$S $U $O $N $I  

   $RIVISTA BIMESTRALE DI MUSICA  

$LUGLIO-$AGOSTO #BJAH       N. #IA 
                         $ANNO $XXII

           $DAVID $BOWIE  

  $DIR. RESP.: $PIETRO $PISCITELLI  
    $REDATTORE $MATTEO $BONETTI  
 $SEGR. DI REDAZ. $FRANCO DE $PONTI 
           $REGISTRAZIONE  
 $TRIB. $MONZA #AD-#AJ-#BJAE N. #AF 


         $COPIA IN OMAGGIO  


       $STAMPATO IN $BRAILLE  
            A CURA DELLA  
$BIBLIOTECA $ITALIANA PER I $CIECHI 
      VIA $G. $FERRARI, #E\$A  
        $TEL. #JCI-#BH.CB.GA  
      - #BJIJJ $MONZA - #BJAH  

            $INDICE               #B

$CHANGES..........................#C
$HEROES...........................#I
$LET.S $DANCE....................#AC
$LIFE ON $MARS?..................#AH
$SLOW $BURN......................#BC
$SPACE ODDITY....................#BH
$STARMAN.........................#CD
$THE MAN WHO SOLD THE WORLD......#CI
$THIS IS NOT $AMERICA............#DC
$ZIGGY STARDUST..................#DH















            $CHANGES              #C
     $W. & M. BY $DAVID $BOWIE
   $EDIZ. MUS. $TINTORETTO, #AIGA

             4=#AAB #D/  
  #, <; $OH, YEAH
  '.M'-_Y: M'-2_Z) M'-<Z M
UX?A2J?A26'-2$&
  #; <; MM
  '.M'-$% 2=.UVX$E"C'-_Z 5VU'-$% 
M'-_Z
  #: <; $STILL DON.T KNOW WHAT $I 
WAS WAITING FOR, AND MY
  '.M'-$% V!FFFZ&"C&H.'-_Y 
V]H.8X]Y'-<&
  #,-; <; TIME WAS RUNNIN. WILD, A 
MILLION DEAD END STREETS, AND EV.RY 
TIME $I THOUGHT $I.D
  '.$4.IV[[I"C'-_% I.ZZF.%FZ"CZD.!
'-_R_Q VX&ZF.&FH'-_Y
  #; <; GOT IT MADE IT SEEMED THE TA
-STE WAS NOT SO SWEET/ $SO $I
  '.V!]D]"CJ.[I.]'-<& 4XI;456'-_% 
UVX&%'-_[
  #: <; TURNED MYSELF TO FACE ME, 
BUT $I.VE NEVER CAUGHT A GLIMPSE
  '.$865DI'-_N:<O [A^XVVXJ'-<P2<P 
4;DDDDFV'-<Z                      #D
  #/ <; OF HOW THE OTHERS MUST SEE 
THE FAKER $I.M MUCH TOO
  '.UX.$&FG'-_[ H6D6"C&YD'-_N:<O 
9VXDDD'-<P2<P
  #,-: <; FAST TO TAKE THAT TEST/ 
$CH-CH-CH-CH-CHANGES/ $TURN AND FACE
THE STRANGE
  '.$4DD;66V'-<Z X?AAGGG?AG$8F'-_R_Q
6.F8FD"C'-_N$K_N!,>T 
  #; <; $CH-CH-CHANGES, DON.T WANT 
TO BE A RICHER MAN/
  '.$D?AF?AF$I"CIHA6'-_Y2@>SR 
VXD;DDD;DFE'-_Q$K_Q!,>P #B/ $6V'-_O 
  #: <; $CH-CH-CH-CH-CHANGES/ $TURN 
AND FACE THE STRANGE/ $CH-CH-CHAN-
GES,
  '.#D/ X?AAGGG?AG$8F'-_R_Q 
6.F8FD"C'-_N$K_N!,>T 
D?AF?AF$I"CIHA6'-_Y2@>SR
  #/ <; IT.S GONNA HAVE TO BE A DIF-
FERENT MAN/ $TIME MAY CHANGE
  '.VX$D;DDD='-_Q$K_Q!,>P #B/ $FEFX!
'-_O #C/ $664'-_742W2@>982W
  #,-/ <; ME, BUT $I CAN.T TRACE TI-
ME/
  '.$QXG'-_Q. 654'-_4872@>659 
#,!R.'-_N. #D/ M2;                #E

  ?#B/ $I WATCH THE RIPPLES CHANGE 
THEIR SIZE@ $BUT NEVER LEAVE THE 
STREAM OF WARM IMPERMANENCE@ $AND SO
THE DAYS FLOAT THRU. MY EYES@ $BUT 
STILL THE DAYS SEEM THE SAME/@ $AND 
THESE CHILDREN THAT YOU SPIT ON@ $AS
THEY TRY TO CHANGE THEIR WORLDS@ $A-
RE IMMUNE TO YOUR CONSULTATIONS@ 
$THEY.RE QUITE AWARE OF WHAT THEY.RE
GOIN. THRU./@ 
  $CH-CH-CH-CH-CHANGES@ $TURN AND FA
-CE THE STRANGE@ $CH-CH-CHANGES@ 
$DON.T TELL THEM TO GROW UP AND OUT 
OF IT/@ $CH-CH-CH-CH-CHANGES@ $TURN 
AND FACE THE STRANGE@ $CH-CH-CHAN-
GES@ $WHERE.S YOUR SHAME?@ $YOU.VE 
LEFT US UP TO OUR NECKS IN IT@ $TIME
MAY CHANGE ME@ $BUT YOU CAN.T TRACE@

  #; <; TIME/ $STRANGE FASCINATION, 
FAS-
  '.#;!8VU'-_4.!5.!6 $5.D"C4W'-_% = 
  #: <; CINATING ME, OH, CHANGES A-
RE
  '.$E4!H8V'-_N.$K_7!,>4 UV?A$4'-_Y 
5.D"C4W'-_%                       #F
  #/ <; TAKING THE PACE $I.M GOING 
THRU/ $CH-CH-CH-CH-CHANGES/
  '.$5.D"C4XE 66G7G'-_[ 
X?AAGGG?AG$8F'-_R_Q
  #,-? <; $TURN AND FACE THE STRANGE
CH-CH-CHANGES, OOH, LOOK OUT YOU 
ROCK AND ROLLERS/
  '.$6.F8FD"C'-_N$K_N!,>T 
D?AF?AF$I"CIHA6'-_Y2@>SR 
XDYD.;XDD;DFF"C'-_Q$K_Q!,>P
  #; <; $CH-CH-CH-CH-CHANGES/ $TURN 
AND FACE THE STRANGE
  '.#B/ $6V'-_O #D/ 
X?AAGGG?AG$8F'-_R_Q 6.F8FD"C!
'-_N$K_N!,>T
  #: <; CH-CH-CHANGES, PRETTY SOON 
NOW YOU.RE GONNA GET OLDER/
  '.$D?AF?AF$I"CIHA6'-_Y2@>SR 
?AA&&F"CFF"C?A;F$DD;DDE'-_Q$K_Q!,>P 
#B/ $6V'-_O
  #/ <; $TIME MAY CHANGE ME, BUT $I 
CAN.T TRACE TIME/ $I SAID THAT
  '.#C/ $664'-_742W2@>982W QXG'-_Q. 
654'-_4872@>659 !8.HID'-_N.
  #,-+ <; TIME MAY CHANGE ME, BUT $I
CAN.T TRACE TIME/
  '.#D#C #D/ !["C2@.@SAXOPHONE!   #G
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  #: '.M2@;V2!65;N5'-<Z M2@.@RIT.!
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  _@>9.I8.H 7.G6.F #B/ >5.E
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  _@>8.H7.G _4.DW.J 9.I8.H
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  #: $@!P.0)(%#)(G#)(%#) &0)
7.#)G#)$CQ#)
  _@>4.D"CDH_YDY 4.F"CFD>HH 
7._D"CD>G3GH                      #I
  #/ $@!7.#)G#)$C$K!Q#!,_IGI3I 
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  _@1>7.G"CGDG3G 8.H"CH51G HH=GG=
  #,#;#:-? $@!0A 
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  #; $@!%#) [#) [2#2)
  _@>O"CE9. P"CFJ6 2P.7
  #: $@!%#) 2^0) [0)2L2K
  _@>O"CE9(E 2OE2F5 Y2L2K

              $HEROES
      $WORDS BY $DAVID $BOWIE
 $MUSIC BY $D. $BOWIE, $BRIAN $ENO
   $EDIZ. MUS. $TINTORETTO, #AIGG

            4=#AAF 3#D/  
  #, '.#HM2@.@GUITAR!^"C'-_Z ^ 
  #; '.!J9."CS"C'-_[ ^ ^"C'-_Z 
  #: '.!^ J9."CS"C'-_[ ^2K.
  #,-; <; $I, $I WISH YOU COULD 
SWIM
  '.!7VU'-_Z VXGGFEE"C 5VU'-_[   #AJ
  #; <; LIKE THE DOLPHINS, LIKE DOL-
PHINS CAN SWIM/
  '.UV!EZ%"C GGVU'-_Z VXGGEEE"C
  #: <; $THOUGH NOTHING,
  '.!5VU'-_[ UVXE HHVU'-_Y
  #/ <; NOTHING WILL KEEP US TOGE-
THER/ $WE CAN
  '.!HHXHHH= 7VU'-_Z UV?AI?AI 
  #,-: <; BEAT THEM FOREVER AND E-
VER/
  '.?AI?AIVU'-!^ VX_J!HH='-!& 
7VU'-_Z 
  #; <; $OH WE CAN BE HEROES JUST 
FOR ONE DAY/
  '.VX?AA!HHH= ?A8VU'-_Y U!IHIHA'-_[
  #: '.!7VU'-_Z #,.M2;

  ?#B/ $I, $I WILL BE $KING@ $AND 
YOU, YOU WILL BE $QUEEN@ $THOUGH NO-
THING WILL DRIVE THEM AWAY@ $WE CAN 
BE HEROES, JUST FOR ONE DAY@ $WE CAN
BE US, JUST FOR ONE DAY/@ 
  
  '. #;.M
  #/ <; $I, $I CAN REMEMBER =$I RE-
MEM-
  '.$7VU'-_Z UG.&"CFF            #AA
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WALL/
  '.$DAJWU $77U'-_Z UX6ZZ"C 
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GUNS
  '.$5VWDJ"C'-_[ WVVZZG"C 7VU'-_Z
  #: <; SHOT ABOVE OUR HEADS/ =$OVER
OUR HEADS= $AND WE KISSED
  '.UV$GF FE6!WDDA"C'-_[ DAJWXEEG"C
  #/ <; AS THOUGH NOTHING COULD 
FALL/ =$NOTHING COULD FALL=
  '.$7VU'-_Z XE7GFEE"C 5VJJDDA"C'-_[
  #,-? <; $AND THE SHAME WAS ON THE
  '.$YAJ.VXEEG"C 7VU'-_Y UXGGG 
  #; <; OTHER SIDE/ $OH WE CAN BEAT 
THEM
  '.$&Z5.U'-_Z UX?AA!I^^I"C 
^?AI.VU'-!^
  #: <; FOREVER AND EVER,
  '.VX$EHFEH'-!& 7VU'-_Z
  #/ <; THEN WE COULD BE HEROES
  '.VX?AA!III= ?A9VU'-_Y
  #,-+ <; JUST FOR ONE DAY/
  '.U$EE5'-_[ JAIVU'-_Z M2K. 
  #; <; $WE CAN BE HE-
  '.2=.M'-_Z U$GGGF"C            #AB
  #: <; ROES/
  '.$F5.U'-_[ M2; @REPEAT TO FADE

               $PIANO  
            4=#AAF 3#D/  
  #, $@.0A !EEJI!5.E"C2@_S09.0I0$C 
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  _@>55= "88= =2K.
  #,#;-; $@.#H#G
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  #: $@.V!Q."C2@!Z"C1 #,!%2@!Z2; 
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FADE=
  _@"88= =2;

           $LET.S $DANCE
     $W. & M. BY $DAVID $BOWIE  
     $EDIZ. MUS. $JONES, #AIHC  

           4=#AAH #D2#D/  
  #, <; $AH, AH, AH, AH/
  '.!&'-2_& [ ] Z'-2$&
  #; '.M'-2_]# M M'-2$& M        #AD
  #: <; $LET.S
  '.M'-2_[) M M'-2!] UV$72K.
  #,-; <; $DANCE, PUT ON YOUR RED 
SHOES AND DANCE THE BLUES/
  '.2=!WVU'-2_]# JWIWIJ 5JJU'-2$&
  #; <; $LET.S DANCE TO THE SONG 
THEY.RE PLAYING ON THE
  '.UV$7 !WVVJI'-2_[) WJE"CEJXZ]
  #: <; RADIO/ $LET.S SWAY, WHILE
  '.$5JJU'-2!] UV$7 !WVXW.'-#H
  #/ <; COLOUR LIGHTS UP YOUR FACE/ 
$LET.S
  '.X!JJE"CE5J WVU UV$7
  #,-: <; SWAY, SWAY THROUGH THE 
CROWD TO AN EMPTY SPACE,
  '.!WVU $GAFFEFAEEE F5J"CWV
  #; <; =$AND= $IF YOU SAY RUN, 
$I.LL RUN WITH YOU/
  '.M U;$466'-2_^ 6VV!9 
9.DWV'-2_O2_P
  #: <; =$AND= $IF YOU SAY HIDE, 
WE.LL HIDE
  '.M'-2_O2_P U;$466'-2_^ 6VVX!I 
9VU'-2_O!,2>P$K2_P
  #/ <; $BECAUSE MY LOVE FOR YOU 
WOULD BREAK
  '.UVX!J'-=2K. !9W45'-2_^       #AE
4VVI$F"C'-!%
  #,-/ <; MY HEART IN TWO/ $IF YOU 
SHOULD FALL
  '.$6EJAI9J"C'-2_Z WVVXH'-2_& 
WDJ"CWV
  #; <; INTO MY ARMS =AND= TREMBLE 
LIKE A FLOWER/
  '.;!WW4WV W456'-2$& 
#,$Q."CGG"C'-2_]# 7VU
  #: <; $LET.S DANCE/
  '.M'-2$& UV$7 !WVU'-2_[) M
  #/ <; $LET.S
  '.M'-2!] UV$72;

  ?#B/ DANCE,@ FOR FEAR YOUR GRACE 
SHOULD FALL@ $LET.S DANCE@ FOR FEAR 
TONIGHT IS ALL@ $LET.S SWAY@ YOU 
COULD LOOK INTO MY EYES/@ $LET.S 
SWAY,@ UNDER THE MOONLIGHT, THIS SE-
RIOUS MOONLIGHT/@ 
 
  <; FLOWER/
  '.#;.V$Q"CGG"C 7VU
  #,-? '.M'-2$& M'-@N.C. M'-2_[) 
M'-@N.C. M'-2!]
  #; <; $LET.S DANCE PUT ON YOUR RED
SHOES AND                        #AF
  '.UV$7'-@N.C. 2=!WVU'-_]# ;$759!
;756
  #: <; DANCE THE BLUES/ $LET.S 
SWAY,
  '.$6!JJ"CWV'-2$& UV$7 !WVU'-2_[) 
  #/ <; UNDER THE MOONLIGHT/ $THIS 
SERIOUS MOONLIGHT/
  '.$G7GF5. UVXE'-2!] GGGF"CF5.2; 
@REPEAT TO FADE

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@REPEAT TO FADE 


          $LIFE ON $MARS?
     $W. & M. BY $DAVID $BOWIE
   $EDIZ. MUS. $TINTORETTO, #AIGA

            4=#ABD 22#D/  
  #, <; $IT.S A $GOD-AWFUL SMALL AF-
FAIR TO THE
  '.UV!GH'-_% 0 !IJIH"CHG9'-!^!,>& 
UVGH'-'^!,2>&
  #; <; GIRL WITH THE MOUSY HAIR/ 
$BUT HER MUMMY IS YELLING (NO)
  '.!IJIH"CHI8'-_Z UVHI'-![ 
JDJI"CIHW'-2_]!,>%
  #: <; AND HER DADDY HAS TOLD HER 
TO GO/ $BUT HER
  '.UV!HI'-$Y JDJI"CIHJI"C 
IXVVIJ'-#H
  #,-; <; FRIEND IS NOWHERE TO BE 
SEEN, NOW SHE WALKS THROUGH HER SUN-
KEN DREAM,                       #AI
  '.$DEDJ"CJIJD"C DXVVIJ DEDJ"CJIW
  #; <; $TO THE SEAT WITH THE CLEA-
REST VIEW AND SHE.S
  '.UV!JD EFED"CDJ5 UVDD
  #: <; HOOKED TO THE SILVER SCREEN/
$BUT THE FILM IS A SADD.NING BORE
  '.$D!HHI"CIJ4 UV2IJ'-2_^!,2>& 
D2EDJ"CJ3H$4'-_&3*
  #/ <; FOR SHE.S LIVED IT TEN TIMES
OR MORE/ $SHE COULD
  '.UV2!IJ'-!% D2EDJ"CJ2I$7'-2_[ 
UV2EF'-2_Z
  #,-: <; SPIT IN THE EYES OF FOOLS 
AS THEY ASK HER TO FOCUS ON
  '.$G2HGF"CF3D7"C'-_^3* 
GXVV2EF'-2!] G2HGF"CF2E5!
'-2$Z!,2>Y2K.
  #; <; SAILORS FIGHTING IN THE DAN-
CE HALL/ $OH MAN,
  '.$TQ'-2_] FFFEW4'-2_& V$WQ'-<[ 
  #: <; LOOK AT THOSE CAVEMEN GO, 
IT.S THE FREAKIEST SHOW/
  '.$FF545'-2_[3* NU'-_% 
VDDDEDG"C'-!% 
  #/ <; $TAKE A LOOK AT THE LAWMAN
  '.$GA&AZA4U'-<Y VJJJDW'-2<& 
$TQ'-2_]                         #BJ
  #,-/ <; BEATING UP THE WRONG GUY/ 
$OH MAN, WONDER IF HE.LL EVER KNOW
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            $SLOW $BURN
     $W. & M. BY $DAVID $BOWIE
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           $SPACE ODDITY
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           $STARMAN              #CD
     $W. & M. BY $DAVID $BOWIE
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             4=#IF 2#D/  
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  $THE MAN WHO SOLD THE WORLD    #CI
     $W. & M. BY $DAVID $BOWIE
   $EDIZ. MUS. $TINTORETTO, #AIGA

            4=#AAF 2#D/  
  #, '.M'-$^ M M'-!Z 
  #; '.M M'-_% M
  #: <; $WE PASSED UPON THE STAIR, 
WE
  '.V!987'-!Z #B/ !6EF #D/ 
2=!6VV6'-$^ 
  #/ <; SPOKE OF WAS AND WHEN/ $AL-
THOUGH $I WASN.T THERE
  '.!8HJ"CJHHAI UV9'-!Z 876GF"C
  #,-; <; HE SAID $I WAS HIS FRIEND,
WHICH
  '.!6VVXF'-$^ 8HHAJHHAI UV9'-_%
  #; <; CAME AS SOME SURPRISE/ $I 
SPOKE INTO HIS
  '.$44WIH"C 8VV8'-_Y $554W 
  #: <; EYES, $I THOUGHT YOU DIED A-
LONE, A
  '.!99='-$^ #B/ !W9 #D/ !7VVHAI'-!Z
  #/ <; LONG, LONG TIME AGO/ $OH 
NO,
  '.!877HF"C 6VU'-_Y UV$ED"C2K.
  #,-: <; NOT ME, $I =WE= NEVER LOST
CONTROL/                         #DJ
  '.0 $4VVED"C 4VV4'-_% DJ"CWWDI"C!
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THE
  '.!9VV$ED"C'-_% 4VVED"C'-_Y 
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  #: <; MAN WHO SOLD THE WORLD/
  '.$4JJ"CWDI"C'-2!]!,2>Z @TO CODA 
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  #/ '.M'-!Z M M'-_%
  #,-/ <; $I LAUGHED AND SHOOK HIS
  '.M #,.V!987'-!Z #B/ !672;

  ?#B/ HAND@ $AND MADE MY WAY BACK 
HOME/@ $I SEARCHED FOR FORM AND 
LAND@ $FOR YEARS AND YEARS $I ROA-
MED@ $I GAZED A GAZLEY STARE@ $AT 
ALL THE MILLIONS HERE@ $WE MUST HAVE
DIED ALONE@ $A LONG, LONG TIME AGO/@

  #; <; $WHO KNOWS
  '.#;.M'-!Z UV$ED"C2K. @D.S. AL 
CODA 
  #: '.0L @CODA "C!9VU'-$^ M M'-!Z
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  _@>G7G"CGG_DI E5E"CEEIG        #DC
E5E"CEE92;

       $THIS IS NOT $AMERICA
     $W. & M. BY $DAVID $BOWIE
    $PAT $METHENY & $LYLE $MAYS
   $EDIZ. MUS. $PAT-$METH, #AIHE

            4=#AAD 22#D/  
  #, <; =#;O ONLY= $THIS IS NOT $AME
-RICA, SHA-LA-LA-LA-
  '.!89JXXH'-![ 9WN'-!Z!,>% M'-2_&: 
UJDJI'-!Z!,>%2;
  #; <; LA/ $LITTLE PIECE OF YOU THE
LITTLE PEACE IN ME WILL
  '.!R[^J"CJD'-<[ ]^XVU'-!Z!,>% 
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THIS SEASON PROMISE NOT TO STARE TOO
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  '.U!HIJAI'-![ ^G."CGEG8X'-!Z!,>% 
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  '.$988[AI."C'-2_&: I8."C8V'-<Y 
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  #: <; LA/ $SNOWMAN MELTING FROM 
THE INSIDE, FALCON SPIRALS TO THE
  '.!H8H"CHIW'-#D IHGH"C8V 
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ROWS CLOUDS,
  '.$75A4V'-#D UVXG"C            #DE
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  #,-/ <; A LITTLE PIECE OF YOU, THE
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  '.VX!H[^J"CJD'-#D 9VU XH[^J"CJ9D"C
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  #; <; DIE, FOR THIS IS NOT $AMERI-
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  '.$75U'-3![ UX7.'-3!Z!,3>% 
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  #: <; $THERE WAS A TIME, A WIND 
THAT BLEW SO YOUNG,
  '.V$5"CEDJ$J"C'-_]: TVXJ'-3![ 
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  #/ <; FOR THIS COULD BE THE BIG-
GEST SKY, AND $I COULD HAVE THE FAIN
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  '.;V$54E6.'-3<Z G&Z"CED"CDXV 
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  #,-? <; BUT THIS IS NOT $AMERICA/
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THIS IS NOT
  '.V!HIJXXH'-#D IJDXXGA8 V!HIJXV 
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  _@>W._GW9 8.E87 6.F6.E         #DH
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  #; $@.2=!Z0 Z# [#)- Z#2;
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  #: $@.2=.V($8#=2@!] V($8#=2@!^ 
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  _@_8.H= 7.G>7_7 6.F>6_6 7.G>7_72K


          $ZIGGY STARDUST
    $W. AND M. BY $DAVID $BOWIE
   $EDIZ. MUS. $TINTORETTO, #AIGB

             4=#HJ 3#D/  
  #, '.M'-_R_O M'-_4.'\$K_8.!,>W.$K!
<9 
  #; '.#B2;
  #: <; $ZIGGY PLAYED GUITAR,    #DI
JAMMING GOOD WITH $WEIRD AND $GILLY,
$AND THE $SPIDERS FROM $MARS/
  '.V!]D]"CJ[["CHX'-_[ V]J]"CJJDE!
'-!] GFX!&&FGHI"C'-_Y
  #,-; <; $HE PLAYED IT LEFT HAND, 
BUT MADE IT TOO FAR,
  '.!IXXIIJDE"C'-_Z EXX!EEFG^]'-_[
  #; <; BECAME THE SPECIAL MAN, THEN
WE WERE $ZIGGY.S BAND/
  '.!HXVX]]"CJY]'-!& ^[IVXHJD'-$^ 
]I[IHU'-_Y
  #: <; $ZIGGY REALLY SANG, SCREWED 
UP EYES AND SCREWED DOWN HAIRDO, LI-
KE SOME CAT FROM $JAPAN/
  '.2=.V!]D.J[["C8'-_[ 
J]]"CJJ4E%Z'-!] 6X!&&FGHI"C'-_Y
  #/ <; $HE COULD LICK .EM BY SMI-
LING, HE COULD LEAVE .EM TO HANG/ 
$THEY CAME ON SO
  '.!9X^^^J.DF'-_Z 5X!ZZEFG^]'-_[ 
8VM^IJD'-!& 
  #,-; <; LOADED MAN, WELL HUNG AND 
SNOW WHITE TAN/
  '.$D![["C8X$DII'-<^ 
D!H[I["C8V'-_Y2K.
  #; <; $SO WHERE WERE THE SPIDERS, 
WHILE THE FLY TRIED TO BREAK     #EJ
  '.VX$DEDID'-_S*R* 
D5XU'-_G*F*==G*H* VDDEDI$H"C'-_S*R*
  #: <; OUR BALLS? $WITH JUST THE 
BEER LIGHT TO GUIDE US, SO WE
  '.$HFZYIU'-#B#A 
X.YDYZ"CEDID"C'-_S*R* D5XV!ID'-#B#A
  #/ <; BITCHED ABOUT HIS FANS AND 
SHOULD WE CRUSH HIS SWEET HANDS? 
$OH+
  '.$EYZ"CEYZ"CEDDI'-_Z 
3$HHH&Z6X?AF'-_& M'-_R_O
  #,-/ <; $MM
  '.UV$8"C'-_4.'\$K_8.!,>W.$K<9 
86U'-_R_O 
#,.M'-_4.'\$K_8.!,>W.$K<92;

  ?#B/ $ZIGGY PLAYED FOR TIME,@ $JI-
VING US THAT WE WERE $VOODOO@ $THE 
$KIDS WERE JUST CRASS,@ $HE WAS THE 
NAZZ@ $WITH $GOD-GIVEN ASS@ $HE TOOK
IT ALL TOO FAR@ $BUT BOY, COULD HE 
PLAY GUITAR/@ $MAKING LOVE WITH HIS 
EGO@ $ZIGGY SUCKED UP INTO HIS MIND@
$LIKE A LEPER $MESSIAH@ $WHEN THE 
KIDS HAD KILLED THE MAN@ $I HAD TO 
BREAK UP THE BAND/@ 
  #; <; $OH YEAH/ $OOH/          #EA
  '.#;.UVM$I.'-_4.'\_8.<9 
[ZFVU'-_R_O UV$JE"C'-_4.'\_8.<9 
  #: <; $ZIGGY PLAYED GUITAR
  '.<5VU'-_R_O U@FREE@TIME$FF=!
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               $PIANO
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  #: $@.2=.#H#G 
  _@.2=.#H#G                     #EB
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  #: $@!8#)V$K!%[%[GE!,!O# =FREE 
TIME= ![0#* [#)2L2K
  _@>8V_O Y >[2L2K

           :::::::::::::