$S $U $O $N $I            
    $RIVISTA TRIMESTRALE DI MUSICA  

$LUGLIO-$SETTEMBRE #BJJJ        N. #AD
                             $ANNO $IV

         $LE PERLE DEL $JAZZ          


           $FASCICOLO $I           



   $DIR. RESP.: $PIETRO $PISCITELLI   
     $REDATTORE: $MATTEO $BONETTI     


  $REGISTRAZIONE #;?AA#AIGA N. #BJB   


          $COPIA IN OMAGGIO           




        $STAMPATO IN $BRAILLE
             A CURA DELLA             
 $BIBLIOTECA $ITALIANA PER I $CIECHI  
        VIA $G. $FERRARI, #E\A        
          - #BJJEB $MONZA -           
               $INDICE

$TAVOLA DEGLI ACCORDI...........PAG.#D
$ANTHROPOLOGY.......................#E
$A NIGHT IN $TUNISIA................#F
$AN AMERICAN IN $PARIS..............#G
$BODY AND SOUL......................#I
$BUT NOT FOR ME....................#AA
$CARAVAN...........................#AC
$DESAFINADO........................#AE
$TEA FOR TWO.......................#AF
$I GOT RHYTHM......................#AH
$THE MAN $I LOVE...................#BJ
$MACK THE KNIFE....................#BB
.$ROUND $MIDNIGHT..................#BD
$NIGHT AND DAY.....................#BF
$SWEET $GEORGIA $BROWN.............#BI
$OH, LADY BE GOOD..................#CA
$EMBRACEABLE YOU...................#CB
$LOVER, COME BACK TO ME............#CD
$LOVE FOR SALE.....................#CF
$GROOVIN. HIGH.....................#CH
$JUST FRIENDS......................#CI
$TAVOLA DEGLI ACCORDI..............#DJ
$MY FUNNY $VALENTINE...............#DA
$ORNITHOLOGY.......................#DB
$RE-INCARNATION OF A LOVEBIRD......#DC
$SALT $PEANUTS.....................#DD
$STELLA BY STARLIGHT...............#DE
$TWO O.CLOCK JUMP..................#DE
$PENNSYLVANIA #F-#EJJJ.............#EH
        $TAVOLA DEGLI ACCORDI         
$PREFISSO PER LE SIGLE DEGLI ACCORDI: 
  %'- =$NELLO SPARTITO =IN NERO= SONO 
  INDICATI CON (LETTERE E INTERVALLI)=
  
MAGGIORI: _Y UG. DO MAGG.!Y0* '-QUINTA
  MAGG. _Y3* = !Y03* '-SESTA MAGG. _Y)
  = !Y0*) '-SETT. MAGG. _Y: = !Y0*: 
  '-SETT. MAGG., NONA _Y:\ = !Y0*:\ 
  '-SETT. MAGG., NONA, UNDICESIMA 
  _Y:\# = !Y0*:\#
MINORI: !Y UG. DO MIN.!Y20* '-QUINTA 
  MIN. !Y2* = !Y202* '-SESTA !Y) = 
  !Y20*) '-SETT. MAGG., !Y: = !Y20*: 
  '-SETT. MAGG., NONA !Y:\ = !Y20*:\
SETTIMA DOMINANTE: $Y UG. DO 
  SETT.!Y0*2: '-IDEM CON QUINTA MAGG. 
  $Y3* = !Y03*2: '-IDEM CON QUINTA 
  MIN. $Y2* = !Y02*2: '-CON QUARTA O 
  UNDIC. $Y'# = !Y0*2:\# '-CON SESTA O
  TREDIC. $Y') = !Y0*2:\#) !-CON NONA 
  $Y'\ = !Y0*2:\
SETTIMA MINORE: <Y UG. !Y20*2:
DIMINUITO: =SETTIMA DIMINUITA= 'Y UG. 
  !Y202*22:






                                    #E
            $ANTHROPOLOGY             
      $MUSIC BY $CHARLIE $PARKER      

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1JEDI'-$% 42JIVXG !0A#F $FGEG"CGEF!H!
'-<N$Q $DJIJU'-2_])2K
















         $A NIGHT IN $TUNISIA         
     $MUSICA DI $DIZZY $GILLESPIE     

     2#D/
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= M'-<&2* M'-$^2'\2K











                                    #G
        $AN AMERICAN IN $PARIS        
     $MUSIC BY $GEORGE $GERSHWIN      
       $W$B MUSIC CORP., #AIBI        

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                                    #I
            $BODY AND SOUL
      FROM THE MUSICAL $COMEDY,
         ($THREE.S A $CROWD)          
      $LYRIC BY $EDWARD $HEYMAN,
   $ROBERT $SOUR AND $FRANK $EYTON    
        $MUSIC BY $JOHN $GREEN        
     $WARNER $BROS. $INC., #AICJ      

     SLOWLY, WITH EXPRESSION #D/
<; #A/ $MY HEART IS SAD AND LONELY, 
  $FOR YOU $I SIGH, FOR YOU, DEAR, ON-
  LY/
'. 2=.X.!ZF.Z65'-!Z 9S.'-<O$R 
  X.[I.[98'-_N$R3* $54W9'-_N'N 
<; $WHY HAVEN.T YOU SEEN IT? $I.M ALL 
  FOR YOU, $BODY AND $SOUL+ 
'. V4I7_I'-<Z !PO'-$R$P X.YE.&8;HI2F!
  '-!9<O$8 #,#:!Y'-_44)44)2; @FINE 
  #;!N"C4V'-_4_4)2$92_9'\2K. 
<; $I CAN.T BELIEVE IT, $IT.S HARD TO 
  CONCEIVE IT $THAT YOU.D TURN AWAY RO
  -MANCE/
'. #E2 X.!ZF.%I9I'-2_O2$S $E5!GI9H!
  '-2_O2_R G7E6D!I-$C'-2_O2$S 
  S-$CI-XV'-2_Z2K. 
<; $ARE YOU PRETENDING, IT LOOKS LIKE 
  THE ENDING $UNLESS $I COULD HAVE ONE
  MORE CHANGE TO PROVE, DEAR, 
'. #E1#D3 X.!YE.&H8G'-3<N3$Q $E53!I!
  D4!H'-_N:_N JWH3I9G'-3<N3$Q 51541!9!
  '-$W2$W$S2K. @DC. AL FINE

  #B/ $I SPEND MY DAYS IN LONGING $AND
WOND.RING WHY IT.S ME YOU.RE WRON-
GING,@ $I TELL YOU $I MEAN IT, $I.M 
ALL FOR YOU, $BODY AND $SOUL+@ 
  #C/  $MY LIFE A WRECK YOU.RE MAKING,
$YOU KNOW $I.M YOURS FOR JUST THE TA-
KING;@ $I.D GLADLY SURRENDER MYSELF TO
YOU, $BODY AND $SOUL+@ 





















                                   #AA
           $BUT NOT FOR ME            
  FROM THE $MUSICAL $COMMEDY, ($GIRL
               $CRAZY)                
       $LYRIC BY $IRA $GERSHWIN       
     $MUSIC BY $GEORGE $GERSHWIN      
       $W$B $MUSIC CORP., #AICJ       

     SLOWLY AND SMOOTHLY 222_C
<; #A/ $THEY.RE WRITING SONGS OF LOVE,
  $BUT NOT FOR ME/ $A LUCKY STAR.S ABO
  -VE,
'. V!787'-2$T2_62$W 2=!R76"C'-2_P$W<4 
  FX787'-<42$W2_62$W ['-2_& V787!
  '-2$T2_62$W R76"C'-$%
<; $BUT NOT FOR ME/ $WITH LOVE TO LEAD
  THE WAY $I.VE FOUND MORE
'. !FX787'-2$] ['-2$& V89W 1T46!
  '-2_P1*2_S V!789'-<%
<; CLOUDS OF GRAY $THAN ANY $RUSSIAN 
  PLAY $COULD GUARANTEE/ $I WAS A
'. 1!SW$6'-3'Q2_6!4 V!678'-!N2$W2_6 
  R9$6'-2_P1*<Q V649'-<% %'-!Q)$Q2* 
  V787'-2$T2_62$W
<; FOOL TO FALL $AND GET THAT WAY; 
  $HEIGH-HO+ $ALAS+ AND ALSO, $LACK A
'. !R76"C'-2_P2$W<4 FX787'-<42$W2_62$W
  ['-2_& V787'-2_62$W2_62$W R76"C'-$% 
  FX787'-2$]
<; DAY+ $ALTHOUGH $I CAN.T DISMISS 
  $THE MEM.RY OF HIS KISS, $I GUESS 
  HE.S
'. !['-2$& V89W'-2$P2_91*2$6 1T46!
  '-2_P1*2_S V!789'-<Q!4!7 1SW$7!
  '-3'Q2_6$8 V6429'-$8!N$43*
<; NOT FOR #,.ME/ $HE.S KNOCKING 
  #;.ME/
'. !['-<% %'-2$] #,!&'-2_& V787!
  '-!9)!7$92_W2; #;!&"C'-2_62$W2_6'5 
  P.V'-2_&2K

  #B/ =$HE.S KNOCKING= ON A DOOR, $BUT
NOT FOR ME/ $HE.LL PLAN A TWO BY 
FOUR,@ $BUT NOT FOR ME/ $I KNOW THAT 
LOVE.S A GAME; $I.M PUZZLED,@ JUST THE
SAME, $WAS $I THE MOTH OR FLAME? $I.M 
ALL AT SEA/ $IT ALL BE-@ GAN SO WELL, 
$BUT WHAT AN END+ $THIS IS THE TIME A 
FELLER NEEDS A@ FRIEND, $WHEN EV.RY 
HAPPY PLOT $ENDS WITH THE MARRIAGE 
KNOT, $AND THERE.S NO@ KNOT FOR ME/@ 











                                   #AC
               $CARAVAN               
 $MUSIC BY $DUKE $ELLINGTON, $IRVING
        $MILLS & $JUAN $TIZOL         
$AMERICAN $ACADEMY OF MUSIC INC. $USA,
                #AICG                 

     #D2$C
<; #A/ $NIGHT AND STARS ABOVE THAT SHI
  -NE SO BRIGHT
'. 0 2=$Y"C'-2'O$N ='-= 454!8'-= 
  W416!8'-= ]"C'-= ='-=
<; $THE MYST.RY OF THEIR FADING LIGHT 
  THAT SHINES UPON OUR $CARA-
'. !W454'-@SEGUE 54241!6 ]"C = W424W 
19292816
<; VAN; $THIS IS SO EXCITING,
'. !%"C'-!% =#B !Q.V @FINE2; $%"C'-$% 
  72874 &C 2Z
<; $YOU ARE SO INVITING, $RESTING IN 
  MY
'. $%"C'-2$] 7874 &C'-!% 1Z'-2$] &"C!
  '-2$& 6764
<; ARMS/ $AS $I THRILL TO THE MAGIC 
  CHARMS... OF
'. !]'-2$& $Q1P'-2<P'R 2P.$(!7"C'-2_^ 
  789W Y"C'-$Y NN !02K.




  #B/ $SLEEP UPON MY SHOULDER AS WE 
CREEP@ $ACROSS THE SANDS SO $I MAY 
KEEP $THIS MEM.RY OF OUR $CARAVAN@ 
 $RIT./ 
  #C/ YOU $BESIDE ME, HERE BENEATH THE
BLUE,@ $MY DREAM OF LOVE IS COMING 
TRUE, $WITHIN OUR DESERT $CARAVAN@ 
























                                   #AE
     
             $DESAFINADO              
       $MUSICA DI $A.$C. $JOBIM       

     2#D/
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             $TEA FOR TWO
      $FROM THE $MUSICAL $COMEDY
         ($NO, NO, $NANETTE)          
     $MUSICA DI $VINCENT $YOUMANS     
      $LYRIC BY $IRVING $CAESAR       
          $W$B $INC., #AIJI           

     MODERATO 2#D/
<; $PICTURE YOU UP ON MY KNEE JUST TEA
  FOR TWO AND TWO FOR TEA, $JUST
'. !7.E6.E'.<R$N 7.E6.D'-= 6.D5.D!
  '-_Q:_Q) 6.D5.D'-=
<; ME FOR YOU AND YOU FOR ME ALONE/ 
  $NOBODY NEAR US TO SEE US OR HEAR 
  US, $NO
'. !7.E6.E'-<R$N 7.E6.D'-= !^"C'-_Q_Q)
  9VU'-_Q_Q) 9I.3%38H.%'-<T$P 9I.3%!
  38H.&'-= 
<; FRIENDS OR RELATIONS ON WEEKEND VA-
  CATIONS, $WE WON.T HAVE IT KNOWN, 
  DEAR, THAT WE OWN A TELE-
'. 3!8H.&37G.&'-_S:_S) 38H.&37G.&'-= 
  9I.3%38H.3%'-<T$P 9I.3%388'-<T$6_63*
<; PHONE, DEAR/ $DAY WILL BREAK AND 
  YOU.LL AWAKE AND START TO BAKE A SU-
  GAR CAKE $FOR
'. 3$Y'-_^ 1NU'-$4!92!9!8 !7.E6.E!
  '-<R$N 7.E6.D'-= 6.D5.D'-_Q:_Q) 
6.D5.D'-=
<; ME TO TAKE FOR ALL THE BOYS TO SEE/
  $WE WILL RAISE A FAMILY, $A
                                   #AG
'. !7.E6.E'-<R$N 7.E6.D'-= $Y"C'-!Y) 
  NU'-$Z 5.E4.D'-!R!N) W.J9.I'-_O3*$O
<; BOY FOR YOU, $A GIRL FOR ME, $OH, 
  CAN.T YOU SEE HOW HAPPY WE WOULD 
  BE?
'. $4.DW.J'-3'Q!R 9.I8.H'-2!T:2!T) 
  7.E6.E'-_Q_P 7.E6.I'-<R$N %"C!
  '-_Q!5)$43* Q"CGXV'-_%2K






















            $I GOT RHYTHM
  $FROM THE $MUSICAL $COMEDY, ($GIRL
               $CRAZY)                
       $LYRIC BY $IRA $GERSHWIN       
       $MUSIC BY $G. $GERSHWIN        

     LIVELY 22_C 
<; #A/ $I GOT RHYTHM, $I GOT MUSIC, $I
  GOT
'. 2=.V!7"CG8.'-2_T"CJ2_W.) W.D"CN!
  '-<N$Q V4"CDW.'-2_T"CJ'6. 8.G"CQ!
  '-<N"CD$7. V7"CG8.'-2_T"CJ2_W.)
<; MY MAN $WHO COULD ASK FOR ANYTHING 
  #,#;.MORE? #:.MORE? $OLD $MAN
'. !W.D"CD6D'-<N$72!6) 55DE4'-2_T$7!7 
  @TO CODA 1 #,#;!T.V'-2_T3'4$7!2; #:!
  !]'-2_] V5"CE5.'-$O"CE<9. 
<; $TROUBLE, $I DON.T MIND HIM, $YOU 
  WON.T FIND HIM
'. $5.1F"CP'-!Q)$O V5"CE5.'-_R_O3* 
  5.H"CR'-!O$R V4"CD4.'-$N<R 4.E"CO!
  '-2!P)_N'\ 
<; .ROUND MY DOOR/ =CODA= MORE, $WHO 
  COULD ASK FOR ANYTHING MORE?
'. V$4"CD4.'-$Y2* Y'-$Q$4$7 @DC. AL 
  CODA1 @CODA $Q.F1J'-$[ 55DE4'-$N$Q 
  T.V'-2_]2K




                                   #AI
  #B/ $I GOT DAISIES $IN GREEN PASTU-
RES, $I GOT@ MY MAN $WHO COULD ASK FOR
ANYTHING@ 
  #C/ $I GOT STARLIGHT, $I GOT SWEET 
DREAMS, $I GOT@ MY MAN, - $WHO COULD 
ASK FOR ANYTHING@ 
























           $THE MAN $I LOVE
       $FROM ($LADY $BE $GOOD)        
       $LYRIC BY $IRA $GERSHWIN       
       $MUSIC BY $G. $GERSHWIN        

     ANDANTINO SEMPLICE #D/
<; #A/ $SOME DAY HE.LL COME ALONG $THE
  MAN $I LOVE; $AND HE.LL BE BIG AND 
  STRONG, $THE MAN $I LOVE;
'. 2=.X.![I.[I.[2W'-_N.$4 X.[I.[2T'-<Y
  X.[I.[I.[2W'-![ X.[I.[S'-$^ 
<; $AND WHEN HE COMES ME WAY, $I.LL DO
  MY BEST TO MAKE HIM STAY/ $SAY A 
  WORD/
'. X.!%H.%H.%29'-!%) X.&G.&8$K!7!,!5!
  '-$[ #,!PP'-_N_Q: &'-!P$R2; 
  #;.#:!NN'-_N_Q N"C4V!
  '-_43'7$7$6!@FINE
<; $MAYBE $I SHALL MEET HIM $SUNDAY, 
  $MAYBE $MONDAY MAYBE NOT;
'. !D.ZF.3Z6$4'-!S<S 4W838'-$T$83'8 
  W9637'-!S.!9) 3['-$&
<; $STILL $I.M SURE TO MEET HIM ON 
  DAY, $MAYBE $TUESDAY WILL BE MY GOOD
  NEWS DAY/
'. !D.ZF.3Z6$4'-!S<S 4W838'-$T$83'8 
  W9187'-!S'P 6567'-_Q$R2K. @DC. AL 
  @FINE



                                   #BA
  #B/ $HE.LL LOOK AT ME AND SMILE, 
$I.LL UNDERSTAND; $AND IN A LITTLE WHI
-LE $HE.LL TAKE MY HAND;@ $AND THOUGH 
IT SEEMS ABSURD, $I KNOW WE BOTH 
WON.T@ 
  #C/ $HE.LL BUILD A LITTLE HOME, 
$JUST MEANT FOR TWO, $FROM WHICH $I.LL
NEVER ROAM, $WHO WOULD, WOULD YOU?@ 
$AND SO ALL ELSE ABOVE, $I.M WAITING 
FOR THE MAN $I $LOVE/@ 




















           $MACK THE KNIFE
   $FROM ($THE $THREEPENNY $OPERA)    
   $LYRIC =ENGLISH= BY $BLITZSTEIN    
  $ORIGINAL LYRIC =GERMAN= BY $BERT
               $BRECHT                
        $MUSIC BY $KURT $WEILL        

    MODERATELY, WITH BEAT $C
<; #A/ $OH THE SHARK HAS PRETTY TEETH,
  DEAR $AND HE SHOWS THEM PEARLY WHI-
  TE/
'. !6.H'-_R'\ 2=.!SS"C'-_Y) S6.H 
  SS"C'-!Z S5.G'-!O<O SS"C'-_['\ S5.G 
  ^"C'-_Y) 
<; $JUST A JACK KNIFE HAS $MACHEATH, 
  DEAR $AND HE KEEP IT
'. !S8.J'-_Y) ON"C'-!^ NW.I'-!S<S 
  N!O"C'-<Z O6.G $N!O"C 
<; OUT OF SIGHT/ $WHEN THE SHARK BITES
  WITH HIS TEETH, DEAR SCARLET
'. !O$4W'-<O$R ^"C'-_Y) S6.H'-_N)$R'\ 
  SS"C'-_Y) S6.H SS"C'-!Z S5.G'-!O<O 
<; BILLOWS START TO SPREAD/ $FANCY GLO
  -VES, THOUGH WEARS $MACHEATH, DEAR
'. !SS"C'-_['\ S5.G ^"C'-_Y) S8.J!
  '-N)_N ON"C'-!^ NW.I'-!S<S N!O"C'-<Z
<; $SO THERE.S NOT A TRACE OF RED/ $ON
  THE
'. !O6.G'-<Z $N!O"C O$4W'-<O$R #,#;!
  !^"C'-_Y) S6.H'-_N)_R'\2; #:!^"C!
  '-_Y) S.V2K
                                   #BC
  #B/ SIDEWALK $SUNDAY MORNING $LIES A
BODY OOZING LIFE;@ $SOMEONE.S SNACKING
.ROUND THE CORNER/ $IS THE SOMEONE@ 
$MACK $THE $KNIFE? $FROM A TUGBOAT BY 
THE RIVER $A CE-@ MENT BAG.S DROPPING 
DOWN; $THE CEMENT.S JUST FOR THE 
WEIGHT, DEAR/@ $BET YOU $MACKIE.S BACK
IN TOWN/ $LOUIE@ 
  #C/ $MILLER DISAPPEARED, DEAR $AFTER
DRAWING OUT HIS CASH;@ $AND $MACHEATH 
SPENDS LIKE A SAILOR/ $DID OUR BOY DO@
SOMETHING RASH? $SUKEY $TAWDRY $JENNY 
$DIVER $POLLY@ $PEACHUM $LUCY $BROWN 
$OH, THE LINE FORMS ON THE RIGHT, 
DEAR@ $NOW THAT $MACKIE.S BACK IN 
TOWN/@ 














          .$ROUND $MIDNIGHT           
     $LYRIC BY $BERNIE $HANIGHEN      
   $MUSIC BY $COOTIE $WILLIAMS AND
          $THELONIOUS $MONK           

     222_C
<; #A/ $IT BEGINS TO TELL, *.$ROUND 
  $MIDNIGHT,* $I DO PRETTY WELL .TIL
'. 2=.V_]!FGJ28._J'-2_62_6:2<P 
  !F6."CFF_]I."C'-$Q"CG2!I2$W 9&2[]2Z!
  4.!H'-2!6#2!P. 
<; AFTER SUNDOWN; $SUPPERTIME $I.M FEE
  -LIN. SAD $BUT IT REALLY GETS BAD 
  .$ROUND $MIDNIGHT/ 
'. 1!929I18.'-$72$6.#2$6. V^2Y&2[7.D!
  '-2<S2_O'\ T"CWFG'-2!P2$S #,.!
  ;2!HGH7"C7.F'-'4$Q.2* EW."CT!
  '-2$T2$W3*2_W3*
<; MIDNIGHT KNOWS IT TOO, $WHEN SOME 
  QUARREL WE HAD NEEDS MENDING $DOES 
  IT MEAN THAT OUR LOVE IS
'. #;.2!H7F"C6FF'-'D2$42_F#$CP# P.FG!
  '-2_P.2$6 ;2HGH7"C7.F'-'N$Q2* 
  EW."CW!FG'-2$] ;2HGH7"C7.F'-'N$Q2*
<; ENDING? $DARLING $I NEED YOU; LATE-
  LY $I FIND $YOU.RE OUT OF MY ARMS, 
  AND $I.M
'. !E!W."CT'-$T_P2*'\ 24D.YJW.!
  '-2!S2_W._F2*'\ 2H.[HG"C7.J'-'N$Q2* 
  $6.&&25.ZZ'-2_O'\')2$N2') 
<; OUT OF MY MIND+ $LET OUT LOVE TAKE 
                                   #BE
  WING, SOME MIDNIGHT, .$ROUND $MID-
  NIGHT $LET THE ANGELS SING FOR 
'. 2$4.2ZYT'-2!S_P2*'\ V_]!&%]28._J!
  '-2_F2_6.:2<P !F6."CFF]I."C!
  '-$Q2!92$]2!F.#$C 9&2[]2Z4.!H!
  '-2!6#2!P.
<; YOUR RETURNING, LET OUR LOVE BE SA-
  FE AND SOUND $WHEN OLD MIDNIGHT CO-
  MES AROUND/
'. 1!929I8.'-$72$6.#2$6. V^2Y&2[7.D!
  '-2<S2_O'\ T"CWFG'-2!P2$S 
  2H7F"C6FF"C'-'4_G2*2$J#$CW#2!9 P"CP!
  '-2_P2_P)2K 

  #B/ $MEM.RIES ALWAYS START, .$ROUND 
$MIDNIGHT .$ROUND $MIDNIGHT; $HAVEN.T 
GOT THE HEART TO@ STAND THOSE MEM.RIES
$WHEN MY HEART IS STILL WITH YOU $AND 
OLD@ 











            $NIGHT AND DAY
      $FROM THE $MUSICAL $COMEDY
           ($GAY $DIVORCEE)           
       $MUSICA DI $COLE $PORTER       

     MODERATO 222_C
<; #A/ $LIKE THE BEAT, BEAT, BEAT, OF 
  THE TOMTOM; $WHEN THE JUNGLE SHADOWS
  FALL, $LIKE THE
'. !JJ 2=!WWWJJ'-'& WW$KV!,W$K!JJ'-2$]
  W.JWW'-2$T2_P T.JJ'-2!P2$T2; 
<; DRIP, DRIP, DRIP, OF THE RAINDROPS,
  $WHEN THE SUMMER SHOW.R IS THROUGH; 
  $SO A
'. 1!WWWJJ'-$] 1WWVJJ'-_& 4.D='-$Y 
  N.2DD'-_Q!7'5
<; VOICE WITHIN ME KEEPS REPEATING, 
  YOU, YOU, YOU/
'. !WW='-2_P2!P WW='-2_T2!O) W"CJX=!
  '-2_P2$T W"CJX!'-2_P!2K.
<; $NIGHT AND DAY YOU ARE THE ONE, $ON
  -LY YOU BENEATH THE MOON AND UNDER 
  THE SUN/
'. @REFRAIN!WJJ"C'-2_P) 2=.!]"C'-2!& 
  T;9837'-2$T.2$W3* ["C'-2_& RWJJ"C 
  WWWW'-2!& W29!,1!W42W$K;9837 
  '-2$T.2$W3* ["C'-2$& 
<; $WHETHER NEAR TO ME OR FAR, $IT.S 
  NO MATTER, DARLING
'. !R8.H'-2_& 88$K88!,!H8.'-!Y 
  2R"CH8H'-_] 77='-<[ 
                                   #BG
<; WHERE YOU ARE $I THINK OF YOU NIGHT
  AND DAY/ $DAY AND NIGHT
'. !71F2F"C65'-$7!9$7!5 41J2J"CT"C!
  '-2_92!92_S T!WJJ"C'-2$] ]'-2_& #,!
  !TWJJ2;
<; $NIGHT AND DAY UNDER THE HIDE OF ME
  $THERE.S AN
'. #;!TWW'-2_& 2Z"C'-2_[ O;W928 
  WJJ"CT"C'-2_& TW.J
<; $OH, SUCH A HUNGRY YEARNING, BUR-
  NING INSIDE OF ME/ $AND IT.S TORMENT
  WON.T BE THROUGH .$TIL YOU
'. 2$E6E6EF"C'-2_8.2!9.2_8 
  F25J"C;W928'-2!9.2_H"CR WJJ"CT'-2_& 
  T8.H 88='-!Y 2R"CH8H'-_] 
<; LET ME SPEND MY LIFE MAKING LOVE TO
  YOU, DAY AND NIGHT, NIGHT AND DAY/
'. !77='-<[ G1F2F$E"CE2E4'-$% WJJ"CT!
  '-<% T$6FF"C'-2$T<Q &"C'-2_& P"C6V2K

  #B/ TICK, TICK, TOCK OF THE STATELY 
CLOCK, AS IT STANDS AGAINST THE WALL, 
$LIKE THE DRIP, DRIP, DRIP, OF THE 
RAINDROPS, $WHEN THE SUMMER SHOW.R IS 
THROUGH; $SO A VOICE WITHIN ME KEEPS 
REPEATING, YOU, YOU, YOU/@ $WHY IS IT 
SO, $THAT THIS LONGING FOR YOU FOLLOWS
WHEREVER $I GO?@ $IN THE ROARING TRAF-
FIC.S BOOM $IN THE SILENCE OF MY@ LONE
-LY ROOM, $I THINK OF YOU, NIGHT AND 
DAY/@ 






























                                   #BI
        $SWEET $GEORGIA $BROWN        
  $WORDS AND MUSIC BY $BEN $BERNIE,
 $MACEO $PINKARD AND $KENNETH $CASEY  

     3_C
<; $NO GAL MADE HAS GOT A SHADE $ON 
  $SWEET $GEORGIA $BROWN,
'. 2=!F73H"C8.F'-$& J383$D"C4.J 
  $P!J38F"C P.V 
<; $TWO LEFT FEET BUT OH SO NEAT HAS 
  $SWEET $GEORGIA $BROWN, $THEY ALL 
  SIGH AND
'. !F71H"C8.F'-$^ J83$D"C4.I $P3DWI"C 
  S.V E6G"C7.E'-$Z
<; WANNA DIE FOR $SWEET $GEORGIA 
  $BROWN, $I.LL TELL YOU JUST WHY, YOU
  KNOW $I DON.T
'. !I7J"CW.I'-$Z $O!I7E"C 
  5EF"CFE6'-$O._53* ]"C'-_[ W!EF"CFE6!
  '-_R_53*_53*
<; LIE, NOT MUCH+ $IT.S BEEN SAID SHE 
  KNOCKS.EM DEAD WHEN SHE LANDS IN 
  TOWN;
'. !T.W'-_[ S.V'-$] F73H"C8.F'-$& 
  J383$D"C4.J $P!J38F"C
<; $SINCE SHE CAME WHY IT.S A SHAME 
  HOW SHE COOLS.EM DOWN,
'. !P.V'-$& F71H"C8.F'-$^ J83$D"C4.I 
  $P3DWI"C SU'-$S$T
<; $FELLERS SHE CAN.T GET ARE FELLERS 
  SHE AIN.T MET, $GEORGIA CLAIMED HER
'. !W.J"CWV'-!& I7J"CWW"C'-$] W.J"CWV!
  '-!& I7J"CWV'-$] !E6H"CHW.'-_[
<; $GEORGIA NAMED HER $SWEET $GEORGIA 
  $BROWN/
'. $E35F"CF!W.'-_R$P S1$EWH'-$S$O 
  #,!RU'-_R$T2; #;"C!R"CHX!'-_[2K

  #B/ =LIE, NOT MUCH+= $ALL THOSE TIPS
THE PORTER SLIPS TO $SWEET $GEORGIA 
$BROWN;@ $THEY BUY CLOTHES AT FASHION 
SHOWS WITH ONE DOLLAR DOWN,@ $OH BOY, 
TIP YOUR HATS, OH JOY, SHE.S THE 
(CAT.S,) $WHO.S THAT, MISTER?@ 
.$TAIN.T HER SISTER, $SWEET $GEORGIA 
$BROWN/@ 















                                   #CA
           $OH LADY BE GOOD
      $FROM THE $MUSICAL $COMEDY
          ($LADY $BE $GOOD)           
       $LYRIC BY $IRA $GERSHWIN       
       $MUSIC $GEORGE $GERSHWIN       

     SLOW & GRACEFULLY 3_C
<; #A/ $OH, SWEET AND LOVELY LADY, BE 
  GOOD+ $OH LADY, BE GOOD TO ME+
'. 2=$O4W'-_R$5_8 OO'-$Y ;5W8O"C'-_[ 
  O$O'-_R3'R ;549O"C'-$Z O!T ["C'-_[ 
R.V
<; $I AM SO AWF.LY MISUNDERSTOOD, $SO 
  LADY BE GOOD TO ME/
'. $O4W'-_R$5_8 OO'-$Y ;5W8O"C'-_[ 
  O$O'-_R3'R ;549O"C'-$Z O!T ["C'-_[ 
  RU'-_R$R
<; $OH, PLEASE HAVE SOME PITY $I.M ALL
  ALONE IN THIS BIG CITY $I TELL YOU 
  #B/ $THIS IS TULIP WEATHER $SO LET.S
  PUT TWO AND TWO TOGETHER $I TELL 
  YOU
'. $&'-_Y V666'-$Z PO"C'-_N_R OU'-_R$O
  VWWW'-!P_T3* WW='-!P$S TS'-<S$O 
  VW434'-!T<9$92'\
<; $I.M JUST A LONESOME BABE IN THE 
  WOOD $SO LADY, BE GOOD TO ME+
'. $O14W'-_R$5_8 OO'-$Y ;5W8O"C'-_[ 
  O$P'-_R3'R ;549O"C'-$Z O!T ["C'-_R$N
  RU'-_[2;
           $EMBRACEABLE YOU
         $FROM ($GIRL $CRAZY)         
       $LYRIC BY $IRA $GERSHWIN       
       $MUSIC $GEORGE $GERSHWIN       
       $W$B $MUSIC CORP., #AICJ       

     RHYTHMICALLY 3_C
<; $EMBRACE ME, $MY SWEET EMBRACEABLE 
  YOU+
'. 2=.V!678'-_[ V678'-3'Y 
  IXXE55"C'-$O!S'# Z'-!Q)$O 
<; $EMBRACE ME, $YOU IRREPLACEABLE 
  YOU+ $JUST ONE LOOK AT
'. V!9W4'-!^ V9W4'-$Q$O 
  EXX!H88"C'-_R$O# ['-_[ W898'-!P<P 
<; YOU, MY HEART GREW TIPSY IN ME; 
  $YOU AND YOU A-
'. !W898'-!P)3$Q JXXG77"C'-!T2_T3* 
  %'-2$T$P 9787'-_O3'O 
<; LONE BRING OUT THE GYPSY IN ME+ $I 
  LOVE ALL
'. !89W34'-$^ EXX!E55"C'-$Z Z V678'-_[
  
<; THE MANY CHARMS ABOUT YOU; $ABOVE 
  ALL
'. V!678'-3'Y IXXE55"C'-$O_N Z'-!Q$O 
  V9W4'-!^ 
<; $I WONT MY ARMS ABOUT YOU/ $DON.T 
  BE A
'. V!9W4'-$Q$O EXX!H88"C'-$R$O# 
  ['-2!T)$R V54W'-_Y 
                                   #CC
<; NAUGHTY BABY, $COME TO PAPA, $COME 
  TO PAPA, DO+ $MY SWEET EMBRACEABLE 
  YOU+
'. $4W9W'-!S)$T VHHHH='-!P.2_61* 
  HHT.'-_R!P) VW45'-_[ 2FXX!HQ'-!N)_O 
  ["C'-_[ 8VU2;
























        $LOVER COME BACK TO ME
     $FROM THE $MUSICAL $ROMANCE
          ($THE $NEW $MOON)           
  $LYRIC BY $OSCAR $HAMMERSTEIN $II   
     $MUSIC BY $SIGMUND $ROMBERG      
       $W$B $MUSIC $INC., #AIBH       

     MODERATO 3_C
<; #A/ $THE SKY WAS BLUE, $AND HIGH A-
  BOVE $THE MOON WAS NEW $AND SO WAS 
  LOVE/ $THIS EAGER HEART OF MINE WAS
'. 2=.X!HHIT'-_[ XGGHS'-$] XHHIT'-!& 
  XFFGR'-$^ XEEFHIJE'-_[ 
<; SINGING: ($LOVER, WHERE CAN YOU 
  #,.BE?) #;.ME) $WHEN $I REMEMBER 
  EV.RY LITTLE
'. !TS'-$S$O EF888'-_R_4!4) 
  #,!R$5V'-_R$O2; #;!RQ'-_R$T FGHI!
  J$F3EF'-!&
<; THING YOU USED TO DO, $I.M SO LONE-
  LY, $EV.RY ROAD $I WALK ALONG $I.VE 
  WALKED ALONG WITH YOU,
'. $DF3EF!T'-!S!P TQ'-$] RQ'-3_Q1'\$T 
  FGHIJ$F3EF'-!& DF3EF!T'-!S!P
<; $NO WONDER $I AM LONELY/ $THE SKY 
  IS BLUE, $THE NIGHT IS COLD, $THE 
  MOON IS NEW,
'. $TFGHJ'-$^ O!S'-$O$O# XHHIT'-_[ 
  XGGHS'-$] XHHIT'-!& 
<; $BUT IS LOVE OLD, $AND, WHILE $I.M 
  WAITING HERE, $THIS HEART OF MINE IS
                                   #CE
  SINGING: ($LOVER COME BACK TO ME+)
'. X!JJDO'-3'[ XDDEFH2LF'\D'-!^ 
  JEJH9W'-_R!9$5 EF888'-_R_4!4) 
  RC$82LV'-_[2K

  #B/ $YOU CAME AT LAST, $LOVE HAD ITS
DAY, $THAT DAY IS PAST, $YOU.VE GONE 
AWAY/ $THIS ACHING HEART OF MINE IS@ 
SINGING: ($LOVER, COME BACK TO ME@ 





















            $LOVE FOR SALE
      $FROM ($THE $NEW $YORKERS)      
  $WORDS AND $MUSIC BY $COLE $PORTER  
       $W$B MUSICA CORP., #AIBE       

     MODERATO 22_C
<; #A/ $LOVE FOR SALE, $APPETIZING 
  YOUNG LOVE FOR SALE/
'. !]"C'-2_& T.8 %"C'-2!] Q.V 
  VJJWW'-2_& WT8 %"C'-2!]
<; $LOVE THAT.S FRESH AND STILL UNSPOI
  -LED, $LOVE THAT.S ONLY SLIGHTLY SOI
  -LED, $LOVE FOR
'. !Q.V'-2!] VJJWW'-2_& W4N'-2$^ 
  V2II99'-2_Z 2928R'-2!& %"C'-2!] 
  Q.25'-$%3* 
<; SALE/ $WHO WILL BUY? $WHO WOULD LI-
  KE TO SAMPLE MY SUP-
'. _]"C'-2!] T.V !]"C'-2_& T.8 
  %"C'-2_] Q.V VJJWW'-2_& $64W8
<; PLY? $WHO.S PREPARED TO PAY THE PRI
  -CE $FOR A TRIP TO PARADISE? $LOVE 
  FOR
'. !%"C'-2_] Q.V VJJWW'-2_& W4N'-2$^ 
  V2EE55'-2_Z 252!8R'-2!& %"C'-2!] 
  Q.25'-$% 
<; SALE/ $LET THE POETS PIPE OF LOVE 
  $IN THEIR CHILDISH WAY, $I KNOW 
  EV.RY
'. _]'-2!] T.V'-2<] VJD256'-2<& 76P!
  '-2$^ VD2E67'-2_Z 2^ V_JD256'-2<& 
                                   #CG
<; TYPE OF LOVE $BETTER FAR THAN, 
  THEY/ $IF YOU WONT THE THRILL OF LO-
  VE, $I.VE BEEN THRU THE
'. !76P'-2$^ VD2E67'-2_Z ]'-2<] 
  V_JD157'-2$] 287Q V5;6728'-2!& 
<; MILL OF LOVE; $OLD LOVE, NEW LOVE, 
  $EV.RY LOVE BUT TRUE LOVE/ $LOVE FOR
  SALE,
'. $4WT'-2!& 2ON'-2_R2!P 2ON'-'P$N 
  V1JJWW'-$] 1T2T'-'T2$T2* ]"C'-2_& 
  T.8 %"C'-2!]
<; $APPETIZING YOUNG LOVE FOR SALE/ 
  $IF YOU WONT TO BUY MY WARES,
'. !Q.V'-2!] VJJWW'-2_& WT8 %"C'-2_] 
  Q.V VJJWW'-2_& W4N'-2$^ 
<; $FOLLOW ME AND CLIMB THE STAIRS, 
  $LOVE FOR SALE/ $LOVE
'. V2$EE55'-2_Z 256P'-2!& %"C'-_%3* 
  Q.25 ]"C'-2!] T.V'-2<] %"C'-2!]) 
<; FOR SALE/
'. $Q"CGAA2EJH'-2$& JD2EF77A'-2<& 
  Q.25'-_%3* ]"C'-'& ]"C'-2!&) ]"C!
  '-2_] WVU2K







            $GROOVIN. HIGH            
     $MUSICA DI $DIZZY $GILLESPIE     
          $MCA MUSIC, #AIDD           

     222#D/
  2$D1I 2=!JHVU'-2_&) = X1F1ID1JI3HF!
'-!S$P3* HG3G$E"C5YED1I'-<S_O'\ JHVU!
'-2_&) = XEHJ1IH3GE'-!R$O3* 1GF1F$D"C!
4J3H'-<R_N'\ 1IGVU'-$% ;1IJIGXU XDG2I!
HG1FE'-!Q$N3* 2F3DE!J"CW1I.3%'-<Q2_T'\
HX$E1G"C7EJ'-2_P:<R ;1$&%&3DVU'-3<% 
!71$D2F"CF4X'-<% 1E1JU]3DJH'-$& 2J.[V!
VX.&'-2_&) J.[VU X1F1ID1JI3HF'-!S$P 
1HG3G$E"C5"C;ED1I'-<S_O'\ JHVU'-2_&) =
XEHJ1IH3GE'-!R$O3* 1G3E1F$D"C4J.3[!
'-<R$N'\ 1IGVU'-$% ;1IJIGXU XDG2I!
HG1FD'-!Q$O3* 2F3DE!J"CWI.1&'-<Q2_T'\ 
7.HIW2D"C'-!% D2EFG"C71!J.1^!
'-2$O2$T2'\ 2JHVU'-<R3<Q M'-<Q$P2;












                                   #CI
            $JUST FRIENDS             
      $MUSICA DI $KLEMMER-$LEWIS      

     3#D/
  !W'-_8 0A 2=!]"C'-_Y: T;9W9 2&"C'-<Y
PS'-$% ^"C'-_[: 99;898 2Z"C'-2<] O.8!
'-2$& 8.F='-<^ Q.7'-$Z 7.E='-<] 678W!
'-<& $P!T"C'-$^ W6;678 TS"C'-<^ 
ST'-$O2$O !0A#I !Q.9'-$Z 9.G='-<] 
89W5'-<& P.!6'-$^ $OT'-<S$O ['-_[) UT!
'-<O$R2;