOW/ $BUT WHEN THE NIGHT FALLS $@!I0)80*H0*$C80*DD'-_Y !9ID"C!,!Q#$K$D9#)H0*$C! '-_Q.._D!,>S..2J H0*90)G0*$C! G0*H0I0!D'-_D$K_7!,2>W$K2_J"CT !W#)JI0)$CI0)8.0*$C! '-<8.$K_7!,>9$K_4.!,>5. _@_4.D4DJ 9X.^IHIJ"C W.JW9 8.I"CI_5. #; <; LONELINESS CALLS/ $OH, $I WANNA DANCE WITH SOMEBODY/ $@!R0*;989 $J#)I0)J#)D#)!,!Q$KU! '-2_J_GJDU @CHORUS 2=.V@F! !90)$CI0)I^^I0)$C'-_% I0)GGG#)$CG#)HV _@_Z JIJDV>4 2=>G.%EGV5 #AF G.%"CGGV4 #: <; $I WANNA FEEL THE HEAT WITH SOMEBODY/ $YEAH, $I WANNA DANCE $@$I.00))^X!I^^II0)D0* X!GGG#)$CG#)HV V90)$CI0)I^^I0)$C'-G.%EGV5 G.%"C7_76 E.Z"C>I_EV>9 #/ <; WITH SOMEBODY, WITH SOMEBODY WHO LOVES ME/ $@!I0)GGG0#$CG0#HV $I.0*:^0*:V!70*='-2_]: G0*HIH#)$C8#)7#*'-2_T.$4# _@_E.Z"CEE54 J.]"CJJVW J.]"CWW4 #?#,-: <; $OH, $I WANNA DANCE... $@._@.#H#F #; <; WITH SOMEBODY WHO LOVES ME/ $@$I.0*:^0*:V!70*='-2_]: #,!GHIH"C87"C2@!5060504\! '-<8!92_W)$4# Q.#)X$D'-_% _@>J.]"CJJVX]^ #,>89W4 >G.%EGV5 #: $@$I0H0*G#G#)V!I0H02K. @D.S. 0 #;!GHIH"C8G.^2@!5060504\2K. @TO NEXT STRAIN #:#/@ETC.!GHIH"C87! 2@!5060504\'-<8!92_W)$4#2; @REPEAT AD LIB. AND FADE _@>GEDGU #;>89W42K. #:#/>89W42; #/ <; BODY, OOO, SOMEBODY, OOO; SO -MEBODY WHO LOVES #AG $@.@BRIDGE 2=$C!I#)^^#)! X$E#$C$K$5#!,!F.0%0$KX.!^"C!,!F.0%0! '-!Z'\ I#)^^#)X$E#$C$K$O#!,!F.0%0V #,!F.0&0ID"CDIID"C'-_Y _@.2=>E.ZDEU E.Z"CEEV5 #,_D.YIDU #? <; ME/ TO HOLD ME IN HIS ARMS/ $@$4!,,!F.0&0$K!98#)9#)'-_N!8!92; #;!F.0&0ID"C4I$E"C'-_Y 5!ID"CD.#)!%0$CG0H0'-_N2_J<9BK. @D.S.00 _@_D.Y4>892; #;_D.YIDU D.YVD.]"CJI2K. $RUN TO YOU $W. AND $M. BY $JUD $FRIEDMAN AND $ALLAN $RICH $EDIZ. MUS. $MCA INC, #AIIB SLOWLY #D2#D/ #, '.U2K. M'-2_Z@ADD.2_& M'-2P M'-_^\ #; <; $I '.M'-$Q3*2'\$Q2'\ M'-2!] UVX!YAZ'-P$K2_P #: <; KNOW THAT WHEN YOU LOOK AT ME, THERE.S SO MUCH '.2=!PVXF'-2_^\ #AH FEDE6X_H'-2_&!,2>^ !5OV'-2_Z!,2>^ #,-; <; THAT YOU JUST DON.T SEE/ $BUT IF YOU WOULD ONLY TAKE THE TI- ME, $I '.!EDJ!F&AE.$KX!F!,X!&&'-2!Z)!,2>^ &AZA4.VX^]'-2_^!,2>& DJJ!G"C%YAWD! '-2_]!,>Z #; <; KNOW IN MY HEART YOU.D FIND, OH, A GIRL WHO.S SCARED SOMETIMES, WHO '._WJD$K!E9GA!,!EIED'-2!Z)!,2>% 6VV!,_W45$K!D1&A[A'-2_P#:$N!,>P I.^I.[H.%G.&'-<% #: <; ISN.T ALWAYS STRONG/ $CAN.T YOU SEE THE HURT IN ME? $I '.!F_I^!F.&A2%AE$KV!,X_J'-2!Z!,2>% !]AI^JI]^6D'-2_^!,2>& #/ <; FEEL SO ALL ALONE/ $I WANNA RUN TO YOU OO, $I WANNA '._JDEF7H%['-2P.$K2_62K. !9.E7.$D"C'-2_Z\ DAW.VH%[! '-26$K2_6 #,-: <; RUN TO YOU, OO/ $WON.T YOU HOLD ME IN YOUR ARMS AND '.!W.F9.$FA'-2_^\ 5.AFA4X!YZ'-$Q0*2'\$Q2'\ FEE!J9.E'-2<] #AI #; <; KEEP ME SAFE FROM HARM? $I WANNA RUN TO YOU, OO/ $BUT IF $I '._JDEF7H%['-2Q$K2$6#2$6 #,!^"C'-2_S2_O!,2>S SVXF'-2_^2; ?#B/ DAY, EACH DAY $I PLAY THE RO- LE@ OF SOMEONE ALWAYS IN CONTROL/@ $BUT AT NIGHT, $I COME HOME AND TURN THE KEY,@ THERE.S NOBODY THERE, NO ONE CARES FOR ME/@ $OH, WHAT.S THE SENSE OF TRYING HARD TO FIND YOUR DREAMS?@ $WITHOUT SOMEONE TO SHARE THEM WITH,@ TELL ME, WHAT DOES IT MEAN?@ #,-/ <; WAY? $RUN AWAY/ '.#;!^"C'-!% S.^A]YY"C'-2!Z!,2>% YA]4.U'-2_^!,2>& #; <; $I NEED YOU HERE, $I #BJ NEED YOU HERE TO WIPE AWAY MY TEARS, TO KISS A- '.M'-2_]!,>Z X.!%^%IX.&&GIJ'-2<] D.ZD.]]A^AG;IJD'-2_^!,>Y #: <; WAY MY FEARS/ $IF YOU ONLY KNEW HOW MUCH $I WANNA '.$4DJ"CWGH'-2_%!,>Z 9878'-2<]!,2>& W1989'-_Q.#_72K. #/ <; RUN TO YOU, OO/ $I WANNA RUN TO YOU, OO, '.1122 !W.F8.$E"C'-2_& EA4.VI[^'-7$K_7 4.!GW.$GA! '-2_]\ #,-? <; WON.T YOU HOLD ME IN YOUR ARMS AND KEEP ME SAFE FROM HARM? $I WANNA '.$6.AGA5X!Z&'-$R3*2'\$R2'\ GFF$DW.F'-Q.$K_7 #; <; RUN TO YOU, OO, $I WANNA RUN TO YOU, OO/ '.!W.F8.$E"C'-2_&\ EA4.VI[^'-R.$K$7#$7 ]"C'-2_T2!P!,2>T TU2L'-2_]2K $PIANO SLOWLY #D2#D/ #, $@2K..X@MF!HGH @K9.0#*! =SMOOTHLY= !E7E$D 4W!,!S0*$K!70)! H-%-[- J*:_JDFI_JD$F _@2K..U >EI_5"CE>I4 TP I_FS2>8 #; $@$E1#2*:!FHF$4.0#)!YZ FIFE"C!,!N$K!5DE FJ6"C6.YZ2@ !5.#J0$CW.0!X _@>QQ J_GT. >FJ_P. #: $@.2=!F#*_FJ\F!D_FJ!F FEDE!,_T0$K!F_HJH !E#)_G!E#_G!F_G! !E_G _@.2=>^ ^ ^ #,-; $@!EDJ!F!,_S20$K!&Z_GJ!F &*ZDIF!F#_F!D0^] DJJ!G"C!,_Q$K!%YWD _@>I.MVU & 15.EO #; $@_WJD!,_S20$K!E91G F\_I!E_I4\#D1&[ I.^I.[H.%G.&2@2!&0 _@.2>% 6.F1P G_DGHIH7 #: $@!F#_I^!F.&2%5. !]I^JI!,!N$K!]:^6D _@.2>7.G7.2_G 6.>I6.F #/ $@_JDEF!,_S$K!70)H0)%[2K. #BB 9.0#*E7.$D0*:$C DW.!,!S0*$K!70)H0)%[ _@>6.F6_62K. O"CE>I_ED TP #,-: $@!W*:!D\F9#)F0$F 51#2*:!I\#$F40#)I\#!YZ FEE!J!,2_S0$K2!9.0*E _@>S"C9.[2[ QQ T"CJDEJ #; $@_JDEF!,_S$K!70)H0)%[ 9.0#*E7.$D0*:$C DW.!,!S0*$K!70)H0)%[ _@>6.F6_6 O"CE>I_ED W.GP #: $@!W*:F0$D4.0)Z& 51#2*:!I\#$F40#)!GI XDD]2^"C!,!Q0$K!9G0F _@>S"CIFI2H 7._DQ >O"C5.F #/ $@.2$YJ]9!,2!Q0$K!9*:H#)^[ #,!I#1)_IDF5#1)E)_I !EDJI!80:2G0)F2; _@.2>QP #,>S"C9.F 9.I9.F2; #,-/ $@.#;!I0)!DGD8)7) 62)O2)^JDD0)$C Y0)]D$9)8)7) _@.#;>7.GQ 27.GQ 6.FP #; $@$7*!W#$K!78!,_T !I.%^%I!,2!O0$KX.!&&GIJ D.ZD.]]^G! ;IJD2@!S#P _@.1>5.E1_EDJD W.JT 4.D= #: $@$4DJ"C!,!Q$K!WG*H 92*:8#)70*8#) W#:190)8\*90)2K. _@.1_5.E1>O 6.F= 7.G=2K. #/ $@.1122 !W.0#*F8.$E0*:$C #BC E4.!,!T0*$K!80)I0)[^ 4*:!E\GW#)G0$G _@.1122 >P"CFJ_FE N>Q T"CW.^2^ #,-? $@$61#2*:!J\#$G50#)J\#!Z& GFF$D!,2_T0$K2!W.0*F DEFG!,_T$K!80)I0)[^ _@>RR _N"CDEFD >7.G7_7 #; $@!W.0#*F8.$E0*:$C E4.!,!T0*$K!80)I0)[^ 4*:!G0$E5.0)&% _@_P"CF>J_FE 4.>HQ T"CJGJ2I #: $@$61#2*:!J\#$G50#)!HJ XEEY2]"C!,!R0$K!WH0G _@>8._ER >P"C6.G #/ $@.@RIT.2$ZDYW!,2!R0$K!W*:I#)]^ W#1)_JE60#4 @KZ02L2K _@.2>RQ T!,X_7.$K>T2) @K]*2L2K $THE GREATEST LOVE OF ALL $W. BY $LINDA $CREED $M. BY $MICHAEL $MESSER $EDIZ. MUS. $GOLD $HORIZON, #AIGG SLOWLY 333#D/ #, $@.VX@P$IHGFE'-U:@_P 6.#!^]9$6! '-3]!%^]5_65 D[]!6! >G_&^"C9 #: <; #A/ #C/ $I BELIEVE THE CHIL- DREN ARE OUR ARE FUTURE; $@$DWD!,!Q0$K$5.#)D'-P2K. 0 @VERSE @PP!I#)-@CANTO!YYDYY"CYYYYJI! '-_S_S3* _@>T:_6>62K. 0 >S*S1) #/ <; $TEACH THEM WELL AND LET THEM LEAD THE WAY/ $SHOW THEM ALL THE BEAUTY THEY POSSESS IN- $@.X!YYJ^!%"C$K!%FY"C!,!%&&Y"C$K! !Y]I'-_S)$S X!%%!,M!%%%$KX!%%"C%%%%FE'-_O_O3* _@>S)S1: _O*O2) #,-; <; SIDE/ $GIVE THEM A SENSE OF PRIDE, TO MAKE IT $@!7.0&%5;GFE'-_O)O3* 6.G_9MIJD'-3G_Y&7 #; <; EASIER; LET THE CHILDREN.S LAUGHTER REMIND US HOW WE USED TO $@.#,#:!D]]"CWX![%FE'-P2K. #BE #,ST TIME: @D.S. 0 #;ND TIME: @TO NEXT TRAIN _@>T:MZ%^$K_65!,_R D&[W>G_Y&7 >T:P2K. ?#B/ BE/@ $EVERYBODY SEARCHING FOR A HERO;@ PEOPLE NEED SOMEONE TO LOOK UP TO/@ $I NEVER FOUND ANYONE WHO FULFILL MY NEEDS/@ $A LONELY PLACE TO BE,@ AND SO $I@ #: <; LEARNED TO DEPEND ON ME $I DECIDED LONG AGO NEVER TO WALK IN A- NYONE.S SHADOWS/ $@.#;!4JYZ#)$C$K!5.D!,_S0'-P I@MF!^^I^["CH^^"C9'-_O'\_S!,3>N [[II]Y"CYYJIH'-P _@>T:_6>62K. >5_70):>4_90* "W_70)>6_70) #/ <; $IF $I FAIL, IF $I SUCCEED, AT LEAST $I.LL LIVE AS $I BELIEVE/ $NO $@![I^"CI.^H^^"CI.^'-'_O'\_S!,3>N H^^"CIJDJI.['-P _@>5_70):>4_90* "W_70)>6_70) #? <; MATTER WHAT THEY TAKE FROM ME, THEY CAN.T TAKE AWAY MY DI- #BF GNITY/ $BECAUSE THE $@!HIIIHII.^'-_O'\_S!,3>N H^^IJDJ9! '-P #B/ X!I)H)G)2K. _@>5_70):>4_90* "W_70)_670) #B/ >P2K. #,-: <; GREATEST LOVE OF ALL IS HAPPENING TO $@.@CHORUS #D/ !P0#)S#'-35 _@.#D/ >4.Y&7.I W:X"]Z65 #; <; ME $I FOUND THE GREATEST $@!P0#)60*GI'-35 P0#)_9#GI'-34.Y&Q W._F>65 #B#A #: <; LOVE OF ALL INSIDE OF ME/ $THE GREATEST LOVE OF ALL $@!D]]"CJD$K!5.D!,_S0'-P 9X$E#))41#W0'-$^2K. !9#$CI.#)ZO#)! '-3T:_6>6 I@CRES."I-I-I-==2K. @F>7.G"W.]Z #/ <; IS EASY TO ACHIEVE/ $LEAR- NING TO $@!501*$CE.0*$ZD))JI1H)'-8 S.%1[I2@!P0O'-38 _@>6.F918 7.G"T >6.F918 #BG #,-/ <; LOVE YOURSELF, IT IS THE GREATEST LOVE OF ALL/ $@!9.#)@DIM.!E5#)$CZ#)Z&%'-3S #,.X.$%))$C%&1.E)=2@!Z''-_!Z 2K. @DAL 0 _@>Q"T >6.&1[S O5._F2K. #; <; ALL/ $AND IF, BY CHANCE, THAT SPECIAL PLACE THAT YOU.VE BEEN DREAMING $@.#;!5.#))I@DIM.3!HGF3.E)! '-_O$6$6!,>5 @MF!6.0#)_I9#]YI! '-3A5 _@>O65 4.Y&Q >T:65 #: <; OF LEADS YOU TO A LONELY PLA -CE, $@!&2@!N\#N0'-35 6.0#)$YA]S#)'-34.Y&7.%^ W.J65 #B#A #/ <; FIND YOUR STRENGTH IN LOVE/ $@$4W982@!Q0='-P ]I."CS."C! '-_O'\_S!,3>N S"C$K!S2L!,@K!N\2L! '-6$K_S2K _@>TP- _E^!Z@RIT.@DIM.!FE_D!^Y&_IDE >W_6@K>S*2L2@>J_%^!E_I! #BH @P@K_S2L2K $AMY $WINEHOUSE $BACK TO BLACK $W. AND $M. BY $AMY $WINEHOUSE AND $MARK $RONSON $EDIZ. MUS. $EMI, #BJJF SWUNG QUAVERS 4=#ACJ 2#D/ #: <; $HE LEFT NO TIME TO REGRET, KEPT HIS DICK '.V!5"CZAA&AZA3Y5'-!Z 55.5"CE"C E5.U'-![ V555"C #/ <; WET, WITH HIS SAME OLD SAFE BET/ $ME '.!E5.VX_I'-2_] !5_9="C 93N.'-_^ U.XE"C #,-; <; AND MY HEAD HIGH, AND MY TEARS '.!EA3DO'-#H V555A D5.U V555A #; <; DRY, GET ON WITHOUT MY GUY/ $YOU '.!D5.VX_I !5_9!55A"C E3DN. U.XEA"C #: <; WENT BACK TO WHAT YOU KNEW, SO FAR '.!EA3DA5A"CEA1DEAD'-#H #BI 5XE55"C 5O. V5O"C #/ <; REMOVED FROM ALL THAT WE WENT THROUGH/ $AND '.!EEOX_I !5_9="C 93N. U.XI #,-: <; $I TREAD A TROUBLED TRACK, MY ODDS ARE '.!EA3DAO.'-#H 5XE55A 45U V555"C #; <; STACKED, $I.LL GO BACK TO BLACK/ '.!5O. 5_9!5A_9A"C I3DN. M2K. #: <; $WE ONLY SAID GOODBYE WITH WORDS, $I DIED A HUNDRED TIMES, YOU GO '.VX!F76'-#H 8GG"C7FG"C 7XF"CF7. ;687Q U7GAFA"C #/ <; BACK TO HER, AND $I GO BACK TO... $I GO BACK TO '.!F8G7.G 6.AE5.A3D 34.AI9V V!65.A3D'-@N.C. 34.AIS2K. #,-/ <; US/ $I LOVE YOU MUCH, IT.S NOT E- '.!ZA3YAE"CO.'-#H V555 _IA!E"COV V!7070GA0F0 #; <; NOUGH, YOU LOVE BLOW AND $I LOVE PUFF/ $AND LIFE '.!70V705# 70XE#7A05# 70G0F30$CP0 U._IIA #CJ #: <; IS LIKE A PIPE, AND $I.M A TINY '.!Z'-#H V!5O"C EEOXE# 705#= #/ <; PENNY ROLLING UP THE WALLS INSIDE/ '. !705#= 70E#G#$CQ0$C G0F3060$CP0 M2K. #,-? <; $WE ONLY SAID GOODBYE WITH WORDS, $I DIED A HUNDRED TIMES, '. 0 2=.VX!67F"C'-!Z FHGG"C7FG"C 7XF"CF7.'-![ FHGG"CQ #; <; YOU GO BACK TO HER, AND $I GO BACK TO... '.U!7GAF"C'-2_] F8G7.G PO'-_^ 0L @TO CODA ON REPEAT 3!NS2; MM2K. #: <; $BLACK, $BLACK, $BLACK, '.@STRAIGHT QUAVERS VX_IA"CIH9"C! '-!Z SU VX_IA"CIHA9"C SU VXIA"C9HAI"C'-_% #/ <; $BLACK, '._SU VXIA"C9HI"C'-_^ SU #,-+ <; $BLACK, $BLACK, '.VX_I"CIH9"C'-!Z SU VXI"CIH9"C'-2_] SU #; <; $BLACK/ $I GO '.VX_I"C9HI"C'-_% SU V!76.AE'-_^ #: <; BACK TO, $I GO BACK #CA TO/ '.!5.A3DN V!76.E'-$^ 5.A3DN2K. @D.0 AL CODA WITH REPEAT #/ <; BACK TO BLACK/ '.0L 3!NS SU'-!Z2K $PIANO SWUNG QUAVERS 4=#ACJ 2#D/ #, $@$90*=== = W0)=== = _@_5XE5XE"C 5XE"CE4. >8XH8V 8XH"CH29. #; $@$W#)=== = 9#3)=== =2K. _@>WXJWV WXJ"CJ7J 9XI9V 9XI"CI43D2K. #: $@.0A $90*=== = W0)=== = _@.0A >5XE5V 5XE"CE4. 8XH8V 8XH"CH29. #/ $@$W#)=== = 9#3)=== = _@>WXJWV WXJ"CJW. 9XI9V 9XII6. #,-; $@$90*=== = W0)=== = _@>5XE5V 5XE"CE4. 8XH8V 8XH"CH29. #; $@$W#)=== = 9#3)===1 = _@>WXJWV WXJ"CJW. 9XI9V1 9XII6. #:#/#,-: $@._@.!0A #; $@!9#3)===2K. _@ >98762K. #: $@$90*=== = W0)=== = #CB W#)===2@.@OPTIONAL STRING PART!TS _@>5XE5V 5XE"CE4. 8XH8V 8XH"CH29. WXJWV #/ $@$W#)===2@!RQ $9#3)===2@!& =2@!QP U.=TAMBOURINE= ?B!9 U.?B92K. _@>WXJ"CJW. 9XI9V 9XII6. =DRUMS= ?B>9X?BI?B9V =2K. #,-/#;#: $@._@.!0A #/ $@ !9#3)===2K. _@ _IIHHGGFF2K. #,-? $@.0 2=$90*=== = W0)=== = _@ 0 2=>5XE5V 5XE"CE4. 8XH8V 8XH"CH29. #; $@$W#)=== = 9#3)=== 0L @TO CODA ON REPEAT $9#3)===2; U.! =TAMBOURINE= ?B!9 U.?B92K. _@>WXJWV WXJ"CJW. 9XI9V 0L 9XII6.2; ?B>9! =DRUMS= X?B>I?B9V ?B9X?BI?B9V2K. #: $@STRAIGHT QUAVERS !%0)$C !%0) %0*$C %0* %#)$C _@>5XE5V = WXJWV = >7XG7V #/ $@!%#) &30*$C 6!30*X3DDFIH _@>7XG7V "9XI9V = #,-+ $@!%0) Q0)9070 Q0*W#= W.JW52@!% _@>5XE5V = WXJWV WXJJDEF #CC #; $@$N.0*XG- 4.I"C9!,!Q.#$K!7 3DFHIR2@_^ _@>7XG7V = "9XI9V #: $@!T\962@3!Y !W.JJEEH2@!& $[3*:2K. =D.0 AL CODA WITH REPEAT 2K. 0 _@"9XI9V = =2K. 0 #/ $@.0L =CODA= $9#3)===2@$Q-P- !%0)2@$Z-2K _@. 0L >9XF"CFE6 Z2K $LOVE IS A LOSING GAME $W. AND $M. BY $AMY $WINEHOUSE STEADILY 4=#HJ #D/ #, <; $FOR YOU $I WAS THE FLAME, '.M'-'% 0 2=.UX_H!5'-_Y: D]A^"CI]YN'-_['\ #; <; LOVE IS A LOSING GAME, '.V!5X%&ZAD."C'-!% YZ&AZP.'-_Y: #: <; FIVE STORY FIRE AS YOU CA- ME, '.X!4Y]5D]A^"C 9"CIYY"CN'-_['\ #,-; <; LOVE IS LOSING GAME/ '.X!5.X%&ZAD."C'-!% YZF"CFAZA&"CP! '-_Y: #; <; $ONE $I WISH $I NEVER #CD PLAYED, '.V.!F"CF&AZ6'-<^ X4F"C&%G"C7'-!Z #: <; OH, WHAT A MESS WE MADE, '.V!7"CGARAQA&GF'-<% ZAD."CDZ&A"C&ZAF"C6'-_Y #,-: <; AND NOW THE FINAL FRAME, '.UX_H!ED DZAYZAD."CN'-_['\ #; <; LOVE IS A LOSING GAME/ '.V!5X%&ZAD."C'-!% @TO @CODA 0L !YZZAYACN.'-_Y: #: '. #,.M'-'%2; ?#B/ $PLAYED OUT BY THE BAND,@ LO- VE IS A LOSING HAND,@ MORE THAN $I COULD STAND,@ LOVE IS A LOSING HAND/@ $SELF-PROFESSED, PROFOUND,@ .TIL THE TIPS WERE DOWN,@ THOUGH YOU.RE A GAMBLING MAN,@ LOVE IS A LO -SING HAND/@ '.#;.M'-'% @D.0 @AL CODA 2K. 0L @CODA "C!YYD"CN.2L'-_Y:2K $PIANO - STEADILY 4=#HJ #D/ #, $@!]2\#) 0 2=.V!W0*XW.0*! 2@X_WEJ.Z"CZ]E V!70X7.02@X_9D! I.Y"CY^D #CE _@>% 2= 0 >4.D4.H 8.H8.G #; $@.V2!90X9.02@X_9D2I.Y"CY^D V!W0*XW.0*2@X_WEJ.Z"CE_I _@>7.G7.D 4.>^Y>D>^Y= #: $@.V!W0*XW.0*2@X_WEJ.Z"CZ]E V!70X7.02@X_9DI.Y"CY^D _@>4.D4.H 8.H8.G #,-; $@.V2!90X9.02@X_9D2I.Y"CY^D V!W0*XW.0*2@X_WET _@>7.G7.D 4.DD.]= #; $@.V!9#)X9.#)2@X_9.XI.^X V!90X9.02@V_I.^XD.YX _@"9.I9.>E 5.E5.G #: $@.V2!90X9.02@V2_I.YM^D"CD.Y V!W0XW.02@V!E.ZXE.ZX _@>7.G7.D 4&[I4^[F #,-: $@.V!W0*XW.0*2@X_WEJ.Z"CZ]E V!70X7.02@X_9DI.Y"CY^D _@>4.D4.H 8.H8.G #; $@.V2!90X9.02@X_9D2I.Y"CY^D! =TO CODA= 0L V!W0*! XW.0*2@X_WEJ.Z"CZ]E _@>7.G7.D 0L 4.DN #: $@.#,!Z02#)>,2; #;!J5.0! =D. AL CODA= !T2\2@2!^0*2K. 0 0L! =CODA= !]0*:2L2K _@.#,>%2; #;>%2K. 0 0L >Y2L2K #CF $REHAB $W. AND $M. BY $AMY $WINEHOUSE 4=#AEJ BLUES #D/ #, <; $THEY TRIED TO MAKE ME GO TO REHAB, $I SAID, NO, NO, NO/ $YES '._H 2=_HIDI4I!E"C'-$Y E_9AHI4AI 4.AI4AID U.X2F"C #; <; $I.VE BEEN BLACK BUT WHEN $I COME BACK, NO, NO, NO, NO/ '.!FD5DE2F"C FD54IAH !4.AI4AID M #: <; $I AIN.T GOT THE TIME AND IF MY DADDY THINKS $I.M FINE, THEY '.!555FFA'-$[ OX_HIH 2!F5D"CD4I"C'-$% IAD"CNX_H #,-; <; TRIED TO MAKE ME GO TO RE- HAB, $I WON.T GO, GO, GO/ '._HIDI4I!E"C'-$Y E!9AHI4AI'-$% 4.AI4AID'-$Y M2K. #; <; $I.D RATHER BE AT HOME WITH $RAY, '.VX!F6FF'-!& VX!DFAZAYA5"C EF4U'-!^ M #: <; $I AIN.T GOT SEVENTY DAYS, '.U!D4.'-_% 44D5EA Y'-2_^ #,-: <; .CAUSE THERE.S NO- #CG THING, THERE.S NOTHING YOU CAN '.UV!DE 66VXD'-#H 6FAEFAEDAE #; <; TEACH ME, THAT $I CAN.T LEARN '.!6FAEU U.X_H 2!F5E"CO #: <; FROM $MISTER $HATHAWAY, '.V!498 2!6EE"C;EFEA4A 2^ #,-/ <; DIDN.T GET A LOT IN CLASS, BUT $I '.U!E5.'-$[ E5.EFAGFA EAFVU U._HH #; <; KNOW IT DON.T COME IN A SHOT GLASS/ $THEY '.2!6.AE5.AD'-$% N5V 26.EA5.AD #,#;!N5X_H2; ?#B/ TRIED TO MAKE ME GO...@ $THE MAN SAID, ($WHY DO YOU THINK YOU HERE?)@ $I SAID, $I GOT NO I- DEA/@ $I.M GONNA, $I.M GONNA LOSE MY BABY@ SO $I ALWAYS KEEP A BOTTLE NEAR,@ HE SAID, $I JUST THINK YOU.RE DEPRESSED@ $THIS ME, ($YEAH, BABY, AND THE REST)/@ TRIED TO MAKE ME GO...@ #: <; DRIED/ $THEY TRIED TO MAKE ME GO TO REHAB, $I SAID, #CH '.#:!NA5X_H2K. _HIDI4I!E"C'-$Y E_9AHI4AI #,-? <; NO, NO, NO/ $YES, $I.VE BEEN BLACK BUT WHEN '.!4.AI4AID U.X2F"C FD54E2F"C #; <; $I COME BACK, NO, NO, NO, NO/ '.!FD54IAH !4.I4AID M #: <; $I AIN.T GOT THE TIME, AND IF MY DADDY THINKS $I.M FINE, THEY '.!555FFA'-$[ OX_HIH 2!F5D"CD4I"C'-$% IAD"CNX_H #/ <; TRIED TO MAKE ME GO TO RE- HAB, $I WON.T GO, GO, GO/ '._HIDI4I!E"C'-$Y E_9AHI4AI'-$% 4.AI4AID'-$Y M'-@N.C.2K $PIANO - BLUES 4=#AEJ #D/ #, $@.X @R@H.#,V.TACET UNTIL =*= 2=$Y--$C N(($I((H((FD$C Y$C N$CD!H! 2JD-$C _@X 2=_4.D"CD>H2JD 4.D"C>H2JH #B #; $@$Y--$C N($I(H(FD$C Y$C Y- _@_4.D"CD>H2JD 4.D"C>H2JH #B #: $@.#,#;.@ONLY!%0*:$C %0*: 2&0*:$C P0*:X(H-(2J-D-$C _@.#,#;>8.H"CHEGH 8.H"CHEGE #CI 7.G"CGD2FG 7.G"CGD2FD #,-; $@$Y--$C N((H2JD >7.G"CG_D2FD 4.D"CD>H2JD 4.D"CN2K. #; $@!F;$&3%[W0W0J03!E 6X$J0$C! W0X3!H 9;$&3%[I6XF"CFJJJ = 9XI"CIFFF 9XI"CIFFH #: $@$G;%[3[I7XG"CGDDF = 29XI"CI2FFH #,-: $@<4.D"C4V2@2$IHG2FIHG3!E !F;$[^3^J9XI"CI2FFI 6XF"CFJJJ = #; $@!I;$&[3[IDI#1HI#H 9#HI#$C! I#HI#!F G;$%[3[I9XI"CIFFF 9XI"CIFFH 7XG"CGDDF #: $@$I0;%[3[I7XG"CGDDF 29XI"CI2FFH 29X2FFI #,-/ $@![\\##))$C = % 8.H$C88\#) _@>R"CHEGH R"CHEGE #B #; $@!%2\\##))$C % %$CC #,#;!Q\#)XH-2J2-D-$C2; _@>Q"CG$$D2FG Q"CGDFD #B.2; #DJ #: $@.#:!Q2\#)XH--2JD$C2K. Y$C N! $IHFD-$C _@#:>Q"CGDFD2K. _4.D"CD>H2JD 4.D"CD>H2JH #,-? $@$Y--$C N$CD!H2JD$C Y$C _@_4.D"CD>H2JD 4.D"CD>H2JH 4.D"CD>H2JD #; $@$Y--$C NH2JH _4.D"CD>H2JD #B#A #: $@!%0*:$C %0*: 2&0*:$C P0*:! X(H-(2J-D-$C _@>8.H"CHEGH 8.H"CHEGE 7.G"CGD2FG 7.G"CGD2FD #/ $@$Y--$C NH2JD >7.G"CG_D2FD 4.D"C! D>H2JD 4U.2K $STRONGER THAN ME $W. AND $M. BY $AMY $WINEHOUSE AND $SALAAM $REMI 4=#GF ?YY=;DY* 2#D/ #, '. M'-@N.C. M #; <; $YOU SHOULD BE STRONGER THAN ME, '.2=!IJ53DD"CD.Z'-!R$S3* 5VU'-!Z #: <; YOU.VE BEEN HERE SEVEN #DA YEARS LONGER THAN ME/ '.$EFGAF;GHGAFF"C'-#B ;FED9U #,-; <; $DON.T YOU KNOW YOU S.PO- SED TO BE THE MAN? $NOT '.$EF%E%"CGZ%"C%H^"C'-#B ^AH.VVX.Z #; <; PALE IN COMPARISON TO WHO YOU THINK $I AM/ $YOU ALWAYS WANNA '.$]AI^"C^H["C[G%AE.% I]["C[I%"CG.Z%%ZZ #: <; TALK IT THROUGH, $I DON.T CA -RE/ $I ALWAYS HAVE TO '.$FZ&AC6XEFG"C QX.Z%%ZZ"C #/ <; COMFORT YOU WHEN $I.M THERE/ $BUT THAT.S '.$EHGE"CE3DDE"C'-#B OXI"C^D. #,-: <; WHAT $I NEED YOU TO DO, STROKE MY HAIR/ .$CAUSE '.$^AHHG[%^A[X.^AH[^'-#B %AE.VVX.Y2K. #; <; $I.VE FORGOTTEN ALL OF YOUNG LOVE.S JOY, '.$I.^"CI[%"C7ZAGAGAE'-_%) EH"C[I.7V'-_['\ #: <; FEEL LIKE A LADY AND YOU MY LADY BOY/ =#C/ $HE SAID= '.X$IJIHAIGE'-_%) #,#;$IHHH7V'-_['\2; #DB ?#B/ $YOU SHOULD BE STRONGER THAN ME,@ BUT INSTEAD YOU.RE LONGER THAN FROZEN TURKEY/@ $WHY.D YOU ALWAYS PUT ME IN CONTROL?@ $ALL $I NEED IS FOR MY MAN TO LIVE UP TO HIS ROLE/@ $YOU ALWAYS WANNA TALK IT THROUGH, $I.M OKAY/@ $I ALWAYS HAVE TO COM- FORT YOU EV.RY DAY/@ $BUT THAT.S WHAT $I NEED YOU TO DO, ARE YOU GAY?@ <; YOU MY LADY BOY/ '.#:$IHHH7V'-_['\2K. #/ <; $YOU SHOULD BE STRONGER THAN ME, YOU SHOULD BE STRONGER THAN '.X$GFZZ"CZAG%A&"CFZZ"C'-!R$S3* 5VU'-!Z JDEAG69_F>I"C9_FM>^ 9_F>I"CI_&&&FFF2K. #; $@.2=!IJ53DD"CD.Z2@V!W)XH\XI0$C $5#)!90V90 _@.2=>8.H9XE"C 5E.ZE5. #: $@$EFGF;GHGFF"C2@V$50X3D0XI0$C ;$FE*-D90V90 _@>8.H9XE"C 5"CE.Z5.X #,-; $@$EF%E%"CGZ%"C%H^2@V$50! X!H\X$G)$C $^0-H.5)V!I.0$Z _@>8.H9XE"C 5"CE.ZE5. #; $@$]I^"C^H["C[G%E.%2@V$50X3D#V $I]["C[I%"CG.Z%%ZZ2@V$7)V5# _@>8.H9XE"C 5"CE.ZE5. #: $@$FZ&"C6XEFG"C2@V$50X!H\X$E# $7VX.Z%%ZZ2@$5#5)V9 _@>8.H9XE"C 5"CE.ZE5. #/ $@$EHGE"CE3DDE"C2@V$W0XH\XI0$C $OXI"C^D.2@!9090V$70 #,-: $@$^[[%[%^[X.^H[^2@V$50V34 $%E.!90VI.0Y2K. _@>8.H9XE"C5"CE.ZE5.2K. #; $@$I.^"CI[%"C7Z%%Z2@! #DD $4.0D0$C409 $EH"C[I.772@! 1!W.0E0$C5050# _@>7.G"CQ H8H"CR #: $@X$IJIHIGE2@$4.0D0$C4040 #,#;$IHHH772@$5.10E0$C5050#2; #:$IHHH772@$5.10E0$C5050#2K. _@>7G"CQ #,#;>H8H"CR2; #:>H8H"CR2K. #/ $@.X$GFZZG%&"CFZZ"C! 2@V!W0X3D#XI0$C $5#)!90V90 JDEF68.H9XE"C 5E.ZE5. 8.H9XE"C #,-/ $@$J9.U2@$770V7) 5"CE.ZE5. 8.H9XE"C 5"CE.ZE5. #; $@!EZ^"C9;59W2@V!50V73# ;!WSU2@V!70V902K. _@>8.H9XE"C 5"CE.ZE5.2K. #: $@.2=!HYZ"C53DEFG"C2@V!W0V4# $QU2@V!90= !HYZ"C53DEFG"C2@V!W0V4# _@.2=>8.H9XE"C 5E.ZE5. 8.H9XE"C #/ $@.#,:$QU2@V!90=2; #/$QU2@! V!90U2@@DRUMS5"CE.ZE5.2; #/>5"CE.ZE5. 5VU2K $YOU KNOW $I.M NO GOOD #DE $W. AND $M. BY $AMY $WINEHOUSE LAZY 4=#AJJ 2#D/ #, '.!7$DYY!%$Y!G$D!G2@?BDD=.=! '-@N.C. !7$D.Y!%$Y!G$D!G2@= #B#A #; '.@DRUMS CONT. SIM. MMM2K. #: <; $MEET YOU DOWSTAIRS IN THE BAR AND HURT, YOUR ROLLED UP SLEEVES IN YOUR '.2=!EFGG"C7EZ&"C'-!Z F5J"CW.E'-![ _I34F"C6FG'-$^ #,-; <; SKULL T-SHIRT/ $YOU SAY ($WHAT DID YOU DO WITH HIM TODAY?) AND '.!6EG"C7EE'-!Z EFGG"CGEA3DAE'-#D 6EJ"CW.E #; <; SNIFFED ME OUT LIKE $I WAS $TANQUERAY/ .$CAUSE YOU.RE MY '.!93DF"C FEFG 6EG"CQ2K. UX!EEE'-![ #: <; FELLA, MY GUY, HAND ME YOUR $STELLA AND FLY, '.!EDJZA3YAO UXFFF'-$& FEDF"CP #/ <; BY THE TIME $I.M OUT THE DOOR, YOU TEAR MEN DOWN LIKE '.!7GG"C7.E'-_% 7EH"CHA7.H FA3E=.='-_& #,-: <; $ROGER $MOORE/ $I #DF CHEATED MYSELF, LIKE $I '.!FAA1E?FA?E3D&A3ZA6V'-$^2K. X1!D;EFD5V'-!Z UVDE'-!^ #; <; KNEW $I WOULD/ $I TOLD YOU $I WAS '.2!6VX?D5D"C'-$& 4VV.I'-!^ !G7.XFAEG'-!Z #: <; TROUBLE/ $YOU KNOW THAT $I.M NO GOOD/ '.!FDA9V.D'-!^ !EA1W]Z"CE?D5D"C'-$& NU'-!^2K. #/ <; $UPSTAIRS IN BED WITH MY EX BOY, '.M'-@N.C. M2K. X!GG.%7.E'-!Z F5J"CWV'-![ #,-/ <; HE.S IN A PLACE BUT $I CAN.T GET JOY/ $THINKING ON YOU IN THE '._II3DF"CF67'-$^ ;657"C7V'-!Z E.&GG"CGFA?GA?FAEE'-#D #; <; FINAL THROES, THIS IS WHEN MY BUZZER GOES/ '.!F5J"CW.X I34F"CF?F7. F5G"C7V2K. #: <; $RUN OUT TO MEET YOU, CHIPS AND PITTA, YOU SAY (WHEN WE MARRIED) .CAUSE '.X!EEEEA3D5 EA1DJE5V GFFGF6E! #DG '-$& #/ <; YOU.RE NOT BITTER, ($THE- RE.LL BE NONE OF HIM NO MORE), $I '.!FAEF?FG&A%A6. 77;777'-_% X!5HA7XH #,-? <; CRIED FOR YOU ON THE KIT- CHEN FLOOR, $I CHEATED MYSELF '.!FA3E==F3D'-_& ;5141WA"CJYA]A_9! '-$&2K. X!D;EFD5V'-!Z #; <; LIKE $I KNEW $I WOULD $I '.UV!DE'-!^ 2FA5.X?D5D"C'-$& 4VV.I'-!^ #: <; TOLD YOU $I WAS TROUBLE/ $YOU KNOW THAT $I.M NO GOOD/ '.!G7.XFA?GA?FAEG'-!Z'\ FDA9V.D'-!^ !EA1W]Z"CE?D5D"C'-$& #/ '.!DA9.U'-!^2K. M'-!Z M'-!^ M'-$& #,-+ '.M'-!^ M'-!Z M'-!^ M'-$& #; <; $SWEET REUNION, $JAMAICA AND $SPAIN, '.M'-!^2K. V!G%%"C%%7E'-!Z F6E"CEW.'-![ #: <; $WE.RE LIKE HOW WE WERE A- GAIN/ $I.M IN THE TUB, YOU '._I34F"CF7.'-$^ FFAEG"C7V'-!Z EFGG"C7.E!-#D #DH #/ <; ON THE SEAT, LICK YOUR LIPS AS $I SOAP MY FEET/ '.?!EF5J"CT I34F"CF67 6EG"CQ2K. #,-= <; $THEN YOU NOTICE LIKE CAR- PET BURN, MY STOMACH DROP AND '.V!EE=='-![ 5EE"CO XEFEFXFAE'-$& #; <; MY GUTS CHURN/ $YOU SHRUG AND IT.S THE WORST, WHO '.!F6F"C6V V77XE'-_% ;758A7.H #: <; TRULY STUCK THE KNIFE IN FIRST? '.!FA3E=6;34E'-_& X?J3D"CD1J"CJ.A1NATA9'-$^2K. #/ <; $I CHEATED MYSELF, LIKE $I KNEW $I WOULD/ '.2=.X!D;EFD5V'-!Z UVDE'-!^ 2FA5.X?D5D"C'-$& #,-( <; $I TOLD YOU $I WAS '.!4VV.I'-!^ !G7.XFA?GAFAEG'?!Z #; <; TROUBLE/ $YOU KNOW THAT $I.M NO GOOD/ '.!FDA9V.MY'-!^ EA1W]Z"CE?D5D"C'-$& #: '.#,!DA9.U'-!^2; #;"C!DA9.U'-!^ 2=.M'-!Z #/ '.M'-!^ M'-$& M'-!^2; @REPEAT TO FADE $PIANO - LAZY 4=#AJJ 2#D/ #DI #, $@.M M M _@.M M >5.MZ"IID3D #; $@.M M M2K. _@>5.MZ"II1D3D = =2K. #: $@.2=.X(_^(^!G0)I0*$CI0*E#)C! GCE#) 0A V(Z00**(ZE$CE0*_HC!E0C_H XFCIC!F30*)C$CF0*)_IC!I)C_I _@.2=>5.MZ"II>E3G 0A 8.M[5H3H 9.M^FFI3>DC #,-; $@!G0)_I!EG0)$CG0)_IC!G0C_I = XH!H#)([#)([#)M([#)H#)8#) _@>5.MZ"IIDI >5.MZ"II>E3G 8.M[5H3H #; $@.3$D0#)!F$D0#(&*(&*M(&*F*60*) !E_IC!ECG0)C$CG0)_IC!G0C_I2K. U_($O02@_(_8_(T.0 _@>9.M^FFI3>D 5.MZ"II1DI2K. >HHJHJJHJ #: $@.U_($O02@_(_8_(T.0 U_($P\1#2@_(_6_(1T.30 =2@= _@>HHJHEEHH FFF1"J== >FFF1"J=>6 #/ $@$D0(!G=== = 1J30*X=== _@>GD=== = F1"J=== #,-: $@$(!I1\#3)X==V2K.1 X(!^0(^0M(^0I0ICC1JDEC DX^#3[3#I#MF.0(F0X _@>IF==I3>DC2K. 5.MZ"IDE3H 9I.^FFI3E #EJ #; $@!F1#X(<(1J30)XH.#]0$CJ0H# I)XY01]30(D0X(I#V #D#A _@>6.M&1"JJ>FJ IF9>DDF3D 5.MZ"IDE3H #: $@.#D#C 2K. _@>9I.^FFI3E 6.M&FF3HF 9I.^FFIF2K. #/ $@.=N.C.= M V!I-1J1-D-J-I-3!DC2K. !E(_^(^!G0)I0*$CI0*E#)CGCE#) !0A _@.("9XIIIV (9XIIIX3DC2K. >5.MZ"II>E3G 8.M[5H3H #,-/ _@.>I9M^FFI3D EE_EZZ"CZZEZYI 5MZ"II>E3G #; _@>8.M[5H3H I9M^FFI3>D 5.MZ"IIDI2K. #: _@>HHJHEE8 = 6F1"J=>6 #/ _@>6F1"J=>6 GD=== = #,-? $@.X(^0(^0M(^0I0U _@>F1"J=== VX>FIFI3>D2K. >5.MZ"I1DE3H #; $@.V!^#3[3#(I#MF.0(F0X F1#X(<(1J30)XH.#]0$CJ0H# I)X! I-CC1J1-D-J-C9- _@>9I.^FFI3E 6.M&1"JJ>F3H IF9>DDF3D #: $@!5#(($&00**::&&(&0*:X1!JCDCEC DX^#3[3#(I#MF.0(F0X F1#X(<(1J30)XH.#]0$CJ0H# _@>5.MZ"IDE3H 9I.^FFI3E 6.M&! #EA 1"JJ>F_F #/ $@!I)XI--CC1JDJC9-2K. $O--X2F(E(D SXI(D(I $PX2F(E(D- _@>9I.^FFIF2K. EXXEEXV "IXXIIXV >FXXFFXV #,-+ $@!S--XI(D(I $OX2F(E(D SXI(D(I- $P-X2F(E(D- _@"IXXIIXV >EEE.Z"IID"H II>I.^FFIF FFF.&1"JJ>F"F #; $@!S--XI(D(I-2K. $Z2@!I0EGE"CO VX!J"CT2@V!R. _@"II>I.^FF"II2K. _OU2@X_I"CS. >RU2@X_E"CO. #: $@.VX!IC3N2@V!P. _ECCGI!G0C$CQ0 G0)_I!EG0)$CG0)_IC!G0C_I _@>SV.F2@X_F"CP. >5_EZZMZEZYI 5.MZ! "IIDI #/ $@.X_H!H#)([#)([#)M([#)H#)8#) 3$D0#)!F$D0#(&*(&*M(&*F*60*) !E_IC! !ECG0)C$CG0)_IC!G0C_I2K. _@>8.M[5H3H 9.M^FFI3>D 5.MZ"IIDI2K. #,-= $@.U_($O02@_(_8_(T.0 =2@= U_($P\1#2@_(_6_(1T.30 _@>HHJHEE8 = F1"J=== #; $@.U_($P\1#2@_(_6_(1T.30 ($G#)(G#)=== = _@>F1"J=== >GD=== = #EB #: $@.($F1#3)(F#)=== $(I3)-\X==V2K. _@>F1"J=== >IF==I3>D2K. #/ $@.2=.X(!^0(^0M(^0I0U V^#3[3#(I#MF.0(F0X F1#X<(1J30)X! H.#]0$CJ0H# _@.2=>5.MZ"IDE3H 9I.^FFI3E 6.M&1"JJ>F3H #,-( $@!I)X$^#3[3#(I#M!F.0(F0X V! $D.0(!Z1!J0(D0XI0 _@>IF9FFI3>D 5.MZ"I1DE3H #; $@!60^#3[3#(I#MF.0(F0X F1#X! (<(1J30)XH.#]0$CJ0H# _@>9I.^FFI3E 6.M&1"JJ>F3H #: $@.#,!I)X$I-CC1J1-D-J-C9-2; #;.V!^#3[3#(I#XI-(D-(I- 2=.1$O-X2F(E(D- _@.#,>9I.^FFIF2; #;"9.>^^"CI^^^&"I 2=>EEE.Z"IID"H #/ $@!S--XI(D(I $PX2F(E(D SXI(D(I-2; _@"II>I.^FF"II >FFF.&1"JJ>F"F "II>I.^FF"II2; @REPEAT TO FADE