$S $U $O $N $I $RIVISTA TRIMESTRALE DI MUSICA $APRILE-$GIUGNO #BJJJ N. #AC $ANNO $IV $DIDATTICA $PIANOFORTE - $STRUMENTI VARI $FASCICOLO $I $DIR. RESP.: $PIETRO $PISCITELLI $REDATTORE: $MATTEO $BONETTI $REGISTRAZIONE #;?AA#AIGA N. #BJB $COPIA IN OMAGGIO $STAMPATO IN $BRAILLE A CURA DELLA $BIBLIOTECA $ITALIANA PER I $CIECHI VIA $G. $FERRARI, #E\A - #BJJEB $MONZA - $INDICE $PIANOFORTE...................PAG.#D $BOURR%E............................#E $LA $BEFANA DA: ($LA SCATOLA ARMONIO -SA) DI $A. $TROMBONE...........#F $UN CANTO COMMOVENTE................#H $IL GRILLO E LA FORMICA.............#I $MADAMA POLLAIOLA..................#AJ $L.ALTALENA........................#AA $GIOCANDO CON LO YO-YO.............#AB $TRA SCALE E ARPEGGI...............#AC $LOHENGRIN:........................#AG $CORO =$MARCIA NUZIALE=............#AG $IMPROVVISO IN $DO.................#BJ $ORGANO..........................#BC DA: ($CENTO PEZZI CLASSICI PER ORGA- NO OD ARMONIO).................#BC $LARGO IN $SOL MINORE..............#BD $VIOLINO.........................#BG DA: ($ALBUM CLASSICO DEL JOVEN VIOLI -NISTA)........................#BG $MELODIA DELL.$ORATORIO ($JUDAS $MA- CABEO).........................#BH $CANCI0N DE CUNA...................#BI $FLAUTO..........................#CJ $ORGANETTO.........................#CJ $VALZER............................#CB $LARGO, GAVOTTA E MINUETTO.........#CC DALLA $SONATA IN $SI2 MAGGIORE, DAL- L.OP. #B.......................#CC #C $CLARINETTO..................PAG.#CF DA: ($METODO PER CLARINETTO) DI $LE- F^VRE..........................#CF $STUDIETTI MELODICI SUGLI INTERVAL- LI.............................#CG $DUETTI IN DIVERSE TONALIT[........#CI $DUETTI MELODICI IN DIVERSE TONALI- T[.............................#DA $CHITARRA........................#DG $ROMANZA...........................#DH $MUSICA DI $ANONIMO................#DH $ROMANZA...........................#DI =DALLA $SONATINA IN $SOL=..........#DI $FISARMONICA.....................#EA $IL MAGO BURLONE...................#EB $IL VOLO DEL CALABRONE.............#ED $CORO A QUATTRO VOCI.............#EH $GLORIA A TE, $CRISTO $GES] =$INNO DEL $GIUBILEO=.................#EH $PIANOFORTE $TAVOLA DEI SEGNI CHIAVE DI VIOLINO: @\L CHIAVE DI BASSO: @#L COPULA ORDINARIA =TOTALE=: 2@ COPULA PARZIALE: %!, DIVISIONE DELLA BATTUTA PER L.IMPIEGO DELLA COPULA PARZIALE: %$K MANO DESTRA: $@ MANO SINISTRA: _@ APERTURA DI RITORNELLO: 2= CHIUSURA DI RITORNELLO: 2; ACCENTO: %$( STACCATO SEMPLICE: %( ACCIACCATURA: %? APPOGGIATURA: %!? PUNTO CORONATO: 2L UNISONO DI SEMIMINIME: %_A RIBATTUTI =IN CROME=: %>B =IN SEMICRO- ME=: %>L TREMOLO =ALTERNATO IN SEMICROME=: %$L =IN BISCROME=: %$, PEDALE DESTRO ABBASSATO: 2C PEDALE DESTRO RIALZATO: 1C RESPIRO MUSICALE: %'\ FINE DELLA PAGINA IN NERO: %!: #E $BOURR%E DA: (#BC PEZZI FACILI) =REVIS. DI $ALFREDO $CASELLA= $MUSICA DI $J.$S. $BACH $EDIZ. MUS. $CURCI - $MILANO ALLEGRO 3_C #, $@ @F ROBUSTO @\L!FLG 8GF35FG _W3DB3E6@#L1!EL1D WAI,HL7HI JIHG6@\L! !FLG _@ @#L>HLG 69W9 8767 89W9 8WFGHG #; $@ !8GF35FG _W3D3E6@#L1!E1D WIH%C[C7H R.#)2; 2=.@P_JH !5_IDWA@\L!HKE _@ >69W9 8767 8_4B5>5 R.2; 2=>8B 758LW #: $@ !6_JAE,4JI 38IAJ4JIA S.B@MENO @P.!EK_IB WA!HKE6_JE 4A!IF73DBF _@ _43>8K9,_5B 6A>9_6>6 IBJI1H75 8LW43>8, 93453>9, #/ $@ !5A3D,J3^C]C9J T.A!JKG @CRESC.3!8GF9F1H, 7FE8E1GL 6IF373DAFL _@ >W_67>7 JB3IJA3DL35BW _6A15349 _5A14W8 _4AW97 #? $@ 3!5BTA@F!FK_JB 14E,_IW@#L!DL_H 9,JKG8LGF @SENZA RALL.3!5BFBG8LGBFA P.L2; _@ >W.B1DJI38, IK_FB7A1>HK3_E6 >GK3_D35>6K9 W9T P.2; $LA $BEFANA DA: ($LA SCATOLA ARMONIOSA) DI $A. $TROMBONE $EDIZ. MUS. $CURCI, #AIDF ANDANTE 4=#GB 3#B/ #, <; QUANDO LA NOTTE SCENDE DAL CIEL, $@ M M @#L _8LCCFAGB 8LC6 8LHLCIC T _@ @#L @PP>6K?3IBCWA =#E #; <; VIEN LA BEFANA NELL.OSCURIT[: LENTA CAMMINA SOTTO IL SUO FAR- $@ _7BGBCCH 9CW HLCCGBFACGB RL 8LCCFAG 8C6 HLCCGBFACHL _@ =#G #: <; DEL, VARCA MONTI E SCENDE GI] NEL PIAN, PER PORTARE AI BIMBI $@ _TK I,CCHGBCH I,CCJKHLCG P"C 6! @MF_JKCHL 9,CIH 7BC9, _@ =#G #/ <; BUONI I SUOI DONI IN QUANTIT[/ $@ _8LCWK"C W@P_JKCH 9,"CIH 7C8 6AFACJK @\L @PP. AFFRETT.X!JLJLJL JLJJJ _@ =#D >FKCJAV @\L!PB"C 6V @PI] MOSSO #? <; ECCO LA NUOVA LUCE DEL MATTIN MO -STRA DI DONI $@ !JJJJ =#E _@ 3!8BF,CC3GL 38BC6 GLCC3HBIACG @C3!RB #D#B #G #, <; COLMI I BEI LETTIN: SORGON TUTTI I BIMBI GI[, $@ =#F _@ !GLCCIA3HBCG P @F!7L9 38B6, #B#A 3R #; <; S.EMPIE LA CASA DI FELICIT[/ $@ =#C !JJ@D. RALL.!JJ =2K. #,O TEMPO @PP!T"C WV@#L _@ 3!8BF,G 386 GLIA3HG 6@#L_WAC 6K>WAC2K. #,O TEMPO >6K?3IBCWA = #: <; CHIUSA FRATTANTO NEL SUO MISTER VA LA BEFANA DA LA TARDA E- $@ @DOPO #B @DC. #BA BATT. #/ <; T[, LENTA CAMMINA SU PER I SEN- TIER CERTO PENSA ALL.ANNO CHE VER- #? <; R[ PER PORTARE AI BIMBI BUONI I SUOI DONI IN #+ <; QUANTIT[/ $@ _7BC8L 6A@\L!WK @D!S,0C 3!8L0A@/! !JKJ 9,0B@D!JKJ @RALL.3!RL0A = @PPP.3!R0$C 80V2K _@ =#F >6?3ICW"C P"C2@>T"C 6*V2K $UN CANTO COMMOVENTE DA: ($METODO $BASTIEN PIANO) LIVELLO PREPARATORIO $EDIZ. MUS. $RUGGINENTI, #AIIA #D/ #, <; $SENTI IL MERLO, CANTA GI[: GIUN -TA ^ PRIMAVERA+ '. @\L @P!5ACC8?B378'-@#L.M 96S?B'-M 8?B37?B67'-!YA RCO'-_] #; <; $SI COMMUOVE IL SALICE AL DOLCE SUO CANTAR+ '. !5ACC837?B8?B'-M 9699'-M 8376?B7C! '-!YA R.V'-_T.V2K $ACCOMPAGNAMENTO =LA PARTE DELLO STUDENTE VA SUONATA ALL.OTTAVA SUPERIORE/= 3#D/ '. @#L $@ _],0B)A'-_@>[B 3Y#)'->^ 1Y*:'->Z ]0)'->8567 T0)='->RR 3N#)=! '->SS 1N*:='->OO T.0)V'->858V2K #I $IL GRILLO E LA FORMICA DA: ($ADESSO SO SUONARE) DI $B. $SACHS E $S. $HAMBY $EDIZ. MUS. $CARISCH, #AIIC #D/ #, <; $C.ERA UN GRILLO IN UN CAMPO DI LINO, '. @\L M'-@#L_TB!CCW9 M'-_8RW !5B555! '-M 6!CO.'-M #; <; LA FORMICUZZA NE CHIESE UN FILI- NO/ $LARI- '. !O!CC65'-M 37Q6'-M 5?B4U'-U_W9 M! '-_W!C88!CCW #: <; ZUNFERARILLALLERA, LARIZUNFERA- RILLAL[/ '. !5EE55'-M 6!C5U'-U_8!CCW 5EE55!C'-M M'-_[2K $MADAMA POLLAIOLA DA: ($ADESSO SO SUONARE) $EDIZ. MUS. $CARISCH, #AIIC #C/ #, <; $O MADAMA POLLAIOLA, QUANTI POL- LI HAI NEL POLLAIO? '. @\L !HBCCH'-@#L.V $4.JI?BH?B'-_4K8V 9C8HBCCI'-_76V 8.GA?LFLE'->WK_8V 6C4?B!'-_NK! #; <; $NE HO TANTI E POI TANTI A NESSU -NO LI VOGLIO DAR/ '. !HBCCH'-V $4.J?BIH'-_48V 9C8HCCI! '-_76V 8HGAFLE?BC'->W_7\7\ N'-_N0*2K #AA $L.ALTALENA DA: ($IL MUSIGATTO) DI $MARIA $VACCA $EDIZ. MUS. $B^RBEN, #AIID #D/ #, $@ @\L !NAU UQ, OBU NU _@ @#L U!4AWB SLU U8,8 U!N #; $@ !PLU URK QU M2K _@ U!49 RU U9W Y2K $GIOCANDO CON LO YO-YO DA: ($IL MUSIGATTO) DI $MARIA $VACCA $EDIZ. MUS. $B^RBEN, #AIID #D/ #, $@ @\L V!6L8K6 V5B85 V4A7,4 V585 _@ @#L !YA ]B ^L ] #; $@ !& % [ M2K _@ V!4_8!4 V979 VW8W Y2K #AC $TRA SCALE E ARPEGGI DA: ($A QUATTRO MANI NEL BLU) DI $R. $VINCIGUERRA $EDIZ. MUS. $CURCI, #AIIH =*= OTTAVA ALTA SINO ALLA FINE =MANO DESTRA E SINISTRA= $SECONDO =$MAESTRO= ANDANTE $C #, $@ @\L !HKFLDAHFDHF HKEBJA!HK! EJ!HEB FKDLIA!FDI!FD _@ @#L _Y* ]) ^* #; $@ !FKDL_HA!FD_H!FD GKDBIA!GDI!GD FD_H!FD_H!FD _@ >[) ^) [) #: $@ !FDI!FDI!ED E,DLIA!E,! JBHA!FLG,2K. !HKFDHFDHF _@ >^3) [1:2K. _Y* #/ $@ #H#B !FD_H!FD_H!FD _@ >]) ^* [) #? $@ #H#A !HFDHFDHF HEJ!HEJ!HG &02K _@ >^) [) [: _Y*2K $PRIMO =$ALLIEVO= =*= #, $@ @\L M !HAIJDOK M _@ @\L !DKEFGRA M HGFEN #; $@ $HGFEN M DEFGR _@ M !GKHIJNA M #: $@ M !HAIJDOK2K. $DEFGR _@ !EKF3GHSA M2K. !DEFGR #/ $@ M $HGFEN = _@ !HIJDO M !HGFEN #? $@ !GHIJN M UIBJDE Y2K. _@ M !DEFGR E,FGHU XGBFE,PL2K. #AE $SECONDO #, @DC.#C _@ _4.**D$C44* W.))J$CWW) 9.**I$C99* #; $@ @DOPO #C @DC.#C _@ >8.))H$C88 9.I$C99 8.H$C88) #: $@ @DOPO #F @DC.#B2K. #H#A _@ >9.3))I$C99) 8.1::H$C88:2K. _4.**D$C44* #/ $@ @DOPO #I @DC.#B !FD_H!FD_H!FD _@ >W.))J$CWW) 9.**I$C99* 8.))H$C88) #? $@ @DOPO #AB @DC.#C !&02K. _@ >9.))I$C99 8.H$C88) 8.::H$C88: _Y*2K $PRIMO #, $@ $DAEFGRK HAIJDOK $HKGFENA _@ !DKEFGRA HKIJDOA !HAGFENK #; $@ $HGFEN GAHIJN $DEFGR _@ !HGFEN GKHIJN !DEFGR #: $@ $EAF3GHS HIJDO2K. $DEFGR _@ !EKF3GHS HIJDO2K. M #/ $@ M $HGFEN M _@ !HIJDO M !HGFEN #? $@ !GHIJN M UIBJDEK Y,2K _@ M !DEFGR E,FGHAU XGBFE,NK2K #AG $LOHENGRIN: $CORO =$MARCIA NUZIALE= $WAGNER - $LISZT $EDIZ. MUS. $DOVER, $PUBLICATION, #AIHA M@SSIG BEWEGT 22#B/ #, $@ @P!70*C(J#)M]#) W.#)X 70C! ($D*)M^0 W.#)X 7CC0J.#$&# 6#E0MY* W#! ?Y?]I.1#]C* _@ @#A C.>WC(_JM] W.X WC(GM%* W.X >W-CC_J.0]) W..]2@!8GM& _W0H.0[0C #; $@ $4.*X !70C(J#)M]#) W.#)X 70C! ($D*)M^0# W.#)X 7CC0J.#)Z) 7)-E.*-]0) $(80$D.)ZC) _@ _7.0X 2C>W-C(_JM] W.X1C WC(GM%* W.X >W-_J.]0 _5*-H.0[0 60)G.0%0 #: $@ !J#)@C.;$]!]$](!J($J- #BM @MF!90)J.#)Y* D*@D.;$%!%$%(!G($G- #BM _@ 2C>J-XV1C $($(!8K0B)ACC! G,0B)AFK0L)A 40*C$(40* >7-G.-_%0 2CG0XV1C #D#B #/ $@ @PP!8#1)CI.30*)1]0)- 1T0)- @K5CC*-1F)E* 41W2@!I3G8 @KE3D1D1J! 2@.@K3!7#G#G# 1WC3#:90) _@ _8CE.C>[ 2CHC1JCECH @K>R! 2@.@K1_JCCH1C!DJ 1!F2F$K_8!,!E1J @K2C>O2@.@K_IEI!E _E3GIC!E #? $@ @K$5CC*-1F)\3G:0 8-1!W0 1W0)-! I.1#\[0 @K1$6C*3:05#) @P$5CC*-! @C$E20*-2F#)\ @K7.C*0E) @KGCC1F2FDC! 2@.@K!9#I#G _@ @K2C1"W!,@K1>JCEC$K_HC1J @K2C1>6!,@K1_JC1FC$K_HC1!F @K2C>5! @K2C342@.@K_ECH@K3DC_I 2C5!,_EC3GC$K! _IC1D1C >8!,1_JCHC$K2_JCH @K2C>7!,@K_JCGC$K!ECJ @K2C>7!,@K!DC_GC$K!DCI #, $@ @K$O0)- 5CC0)@C$E0*-1F#0 7.2F! 2@!90@DIM.!820 @POCO RIT.@P$5! @KZ3D1JDC2@!70@KH10H0 5!V2@3!7.0X @A TEMPO.@P.1$7C0*-(J)-M(])- _@ 2C>T2@X_GC!ECJ W*82@!ECJ1CJCH 2C72C82@!DC_GJCH 2C92C92@_ICGICH 2C5!,_ICEC$K_IC1!G1C @LEGG.2C>]C_%LC]BCZA(J*M(]* #; $@ $W#)-V 7C0*-(]C_%C]CZ! (_G:1CM(%: #B#A 2C>]_GJE%Z]"C_B![1C W"C)CJ.*C]# #: $@ $($W#-?Y?]I.--]C 4.-X @MF$7C0*--(J)M(]) W#)V 7C0*(]C_%C]CZ(J*M(]* _W!,!ZCC%]ZC$K($GX 2C>]C_%C]CZ(_G:1CM(%: #/ $@ $W#-V 70*-@CRESC.$J.)-Z0- @K7)0$K@KE.]!,@K$8) @F$(]_GJE%Z]M 2C_ZI!EG2C>[_EHJ 2C>&_FAHLJBYA&L[BM #AI 2C>%_GAILDB&A%L^BM #? $@ @P.@K$W#)-V VX.@F$Z0) O0) @DIM.?$G6.#)E0) @P$QC0*$C @C$7..C0*!2K _@ ;;2C>J_GJE_AJG @C!G_AEJ;!J_AGE1C #DM2K $IMPROVVISO IN $DO $STUDIO N. #A DA: ($LE MIE PRIME IMPROVVISAZIONI) DI $R. $VINCIGUERRA $EDIZ. MUS. $CURCI, #AIIC 4 = DA #HJ A #AJJ _C #, $@ V!H.,$(^H.&LE.YA"C D.^BD.A$(Z! 2F.YE.3Z 6AH.,^H.&LE.YA ;$(6,2_8A!6K! ;$(5,_7A!5 _@ >NKPL QA3Q, RLSB _OA>RB #; $@ V!H.$(^H.&E.Y"C D.^D.Z2F.$(^! !D.Z V$(^LH$DKI$([BFAELDB$(^ADE3E, F.K_[!E.K)A$(Y,)A$CN)2K. _@ >NKPL QA3Q, RLSB 5KH.B_YA"CN2K. #: $@ V!H.,^[^[,&LE.BYA"C D.^B! D.$(ZB"CZ2&ZYE.B3$(Z 6AH.,$(^[^[&E.Y ;62_8!6;5_7!5 _@ >NKPL QA3Q, RLSB _OA>RB #/ $@ V!H.B$(^LYK^L[&E.LYB"C D.^A! D.ZL$(Z2&ZYE.A3ZB ;$(FAG3GH.,^K! H.,$(&LE.BYA ;$(FK_HA2HB;$(GA!EKJB$(NL _@ >NKP Q3Q RS _5>8_4A>6L !: #, $@ 0 X.$(2!&,*A$C6*= F.$(YI.["CR X.$(2!&*$C6*= X.$(&B;GL3GHKF.B$(YA! I.B[A _@ >QA3QB RA4K6L #B #; $@ X.$(2!&*$C6*= F.$(%3G.["CR $(8,3*A^$(3%L1#A$CG#$CQ# $(17,*A! [$(&2#$CF#$CP# _@ >QA3QL RBSA 9A"C^ZL"CE"CO 8A"C! #BA [Y,"CD"C46L #: $@ X.$(2!&*X.&*= F.$(YI.["CR X.$(2!&*X.&*= X.$(&;G3GHF.$(YI.[ _@ @ANCHE IN OTTAVA >Q3Q R46 #B #/ $@ X.$(2!&*X.&*= F.$(%3G.[3*$CR* F.$(_^2I.[2H.$(!&E.)$(Y)"C 4)V($4)V2K @FINE _@ >Q3Q RS E.3_%1G.&5>H._Y"C 4V! (>4V2K !: #, $@ V;$($ILHBNKPL QA3QL RBSA O,RA #; $@ V;;$($H,FBIKH,FBEAD,2JLHA XIADB$(ELDEX!ID$(2F,DBEL $(F,!HA3HB! IADBEL$(F1!H3HIDE $(FK2!HA$F! ;$(E,!GA$EN) _@ #D#C >5,8A4K_4A #: $@ X!^L[B$($YK^L"CI= X^[$($YKILHBFA$(2&,ELDBIA$(!&EDI X!^[! $($Y^"CIX^[$($YIHF $($ZK3!GBHA3HB! $(^AJBDLF,$([K!IAJB$H$(%,!HAI$GK _@ >NP Q3Q RS OR #/ $@ X$[,^K$([,FLEBDA$(2]LD,JLHB! $(&A2F,EDB $(^ADE$(2FZDID= V$(!^LH$DI! $([BFAELDB$(^ADE3E F.K$(_[A! !E.K)A$(Y,)A$CN)2K !0 @FINE _@ #D#C _5>H._Y"C4>62K #BC $ORGANO DA: ($CENTO PEZZI CLASSICI PER ORGANO OD ARMONIO) A CURA DI $ALESSANDRO $ESPOSITO $EDIZ. MUS. $CARRARA, $BERGAMO $N.B. $TASTIERE: PRIMA: @@ SECONDA: @\ $LARGO IN $SOL MINORE $MUSICA DI $GIUSEPPE $TARTINI =#AFIB-#AGGJ= $EDIZ. MUS. $CARRARA, #AIFE LARGO CON ESPRESSIONE 22#C.4=#GJ @TAST.@\ - CORNETTO O SESQUIALTERA @TAST.@@ - FLAUTO #H. - DULCIANA #H. C.L.- VOCE UMANA #, $@ @\ @P$5LCC5.F DJ4.E @C!JIJEH!J WC@D!S@/ $4BCC4.AH 37.FED _@ @@ _RL8"C2@_TW RCC372@!S!5"C RJHC2@!OJH O5CC2@!E1F375 2P.2@_R!4"C O372@!49"C9 #; $@ !JLD+9.HC @C!8.BCCCIAJEC 8@:! $8.,CC%[ 7!W.$G, FE65 @D$5CN @F$7ACCW.G _@ _HDOC2@_RA37 8>8_HC1GC2@_8VV P6C! 2@V_T O5LC2@V_T"C NWC2@_W9W"C _QC6C! 2@_WSA O.2@_W7W"C #: $@ $876L EF+4.JLC @D!T.2K. @@ =@C.L.= @P$5KCC5.,F2@!WJI8"C D,J4.E! 2@!8379 JIJCBEH!J2@!R."C W,CS! 2@!HCB1F3Q _@ _6BCC542@_T9 W_QC2@_T9A V7C>W! 2@_T.2K. @@ _R,CCW 9!5"C$K3_7K!,!5"C R.2@!OJBD !OC!-_5_- !: #, $@ $4KCC4.H2@M 37.FECKD2@VV!9 JDK9.CBHC2@!R3GH 8.CCIAJEC2@!8.XV 88.CC%[2@M 7CK!W.B$G2@V!Q FE652@!8Q"C _@ 2_P.CC2@_R!4"C O37CK2@!DI!O"C #BE H!DB5_5C2@!EFO 88LC17C2@_W0R"C P.C,! 2@_8W!6 O.CL2@VV_W"C 6CC4W2@_W9W"C #; $@ $5,CN2@!Q. 7LCCW.G2@!T."C 8K7CK6CK2@!TCB7"C EF4.CKJC2@!Q. T.#) =-C.L.=2K. @\ @P$7,CC7.H FE6.G _@ _QB6C2@_WSA O.2@_W7W"C 6BCC54! 2@_T9 W_QC2@_T9A V7C>W2@_T.2K. @@ _TW"C2@!O5 TCC92@!N. #: $@ @C$EDEGJ$E @D5CN@/ 6,CC5.D J.Y58 GF5A34BC 5"CEX14CC @C.1!W"CJ$H@:.2$I!J _@ _WCA_->W>-_W_-"C _Q7CC2@_W9"C9"C 3Q.C,2@_S!5"C RCKW2@!5W5 45C,6C! 2@!458"C O!,!837$KV _RLC17C2@V!OC #/ $@ $D1J@D$4.L2JC @C!9"CICC$G@:! $H!I JIJ$GEJA 2IBH9.H @D!H3GC8@C$5,CC@: $6534 51N _@ _P.2@_88C!4 QCLC6C2@V!NC OC5,C! 2@_7CWC7 N.2@_6C29C6C 5C6C>WK2@19V8"C 4CC56CL2@_R. O37L2@3Q9A !: #, $@ !JD+9.CBHC R.B2K. @@ =+C.L.= @P$7,CC7.H2@$5O FE6.G2@!N. EDEGJ$EA2@M 5,CN2@!WS 6CC5.D2@!S. _@ _845C2@_RCA37 V5C>82@_R.2K. @@ _TLWCC"C T9 T.C2@V!7C5 Q.2@VV!7CC 3Q.KC2@!4B526B #; $@ !J.YC5L82@!W"CW8"C GCKF534C! 2@!R."C OK14CC2@!837BV 1WA"CJ$H2I!J DK1J4.2JCKC2@!8BFG080 9CA"CICC$GH!ICB! 2@!7VV _@ _RCKCWC2@!O. X_DC5C6C2@!4CAWA9"C O!,_S$KV RBC17C2@V!O 6)CN QBC6C2@V!N #: $@ !JIJ$GE,JL2@!Q. 2IC,H9.CKH! 2@!P. H3GC8$5CC2@!5W!8"C 65CK342@!R. 51NCK2@3!Q9*"C @SOST.!JD9.KHC! 2@!8"C#C8037CL0 R.K#)2K _@ _OCJCEC2@V_T N.K2@VX_F2ID 5C,CC6>WK2@1_9CA88A"C 4CK562@_8CBW9A"C OK372@_S37 8C4C5C2@_8VV V5BC>82@_R.2K #BG $VIOLINO DA: ($ALBUM CLASSICO DEL JOVEN VIOLINISTA) $EDIZ. MUS. $RICORDI $AMERICANA $N.B. ARCO IN SU: 2. ARCO IN GI]: 2B $MELODIA DELL.$ORATORIO ($JUDAS $MACABEO) $MUSICA DI $GEORG $FRIEDR. $H@NDEL =#AFHE-#AGEI= ALLEGRO MODERATO 333#D/ #, @VIOLINO @F$P4.CE P!S JCDECF54 ] 2.DCEFG66 @PIANO $@ @F$PK4.CE2@$NL9.CJ P0!SL#A HCICJCD!,!P$K!W9 [0 IACJCDCE44 _@ _S>S _S_NL P>89 & _S.A9L #; @VL. $SP 52.D2BE2.W.CI S.V2; @P$DCJDCE44 TS $54W9 $@ $PN W9$K!R,!,!80B5 ^)A2; @P!IACHBCIACJL9A9 8LICHQ WK9A8,7 _@ !NS 89APB >^2; _9897 836,75A T.L3WA #: @VL. !R.8 ICHICJ99 $Q3O 6GF35.CF P.V @F$P4.CE $@ 3!&0 GC3FCGCH77 SQ PAQL30B R.,0AV @F$PK4.CE2@$NL9.CJ _@ _4B1WA98 Q._6 3O,SB\A R0W>W _P.BV S>S #/ @VL. $P!S JCDECF54 ] DCEFG66 SP 5DEW.CI ^2K $@ $P0!SL#A HCICJCDW9 [ IACJCDCE44 PN W9$K!R,!,!80B5 ^)A2K _@ _S_NL PA>8L9 & _S.A9L NS 89APB >^*2K #BI $CANCI0N DE CUNA $MUSICA DI $JOHANNES $BRAHMS =#AHCC-#AHIG= LARGHETTO 2#C/ #, @VIOLINO X M VV@P.2B!I2.I 2=$4C99 NICD @PIANO $@ @MP$DK00L$C DCIC4XD$C DCIC40V 2=.@P.X!9K0L)AC90)CI0) = _@ X >7_9AC_4K >7_9C_4 2=.#B #; @VL. $7C65 5C4!HCI WC8HCI THCJ $FE46 $@ X!9L0AC90CI0 XW,*A"CJ*V X6,#AC6#CE0 X6#C6#CE X!W,*ACW*CJ0 _@ >7_9C_4 >7!4C_4 >7_8C4B = >7!4C_4 #: @VL. $Q@MF!GG $QEJ NIG WC4C5 N!GG $@ X!9L0A"CI0@MF!G,C2FB X$50)C50)C!GB0A X9K0L)AC90)CG,#B)A X8,0BC8#CJ: X90)"CI0)GLC2F _@ >7!4C7 >7_WC>W 7_9C_4 >7_8C4 >7_9C_4 #/ @VL. $QEJ NIG #,.2.!JCYC]9C8 Q@PP!II2; #;!JCYC]2B92.8 QX2K $@ X$5K0L)AC50)CJ,#B)A X90)C90)CI,0B #,!H0CC$DIB0A$EJB0AC$F, Q#)V2; #;!H0CC$DIB0A$EJB0AC$F, Q#)X2K _@ >7_WC>W 7_9C_4 >7!4C_4 #,>7_4#)V2; #;>7!4_4 >7_4#)X2K $FLAUTO $ORGANETTO $MUSICA DI $D. $SHOSTAKOVICH ALLEGRO MA NON TROPPO 333#B/ #, @FL. M M @MP.($I(I$(IC[C% (F(F$(FCZC] (D(D$(DC]C[ PF. $@ @F$($(((_@_I$@!F0! @DIM._@_F$@!E* @MP.= =#C #; @FL. (!I(I$(ICYC& (I(I]CICHCG (F(F$(F.CZ (D(D&CECDCJ (I(IFX @PF. $@ !@SIM._I!F0_F!E* _I!F0_F!F) #G#C #: @FL. @P.(P- $(I$(_F$(>9 $(_S*2K $VALZER $A. $GRECIANOV VALZER 2#C/ @FL. @MF$N.C O. N.C O. 4.CEC26 16C4C$9 8C7C<5 N. #H#F $Q."C 7VV2K 2=.@F$($9$(8.C3G 17C6C5 5C4.CF !R. $4$(1W.CE R. 5$(4.CF R. #H#E $QC1!W N."C 4V6C @DIM.$N6C N6C @RIT.$N. N.2L @A TEMPO @P$N.C O. N.C O. 4.CEC26 16C4C$9 8C7C<5 N. #H#F @POCO RIT.$Q.C 7VV2; #CC $LARGO GAVOTTA E MINUETTO DALLA $SONATA IN $SI2 MAGGIORE DALL.OP. #B $MUSICA DI $BENEDETTO $MARCELLO $LARGO =NON LENTO= 22#C/ #, @FL.@F.X$EHIJH IEIJDI W.I8"C 83Q @PF. $@ @F!T.0) 40)N0: T0)5* N9! 2@!83Q _@ _R. 83Q HEHIJH IEIJDI #; @FL. @MF$HEHIJH FEP XDGHIG EDO XJ$FGHF @PF. $@ !8"C@MF!W0$C50* N#)!8 7"C90$C40* T#)7 6"C80$CW0* _@ _WR !D_H!DEFD SV JGJDEJ RV #: @FL. $DJN XD3GHI$D JIT X$HIJDI 3755 @PF. $@ !S#)6 5"C$4:"C9* T.0) W0*40)9# 930GHIG2@!O. _@ _IFIJDI 3QV HEHIJH 6N E>I_E1F3GE #, @FL.$HIJH1GH FGHFEF DEFDJD $9.3G8"C @PF. $@ !RW2@!5W5 N#)V N#V O#3)5*- _@ >WR _NV PV 54W #; @FL. $HIS HG@P$FE6 XGED5 XF4.E O.2K @PF. $@ $6*O#2@!8837 5@P$HG62@!T.0 65V2@!SV 54V2@!RV O.#3)2K _@ _4O >R_8 QV PV O.2K $GAVOTTA ALLEGRO 22#B/ #, @FL. @MF$GC[C^JX $EC&C%HX !JCYCZFE 4W @PF. $@ @MF$5)XD* W)XJ0 J0J#I#J) 40*W) _@ _WXI 8XG FEDJ _78 #; @FL. #D#C +$N2; @PF. $@ #D#C $N0*2; _@ #D#C _Q2; !: #, @FL. 2=$GC[C^JX HC^C]DX IY]IH 375 @PF. $@ 2=!W#XJ) 8)XG* I.]DZ&2@!69 O3) _@ _5XJ _6XE N O #; @FL. $EC3%C[IX $DC3%C[IX J^[I3G R2; @PF. $@ !930XD# 40XD3* W0930 T0)2; _@ _5X1F 37XE 85 >R2; #: @FL. 2=$HC^C]DX $GC[C^JX !JCYCZFE 4W @PF. $@ 2=!90XD# W#XE) F)G*F*E0 40*W) _@ 2=_8XF 5XJ _FEDJ _78 #/ @FL. $GC^C]DX $FC^C]DX $EY]DI T2; @PF. $@ !7#XF# 6*XG# 7090) T#)2; _@ _9XH 7XI W7 >T2; $MINUETTO 22#C( #, @FL. @MF$%&G!J $9J [%HF %&ZYJ @PF. $@ @MF$5)X 40E0) W0X W#X #CE _@ >WX _7E 6X 5X #; @FL. $%&G!J $8G 1&ZDF 7.2; @PF. $@ $5)X 4#D0 41)X 9.02; _@ >WX 1_6G 4X >7.2; #: @FL. @F.2=$]^JG 8G [%FE Y]^[G @PF. $@ @F!W#X W0J# 8)G0 9)X _@ _5X 6E 6>J _7X #/ @FL. @MF$%&G!J $9J @FW.2;