$S $U $O $N $I  
   $RIVISTA BIMESTRALE DI MUSICA  

$LUGLIO-$AGOSTO #BJAG        N. #HE 
                          $ANNO $XXI

         $BOB $DYLAN =#;O=  


  $DIR. RESP.: $PIETRO $PISCITELLI  
    $REDATTORE $MATTEO $BONETTI  
 $SEGR. DI REDAZ. $FRANCO DE $PONTI 
           $REGISTRAZIONE  
 $TRIB. $MONZA #AD-#AJ-#BJAE N. #AF 

         $COPIA IN OMAGGIO  


       $STAMPATO IN $BRAILLE  
            A CURA DELLA  
$BIBLIOTECA $ITALIANA PER I $CIECHI 
        VIA $FERRARI, #E\$A  
        $TEL. #JCI-#BH.CB.GA  
      - #BJIJJ $MONZA - #BJAG  


            $INDICE               #B

$AIN.T GONNA GRIEVE...............#C
$BABY $I.M IN THE MOOD FOR YOU....#E
$BALLAD IN PLAIN $D...............#I
$BALLAD OF $HOLLIS $BROWN........#AD
$BLACK CROW BLUES................#AI
$BOOTS OF SPANISH LEATHER........#BA
$FAREWELL........................#BD
$GIRL OF THE $NORTH $COUNTRY.....#BH
$IT TAKES A LOT TO LAUGH, IT TAKES
    A TRAIN TO CRY...............#CJ
$QUEEN $JANE APPROXIMATELY.......#CB
$SPANISH $HARLEM INCIDENT........#CE
$SUBTERRANEAN HOMESICK BLUES.....#CH
$THE TIMES THEY ARE A-CHANGIN....#DB
$YOU AIN.T GOIN. NOWHERE.........#DE
$WHEN THE SHIP COMES IN..........#DI









      $AIN.T GONNA GRIEVE         #C
 $W. & M. BY $BOB $DYLAN, #AIFC =*=

     MODERATE GOSPEL TEMPO 3_C  
  #, <; $WELL, $I AIN.T A-GONNA GRIE
-VE NO 
  '.M U2K.@F!8.H 0 @CHORUS !HH=88!
'-:@_[ 
  #; <; MORE, NO MORE; $AIN.T A-GON-
NA GRIEVE NO MORE, NO MORE/ $AIN.T 
A-GONNA GRIEVE NO 
  '.!8.HR II=99'-$Z W.HR'-_[ JJ=W8
  #: <; MORE, NO MORE, $AND $I AIN.T
A-GONNA GRIEVE NO MORE/ 
  '.!W.H8HH'-_[ II=W9'-$Z 
R"CH2K.XV'-_[2K @LAST TIME END HERE
  #,-; <; $COME ON BROTHERS, JOIN 
THE BAND; $COME ON SISTERS, CLAP 
YOUR HANDS/ 
  '.@VERSE: $88H8.'-_[ 8HH"CR 99I9.!
'-$Z WHH"CR'-_[
  #; <; $TELL EV.RYBODY THAT.S IN 
THE LAND, YOU AIN.T A-GONNA GRIEVE 
NO MORE/ $WELL, $I 
  '.!WJJJJ8'-_[ W.H88 II=W9'-$Z 
R8.H'-_[ !0 2K

  =*= $EDIZIONI MUSICALI $SPE-    #D
CIAL $RIDER $MUSIC, #AIIC/ $PUBLI-
SHED #AIIC BY $AMSCO $PUBLICATIONS/ 

               $PIANO
     MODERATE GOSPEL TEMPO 3_C  
  #, $@.@FF$I0)-I0)-=W#)-90)- 
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!0 

  ?#B/ $BROWN AND BLUE AND WHITE AND
BLACK,@ $ALL ONE COLOR ON THE ONE 
WAY TRACK,@ $WE GOT THIS FAR AND 
AIN.T A-GOIN. BACK,@ $AND $I AIN.T 
A-GONNA GRIEVE NO MORE/@ 
  #C/ $WE.RE GONNA NOTIFY YOUR NEXT 
OF KIN,@ $YOU.RE GONNA RAISE THE 
ROOF UNTIL THE HOUSE FALLS IN,@ $IF 
YOU GET KNOCKED DOWN GET UP AGAIN,@ 
$WE AIN.T A-GONNA GRIEVE NO MORE/@ 
  #D/ $WE.LL SING THIS SONG ALL 
NIGHT LONG,@ $SING IT TO MY BABY 
FROM MIDNIGHT ON,@ $SHE.LL SING IT 
TO YOU WHEN $I.M DEAD AND GONE,@ 
$AIN.T A-GONNA GRIEVE NO MORE/@@ 


   $BABY $I.M IN THE MOOD FOR YOU
   $W. & M. BY $BOB $DYLAN, #AIFC

             BRIGHT 2_C  
  #, 
  #; <; $SOMETIMES $I.M IN THE MOOD,
$I WANNA LEAVE MY LONESOME HOME 
$AND                              #F
  '.2=!44D7E'-:@_% QXIII 99I9G"C 
Q.29'-_Q.!7
  #: <; SOMETIMES $I.M IN THE MOOD, 
$I WANNA HEAR MY MILK COW MOAN $AND 
  '.2!99H7E'-2$] QX2IIG 299H7G"C 
Q.7'-_% 
  #/ <; SOMETIMES $I.M IN THE MOOD, 
$I WANNA HIT THAT HIGHWAY ROAD $BUT 
THEN A- 
  '.$44D4D'-_% NXIII 99I9I"C'-$^ 
SXIII'-!Z 
  #,-; <; GAIN, BUT THEN AGAIN, *$I 
SAID OH,* $I SAID $OH, 
  '.!QXHHH'-_% RXIII"C'-$Y SXJJJ"C 
'-_% TX$GGG"C'-$Y 
  #; <; $BABE, $I.M IN THE MOOD FOR 
YOU/ 
  '.$QQ'-_Q!O X!III9IG"C'-!R$N 
#,;:/?!QU'-_Q!S M'-2'S$N2; #+"C!%"C!
'-_Q2_T Q.V2K

               $PIANO
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  #, $@ $QQ2@V$40*V5#) 
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  ?#B/ $SOMETIMES $I.M IN THE     #H
MOOD,@ $LORD, $I HAD MY OVERFLOWIN. 
FILL@ $SOMETIMES $I.M IN THE MOOD,@ 
$I.M GONNA MAKE OUT MY FINAL WILL@ 
$SOMETIMES $I.M IN THE MOOD,@ $I.M 
GONNA HEAD FOR THE WALKIN. HILL@ 
$BUT THEN AGAIN, BUT THEN AGAIN, *$I
SAID OH,* $I SAID@ $OH, $BABE, $I.M 
IN THE MOOD FOR YOU/@ 
  #C/ $SOMETIMES $I.M IN THE MOOD,@ 
$I WANNA LAY RIGHT DOWN AND DIE@ $SO
-METIMES $I.M IN THE MOOD,@ $I WANNA
CLIMB UP TO THE SKY@ $SOMETIMES $I.M
IN THE MOOD,@ $I.M GONNA LAUGH UNTIL
$I CRY@ $BUT THEN AGAIN, BUT THEN A-
GAIN, *$I SAID OH,* $I SAID@ $OH, 
$BABE, $I.M IN THE MOOD FOR YOU/@ 
  #D/ $SOMETIMES $I.M IN THE MOOD,@ 
$I.M GONNA SLEEP IN MY PONY.S STALL@
$SOMETIMES $I.M IN THE MOOD,@ $I 
AIN.T GONNA DO NOTHIN. AT ALL@ $SOME
-TIMES $I.M IN THE MOOD,@ $I WANNA 
FLY LIKE A CANNON BALL@ $BUT THEN A-
GAIN, BUT THEN AGAIN, *$I SAID OH,* 
$I SAID@ $OH, $BABE, $I.M IN THE 
MOOD FOR YOU/@ 
  #E/ $SOMETIMES $I.M IN THE MOOD,@ 
$I WANNA BACK UP AGAINST THE      #I
WALL@ $SOMETIMES $I.M IN THE MOOD,@ 
$I WANNA RUN TILL $I HAVE TO CRAWL@ 
$SOMETIMES $I.M IN THE MOOD,@ $I 
AIN.T GONNA DO NOTHIN. AT ALL@ $BUT 
THEN AGAIN, BUT THEN AGAIN, *$I SAID
OH,* $I SAID@ $OH, $BABE, $I.M IN 
THE MOOD FOR YOU/@ 
  #F/ $SOMETIMES $I.M IN THE MOOD,@ 
$I WANNA CHANGE MY HOUSE AROUND@ $SO
-METIMES $I.M IN THE MOOD,@ $I.M GON
-NA MAKE A CHANGE IN THIS HERE TOWN@
$SOMETIMES $I.M IN THE MOOD,@ $I.M 
GONNA CHANGE THE WORLD AROUND@ $BUT 
THEN AGAIN, BUT THEN AGAIN, *$I SAID
OH,* $I SAID@ $OH, $BABE, $I.M IN 
THE MOOD FOR YOU/@@ 


        $BALLAD IN PLAIN $D
   $W. & M. BY $BOB $DYLAN, #AIFD

           MODERATO 33#C/  
  #, 
  #; <; $I ONCE LOVED A GIRL, $HER 
SKIN IT WAS BRONZE,
  '.@A@TEMPO!7C6 2=!556'-_O$9 
Q5'-_O. 578'-_O!6 S."C'-_O.      #AJ
  #: <; $WITH THE INNOCENCE OF A 
LAMB, $SHE WAS
  '.!S."C'-_O. = I$ZZ;EEEEE O!GG
  #,-; <; GENTLE LIKE A FAWN/ $I 
COURTED HER PROUDLY $BUT
  '.!FF=5"C'-$S. O5'-_O. 556'-_O$9 
755'-_O.
  #; <; NOW SHE IS GONE, $GONE AS 
THE 
  '.!578'-_O!6 S."C'-_O. S$5 O!9
  #: <; SEASON SHE.S TAKEN/
  '.!997'-_O. FAGA65"C'-$S. 
O."C'-_O. O. 
  #/ #,#;..#,;.M'-$9_8$9 V!7A62; 
#,:.M'-_O. M2K

               $PIANO
           MODERATO 33#C/  
  #, $@.@MF!5#=60 705#70 
80@RIT.!6#80
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O!GG2@!Q5#                       #AA
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  #; $@!5#7080 S.0$C S0$5 O)!9*
  _@_O.2@_79W _O."C2@!4CCW9 _O.2@_W!
9C7 V_O2@_S7
  #: $@!9*=70 FG65"C2@!N#9"C\ 
!O.#)$C O.#)
  _@_O.2@_779 >S9 5C9C_5 =
  #/ $@.#,#;..#,;!4C5C6C2@_R. 
!9)7C62; #,:!O.#)$C !5#)2LVV2K
  _@.#,#;..#,;>9CWC4C 60VV2; 
#,:>5C9C_5 >52LVV2K

  ?#B/ $THROUGH YOUNG SUMMER.S BREE-
ZE@ $I STOLE HER AWAY@ $FROM HER MO-
THER AND SISTER@ $THOUGH CLOSE DID 
THEY STAY,@ $EACH ONE OF THEM SUFFE-
RING@ $FROM THE FAILURES OF THEIR 
DAY,@ $WITH STRINGS OF GUILT@ $THEY 
TRIED HARD TO GUIDE US/@ 
  #C/ $OF THE TWO SISTERS,@ $I LOVED
THE YOUNG,@ $WITH SENSITIVE IN-
STINCTS@ $SHE WAS THE CREATIVE ONE,@
$THE CONSTANT SCAPEGOAT@ $SHE    #AB
WAS EASILY UNDONE@ $BY THE JEALOUSY@
$OF OTHERS AROUND HER/@ 
  #D/ $FOR HER PARASITE SISTER@ $I 
HAD NO RESPECT@ $BOUND BY HER BORE-
DOM@ $HER PRIDE TO PROTECT,@ $COUN-
TLESS VISIONS OF THE OTHER@ $SHE.D 
REFLECT@ $AS A CRUTCH FOR HER SCE-
NES@ $AND HER SOCIETY/@ 
  #E/ $MYSELF, FOR WHAT $I DID@ $I 
CANNOT BE EXCUSED,@ $THE CHANGES $I 
WAS GOING THROUGH@ $CAN.T EVEN BE U-
SED/@ $FOR THE LIES THAT $I TOLD 
HER@ $AND HOPE NOT TO LOSE@ $THE 
COULD-BE DREAM LOVER@ $OF MY LIFETI-
ME/@ 
  #F/ $WITH UNKNOWN CONSCIOUSNESS@ 
$I POSSESSED IN MY GRIP@ $A MAGNIFI-
CENT MANTELPIECE,@ $THOUGH ITS HEART
BEING CHIPPED,@ $NOTICING NOT@ $THAT
$I.D ALREADY SLIPPED@ $TO A SIN@ $OF
LOVE.S FALSE SECURITY/@ 
  #G/ $FROM SILHOUETTED ANGER@ $TO 
MANUFACTURED PEACE,@ $ANSWERS OF EMP
-TINESS,@ $VOICE VACANCIES/@ $TILL 
THE TOMBSTONES OF DAMAGE@ $READ ME 
NO QUESTIONS BUT, ($PLEASE,@ $WHAT.S
WRONG@ $AND WHAT.S EXACTLY THE   #AC
MATTER?)@ 
  #H/ $AND SO IT DID HAPPEN@ $LIKE 
IT COULD HAVE BEEN FORESEEN,@ $THE 
TIMELESS EXPLOSION@ $OF FANTASY.S 
DREAM/@ $AT THE PEAK OF THE NIGHT@ 
$THE KING AND THE QUEEN@ $TUMBLED 
ALL DOWN@ $INTO PIECES/@ 
  #I/ ($THE TRAGIC FIGURE+)@ $HER SI
-STER DID SHOUT,@ ($LEAVE HER ALO-
NE,@ $GOD DAMN YOU, GET OUT+)@ $AND 
$I IN MY ARMOR,@ $TURNING ABOUT@ 
$AND NAILING HER@ $TO THE RUINS OF 
HER PETTINESS/@ 
  #AJ/ $BENEATH A BARE LIGHT BULB@ 
$THE PLASTER DID POUND@ $HER SISTER 
AND $I@ $IN A SCREAMING BATTLE-
GROUND,@ $AND SHE IN BETWEEN,@ $THE 
VICTIM OF SOUND,@ $SOON SHATTERED AS
A CHILD@ .$NEATH HER SHADOWS/@ 
  #AA/ $ALL IS GONE, ALL IS GONE,@ 
$ADMIT IT, TAKE FLIGHT,@ $I GAGGED 
TWICE DOUBLED@ $TEARS BLINDING MY 
SIGHT/@ $MY MIND IT WAS MANGLED,@ $I
RAN INTO THE NIGHT@ $LEAVING ALL OF 
LOVE.S ASHES@ $BEHIND ME/@ 
  #AB/ $THE WIND KNOCK MY WINDOW,@ 
$THE ROOM IT IS WET,@ $THE       #AD
WORDS TO SAY, ($I.M SORRY),@ $I HA-
VEN.T FOUND YET/@ $I THINK OF HER OF
-TEN@ $AND HOPE WHOEVER SHE.S MET@ 
$WILL BE FULLY AWARE@ $OF HOW PRE-
CIOUS SHE IS/@ 
  #AC/ $AH, MY FRIENDS,@ $FROM THE 
PRISON,@ $THEY ASK UNTO ME,@ ($HOW 
GOOD, HOW GOOD@ $DOES IT FEEL TO BE 
FREE?)@ $AND $I ANSWER THEM MOST MY-
STERIOUSLY,@ ($ARE BIRDS FREE@ $FROM
THE CHAINS OF THE SKY-WAY?)@@ 


     $BALLAD OF $HOLLIS $BROWN
   $W. & M. BY $BOB $DYLAN, #AIFC

        MODERATO IN #D 3#D/  
  #, 
  #; <; $HOLLIS $BROWN, HE LIVED ON 
THE OUTSIDE OF TOWN, $HOLLIS
  '.@MF!FF !6.HF6F'-!&@THROUTGHOUT 
8IF6XH M UV!JJ
  #: <; $BROWN, HE LIVED ON THE OUT-
SIDE OF TOWN, $WITH HIS
  '.!W.E5JI WJEWV M UV!JJ
  #/ <; WIFE AND FIVE CHILDREN AND 
HIS CABIN FALLIN. DOWN/          #AE
  '.!JI8HFFF HHIF6"CFX M UVX!2K.
  #,-; <; $HE LOOKED FOR WORK AND MO
-NEY AND HE WALKED A RUGGED MILE,
  '.!H @REFRAIN 2=!FEFHFEFF 
HHIF6"CFX M
  #; <; $HE LOOKED FOR WORK AND MO-
NEY AND HE WALKED A RUGGED MILE/
  '.UVX!J JIJEJIHI JIJEW"CJX
  #: <; $YOUR CHILDREN ARE SO HUNGRY
THAT THEY
  '.M UVX!J !JJJIIHFG
  #/ <; DON.T KNOW HOW TO SMILE/
  '.!HHIF6"CFX #,#;#:@ETC.M UVX!H2; 
@REPEAT FOR ADDITIONAL LYRICS
  @LAST TIME M M2K @FINE 

               $PIANO
        MODERATO IN #D 3#D/  
  #, $@.@MF!H2@X 6.E6.H2@X_J0V= 
!P"C6.H2@X_J0==V !6.E6.H2@X_J0V= 
!P"C6!2@X_J0==!2K.
  _@.X >6"W= = = >6"W>6!2K.
  #; $@ @MF!FF2@V !6.HF6F2@X_W.0= 
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  #: $@!W.E5JI2@X!8.0=           #AF
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  #/ $@!JI8HFFF2@X!6#F#X_W0J0 !HHIF!
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  _@>6"W= = = >6"W>6X2K.
  #,-; $@.!H2@X @REFRAIN 
2=!FEFHFEFF2@_W0=== 
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  _@.X 2=>6"W= = =
  #; $@!6.E6.J2@X_J0V= !JIJEJIHI2@ 
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  #: $@!6.E6.H2@X_J0V= !6.E6.J2@= 
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  #/ $@!HHIF6.H2@!6#VX_J0V 
#,#;#:@ETC.!6.E6.H2@X_J0V= @REPEAT 
FOR ADDITIONAL LYRICS !6.E6.H2@!
X_J0V=2; @LAST TIME!6.E6.H2@X_J0V= 
!P#)$C6#)2LV2K @FINE 
  _@>6"W= = >6"W>6V2; >6"W= 
>6"W>62LV2K

  ?#B/ $YOUR BABY.S EYES LOOK CRAZY@
$THEY.RE A TUGGIN. AT YOUR SLEE  #AG
-VE/@ $YOUR BABY.S EYES LOOK CRAZY@ 
$THEY.RE A TUGGIN. AT YOUR SLEEVE/@ 
$YOU WALK THE FLOOR AND WONDER WHY@ 
$WITH EVERY BREATH YOU BREATHE/@ 
  #C/ $THE RATS HAVE GOT YOUR FLOUR@
$BAD BLOOD IT GOT YOUR MARE/@ $THE 
RATS HAVE GOT YOUR FLOUR@ $BAD BLOOD
IT GOT YOUR MARE/@ $IF THERE.S ANYO-
NE THAT KNOWS,@ $IS THERE ANYONE 
THAT CARES?@ 
  #D/ $HE PRAYED TO THE $LORD ABOVE@
$OH PLEASE SEND YOU A FRIEND/@ $HE 
PRAYED TO THE $LORD ABOVE@ $OH PLEA-
SE SEND YOU A FRIEND/@ $YOU AIN.T A 
GOT NO MONEY BOY,@ $YOU AIN.T A GOT 
NO FRIEND/@ 
  #E/ $YOUR BABY.S EYES ARE CRYING 
LOUDER@ $IT.S POUNDING ON YOUR 
BRAIN/@ $YOUR BABE IS CRYING LOUDER 
NOW@ $IT.S POUNDING ON YOUR BRAIN/@ 
$YOUR WIFE.S SCREAMS ARE STABBIN.@ 
$LIKE THE DIRTY DRIVIN. RAIN/@ 
  #F/ $YOUR GRASS IS TURNING BLACK@ 
$THERE.S NO WATER IN YOUR WELL/@ 
$YOUR GRASS IS TURNING BLACK@ $THE-
RE.S NO WATER IN YOUR WELL/@ $YOU 
SPENT YOUR LAST LONG DOLLAR@     #AH
$ON SEVEN SHOT-GUN SHELLS/@ 
  #G/ $WAY OUT IN THE WILDERNESS@ $A
COLD COYOTE CALLS/@ $WAY OUT IN THE 
WILDERNESS@ $A COLD COYOTE CALLS/@ 
$YOUR EYES FIX ON A SHOT-GUN@ 
$THAT.S HANGIN. ON THE WALL/@ 
  #H/ $YOUR BRAIN IS A BLEEDIN.@ 
$AND YOUR LEGS CAN.T SEEM TO STAND/@
$YOUR BRAIN IS A BLEEDIN.@ $AND YOUR
LEGS CAN.T SEEM TO STAND/@ $YOUR 
EYES FIX ON THE SHOT-GUN@ $THAT 
YOU.RE HOLDIN. IN YOUR HAND/@ 
  #I/ $THERE.S SEVEN BREEZES A BLO-
WIN.@ $ALL AROUND THE CABIN DOOR/@ 
$THERE.S SEVEN BREEZES A BLOWIN.@ 
$ALL AROUND THE CABIN DOOR/@ $SEVEN 
SHOTS SING OUT@ $LIKE THE OCEAN.S 
POUNDING ROAR/@ 
  #AJ/ $THERE.S SEVEN PEOPLE DEAD@ 
$ON A $SOUTH $DAKOTA FARM/@ $THERE.S
SEVEN PEOPLE DEAD@ $ON A $SOUTH $DA-
KOTA FARM/@ $SOMEWHERE IN THE DISTAN
-CE@ $THERE.S SEVEN NEW PEOPLE 
BORN/@@ 


       $BLACK CROW BLUES         #AI
   $W. & M. BY $BOB $DYLAN, #AIFE

     MEDIUM BLUES TEMPO 222#D/  
  #,
  #; <; $I WOKE IN THE MORNIN. 
WAND.RIN. $WASTED AND WORN OUT,
  '.!JJ 2=!JJ=W6'-2_& $D4J28.D"C &
  #: <; $I WOKE IN THE MORNIN. 
WAND.RIN. $WASTED AND WORN OUT,
  '.UV!FF'-2_& $DD=D9.'-2_^ 
D4J28.D"C
  #/ <; $WISHIN. MY LONG-LOST LOVER
  '.!&'-2_& M UX!HHH'-2$] 
891IW."C'-!8!73!G!8.
  #,-; <; $WILL WALK TO ME, TALK TO 
ME, $TELL ME WHAT IT.S ALL ABOUT/
  '. !T.W'-!R.2$W $FDWDJ8'-2_& 
FJD2FGAFDAD &
  #; '.#,#;#:#/.M'-2_& UV!JJ'-2$]2; 
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               $PIANO
     MEDIUM BLUES TEMPO 222#D/  
   #, $@ @MF!JJ J0*J0*=J0*6.#) 
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  #,-; $@ !T.0)W1\) $FDWDJ82@!80==6 
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  _@ #,;:/.>FJDJ= "JD3DE"C5V2; 
#?>FJDJ= 6.*F*$CP*2K
  
  ?#B/ $I WAS STANDIN. AT THE SIDE 
ROAD@ $LISTENIN. TO THE BILLBOARD 
KNOCK/@ $STANDIN. AT THE SIDE ROAD@ 
$LISTENIN. TO THE BILLBOARD KNOCK,@ 
$WELL, MY WRIST WAS EMPTY@ $BUT MY 
NERVES WERE KICKIN./@ $TICKIN. LIKE 
A CLOCK/@ 
  #C/ $HERE $I GOT ANYTHING YOU  #BA
NEED, $BABE,@ $LET ME TELL YOU IN 
FRONT,@ $IF $I GOT ANYTHING YOU 
NEED, $BABE,@ $LET ME TELL YOU IN 
FRONT,@ $YOU CAN COME TO ME SOMETI-
ME,@ $NIGHT TIME, DAY TIME,@ $ANY TI
-ME YOU WANT/@ 
  #D/ $SOMETIMES $I.M THINKIN. $I.M@
$TOO HIGH TO FALL,@ $SOMETIMES $I.M 
THINKIN $I.M@ $TOO HIGH TO FALL,@ $O
-THER TIMES $I.M THINKIN. $I.M@ $SO 
LOW $I DON.T KNOW@ $IF $I CAN COME 
UP AT ALL/@ 
  #E/ $BLACK CROWS IN THE MEADOW@ $A
-CROSS A BROAD HIGHWAY,@ $BLACK 
CROWS IN THE MEADOW@ $ACROSS A BROAD
HIGHWAY,@ $THOUGH IT.S FUNNY, HO-
NEY,@ $I JUST DON.T FEEL MUCH LIKE 
A@ $SCARECROW TODAY/@@ 

     $BOOTS OF SPANISH LEATHER
        $W. & M. $BOB $DYLAN

           SLOWLY 333#C/  
  #, 
  #; <; $OH, $I.M SAILIN. AWAY MY 
OWN TRUE LOVE, $I.M SAILIN. A-
  '.@REFRAIN 2=@MP!II 4.D4'-_S.  #BB
NJI $P4'-3!N. S9'-_O. 4.D4'-_S.
  #: <; WAY IN THE MORNING/ $IS THE-
RE SOMETHING $I CAN SEND YOU FROM 
A-
  '.$NJI'-_S. 4P"C P!II II94 96DD
  #,-; <; CROSS THE SEA, $FROM THE 
PLACE THAT $I.LL BE LANDING?
  '.!O4'-_O_9 SIJ'-_S. N6 NW'-3!N_6 
WS"C'-_5_S S!2;

               $PIANO
           SLOWLY 333#C/  
   #, $@ @MF!6 $N0)40) P0)60) 
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  @REPEAT #H TIMES

  ?#B/ $NO, THERE.S NOTHIN. YOU CAN 
SEND ME MY OWN TRUE LOVE,@ $THERE.S 
NOTHIN. $I WISH TO BE OWNIN.,@ $JUST
CARRY YOURSELF BACK TO ME UNSPOI-
LED,@ $FROM ACROSS THAT LONESOME O-
CEAN/@ 
  #C/ $OH, BUT $I JUST THOUGHT YOU 
MIGHT WANT SOMETHING FINE@ $MADE OF 
SILVER OR OF GOLDEN,@ $EITHER FROM 
THE MOUNTAINS OF $MADRID@ $OR FROM 
THE COAST OF $BARCELONA/@ 
  #D/ $OH, BUT IF $I HAD THE STARS 
FROM THE DARKEST NIGHT@ $AND THE DIA
-MONDS FROM THE DEEPEST OCEAN,@ $I.D
FORSAKE THEM ALL FOR YOUR SWEET 
KISS@ $FOR THAT.S ALL $I.M WISHIN. 
TO BE OWNIN./@ 
  #E/ $THAT $I MIGHT BE GONE A LONG 
OLD TIME@ $AND IT.S ONLY THAT $I.M 
ASKIN.,@ $IS THERE SOMETHIN. $I CAN 
SEND YOU TO REMEMBER ME BY@ $TO MAKE
YOUR TIME MORE EASY PASSIN./@ 
  #F/ $OH, HOW CAN, HOW CAN YOU ASK 
ME AGAIN,@ $IT ONLY BRINGS ME    #BD
SORROW,@ $THE SAME THING $I WANT 
FROM YOU TODAY@ $I WOULD WANT AGAIN 
TOMORROW/@ 
  #G/ $I GOT A LETTER ON A LONESOME 
DAY,@ $IT WAS FROM HER SHIP A-SAI-
LIN.@ $SAYING $I DON.T KNOW WHEN 
$I.LL BE COMIN. BACK AGAIN,@ $IT DE-
PENDS ON HOW $I.M A-FEELIN./@ 
  #H/ $WELL, IF YOU, MY LOVE, MUST 
THINK THAT-A-WAY,@ $I.M SURE YOUR 
MIND IS ROAMIN.,@ $I.M SURE YOUR 
HEART IS NOT WITH ME,@ $BUT WITH THE
COUNTRY TO WHERE YOU.RE GOIN./@ 
  #I/ $SO TAKE HEED, TAKE HEED OF 
THE WESTERN WIND,@ $TAKE HEED OF THE
STORMY WEATHER,@ $AND YES, THERE.S 
SOMETHING YOU CAN SEND BACK TO ME,@ 
$SPANISH BOOTS OF $SPANISH LEA-
THER/@@ 

             $FAREWELL
   $W. & M. BY $BOB $DYLAN, #AIFC  
  
           MODERATELY $C  
  #, 
  #; <; $OH IT.S FARE THEE WELL MY 
DARLIN. TRUE, $I.M LEAVIN. IN    #BE
THE FIRST HOUR OF THE
  '.2=@P!FG 8.HGFEAD'-_N$N 
4.D!8.H'-_Q_N HHHHGFED'-_N_Q
  #: <; MORN; $I.M BOUND OFF FOR THE
BAY OF $MEXICO $OR
  '.V$O8'-$[ 8.HGFED'-_N$N 
4.D!8DAE'-_Q_N
  #/ <; MAYBE THE COAST OF $CALI-
FORN; $SO IT.S FARE THEE WELL MY OWN
TRUE LOVE, $WE.LL
  '.!F8FGFE.Y'-_N_8$8 VN2K.!JD'-_Y 
REFRAIN $5.J8$5'-$[ 7.F4.D'-_Q_N
  #,-; <; MEET ANOTHER DAY, ANOTHER 
TIME, $IT AIN.T THE LEAVIN. $THAT.S 
A-
  '.$DD=D!GGF'-_N_Q !O"CEHHG'-$[ 6N!
$DD'-_Y
  #; <; GRIEVIN. ME $BUT MY TRUE LO-
VE WHO.S BOUND TO STAY BEHIND/
  '.$7.F4!HH'-_Q_N H8FGFE.Y'-_N_7$8 
!N.!'-_N.2;

               $PIANO
           MODERATELY $C  
  #, $@ @F$DD 7.#)F0)4#)!HH 
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@K>N._02;
@REPEAT #D TIMES 
  #B/ $OH THE WEATHER IS A-      #BG
GAINST ME AND THE WIND BLOWS HARD@ 
$AND THE RAIN SHE.S A-TURNIN. INTO 
HAIL,@ $I STILL MIGHT STRIKE IT 
LUCKY ON A HIGHWAY GOIN. WEST@ 
$THOUGH $I.M TRAVELIN. ON A PATH BEA
-TEN TRAIL/@ 
  #C/ $I WILL WRITE YOU A LETTER 
FROM TIME TO TIME,@ $AS $I.M RAM-
BLIN. YOU CAN TRAVEL WITH ME TOO/@ 
$WITH MY HEAD, MY HEART, AND MY 
HANDS, MY LOVE,@ $I WILL SEND WHAT 
$I LEARN BACK HOME TO YOU/@ 
  #D/ $I WILL TELL YOU OF THE LAUGH-
TER AND OF TROUBLES,@ $BE THEM SOME-
BODY ELSE.S OR MY OWN;@ $WITH MY 
HANDS IN MY POCKETS AND MY COAT COL-
LAR HIGH@ $I WILL TRAVEL UNNOTICED 
AND UNKNOWN/@ 
  #E/ $I.VE HEARD TELL OF A TOWN WHE
-RE $I MIGHT AS WELL BE BOUND,@ 
$IT.S DOWN AROUND THE OLD $MEXICAN 
PLAINS,@ $THEY SAY THAT THE PEOPLE 
ARE ALL FRIENDLY THERE@ $AND ALL 
THEY ASK OF YOU IS YOUR NAME/@@ 


 $GIRL OF THE $NORTH $COUNTRY    #BH
   $W. & M. BY $BOB $DYLAN, #AIFC  
  
       MODERATO, GENTLY #D2$C  
  #, 
  #; <; $WELL IF YOU.RE TRAV.LIN. IN
THE NORTH COUNTRY
  '.0 @P!S99'-2_^ 44= P44'-2$&
  #: <; FAIR, $WHERE THE WINDS HIT 
HEAVY ON THE
  '. !^'-2_^ 44= 6664 
  #/ <; BORDERLINE, $REMEMBER ME TO
  '.$O44"C'-2_O2_S N.4 P.!9 NN
  #,-; <; ONE WHO LIVES THERE, $SHE 
ONCE
  '.$55N'-2_O2$P ^'-2_^ S.4
  #; <; WAS A TRUE LOVE OF MINE/
  '.$6AN9'-2_^ N9W'-2_S2_52$6 
^'-2^2K
  
               $PIANO
       MODERATO, GENTLY #D2$C  
  #, $@ @MF!S.#)40) 60*CN0)9#) 
N0)90*W0) ^#)2K.
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  #: $@ !^#) 40)40)= 60*==40)
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  ?#B/ $WELL IF YOU GO WHEN THE SNOW
-FLAKE STORM@ $WHEN THE RIVERS FREE-
ZE AND SUMMER ENDS,@ $PLEASE SEE SHE
HAS A COAT SO WARM@ $TO KEEP HER 
FROM THE HOWLIN. WINDS/@ 
  #C/ $PLEASE SEE FOR ME IF HER HAIR
HANGS LONG,@ $IF IT ROLLS AND FLOWS 
ALL DOWN HER BREAST,@ $PLEASE SEE 
FOR ME IF HER HAIR HANGS LONG,@ 
$THAT.S THE WAY $I REMEMBER HER 
BEST/@ 
  #D/ $I.M A WONDERIN. IF SHE REMEM-
BERS ME AT ALL,@ $MANY TIMES $I.VE 
OFTEN PRAYED@ $IN THE DARKNESS OF MY
NIGHT,@ $IN THE BRIGHTNESS OF MY 
DAY/@ 
  #E/ $SO IF YOU.RE TRAVELIN.    #CJ
IN THE NORTH COUNTRY FAIR,@ $WHERE 
THE WINDS HIT HEAVY ON THE BORDERLI-
NE,@ $REMEMBER ME TO ONE WHO LIVES 
THERE,@ $SHE ONCE WAS A TRUE LOVE OF
MINE/@@ 


$IT TAKES A LOT TO LAUGH IT TAKES A
            TRAIN TO CRY
   $W. & M. BY $BOB $DYLAN, #AIFE

    MEDIUM SLOW BLUES TEMPO 3#D/  
  #, 
  #; <; $WELL, $I RIDE ON A MAIL 
TRAIN, BABE, $CAN.T BUY A THRILL/
  '.2=!J.] J.]JJ"CJ8H"C'-_[ 8WWIH"C 
8VU 
  #: <; $WELL, $I.VE BEEN UP ALL 
NIGHT, $LEANIN. ON THE WINDOW SILL/
  '.UX.!]J.['-_[ JWH"C8V J.]J.]WIH"C
8VU 
  #,-; <; $WELL, IF $I DIE ON TOP OF
THE HILL $WELL
  '.UV$5'-_[ E5E"C5.D'-_R$R 4DDO"C!
'-_N$O Z"C O.4
  #; <; IF $I DON.T MAKE IT $YOU 
KNOW MY BABY WILL/               #CA
  '.!J.]WJH"C8'-_[ 
X.]J.]WHH"C'-_R._4 8VU'-_[ UV!2;
@REPEAT #B TIMES

               $PIANO
    MEDIUM SLOW BLUES TEMPO 3#D/  
  #, $@.@F!J.0)]0)W0)J0)H#)$C8#) 
X.]0)J.0)]0)W#)H0*H#)$C 
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  _@>8*8)= 8*8)5-= 8*8)= 8*8)8*!2K.
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J.]JJ$CJ0)8#)H#)$C 8#)W0)=!
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  #: $@$8)VX.!]0)J.0)[#) 
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5.0*D# 4#D#D#-$K$O"C!,$43*:D.*)Y*)
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  #; $@!J.0)]0)W0)J0)H#)$C8#) X.]0)!
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$R.)2; @REPEAT #B TIMES 
  _@>8*8)= = = >8*8)8*2;         #CB

  ?#B/ $DON.T THE MOON LOOK GOOD, MA
-MA,@ $SHININ. THROUGH THE TREES?@ 
$DON.T THE BRAKEMAN LOOK GOOD, MA-
MA,@ $FLAGGING DOWN THE ($DOUBLE 
$ES)?@ $DON.T THE SUN LOOK GOOD@ 
$GOIN. DOWN OVER THE SEA?@ $DON.T MY
GAL LOOK FINE@ $WHEN SHE.S COMIN. AF
-TER ME?@ 
  #C/ $NOW THE WINTER TIME IS CO-
MING,@ $THE WINDOWS ARE FILLED WITH 
FROST/@ $I WENT TO TELL EVERYBODY,@ 
$BUT $I COULD NOT GET ACROSS/@ $WELL
$I WANNA BE YOUR LOVER, BABY,@ $I 
DON.T WANNA BE YOUR BOSS,@ $DON.T 
SAY $I NEVER WARNED YOU@ $WHEN YOUR 
TRAIN GETS LOST/@@ 


     $QUEEN $JANE APPROXIMATELY
   $W. & M. BY $BOB $DYLAN, #AIFE

            MODERATO #D/  
  #, 
  #; <; $WHEN YOUR MOTHER SENDS BACK
ALL YOUR INVITATIONS $AND YOUR
  '.2=$FF $F6."CP'-!Z'\          #CC
;$6666ED'-!P._7 !H6.U'-_Y UV$FF
  #: <; FATHER TO YOUR SISTER HE EX-
PLAINS $THAT YOU.RE TIRED OF YOUR-
  '.$F6."C6FF'-!Z'\ 
$F6.FCEDCI'-!P._7 ![C&CEC"C5U'-$[ 
UV$FF $F6."C6FD'-_Y
  #,-; <; SELF AND ALL OF YOUR CREA-
TIONS $WON.T YOU COME SEE ME, 
$QUEEN
  '.$6XEEDDI'-_% !H6.U'-_Y M'-!^ 
$D4.V4'-_Y $44V4'-_%
  #; <; $JANE, $WON.T YOU COME SEE 
ME, $QUEEN $JANE/
  '.$NU'-_Y M'-_% $D4.V4'-_Y $44V4 
NU'-_Y UV!2; @REPEAT #D TIMES

               $PIANO  
            MODERATO #D/  
  #, $@!IDEF542@!9S9 $H8I&ZDID2@!TQ 
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$D4."C442@!P.6 $4*N*4* Y"C2@!6P6
$N"C4!2@!P"C6!2; @REPEAT #D TIMES 
  _@_4*N*4* 4)N)4) N.*4* 4)N)4) 4*!
N*4* _N*$C4*2;

  ?#B/ $NOW WHEN ALL OF THE FLOWER 
LADIES WANT BACK WHAT THEY HAVE LENT
YOU@ $AND THE SMELL OF THEIR ROSES 
DOES NOT REMAIN@ $AND ALL OF YOUR 
CHILDREN START TO RESENT YOU@ 
*$WON.T YOU COME SEE ME $QUEEN $JA-
NE/*@ 
  #C/ $NOW WHEN ALL THE CLOWNS THAT 
YOU HAVE COMMISSIONED@ $HAVE DIED IN
BATTLE OR IN VAIN@ $AND YOU.RE SICK 
OF ALL THIS REPETITION@ *$WON.T YOU 
COME SEE ME $QUEEN $JANE/*@      #CE
  #D/ $WHEN ALL OF YOUR ADVISORS HEA
-VE THEIR PLASTIC@ $AT YOUR FEET TO 
CONVINCE YOU OF YOUR PAIN@ $TRYING 
TO PROVE THAT YOUR CONCLUSIONS 
SHOULD BE MORE DRASTIC@ *$WON.T YOU 
COME SEE ME $QUEEN $JANE/*@ 
  #E/ $NOW WHEN ALL THE BANDITS THAT
YOU TURNED YOUR OTHER CHEEK TO@ $ALL
LAY DOWN THEIR BANDANAS AND COM-
PLAIN@ $AND YOU WANT SOMEBODY YOU 
DON.T HAVE TO SPEAK TO@ *$WON.T YOU 
COME SEE ME $QUEEN $JANE/*@@ 


     $SPANISH $HARLEM INCIDENT  
    $W. & $M. $BOB $DYLAN, #AIFD  

            MODERATO 3$C  
  #, 
  #; <; $GYPSY GAL, THE HANDS OF 
$HARLEM $CANNOT HOLD YOU
  '.2=!J8H"C8._J'-_[ 4WE_8.'-_4_R. 
X!JJJ"CJ8. 
  #: <; TO ITS HEAT $YOUR TEMP.RATU-
RE.S TOO HOT FOR TAMING, $YOUR
  '.X!HHH"C8.H'-_N_R J8H"C8.F 
88H_8!H'-_4_R.                   #CF
  #/ <; FLAMING FEET BURN UP THE 
STREET $I AM HOMELESS
  '.!J8H"CR'-_[ FHHH"CR'-_N_R 
$66EW.'-_N_R
  #,-; <; COME AND TAKE ME $INTO 
REACH OF YOUR RATTLING DRUMS
  '.$H8H"CH5.'-_[ VFEEWH 
$H8E"CO'-_N_R
  #; <; $LET ME KNOW, $BABE, ABOUT 
MY FORTUNE $DOWN ALONG MY RESTLESS 
PALMS/
  '.V$DD44'-_Y XJJJH5.'-_[ VHE65!
'-_R_4_8 F8H"CR'-_N_R2;
@REPEAT #B TIMES

               $PIANO
            MODERATO 3$C  
  #, $@.V$D#)D#)4#)= XJ0)J0)J0)H#)5.
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@REPEAT #B TIMES
  _@_4W98 8765 8W98 D_4>H"C8"82;

  #B/ $GYPSY GAL, YOU GOT ME SWALLO-
WED,@ $I HAVE FALLEN FAR BENEATH@ 
$YOUR PEARLY EYES SO FAST AN. SLA-
SHING,@ $AN. YOUR FLASHING DIAMOND 
TEETH/@ $THE NIGHT IS PITCH BLACK, 
COME AN. MAKE MY@ $PALE FACE FIT IN-
TO PLACE, =$AH, PLEASE+=@ $LET ME 
KNOW, $BABE, $I GOT TO KNOW, $BABE,@
$IF IT.S YOU MY LIFE-LINES TRACE/@ 
  #C/ $I BEEN WOND.RIN. ALL ABOUT 
ME@ $EVER SINCE $I SEEN YOU THERE@ 
$ON THE CLIFFS OF YOUR WILDCAT 
CHARMS $I.M RIDING@ $I KNOW $I.M 
.ROUND YOU BUT $I DON.T KNOW WHERE/@
$YOU HAVE SLAYED ME, YOU HAVE    #CH
MADE ME,@ $I GOT TO LAUGH HALF-WAYS 
OFF MY HEELS@ $I GOT TO KNOW, $BABE,
WILL $I BE TOUCHING YOU@ $SO $I CAN 
TELL IF $I.M REALLY REAL?@@ 


    $SUBTERRANEAN HOMESICK BLUES
   $W. & M. BY $BOB $DYLAN, #AIFE

      MODERATE BLUES ROCK #B;  
  #, 2=.#DM2K.
  #; <; $JOHNNY.S IN THE BASEMENT MI
-XING UP THE MEDICINE; $I.M ON THE 
PAVEMENT
  '.1$DD=44'-$^ DD==4 4DD49
  #: <; THINKING ABOUT THE GOVERN-
MENT/ $THE MAN IN THE TRENCH COAT,
  '.;$DDDDDDII.Y'-$^ 4DD44
  #,-; <; BADGE OUT, LAID OFF, SAYS 
HE.S GOT A BAD COUGH; WANTS TO GET 
IT PAID OFF/
  '.$44='-$^ DD=44 =
  #; <; $LOOK OUT, KID, $IT.S SOME-
THIN. YOU DID; $GOD KNOWS WHEN BUT 
YOU.RE
  '.3!G7I"C9XI'-$Z IIID"C4V 
3$45FA!III'-$^                   #CI
  #: <; DOIN. IT AGAIN+ $YOU BETTER 
DUCK DOWN THE ALLEY WAY
  '.1$DDDD='-$^ 4DDDI9
  #/ <; LOOKIN. FOR A NEW FRIEND; 
THE MAN IN THE COON-SKIN CAP BY THE 
BIG PEN
  '.$DD=4D.^'-$^ WJJWW'-$& =
  #,-: <; WANTS ELEVEN DOLLAR BILLS:
$YOU ONLY GOT TEN/ 
  '.$DD=DI4'-$^ 4DD492;
 @AFTER LAST VERSE REPEAT INTRO AND 
FADE 

               $PIANO
      MODERATE BLUES ROCK #B;  
  #, $@.2=@F.V!83*= V83*U V83*= 
V83*U2K.
  _@.2=>SP S68 SP S682K.
  #; $@.1$DDDD442@V!83*= $DDDDDD42@=
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$4DD442@=
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  #,-; $@$44=2@V!83*= $DD=442@!
V!83*883* =2@=
  _@>SP = =                      #DJ
  #; $@.3!G7I"C9XI2@V!51\= 
!IIID"C4V2@V3!7#= 3$45F!III2@V!80=
  _@>OS = SP
  #: $@.1$DDDD=2@V!83*= $4DDDI92@=
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  #,-: $@ $DD=DI42@V!83*= $4DD492; 
@AFTER LAST VERSE REPEAT INTRO AND 
FADE
  _@>SP =2;

  ?#B/ $MAGGIE COMES FLEET FOOT@ $FA
-CE FULL OF BLACK SOOT@ $TALKIN. 
THAT THE HEAT PUT@ $PLANTS IN THE 
BED BUT@ $THE PHONE.S TAPPED ANYWAY@
$MAGGIE SAYS THAT MANY SAY@ $THEY 
MUST BUST IN EARLY $MAY@ $ORDERS 
FROM THE $D. $A.@ $LOOK OUT KID@ 
$DON.T MATTER WHAT YOU DID@ $WALK ON
YOUR TIP TOES@ $DON.T TRY ($NO 
$DOZ)@ $BETTER STAY AWAY FROM THOSE@
$THAT CARRY AROUND A FIRE HOSE@ 
$KEEP A CLEAN NOSE@ $WATCH THE PLAIN
CLOTHES@ $YOU DON.T NEED A WEATHER 
MAN@ $TO KNOW WHICH WAY THE      #DA
WIND BLOWS/@ 
  #C/ $GET SICK, GET WELL@ $HANG A-
ROUND A INK WELL@ $RING BELL, HARD 
TO TELL@ $IF ANYTHING IS GOIN. TO 
SELL@ $TRY HARD, GET BARRED@ $GET 
BACK, WRITE BRAILLE@ $GET JAILED, 
JUMP BAIL@ $JOIN THE ARMY, IF YOU 
FAIL@ $LOOK OUT KID, YOU.RE GONNA 
GET HIT@ $BUT USERS, CHEATERS@ $SIX 
TIME LOSERS@ $HANG AROUND THE THEA-
TERS@ $GIRL BY THE WHIRLPOOL@ $LOO-
KIN. FOR A NEW FOOL@ $DON.T FOLLOW 
LEADERS@ $WATCH THE PARKIN. METERS/@
  #D/ $AH GET BORN, KEEP WARM@ 
$SHORT PANTS, ROMANCE, LEARN TO DAN-
CE@ $GET DRESSED, GET BLESSED@ $TRY 
TO BE A SUCCESS@ $PLEASE HER, PLEASE
HIM, BUY GIFTS@ $DON.T STEAL, DON.T 
LIFT@ $TWENTY YEARS OF SCHOOLIN.@ 
$AND THEY PUT YOU ON THE DAY SHIFT@ 
$LOOK OUT KID THEY KEEP IT ALL HID@ 
$BETTER JUMP DOWN A MANHOLE@ $LIGHT 
YOURSELF A CANDLE, DON.T WEAR SAN-
DALS@ $TRY TO AVOID THE SCANDALS@ 
$DON.T WANNA BE A BUM@ $YOU BETTER 
CHEW GUM@ $THE PUMP DON.T WORK@ .CAU
-SE THE VANDALS TOOK THE HAN-    #DB
DLES/@@ 


   $THE TIMES THEY ARE A-CHANGIN.
   $W. & M. BY $BOB $DYLAN, #AIFC

           MODERATO 3#C/  
  #,
  #; <; $COME GATHER .ROUND PEOPLE 
WHEREVER YOU ROAM $AND AD-
  '.!8 2=!H8.8'-_R. ='-!P. 
!I8.9'-_N. !T."C'-_R. !TEE
  #: <; MIT THAT THE WATERS AROUND 
YOU HAVE GROWN $AND ACCEPT IT THAT
  '.$555'-_R. $E4.W'-!S. !999'-_N. 
!988'-_O. !888'-_R.
  #/ <; SOON YOU.LL BE DRENCHED TO 
THE BONE, $IF YOUR TIME TO YOU IS 
WORTH
  '.!8.H8'-!P. !SHI'-_N. !T."C'-_R. 
!TEE $O5'-_R. $54W'-!S.
  #,-; <; SAVIN. $THEN YOU BETTER 
START SWIMMIN. OR YOU.LL SINK LIKE 
A
  '.!9S"C'-_O. !S$EE $E5.5 
$EE55'-$O. $555'-_R.:
  #; <; STONE, $FOR THE TIMES    #DC
THEY ARE A-CHANGIN.+
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S."C'-_N. S.'-_O. #,#;!R."C'-_R. 
8V82;
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M'-$O. M'-_R.: VV8'-_O.2; #?!R."C 
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               $PIANO
           MODERATO 3#C/  
  #, $@.@MF.V!8#)= V80)= V70)= = 
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$5040W02@!O. !S."C2@V!80*= !S.2@V!
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= V70:= V70)82; #?!R.#)$C !8#)VV2K
  _@.#:#/>R.- P.- O.- N.- T.- S.-2; 
#?>85W "8VV2K

  ?#B/ $COME WRITERS AND CRITICS@ 
$WHO PROPHECIES WITH YOUR PEN@ $AND 
KEEP YOUR EYES WIDE@ $THE CHANCE 
WON.T COME AGAIN/@ $AND DON.T SPEAK 
TOO SOON@ $FOR THE WHEEL.S STILL IN 
SPIN@ $AND THERE.S NO TELLIN. WHO@ 
$THAT IT.S NAMIN.@ $FOR THE LOSER 
NOW@ $WILL BE LATER TO WIN@ $FOR THE
TIMES THEY ARE A-CHANGIN./@ 
  #C/ $COME SENATORS, CONGRESSMEN@ 
$PLEASE HEED THE CALL@ $DON.T STAND 
IN THE DOORWAY@ $DON.T BLOCK UP THE 
HALL/@ $FOR HE THAT GETS HURT@ $WILL
BE HE WHO HAS STALLED@ $THERE.S A 
BATTLE@ $OUTSIDE AND IT.S RAGIN.@ 
$IT.LL SOON SHAKE YOUR WINDOWS@ $AND
RATTLE YOUR WALLS@ $FOR THE TI-  #DE
MES THEY ARE A-CHANGIN./@ 
  #D/ $COME MOTHERS AND FATHERS,@ 
$THROUGHOUT THE LAND@ $AND DON.T CRI
-TICIZE@ $WHAT YOU CAN.T UNDER-
STAND/@ $YOUR SONS AND YOUR DAUGH-
TERS@ $ARE BEYOND YOUR COMMAND@ 
$YOUR OLD ROAD IS@ $RAPIDLY AGIN.@ 
$PLEASE GET OUT OF THE NEW ONE@ $IF 
YOU CAN.T LEND YOUR HAND@ $FOR THE 
TIMES THEY ARE A-CHANGIN./@ 
  #E/ $THE LINE IT IS DRAWN@ $THE 
CURSE IT IS CAST@ $THE SLOW ONE NOW 
WILL@ $LATER BE FAST/@ $AS THE PRE-
SENT NOW@ $WILL LATER BE PAST@ $THE 
ORDER IS RAPIDLY FADIN.@ $AND THE 
FIRST ONE NOW@ $WILL LATER BE LAST@ 
$FOR THE TIMES THEY ARE A-CHAN-
GIN./@@ 


      $YOU AIN.T GOIN. NOWHERE  
   $W. & M. BY $BOB $DYLAN, #AIFG  

          MODERATELY 3#D/  
  #, <; $CLOUDS SO SWIFT, $RAIN 
WON.T LIFT, $GATE WON.T CLOSE,
  '.@MF!JWJ"CT2@!JJ="CJ.]J.]!    #DF
'-_[ I9I"CS2@!II="CS'-!^ 
H8H"CR2@!8.H"C8.F'-_Y
  #; <; $RAILINGS FROZE/ $GET YOUR 
MIND OFF WINTERTIME,
  '.!H8_H"CR'-_[ JWJ"CT2@!JJ="CJWJ 
II!,!9$K!JF"CP'-!^
  #: <; $YOU AIN.T GOIN. NOWHERE/ 
$WHOO-EE+ $RIDE ME HIGH, $TO-
  '.!F8H"C8HH"C'-_Y RU'-_R$53_72K. 0
!W.J"CT'-_[ 9II"C9XI'-!^
  #,-; <; MORROW.S THE DAY $MY BRI-
DE.S GONNA COME/ $OH, OH, $ARE WE 
GONNA FLY,
  '.!H8H8XH'-_Y 8H.[8V'-_R.$5!,3>7 
W.J"CWXJ'-_[ I9IS'-!^
  #; <; $DOWN IN THE EASY CHAIR+
  '.!8H.[H8H"C'-_Y @TO CODA 0L 
#,#;!RU'-_[2;

  ?#B/ $I DON.T CARE@ $HOW MANY LET-
TERS THEY SENT,@ $MORNING CAME AND 
MORNING WENT/@ $PICK UP YOUR MONEY@ 
$AND PACK UP YOUR TENT,@ $YOU AIN.T 
GOIN. NOWHERE/@ 
  ?#C/ $BUY ME A FLUTE@ $AND A GUN 
THAT SHOOTS,@ $TAILGATES AND SUBSTI-
TUTES/@ $STRAP YOURSELF@ $TO     #DG
THE TREE WITH ROOTS,@ $YOU AIN.T 
GOIN. NOWHERE/@ 

  <; $GENGHIS $KHAN, $HE
  '.#:!RU'-_[ !JWJ"CW.J
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KINGS $SUPPLIED WITH SLEEP/ $WE.LL 
CLIMB THAT HILL, $NO
  '.!I9I"CS'-!^ H8H"C8.F'-_Y 
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  '.!IIJF"C6V'-!^ F8F8HH"C'-_Y RU!
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![2L'-_8.$5._82K
  
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    $WHEN THE SHIP COMES IN      #DI
      $W. & M. BY $BOB $DYLAN

         MEDIUM BRIGHT 3$C  
  #, 
  #; <; $OH THE TIME WILL COME UP 
$WHEN THE WINDS WILL STOP $AND THE 
BREEZE WILL CEASE TO BE
  '.0 !HI WJJWJI'-_[ 888HI'-_N_R 
WWWHI'-_[
  #: <; BREATHIN. $LIKE THE STILL-
NESS IN THE WIND .$FORE THE HURRICA-
NE BEGINS, $THE
  '.!JW."CWHI'-_[ JJ=WJI HH=8.J!
'-_N_R
  #/ <; HOUR WHEN THE SHIP COMES IN/
$OH THE SEAS WILL SPLIT $AND THE 
SHIP WILL HIT $AND THE
  '.!JJ=49'-_R$O R.!'-_R.2K.!JD 
555JI 888HJ'-_N_R
  #,-; <; SHORELINE SANDS WILL BE 
SHAKING/$THEN THE TIDE WILL SOUND 
$AND THE WIND WILL POUND $AND THE
  '.$E5.5JH'-_[. JW."CWHJ 555JI 
888HI'-_N_R
  #; <; MORNING WILL BE BREAKING/
  '.!J8.$4W'-_R_4_8 S.8'-$O.<9 
["C'-_R_N R.!'-_R.2K.            #EJ
 @D.S. 0 #C TIMES2K

               $PIANO
         MEDIUM BRIGHT 3$C  
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8.J2@X!F0=XE0V JJ=492@XH#=XG#= 
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R.!2@X!E0=$C502K.                #EA
 @D.S. 0 #C TIMES2K
  _@>HX=.= _EXDXJXIX HX=DX= 
HXEX>82K.

  ?#B/ $OH THE FISHES WILL LAUGH@ 
$AS THEY SWIM OUT OF THE PATH@ $AND 
THE SEAGULLS THEY.LL BE SMILING@ 
$AND THE ROCKS ON THE SAND@ $WILL 
PROUDLY STAND@ $THE HOUR THAT THE 
SHIP COMES IN/@ $AND THE WORDS THEY 
USE@ $FOR TO GET THE SHIP CONFUSED@ 
$WILL NOT BE UNDERSTOOD AS THEY.RE 
SPOKEN@ $FOR THE CHAINS OF THE SEA@ 
$WILL HAVE BUSTED IN THE NIGHT@ $AND
WILL BE BURIED AT THE BOTTOM OF THE 
OCEAN/@ 
  #C/ $A SONG WILL LIFT@ $AS THE 
MAINSAIL SHIFTS@ $AND THE BOAT 
DRIFTS ON TO THE SHORELINE@ $AND THE
SUN WILL RESPECT@ $EVERY FACE ON THE
DECK,@ $THE HOUR WHEN THE SHIP COMES
IN/@ $THEN THE SANDS WILL ROLL@ $OUT
A CARPET OF GOLD@ $FOR YOUR WEARY 
TOES TO BE A TOUCHIN.@ $AND THE 
SHIP.S WISE MEN@ $WILL REMIND YOU ON
-CE AGAIN@ $THAT THE WHOLE WIDE 
WORLD IS WATCHIN./@              #EB
  #D/ $OH THE FOES WILL RISE@ $WITH 
THE SLEEP STILL IN THEIR EYES@ $AND 
THEY.LL JERK FROM THEIR BEDS AND 
THINK THEY.RE DREAMIN.@ $BUT THEY.LL
PINCH THEMSELVES AND SQUEAL@ $AND 
KNOW THAT IT.S FOR REAL@ $THE HOUR 
WHEN THE SHIP COMES IN/@ $THEN 
THEY.LL RAISE THEIR HANDS,@ $SAYIN. 
WE.LL MEET ALL YOUR DEMANDS@ $BUT 
WE.LL SHOUT FROM THE BOW YOUR DAYS 
ARE NUMBERED@ $AND LIKE $PHAROAH.S 
TRIUMPH@ $THEY.LL BE DROWNDED IN THE
TIDE@ $AND LIKE $GOLIATH, THEY.LL BE
CONQUERED/@