$GENNAIO-$MARZO #AIIG N. #J $ANNO $I $FASCICOLO $I $DIR. RESP.: $RODOLFO $CATTANI $REDATTORE: $MATTEO $BONETTI $ABBONAMENTO GRATUITO $STAMPATO IN $BRAILLE A CURA DELLA $BIBLIOTECA $ITALIANA PER I $CIECHI VIA $G. $FERRARI, #E\A - #BJJEB $MONZA - $INDICE $IMAGINE........................PAG.#C $YESTERDAY..........................#E $HEY $JUDE..........................#G $MICHELLE...........................#I $LET $IT $BE.......................#AA $LADY $MADONNA.....................#AC $LA $BOH^ME........................#AE $L.1ME DES PO^TES..................#AH $LA CHANSON DES VIEUX AMANTS.......#BA $LA MER............................#BD $VOUS QUI PASSEZ SANS ME VOIR......#BF $AMSTERDAM.........................#BI $ET MAINTENANT.....................#CB $LA SOLITUDE &A N.EXISTE PAS.......#CF $NE ME QUITTE PAS..................#CH $UNCHAINED $MELODY.................#DA $EVERYTHING $CHANGES $BUT $YOU.....#DC $BABE..............................#DG $LOVE $AIN.T $HERE $ANYMORE........#EJ $MY $WAY...........................#EC $THEME FROM $NEW $YORK, $NEW $YORK..........................#EF $BEGIN THE $BEGUINE................#EI $LA VIE EN ROSE....................#FB $RAGAZZA DI $IPANEMA...............#FD $FOGLIE MORTE......................#FF #C $IMAGINE BY $JOHN $LENNON $EDIZ. MUS. $NORTHERN $SONGS $LIMITED RATHER SLOWLY $C $@ @MP.V_RJCD2@V$(_FD=$(8'-DO S.! ^C3ICJCD2@$(_GD==7'-FA #B _@ >DH"CR4 Q.7 #B XM![[[H"C8J]^"C'-DO IXVU'-FA XM[HHH.]"CJ]C^"C'-DO IXVU'-FA V!HH"C8! J]^"C'-DO IXVU'-FA VXM![[H.J]^"C'-DO #B#A XM!^YIY"C4FF2@>QP'-FADO ZCYCIVU! 2@>ON'-REM#G JJ"CWWDE"C'-SOL#G O(F_(HCC"CH&ZC 4M![[[H.]"C]J^"C'-DO 2=!IXVU'-FA XM[[[H"C8J]C^C"C'-DO #B#A V;!HHH8JJ"C'-DO JI"C9U'-FA V;HHH! HJ"CJ]C^"C'-DO IXVU'-FA X!IDI4FF2@>QP! '-FADO ZCYCIVU2@>ON'-REM#G JJ"CWWDE"C! '-SOL#G O(F_(H"CH&Z 4X^YJCYC]CI^]! '-FASOL DDVU'-DOMI#G VM^D]]I"C^^F! '-FASOL#G 6VU'-DOMI#G XM^IDJCYC]CIJ! '-FASOL#G DYC^CHXU'-DOMI#G VX$YY! EC&CZCDE'-FASOL#G #,$&YD"C4U'-DO XM![! [[H"C8J]^"C2; #;$&YD"CN.2K $IMAGINE $IMAGINE THERE.S NO $HEAVEN, IT.S EASY IF YOU TRY@ NO HELL BELOW US, ABOVE US ONLY SKY@ $IMAGINE ALL THE PEOPLE LIVING FOR TODAY@ $IMAGINE THERE.S NO COUNTRIES IT ISN.T HARD TO DO@ NOTHING TO KILL OR DIE FOR AND NO RELIGION TOO@ $IMAGINE ALL THE PEOPLE LIVING LIFE IN PEACE@ $YOU MAY SAY $I.M A DREAMER BUT $I.M NOT THE ONLY ONE@ $I HOPE SOME DAY YOU.LL JOIN US AND THE WORLD WILL BE ONE@ $IMAGINE NO POSSESSION, $I WONDER IF YOU CAN@ NO NEED FOR GREED OR HUNGER, A BROTHERHOOD OF MAN@ $IMAGINE ALL THE PEOPLE SHARING ALL THE WORLD@ YOU MAY SAY $I.M A DREAMER BUT $I.M NOT THE ONLY ONE@ $I HOPE SOMEDAY YOU.LL JOIN US AND THE WORLD WILL LIVE AS ONE@ #E $YESTERDAY BY $JOHN $LENNON AND $PAUL $MC$CARTNEY $EDIZ. MUS. $NORTHERN $SONGS $LIMITED MODERATO 2$C $@ @SOFT AND PRETTY!D00DDD0='-FA = _@ >%- = 2= 0A !HGQ.'-FA VI1J3DEFG'-MIM#GLA#G F.ZO.2@>O54'-REM VEEDJIH'-SI2DO#G WII"C982@>Q76'-FADO 7IH"C8.E'-REMSOL 7II"CS'-SI2FA2; 2=!SS'-LA#AALA#G @C$567@:$FE! 2@>54W9'-REMDOSI2REM 6.E45'-SOLMDO !^! '-FA #D#B $6.E46'-SOLMDO %2@V$4WW9'-FA !0A#G2; !79852@>N1T'-FASOL 7II"CS2L! '-SI2FA2K $YESTERDAY $YESTERDAY ALL MY TROUBLES SEEMED SO FAR AWAY@ NOW IT LOOKS AS THOUGH THEY.RE HERE TO STAY@ OH $I BELIEVE IN YESTERDAY@ $SUDDENLY $I.M NOT HALF THE MAN $I USED TO BE@ THERE.S A SHADOW HANGING OVER ME, OH YESTERDAY COME SUDDENLY@ $WHY SHE HAD TO GO $I DON.T KNOW SHE WOULDN.T SAY@ $I SAID SOMETHING WRONG NOW $I LONG FOR YESTERDAY@ $YESTERDAY LOVE WAS SUCH AN EASY GAME TO PLAY@ HOW $I NEED A PLACE TO HIDE AWAY, OH $I BELIEVE IN YESTERDAY@ #G $HEY $JUDE BY $JOHN $LENNON AND $PAUL $MC$CARTNEY $EDIZ. MUS. $NORTHERN $SONGS $MUSIC SLOWLY 2#D/ $4 0 !S"CIIDE'-FA !RVHI'-DO W$7"CGGFD'-DO#GDO#G\#DDO#G EYC]CSXD'-FA E5E[G&"C&%E'-SI2 N!GHI$E"C'-FA 1 @TO CODA $EDXDJICFG"C'-DO#G GG"CQ$4'-FA 2=!S"CIIDE !R.HI'-DO #H#B $ZZXXE[G&"C&%E'-SI2 N!GHI$EC'-FA 4.DJ9CF'-DO#G FG"CQV'-FA XM%$%2FZ"CEDD]Z"C'-FA#G 5GE"C5G!J"C'-SI2 W$GE"CEDJD"C'-SOLM#G 4ED"C4JI"C'-DO#G 9HCGC"CQ'-FA XM%$GEEDDJ'-FA#G #E#B $4ED"CDW.'-DO#G I.C[7"CGG$DE'-FA 2F.CZ61FG8'-FA#GDO#G RHIW'-DO#G #, #B/ $W$52; #; #B/ $W$YCE. !01 @AL CODA @CODA $4XDJ9F"C'-DO#G FG3HI1JDFG'-FA 3HI1JDQ 2=!Q94'-FA [.QHQ.'-MI2 [.QHQ2FCE'-SI2 Y'-FA2; @REPEAT AND FADE $HEY $JUDE $HEY $JUDE, DON.T MAKE IT BAD, TAKE A SAD SONG AND MAKE IT BETTER@ REMEMBER TO LET HER INTO YOUR HEART@ THEN YOU CAN START TO MAKE IT BETTER@ $HEY $JUDE, DON.T BE AFRAID YOU WERE MADE TO GO OUT AND GET HER@ THE MINUTE YOU LET HER UNDER YOUR SKIN@ THEN YOU BEGIN TO MAKE IT BETTER@ $AND ANY TIME YOU FEEL THE PAIN, HEY $JUDE, REFRAIN@ DON.T CARRY THE WORLD UPON YOUR SHOULDERS@ $FOR WELL YOU KNOW THAT IT.S A FOOL WHO PLAYS IT COOL@ BY MAKING HIS WORLD A LITTLE COLDER@ $DA DA DA DA DA DA DA DA@ $HEY $JUDE, DON.T LET ME DOWN, YOU HAVE FOUND HER NOW GO@ AND GET HER REMEMBER TO LET HER INTO YOUR HEART@ THEN YOU CAN START TO MAKE IT BETTER@ $SO LET IT OUT AND LET IT IN, HEY $JUDE@ BEGIN YOU.RE WAITIN. FOR SOMEONE TO PERFORM WITH@ AND DON.T YOU KNOW THAT IT.S JUST YOU,@ HEY $JUDE, YOU.LL DO@ $THE MOVEMENT YOU NEED IS ON YOUR SHOULDER@ $DA DA DA DA DA DA DA DA@ #I $MICHELLE BY $JOHN $LENNON AND $PAUL $MC$CARTNEY $EDIZ. MUS. $NORTHERN $SONGS $MUSIC MODERATELY #D2#D/ $@ @MP.V$40=2@!Q1P'-FAMDO =2@2!P1O'-FAM#GFAM#F V$40*W#902@2!Z'-! RE2#GMAJ 4#?3!G$4#4#=2@!Y'-DO _@ >N.--16 Q.4- % Y- 0A $NN'-FA V5!S'-SI2M#G 8$4!88'-MI2 791W9'-REDIM R7IH"C'-DOSIDIM ['-DO 2= !0A#D !R;789'-DOSIDIM R.X$D'-DO ;764='-FAM 8Q. XDED5.!I'-LA2#G\#D ^! '-RE2 XDDD7DJ"C'-DO#G\#D JI"C9"CIIW'-! FAM 44='-FAMDO ='-FAM#GFAM#F NW92@>%! '-RE2#GMAJ #,!['-DO2; #;![ V$4F7."C2@_7"C;GG1H19"C;IJD'-FA %2@!O2_S'-SI2M#G &2@_8"C;HHIW6'-MI2 M! 2@_7"C;GGH915'-REDIM M2@1_P;1597'-! DOSIDIM UVXD2@1_P"C;FD1E;FGH'-DO ;7264='-FAM 8.C^C[Q XDED5!9'-LA2#G\#D ^'-RE2 XDDD74'-DO#G\#D JI"CSW'-FAM 44='-FAMDO 444.D'-FAM#GFAM#F NW92@>%! '-RE2#GMAJ ['-DO !0A#D !R;789'-DOSIDIM !RXM%GH'-DO 97WHI"C'-FAMDO 97WXH'-! FAM#GFAM#F S872@>%'-RE2#GMAJ 1P78'-DO %2@_7"C;GGH19"C;IJD'-FA 2=2!O2_S2@V!7='-SI2M#G _8"C;HHIW6! 2@V!6='-MI2 _7"C;GGH9152@V1!5='-REDIM _P;15972@V!4U'-DOSIDIM 1_P"C;FDE;FGH! 2@V4='-DO _7"CGGH19"CIJD2@V7='-FA2; @REPEAT AND FADE $MICHELLE $MICHELLE, MA BELLE, THESE ARE WORDS THAT GO TOGHETER WELL,@ MY $MICHELLE@ $MICHELLE, MA BELLE, SONT LES MOTS QUI VONT TR^S BIEN ENSEMBLE,@ TR^S BIEN ENSEMBLE@ $I LOVE YOU, $I LOVE YOU, $I LOVE YOU, THAT.S ALL $I WANT TO SAY@ UNTIL $I FIND A WAY $I WILL SAY THE ONLY WORDS $I KNOW THAT@ YOU.LL UNDERSTAND@ $MICHELLE, MA BELLE, SONT LES MOTS QUI VONT TR^S BIEN ENSEMBLE@ TR^S BIEN ENSEMBLE@ $I NEED YOU, $I NEED YOU, $I NEED YOU, $I NEED TO MAKE YOU SEE@ OH WHAT YOU MEAN TO ME@ UNTIL $I DO $I.M HOPING YOU WILL KNOW WHAT $I MEAN@ $MICHELLE, MA BELLE, SONT LES MOTS QUI VONT TR^S BIEN ENSEMBLE@ TR^S BIEN ENSEMBLE@ $I WILL SAY THE ONLY WORDS $I KNOW THAT YOU.LL UNDESTAND,@ MY $MICHELLE@ #AA $LET $IT $BE BY $JOHN $LENNON AND $PAUL $MC$CARTNEY $EDIZ. MUS. $NORTHERN $SONGS $LIMITED SLOWLY #D/ $@ @MF$4#)-=!8#)= 9#)$K!99!,!F0HG#F$K!90* 80*=8#)= 90H0G080*X! _@ _D>D=_H>H= _I>I=_G>G= _H>H=== _G>G8_D>D= ![[ 0 H[^"CIFHH$YE.'-DOSOL &F&"CFEED4'-LAMSOLFA &F.G&&"CFEX&Z! '-DOSOL ECDC"CNXM![2@>7FE44'-FADO! REM#GDO [H.IY!["CHH$YE.'-DOSOL ZF.FZZ"CZDY"C4'-LAMSOLFA #D#A $ZCD.C"CN@C$&EY"C2@>7FE4_DJ'-FADO! REM#GDO @F$4&H^C"CICH[H&"C'-LAMSOL &CZCD^H$&C"CFC4.'-FADO &F%"CG&&"C! FEM&ZZC"C'-DOSOL ECDC"CNX!&["C2@>GGFE! 44'-FADOREM#GDO#AB#AA $ECDC"CN&EY"C2@! >GFE4>W'-FADOREM#GDOSOL 4&H^C"C! ^CH.[H&C"C'-LAMSOL &CZCD^H$&"C6V'-FADO F&%"CGFFEM&ZZC"C'-DOSOL 1 @TO CODA $ZCD.C"CNV'-FADOREM#GDO @F$9HG! 6ED2@_7FE42JI'-FAMIMREM#GDOSI2FA W9R! '-SOLFADO $4DE6ED'-FADO W44X!H'-SOLFA! DO !01 @CODA $ECDC"CN&EY"C2@>7FE44'-FADO! REM#GDO #AC#C $ECDC"CNV2@>7FE44'-FADO! REM#GDO #I#B2L2K $LET $IT $BE $WHEN $I FIND MYSELF IN TIMES OF TROUBLE $MOTHER $MARY COMES TO ME@ SPEAKING WORDS OF WISDOM, LET IT BE@ $AND IN MY HOUR OF DARKNESS SHE IS STANDING RIGHT IN FRONT OF ME@ SPEAKING WORDS OF WIDSOM, LET IT BE@ LET IT BE, LET IT BE, LET IT BE@ $AND WHEN THE BROKEN HEARTED PEOPLE LIVING IN THE WORLD@ AGREE THERE WILL BE AN ANSWER, LET IT BE@ $FOR THOUGH THEY MAY BE PARTED THERE IS STILL A CHANCE THAT THEY@ WILL SEE@ THERE WILL BE AN ANSWER, LET IT BE@ LET IT BE, LET IT BE, LET IT BE@ THERE WILL BE AN ANSWER, LET IT BE@ LET IT BE, LET IT BE, LET IT BE@ WHISPER WORDS OF WISDOM, LET IT BE@ LET IT BE, LET IT BE, LET IT BE@ WHISPER WORDS OF WISDOM, LET IT BE@ $AND WHEN THE NIGHT IS CLOUDY THERE IS STILL A LIGHT THAT@ SHINES ON ME@ SHINE UNTIL TOMORROW, LET IT BE@ $I WAKE UP THE SOUND OF MUSIC, $MOTHER $MARY COMES TO ME@ SPEAKING WORDS OF WIDSOM LET IT BE@ LET IT BE, LET IT BE.....@ #AC $LADY $MADONNA BY $JOHN $LENNON AND $PAUL $MC$CARTNEY $EDIZ. MUS. $NORTHERN $SONGS $LIMITED BRIGHTLY, WITH A BEAT _C $@ (!403N0140 (W3#900$CII(9 434140W\ ^30 #B#A _S30= ST ?D3Y _@ >S3>N OO #B #D#A >OP QR 9999 0 2=3$4N1DJ"C'-LA J9.U'-RE 344W3GI"C'-LA SU'-RE 34464'-LA 376349"C'-RE 9S14C'-FASOL 1 @LAST TIME TO CODA !SU'-LA #H#E 3$G63D"CN'-LA S914C'-FASOL SU'-LA $5EE"C5DE"C'-REM#G 5DE"C54 5V!R"C'-SOL#G 8VU $4DD"C49'-DO 4456 4CSV'-LAM M $5554'-REM#G 5EE"C54 5VJCIC8C"C'-SOL#G 8VU $&'-DO OT'-SIM#G $&"C2@>&'-RE &'-MI#G2; @AFTER REPEAT !01 @CODA GUITAR TACET !^"C'-LA ^"C'-SIM ^'-DODIMMI#GLA M'-LA (3!44"CDDC(9'-LA (!55"CEEC(W'-SIM 2!6C_9(!5_(34"C'-DODIMMI#GLA Y2L'-LA2K $LADY $MADONNA $LADY $MADONNA, CHILDREN AT YOUR FEET,@ $WONDER HOW YOU MANAGE TO MAKE ENDS MEET/@ $WHO FINDS THE MONEY WHEN YOU PAY THE RENT,@ $DID YOU THINK THAT MONEY WAS HEAVEN SENT?@ $FRIDAY NIGHT ARRIVES WITHOUT A SUITCASE,@ $SUNDAY MORNING CREEPING LIKE A NUN,@ $MONDAY.S CHILD HAS LEARNED TO TIE HIS BOOTLACE/@ $SEE HOW THEY RUN+@@ $LADY $MADONNA, BABY AT YOUR BREAST,@ $WONDERS HOW YOU MANAGE TO FEED THE REST/@ $LADY $MADONNA LYNG ON THE BED,@ $LISTEN TO THE MUSIC PLAYNG IN YOUR HEAD/@ $TUESDAY AFTERNOON IS NEVER ENDING,@ $WEDNESDAY MORNING PAPER.S DIDN.T COME,@ $THURSDAY NIGHT YOUR STOCKINGS NEEDED MENDING/@ $SEE HOW THEY RUN+@@ $LADY $MADONNA, CHILDREN AT YOUR FEET,@ $WONDER HOW YOU MANAGE TO MAKE ENDS MEET/@ #AE $LA $BOH^ME $PAROLE DI $J. $PLANTE $MUSICA DI $CH. $AZNAVOUR $EDIZ. MUS. $DJANIK MUSIC 222#C/ VV2@!+<41W M2@4$Q"C'-FAM M2@7<41W M2@<4!+$R"C'-DOM M2@HH3GHJ1I M2@! !+$S.'-FAM M2@!+$R7'-SOL#G M2@$R.0! '-DOM M2@1$6.0_H!DJ'-DO#G2K. 0 X!GGHGH'-FAM IHIJIJ D1JDEDE 6!R! '-DOM X$FEDFE !S.'-FAM X$FEDFE !HH3GH! J1I'-DOM 2IH'1GHGH IHIJIJ'-FAM D1JDEDE 6P'-DOM XFEFHG GFFEGF'-FAM FEFED1J! '-SOL#G\#I2 N."C'-DOM 441W2K. $4!Q"C'-FAM 7$41W 4!R'-DOM 8W19 2S8! '-FAM O6'-SOL#G R."C'-DOM 8$41W 4!Q"C! '-FAM 7$54 6!R'-DOM $654 T9'-FAM 1 @AL CODA !R7'-SOL#G R."C'-DOM RV! '-DOMDO#G2K !01 @CODA !R1W'-SOL#G N."C'-DOM N."C 2=$N.'-FAM N. M'-DOM M M'-FAM M'-SOL#G M'-DOM M2; @REPRISE AD LIB. 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MUS. $RAOUL $BRETON T.O DI VALSE 333#C/ !7 T8'-SIM Q7'-MI#G T8'-SIM Q."C'-MI#G Q."C'-SIM 767'-MI#G R."C'-LA ="C ="C 8V! _9 0 _SW'-LA T4 N6 P7 Q$4 N!8'-DO3M QW'-RE Q."C'-SIM ="C QV T8'-MI#G Q.'-SIM T8'-MI#G Q."C'-SIM 767'-MI#G 1 !R."C'-LA ="C ="C 8V_9'-LA SW'-LA T4 N6 P7 Q$4 N!8'-DO3M QW'-RE Q."C'-SIM ="C QV'-SIM T8'-MI#G Q.'-SIM 7W8'-MI#G Q."C'-SIM Q6'-MI#G R."C'-LA ="C ="C RV 967'-LA#G 1R6 967 1R. 7W9'-RE Q5 QW T4 N."C'-SI#G ="C 4W9'-SI#G 989 T."C'-MI#G ="C W9@RIT.8 757'-SIM R."C'-MI#G 8V@T.O_9 SW'-LA T4 N6 P7 Q$4 N!8'-DO3M QW'-RE Q."C'-SIM ="C QV T8'-MI#G Q.'-SIM T8'-MI#G Q."C'-SIM 767'-MI#G R."C'-LA ="C ="C 8V$4 T9'-LA R. 789 R7 P_9 T9 !P."C'-MI#G P$5 NW'-SIM S. 789 R.'-MI#G 789'-SIM R6'-MI#GMI#E+ Q."C'-LA Q$4 T9'-LA R. 789 R7 P_9 T9'-LA#G !Q."C'-RE Q$5'-FA3#G NW'-SIM $P4'-MI#GMI3DIM T9'-FA3M N9 R7 798 9T"C T_9 !01 @CODA !R."C'-LA ="C 8V7 T8'-MI#G #AI Q7'-SIM #B #B T8'-MI#G Q.'-SIM W9W'-MI#G N."C'-LA 4V@RIT.$4'-LA#G N9'-RE S.'-SIM 766'-MI#G @T.O!S."C'-LA ="C 987'-LA 64W'-= SW T4 N6 P7 Q$4 N."C =#C 4VV'-LA @PP'M M2K $L.1ME DES PO^TES $LONGTEMPS, LONGTEMPS, LONGTEMPS@ APR^S QUE LES PO^TES ONT DISPARU@ $LEURS CHANSON COURENT ENCORE DANS LES RUES@ $LA FOULE LES CHANTE UN PEU DISTRAITE@ EN IGNORANT LE NOM D.L.AUTEUR@ $SANS SAVOIR POUR QUI BATTAIT LEUR C9UR@ $PARFOIS ON CHANGE UN MOT, UNE PHRASE,@ $ET QUAND ON EST A COURT D.ID%E@ $ON FAIT@ $LA LA LA LA LA LA@ $LONGTEMPS, LONGTEMPS, LONGTEMPS@ APR^S QUE LES PO^TES ONT DISPARU@ $LEURS CHANSONS COURENT ENCORE DANS LE RUES@ $UN JOUR PEUT- -2TRE@ $BIEN APR^S MOI@ $UN JOUR ON CHANTERA@ CET AIR POUR BERCER UN CHAGRIN@ $OU QUELQU. 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