$S $U $O $N $I            

    $RIVISTA TRIMESTRALE DI MUSICA    

$LUGLIO-$SETTEMBRE #BJJE        N. #CD
                             $ANNO $IX

       $SUCCESSI INTERNAZIONALI       


   $DIR. RESP.: $PIETRO $PISCITELLI   
     $REDATTORE: $MATTEO $BONETTI     


  $REGISTRAZIONE #;?AA#AIGA N. #BJB   


          $COPIA IN OMAGGIO           


        ::::::::::::::::::::::        
        $VOLUME $BRAILLE UNICO        
        ::::::::::::::::::::::        


        $STAMPATO IN $BRAILLE
             A CURA DELLA             
 $BIBLIOTECA $ITALIANA PER I $CIECHI  
        VIA $G. $FERRARI, #E\A        
       - #BJJEB $MONZA - #BJJE        
               $INDICE

$TAVOLA DEI SEGNI E DEGLI ACCOR-
    DI..........................PAG.#C
$GEORGIA ON MY MIND.................#D
$I CAN.T STOP LOVING YOU............#G
$HIT THE ROAD $JACK................#AJ
$WOMAN IN LOVE =$FORTE, PI] FORTE DI
    ME=............................#AD
$I WILL ALWAYS LOVE YOU............#AG
$SAVING ALL MY LOVE FOR YOU........#BB
$EL CONDOR PASA =IF $I COULD=......#BH
$MRS. $ROBINSON....................#CA
$THE SOUND OF SILENCE..............#CG
$THE GAME OF LOVE..................#DJ
$WE ARE THE WORLD..................#DG
$YOU ARE THE SUNSHINE OF MY LIFE...#EA
$CHEEK TO CHEEK....................#EC
$MON MAN^GE [ MOI..................#EE
$UN %TRANGER.......................#FA
$LA VILLE INCONNUE.................#FE
$CRI DU C9UR.......................#FI









                                    #C
 
  $TAVOLA DEI SEGNI E DEGLI ACCORDI   
PREFISSO PER LA NOTAZIONE ABBREVIATA 
  DEGLI ACCORDI: '-
MAGGIORI: _Y '- QUINTA ECCED. _Y3* 
          SESTA MAGG. _Y)
          SETT. MAGG. _Y:
          SETT. MAGG. NONA _Y:\
MINORI: !Y '- QUINTA MIN. !Y2*
        SESTA !Y)
        SETT. MAGG. !Y:
        SETT. MAGG. - NONA !Y:\
SETTIMA DOMINANTE: $Y
        QUINTA ECCED. $Y3*
        QUINTA MIN. $Y2*
        QUARTA O UNDIC. $Y'#
        SESTA O TREDIC. $Y')
        NONA: $Y'\
MINORE SETTIMA: <Y
DIMINUITO: =SETTIMA DIMINUITA= 'Y
LE FIGURE MUSICALI CON SOLO VALORE 
  RITMICO <?4DDXD<?4
COPULA ORDINARIA =TOTALE= - 2@
COPULA PARZIALE - %!,
DIVISIONE DELLA BATTUTA PER L.IMPIEGO 
  DELLA COPULA PARZIALE - %$K
APERTURA DI RITORNELLO - 2=
CHIUSURA DI RITORNELLO - 2;
VOCALIZZO - SEMPLICE %A - PROLUNGATO 
  %AA %A 
 
         $GEORGIA ON MY MIND          
        $WORDS BY $S. $GORRELL        
      $MUSIC BY $H. $CARMICHAEL       
 #AICI BY $PEER $INTERNATIONAL $CORP. 
       $ITALIAN SUB-$PUBLISHER
        $EDIZ. $SOUTHERN-MUSIC        

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  $(2IC)8.1)

#; <; $MELODIES BRING MEMORIES THAT 
  LINGER IN MY HEART,
'. !IIS!4'-_% !IIS3!4'-$^ !99W37!
  '-$O$53*$5 SCR'-_R'\$N
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#: <; MAKE ME THING OF $GEORGIA, WHY 
  DID WE EVER PART?
'. $D.^N9'-_Q._93* 8Q9'-$9!O. $E!5.99!
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#/ <; SOME SWEET DAY WHEN BLOSSOMS 
  FALL AND ALL THE WORLD.S A SONG
'. #H#D
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#, <; $I.LL GO BACK TO $GEORGIA .CAUSE
  THAT.S WHERE $I BELONG/
'. #H#C !%'-_% 
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#; <; *$GEOGIA*, THE WHOLE DAY 
  THROUGH, JUST AN
'. 2=!ID"CN.'-_% IH"CR.'-$^ V9$5!9'-!Z
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#: <; OLD SWEET SONG KEEPS *$GEORGIA 
  ON MY MIND*
'. !9465'-_Q$P JE"C5!98'-!R_8'\$4 $Y!
  '-_Q3'Q EE=3!R'-<R$N3*
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#/ <; *$GEORGIA,* A SONG OF YOU COMES 
  AS SWEET AND CLEAR AS
'. #H#E
$@-_@ #H#E

#, <; MOONLIGHT THROUGH THE PINES/ $O-
  THER ARMS REACH OUT TO ME,
'. !W!599'-!R$8'\_4') %"C'-_Q2_P'\ 
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#; <; OTHER EYES SMILE TENDERLY; STILL
  IN PEACEFUL DREAMS $I SEE THE ROAD 
  LEADS BACK TO
'. !E7H"C89'-!O!R) $D91J"CT'-<O$R #B#A
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#: <; YOU, *$GEORGIA,* NO PEACE $I 
                                    #G
  FIND, JUST AN
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  MY MIND/
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       $I CAN.T STOP LOVING YOU       
   $WORDS AND MUSIC BY $DON $GIBSON   
     
     MODERATELY SLOW _C
#, <; $THOSE HAPPY
'. V MMM V2K.!RHF'-$R.
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#; <; HOURS THAT WE ONCE KNEW, THOUGH 
  LONG AGO,
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#: <; STILL MAKE ME BLUE/ $THEY SAY 
  THAT TIME HEALS A BROKEN
'. !869.H Z"C'-$Z 586.D'-$[ &"C'-_Y 
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#/ <; HEART, BUT TIME HAS STOOD STILL 
  SINCE WE.VE BEEN A PART/
'. !^"C'-_% 94DI4 &"C'-_Y 6.!I8JE!
  '-_N$R Y"C'-_N_Q!,>R 4'-_42K.
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#, <; $I CAN.T STOP LOVING YOU, SO 
  $I.VE MADE UP MY MIND TO LIVE IN
- $I CAN.T STOP LOVING YOU, THERE.S NO
  USE TO TRY PRETEND THERE.S
'. $654'-$N. 4.IS"C'-_% 9GG;999 ["C!
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#; <; MEMORY OF OLD LONESOME TIMES/ $I
  CAN.T STOP WANTING YOU,
- SOMEONE NEW, $I CAN.T LIVE A LIE/ $I
  CAN.T STOP WANTING YOU
'. !W.HQ"C'-$[ 7.E5DE &"C'-_Y 6$654!
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#: <; IT.S USELESS TO SAY, SO $I.LL 
  JUST LIVE MY LIFE IN
- THE WAY THAT $I DO/ $THERE.S ONLY 
  BEEN ONE LOVE FOR
'. !9.G;999 ["C'-_Y 8.F78 8.G7.F'-$[
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#/ <; DREAMS OF YESTERDAY/ $THOSE HAP-
  PY
- ME; THAT ONE LOVE IS YOU/
'. !6.E5.D #,!Y"C'-_N_Q!,>R 4RFD!
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         $HIT THE ROAD $JACK          
  $WORDS AND MUSIC $PERCY $MAYFIELD   

     MODERATE BEAT 222$C
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#: <; ROAD $JACK AND DON.T YOU COME 
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#/ <; MORE/ $WOO+ $WOMAN, OH WOMAN, 
  DON.T TREAT ME SO MEAN, $YOU.RE THE
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#, <; MEANEST OLD WOMAN THAT $I.VE E-
  VER SEEN/ $I GUESS IF YOU SAID
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#; <; SO $I.D HAVE TO PACK MY THINGS 
  AND GO/ =$THAT.S RIGHT=
'. 3!GA8."C8.F'-2_S$R3* 1G.&G.&G.C&4!
  '-!Y 4$442K.
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  2@!N.#_80 4#)$($4#)=2K.
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#: <; $HIT THE ROAD $JACK AND DON.T 
  YOU COME BACK **NO MORE,* NO MORE/ 
  $HIT THE
'. !H.&'-$82K. 0 !Q4.D'-_Y F.&776!
  '-2$S$R3* 88$44'-_Y 664!H.&'-2S$$R
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#/ <; ROAD $JACK AND DON.T YOU COME 
  BACK NO MORE/ $NOW
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  V!702K.
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#, <; BABY, LISTEN BABY, DON.T A TREAT
  ME THIS A WAY/ $FOR $I.LL BE BACK ON
  MY FEET SOME DAY/ $DON.T
'. $DJHFGFGF'-!Y GFGFGA8D'-2$S$R 87!
  FD4'-!Y 644$4'-2$S$R
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  2@2_R070!70
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#; <; CARE IF YOU DO .CAUSE IT.S UNDER
  -STOOD YOU AIN.T GOT NO MONEY YOU 
  JUST AIN.T NO GOOD/ $WELL, $I
'. $4JJ4!H.&'-!Y G6H"CHD6'-2$S$R 
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                                   #AC
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#: <; GUESS IF YOU SAY SO $I.D HAVE TO
  PACK MY THINGS AND GO/ =$THAT.S 
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'. !6G.A&76'-!Y 3GA8."C8.F'-2_S$R3* 
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#/ <; MORE/ $DON.T YOU COME BACK NO MO
  -RE/
'. @CODA !Y'-!Y 2=!F.&776'-2$S$R Y!
  '-!Y2; @REPEAT AND FADE
$@ @CODA !Y2@V_80= 2=!F.&7762@!N2#1T10
  Y2@V_80=2; 
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            $WOMAN IN LOVE
       =$FORTE PI] FORTE DI ME=       
$TESTO ITALIANO DI $FRANCO $MIGLIACCI 
$TESTO ORIGINALE E MUSICA DI $BARRY E
             $ROBIN $GIBB             
 $COPYRIGHT #AIHJ BY $BROTHERS $GIBB
                $B.$V/                

     MODERATAMENTE 3#D/
#, X$FEJ$FEJE2@!&"C2@<?FF$(FF='-!& 
  JE!HIHG52@!&2@.@SEGUE HGHGP"C2@!Y"C!
  '-_Y: P"CFEV2@!N"CDEXF"C'-_N:_D:_5!F
  
#; X$FEJ$FEJE2@!&"C JEJEJIHG2@!& JEJI!
  HF8"C2@!Y"C'-_Y: [*

#: <; $LIFE IS A MOMENT IN SPACE WHEN 
  THE DREAM IN GO-NE
'. 0 X!JJJIHGF"C'-!P!S 6X[[7EJ"C!
  2@!6XH7EJ'-!P!S 
#/ <; $IT.S A LONELIER PLACE $I KISS 
  THE MORNING GOODBYE
'. _WX!&&EFEJ"C2@_WX!FEFEJ'-_N:$O T.V!
  '-_[ X1!GGGGIHF"C'-!Z 
#? <; BUT DOWN INSIDE YOU KNOW WE NE-
  VER KNOW WHY/
'. !6X.&FGXH"C'-_N_D<6<I HHHHHJIG"C!
  2@!8HHHJIG Q.V'-$]
#+ <; $THE ROAD IS NARROW AND LONG 
  WHEN EYES MEET EYES
                                   #AE
'. X!JJJIHGF"C'-!P!S 6XH7EJ"C'-!P!S 
#= <; AND THE FEELING IS STRONG $I 
  TURN AWAY FROM THE WALL
'. _WX!&&EFEJ"C2@_WX!FEFEJ'-_N:$O T.V!
  2@_T56'-_[ X!IIIIJDJ"C2@1!%'-!Z 
#( <; $I STUMBLE AND FALL BUT $I GI-VE
  YOU IT ALL
'. !]A^AHXHIJDJ"C'-_R_N ]A^AHX[[!
  IJDJ"C'-_R_N
#* <; $I AM A WOMAN IN LOVE AND $I.D 
  DO ANYTHING
'. !]2@V3!57W'-$] XFFF3EFGH"C2@!P3O!
  '-!P_T HXX[[GHGF"C2@!P3O'-!P_T 
#, <; TO GET YOU INTO MY WORLD AND 
  HOLD YOU WITHIN/ $IT.S A
'. !FHHHGHIJ"C2@!P3O'-!P_T WXJIJDJ"C!
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'. #D/ $O."C;EDJ2@!^0'-_Z Y2@!^#)$C!
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#: <; $WHAT DO $I DO?
'. !^]DT.2@VX$FEJ$FE'-!& M2@!JEJEJEJI 
  M2@!HFR."C'-_Y: M2@![2K. !01 @POI 
CODA
#/ <; @CODA $WHAT DO $I DO?
'. @CODA !^]DT.2@VX$FEJ$FE'-!& M!
  2@!JEJEJEJH"C M2@!["C'-_Y'\2K.
#? <; $I AM A WOMAN IN LOVE AND $I.M 
  TALKIN. TO YOU
'. #B/ M2@!R2K. 1#D2 #D/ X$DDDJIJD"C!
  2@<Y"C'-!Q_N 4XYYJDJDC"C2@<49R'-!Q_N
#+ <; $I KNOW HOW YOU FEEL WHAT A WO-
  MAN CAN DO/ $IT.S A
'. $DA9IJIJD"C2@$QR'-!Q_N 4XYYJDED"C!
  2@$SR'-!Q_N2K. #B/ $4.]Y2@$S'-!Q2K. 
#= <; RIGHT $I DEFEND OVER AND OVER A-
  GAIN/
'. #D/ $P."C;FED2@$['-2_& Z2@$%'-2!] 
  ;54W= Y2@V1!68$4'-$Y2K.
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  DO ANYTHING
'. 2=.X!IIIHIJI"C2@<Y"C'-!Q_N 9XYY!
  JDJI"C2@<49R'-!Q_N
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  HOLD YOU WITHIN/ $IT.S A
'. !II=HIJD"C2@$QR'-!Q_N 4.DJDED"C!
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#,) <; RIGHT $I DEFEND OVER AND OVER 
  AGAIN/
'. #D/ $P."C;FED2@$['-2_& Z2@$%'-2!] 
  ;54W= Y2@V1!68$4'-$Y2; @RIPETE AD 
  LIB. SFUMANDO  








                                   #AG
 
       $I WILL ALWAYS LOVE YOU        
   $FROM THE $MOTION $PICTURE ($THE
             $BODYGUARD)              
  $WORDS AND MUSIC BY $DOLLY $PARTON  
       $COPYRIGHT #AIGC, #AIIC
     $VELVET $APPLE $MUSIC =$BMI=     

     FREELY 333#D/
#, <; #A/ $IF $I SHOULD STAY, $I 
  WOULD
'. @N.C. @P!NAOAF.2K. @VERSE #A 
  !YAAJDJY]ADV]AEA& YA]ADVVYA];YA]A^
#; <; ONLY BE IN YOUR WAY/ $SO $I.LL 
  GO, BUT $I
'. _9.YA]]A^I"CI.!% 7"C%AAFHGA6ZEAFAG 
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#: <; THAN YOU WILL KNOW/ =$WO, WO, 
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#/ <; THE GROUNDS UNTIL YOU FEEL AT HO
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#: <; $PUT IT IN YOUR PANTRY WITH YOUR
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#, <; INSON.S AFFAIR, $MOST OF ALL
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#; <; YOU.VE GOT TO HIDE IT FROM THE 
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#: <; =CHORUS* $MRS. $ROBINSON, $JESUS
  LOVES YOU MORE
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#/ <; THAN YOU WILL KNOW, =$WO WO WO=
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#; <; $HEAVEN HOLDS A PLACE FOR THOSE 
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    =VERSE $N#C= 
  $SITTING ON A SOFA ON A@ $SUNDAY AF-
TERNOON,@ $GOING TO THE CANDIDATES DE-
BATE,@ $LAUGH ABOUT IT SHOUT ABOUT 
IT/@ $WHEN YOU.VE GOT TO CHOOSE, EV.RY
WAY YOU LOOK@ AT IT, YOU LOSE/ $WHERE 
HAVE YOU GONE,@ $JOE $DIMAGGIO? $A NA-
                                   #CG
TION TURNS ITS@ LONELY EYES TO YOU, 
=WO WO WO=@ $WHAT.S THAT YOU SAY, 
$MRS. $ROBINSON,@ ($JOLTIN. JOE) HAS 
LEFT AND GONE AWAY/@ =$HEY, HEY, HEY, 
HEY, HEY, HEY=/@ 
 
        $THE SOUND OF SILENCE         
   $WORDS AND MUSIC BY $PAUL $SIMON   
  =$VERS. ITAL. ($LA TUA IMMAGINE)*   
     $EDIZ. MUS. $CARISCH, #AIFD      

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        $THE SOUND OF SILENCE         
  =#A/= $HALLO DARKNESS MY OLD FRIEND,
$I.VE COME TO TALK TO YOU AGAIN, $BE-
CAUSE A VISION SOFTLY CREEPING, LEFT 
IT.S SEEDS WHILE $I WAS SLEEPING, AND 
THE VISION THAT WAS PLANTED IN MY 
BRAIN STILL REMAINS WITHIN THE SOUND 
OF SILENCE/ 
  =#B/= $IN RESTLESS DREAMS $I WALKED 
ALONE NARROW STREETS OF COBBLE STONE, 
NEATH THE HALO OF A STREET LAMP, $I 
TURNED MY COLLAR TO THE COLD AND DAMP 
WHEN MY EYES WERE STABBED BY THE FLASH
OF A NEON LIGHT THAT SPLIT THE NIGHT 
AND TOUCHED THE SOUND OF SILENCE 
  =#C/= $AND IN THE NAKED LIGHT $I SAW
TEN THOUSAND PEOPLE, MAYBE MORE/ $PEO-
PLE TALKING WITHOUT SPEAKING/ $PEOPLE 
HEARING WITHOUT LISTENING $PEOPLE WRI-
TING SONGS THAT VOICES NEVER SHARE AND
NO ONE DARE DISTURB THE SOUND OF SILEN
-CE/ 
  =#D/= (FOOLS+) SAID $I, (YOU DO NOT 
KNOW, SILENCE LIKE A CANCER GROWS/) 
(HEAR MY WORDS THAT $I MIGHT TEACH 
YOU, $TAKE MY ARMS THAT $I MIGHT REACH
YOU) $BUT MY WORDS LIKE SILENT RAIN 
DROPS FELL, AND ECHOED IN THE WELLS OF
SILENCE/ 
  =#E/= $AND THE PEOPLE BOWED AND 
PRAYED TO THE NEON GOD THEY MADE/ $AND
THE SIGN FLASHED OUT ITS WARNING/ $IN 
THE WORDS THAT IT WAS FORMING/ $AND 
THE SIGN SAID (THE WORDS OF THE PRO-
PHETS ARE WRITTEN ON THE SUBWAY WALLS 
AN TENEMENTS HALLS) $AND WHISPER.D IN 
THE SOUNDS OF SILENCE/ 
 
          $THE GAME OF LOVE           
 $WORDS AND $MUSIC BY $ALEXANDER AND
            $RICK $NOWELS             
              OPP #BJJB               

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  #B/ <; ?$THIS, WHATEVER YOU MAKE IT 
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$IT AIN.T SAYIN. GOOD BYE THAT.S 
  KNOCKING DOWN THE DOOR OF YOUR CANDY
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          $WE ARE THE WORLD           
  $TESTO E MUSICA $LIONEL $RICHIE -
          $MICHAEL $JACKSON           
$EDIZ. $MIJAC MUSIC - $BROCKMAN MUSIC,
                #AIHE                 

     MODERATO SLOW #D3$C
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   $YOU ARE THE SUNSHINE OF MY LIFE   
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YOU.LL STAY IN MY HEART/@ $YOU MUST HA
-VE KNOWN THAT $I WAS LONELY,@ BECAUSE
YOU CAME TO MY RESCUE/@ $AND $I KNOW 
THAT THIS MUST BE HEAVEN;@ HOW COULD 
SO MUCH LOVE@ BE INSIDE OF YOU?@ $YOU 
ARE THE SUNSHINE OF MY LIFE,@ ETC.? 







                                   #EC
 
           $CHEEK TO CHEEK            
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IT DOESN.T THRILL ME HALF AS MUCH@ $AS
DANCING CHEEK TO CHEEK/@ 
  $DANCE WITH ME@ $I WANT MY ARM ABOUT
YOU@ $THE CHARM ABOUT YOU@ $WILL CARRY
ME THRO. TO HEAVEN/@ $I.M IN HEAVEN@ 
$AND MY HEART BEATS SO@ $THAT $I CAN 
HARDLY SPEAK;@ $AND $I SEEM TO FIND@ 
$THE HAPPINESS $I SEEK@ $WHEN WE.RE 
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                                   #EE
 
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