$S $U $O $N $I  

   $RIVISTA BIMESTRALE DI MUSICA  

$NOVEMBRE-$DICEMBRE #BJAI     N. #II
                        $ANNO $XXIII

            $BOB $MARLEY
           =#AIDE-#AIHA=  

  $DIR. RESP.: $PIETRO $PISCITELLI  
    $REDATTORE $MATTEO $BONETTI  
$SEGR. DI REDAZ. $GIANLUCA $CASALINO
           $REGISTRAZIONE  
 $TRIB. $MONZA #AD-#AJ-#BJAE N. #AF 


       $STAMPATO IN $BRAILLE  
            A CURA DELLA  
$BIBLIOTECA $ITALIANA PER I $CIECHI 
      VIA $G. $FERRARI, #E\$A  
        $TEL. #JCI-#BH.CB.GA  
      - #BJIJJ $MONZA - #BJAI  

         $COPIA IN OMAGGIO  

            $INDICE               #B
$AFRICA UNITE.....................#C
$BUFFALO $SOLDIER.................#F
$COMING IN FROM THE $COLD........#AJ
$CONCRETE $JUNGLE................#AC
$COULD YOU BE LOVED..............#AF
$EXODUS..........................#AH
$GET UP STAND UP.................#BA
$I SHOT THE SHERIFF..............#BD
$IRON $LION $ZION................#BF
$IS THIS LOVE....................#BI
$JAMMIN..........................#CA
$LIVELY UP YOURSELF..............#CD
$NO WOMAN NO CRY.................#CH
$ONE DROP........................#DA
$ONE LOVE........................#DD
$REDEMPTION SONG.................#DF
$SOUL REBEL......................#DI
$THREE LITTLE BIRDS..............#EA








         $AFRICA UNITE            #C
    $W. AND $M. $BOB $MARLEY =*=
  $EDIZ. $FIFTY-$SIX $HOPE, #AIGI

        MODERATE REGGAE 3_C  
  #, '.;V!W5 &ZF"C6"CFEFE'-_R_O 
]^J"CT.'-!& ]^J"CW"CJIHG'-_R_O 
&ZF"CPJE'-!&
  #; '.$&ZF"C6"CFEFE'-#D ]^J"CT. 
]^J"CW"CJIHG &ZF"CP.2K.
  #: <; $AFRICA, UNITE, .CAUSE WE.RE
MOVING RIGHT OUT OF $BABY-
 '.@CHORUS V!HJ9$EF'-_R_O UV!FH'-!& 
;99W;5WIH'-_N_O
  #/ <; LON, AND WE.RE GOING TO OUR 
FATHER.S LAND/
 '.!RVFH'-!& ;99W;5AWIH'-_N_O RU'-!&
M2K.
  #? <; #A/ $HOW GOOD AND HOW PLEA-
SANT IT WOULD BE, BEFORE $GOD AND 
=#B/ SEE ADDITIONAL LYRICS=
 '.0 @VERSE VX!H;$65W'-_[ ;555"C!
EJ$6'-_Z VXE;665'-!& 
  #+ <; MAN, YEAH, TO SEE THE UNIFI-
CATION OF ALL
 '.$NXJAIAH'-$Y VXJ$6EE"C'-_[ 
EEJ$F"CFEDE'-_Z
  =*= $BOB $MARLEY, AUTORE DI     #D
TUTTI I BRANI, SALVO DIVERSA INDICA-
ZIONE/ 

  #= <; $AFRICANS, YEAH/ $AS IT.S 
BEEN SAID ALREADY,
 '.UX!WI'-!& RX9.'-$Y U;$65W'-_[ 
$6.EF8.'-_Z
  #( <; LET IT BE DONE, YEAH/ $WE A-
RE THE CHILDREN OF THE
 '.U;V$66'-#D ;5NXW. U$F5J $654W
  #,-; <; $RASTAMAN/ $WE ARE THE 
CHILDREN OF THE
 '.UX!WI'-#D RU U$F5J $654W 
  #; <; HIGHER MAN/ $AFRICA, UNITE, 
.CAUSE THE
 '.UX!WI'-!& RU'-$Y2K. 0L @TO CODA 
@CHORUS V!HJ9$EF'-_R_O UVFG'-!& 
  #: <; CHILDREN WANNA COME HOME, 
**YEAH*/ $AFRICA, UNITE,
 '.$88GFEF"C'-#B F!WH"CHW. VHJ9$EF!
'-_R_O 
  #/ <; .CAUSE WE.RE MOVING RIGHT 
OUT OF $BABYLON, AND WE.RE
 '.UV!FH'-!& ;99W;5WIH'-_N_O RVFH!
'-!&2K. @DAL 0 AL 0L @CODA
  #? <; GROOVING TO OUR FATHER.S 
LAND/                             #E
 '.;!99W;5AWIH'-#B PU M2K.
  #+ <; $WE ARE THE CHILDREN OF THE 
HIGHER
 '.@CODA 0L U$F5J'-_[ $654W'-_Z U!
XWI'-!& 
  #= <; MAN/ $AFRICA, UNITE/
 '.!RU'-_Y 2=.V@OUTRO @W. VOC. AD 
LIB.!HJ9$EF'-_R_O M'-!& 
  #( <; $AFRICA, UNITE/ $UNITE FOR 
THE BENEFIT OF
 '.V!HJ9$EF'-_R_O UV5'-!& 8HHHGGF!
'-#D
  #* <; YOUR PEOPLE/ $UNITE FOR IT.S
LATER THAN YOU THINK/
 '.$G7FV!9 WJE;4W9 ;8RU2; @REPEAT 
AND FADE
  
  #B/ $HOW GOOD AND HOW PLEASANT IT 
WOULD BE,@ $BEFORE $GOD AND MAN,@ 
$TO SEE THE UNIFICATION OF ALL $RA-
STAMAN, YEAH/@ $AS IT.S BEEN SAID AL
-READY, LET IT BE DONE, YEAH/@ $I 
TELL YOU WHO WE ARE UNDER THE SUN/@ 
$WE ARE THE CHILDREN OF THE $RASTA-
MAN/@ $WE ARE THE CHILDREN OF THE HI
-GHER MAN/@@ 
       $BUFFALO $SOLDIER          #F
 $W. AND $M. BY $NOEL $G. $WILLIAMS
          AND $BOB $MARLEY
    $EDIZ. $MUSIC $SALES, #AIHC

  MODERATE REGGAE ?DD=;4D* 333#D/  
  #, <; $BUFFALO SOLDIER, DREADLOCK 
$RASTA; $IT WAS A
 '.@VERSE $DD4W4'-_^ M 44W9'-3!% 
UXDFG'-_^
  #; <; BUFFALO SOLDIER IN THE HEART
OF $AMERICA/
 '.$DD4W4 UVIJ 4DEDJ9'-3!% M'-_^ 
  #: <; $STOLEN FROM $AFRICA, 
BROUGHT TO $AMERICA;
 '.$4DJDJ4 M 4DEDJ9'-3!% M'-_^ 
  #/ <; FIGHTING ON ARRIVAL, FIGH-
TING FOR SURVIVAL, $I MEAN IT/
 '.$DD=W4 M DDDEDAJ9 VXDFGV2K.
  #? <; $WHEN $I ANALYZE THE STENCH,
TO ME IT MAKES A LOT OF SENSE =SEE 
ADDITIONAL LYRICS=
 '.@BRIDGE X$G"C%F%FG='-_O_S 
M'-_O3!N XGIG6X!G'-_S_P IJ4U'-3!%
  #+ <; HOW THE FREADLOCK RASTA WAS 
THE BUFFALO SOLDIER/ #B/ $AND HE 
WAS
 '.X$7FG6G"C'-_O_S G7.U'-_O3!N    #G
#,.X$9$DJGIJ"C'-_S_P JIVXDFG'-3!%2;
  #= <; WHO THE HECK DO $I THINK $I 
AM/ #C/ $I.M JUST A BUFFALO SOLDIER 
IN THE
 '.#;.X$IAGF7!II'-_S_P DJ9!
XDFG'-3!%2K. @VERSE $DD4W4"C'-_^ 
4VVIJ
  #( <; HEART OF $AMERICA, STOLEN 
FROM $AFRICA,
 '.$4DEDJ9'-3!% M'-_^ 4DJ=4 M 
  #,-; <; BROUGHT TO $AMERICA/ $SAID
HE WAS FIGHTING ON ARRIVAL,
 '.$4DEDJ9'-3!% UDF7'-_^ DD=W4 M 
  #; <; FIGHTING FOR SURVIVAL/ $SAID
HE WAS THE BUFFALO SOLDIER, IN THE
 '.$DDDEDAJ9'-#D UDFFG DD4W4 UVIJ
  #: <; WAR FOR $AMERICA/ $SINGING: 
*WO, YO, YO*, YO
 '.$4DEDJ9'-#D UDFV 976XI"C ^I.76V
  #/ <; $WO, **YO, YO,* YO/ *$WO, 
YO, YO*, YO/
 '.$976ED"C DDW9V'-_9_5_S $976XI"C!
'-_^ ^I.76V
  #? <; $WO, **YO, YO,* YO/ $BUFFALO
SOLDIER TRODDING THROUGH THE
 '.$976ED"C DADW9V'-_9_5_S2K. 
@INTERLUDE $DD44!7'-3!% U$DJJI    #H
  #+ <; LAND/ $SAID YOU WANNA RUN 
AND THEN YOU MAKE A STAND/ $TRODDING
THROUGH THE
 '.!W.AI"C9V'-_Z UIJJI'-3!Y 4XIJIJG!
'-3!% 9VDJJI
  #= <; LAND, YEAH/ #D/ $SAID HE WAS
A BUFFALO SOLDIER, IN THE =#E/ SEE 
ADDITIONAL LYRICS=
 '.!JA9.VGAFA'-_Z GAIVDFFG'-3!N_P2K.
0 @VERSE $DD4W4'-_^ UVIJ
  #( <; WAR FOR $AMERICA, BUFFALO 
SOLDIER, DREADLOCK $RASTA/
 '.$4IIJD9'-3!% M'-_^ DD4W4 M 44W9!
'-3!%
  #* <; $FIGHTING ON ARRIVAL, FIGH-
TING FOR SURVIVAL,
 '.M'-_^ DD=W4 M DD=W9'-3!% M'-_^
  #,) <; DRIVEN FROM THE MAINLAND TO
THE HEART OF THE $CARIBBEAN/ $SIN-
GING:
 '.$DD=54 UVIJ 4DDEDJI'-3!% UDFV!
'-_^2K.
  #,-: <; $WO, **YO, YO*/ $WO, *YO, 
YO,* 
 '.@OUTRO 2=$976XI"C'-_^ ^I.76V 97!
6ED"C
  #; <; **YO, YO, YO*             #I
 '.#,$DDW9V'-_9_5_S2; #;$DDW9V'-=2K.
@DAL 0 #:$DDW9V'-_9_5_S2; @REPEAT 
AND FADE

  #B/ $AND HE WAS TAKEN FROM $AFRI-
CA, BROUGHT TO $AMERICA,@ $FIGHTING 
ON ARRIVAL, FIGHTING FOR SURVIVAL/@ 
$SAID HE WAS A BUFFALO SOLDIER, DREA
-DLOCK $RASTA,@ $BUFFALO SOLDIER IN 
THE HEART OF $AMERICA/@ 
  $BRIDGE/ $IF YOU KNOW YOUR HISTO-
RY,@ $THEN YOU WOULD KNOW WHERE 
YOU.RE COMING FROM/@ $THEN YOU 
WOULDN.T HAVE TO ASK ME@ $WHO THE 
HECK DO $I THINK $I AM/@ 
  #E/ $TRODDING THROUGH $SAN $JUAN 
IN THE ARMS OF $AMERICA/@ $TRODDING 
THROUGH $JAMAICA, THE BUFFALO SOL-
DIER/@ $FIGHTING ON ARRIVAL, FIGH-
TING FOR SURVIVAL/@ $BUFFALO SOL-
DIER, DREADLOCK $RASTA/@@ 





   $COMING IN FROM THE $COLD     #AJ
  $EDIZ. $FIFTY-$SIX $HOPE, #AIHJ  

        MODERATE REGGAE #D/  
  #, '.@INTRO.#DM'-_Y
  #; <; $IN THIS LIFE, 
 '.#CM'-_% #,.M2; #;.UX$DEF2K.
  #: <; *IN THIS LIFE,* IN THIS OH 
SWEET LIFE WE.RE 
 '.@CHORUS.UX$DEF'-_Y = UXDEF"C 654W
  #/ <; COMING IN FROM THE COLD/ 
$WE.RE 
 '.!II99JD"C'-_% NU M UVX!H
  #? <; COMING IN, *WE.RE COMING IN,
WE.RE COMING IN,* WE.RE COMING IN, 
WE.RE
 '.$DD=.='-_Y = = 
  #+ <; COMING IN, WE.RE COMING IN 
FROM THE COLD/ #A/ $IT.S YOU
 '. $DD=FF6 U7FD"C'-_% NU M 
UX!8$D"C2K.
  #= <; *IT.S YOU,* $I.M TALKIN. TO/
$WELL, IT.S YOU
 '.0 @VERSE $4VX!8$D"C'-_Y 4VX6G"C 
G5D"CDWD'-_Q_R 4V4DD"C'-_Y
  #( <; *YOU,* $I.M TALKING TO NOW/
 '.$4VVXDA'-!^ EA4.VXG"C G5D"CDWE"C!
'-_Q_R E4.U'-_N!P                #AA
  #,-; <; $WHY DO YOU LOOK SO SAD 
AND FORSAKEN?
 '.U;!9W4'-!^ ;564"C4V U5JE"C'-_Q_R 
E4.U'-_N!P
  #; <; $WHEN ONE DOOR IS CLOSED, 
DON.T YOU KNOW ANOTHER IS OPENED? 
=#B/ MANY MORE IS OPENED=
 '.U;!9W4'-!^ 56;549 VXI$EDJE"C!
'-_Q_R EW.U'-_Y
  #: <; $WOULD YOU LET THE SYSTEM MA
-KE YOU KILL YOUR BROTHER MAN? =#B/ 
$WOULD YOU LET THE SYSTEM GET ON TOP
OF YOUR HEAD AGAIN?= $NO DREAD, NO+
 '.V!IJDE='-_% FFEDED9 $O4.I"C'-!Z 
9VU
  #/ <; $WOULD YOU MAKE =#B/ LET= 
THE SYSTEM MAKE YOU KILL YOUR BRO-
THER MAN? $NO, DREAD, NO+
 '.V!IJDE='-#D FFGHFF4 O4.I"C 9VU
  #? <; $WOULD YOU MAKE THE SYSTEM 
GET ON TOP OF YOUR HEAD AGAIN? $NO, 
DREAD, NO+ $WELL,
 '.V!IJDE='-#D FFZZFED9 $O4.I"C 
9VX$5.
  #+ <; THE BIGGEST MAN YOU EVER DID
SEE WAS, WAS JUST A BABY/ $IN THIS
 '.X!H$EE"CE5!H'-_[ $EE5345      #AB
X53D5DE"C E8.X1D52K.
  #= <; LIFE, IN THIS LIFE, *IN 
THIS* LIFE, OH SWEET LIFE
 '.@CHORUS!HAAGFGAR'-_Y X$DEFXD5 
XDEFVXF"C 654V
  #( <; COMING IN FROM THE COLD/ 
$WE.RE
 '.!II99JD"C'-_% Y M UVX!H 
  #* <; COMING IN, *WE.RE COMING 
IN,* WE.RE *COMING IN,*
 '.$DD=.='-_Y DD=DE6 VXI"CIF4
  #,-: <; WOO, COMING IN FROM THE 
COLD/
 '.X$4.U II99JD"C'-_% Y M @TO CODA 
0L
  #; <; *$IT.S LIFE, IT.S LIFE,* 
IT.S LIFE
 '.UX!8$D X!8$D='-_Y = 
  #: <; IT.S LIFE, IT.S WOAH WELL, 
COMING IN FROM THE COLD/
 '.X!8$DX!HV V$4X6. !II99JD"C'-_% Y
  #/ <; *$WE.RE COMING IN,* WE.RE
 '.M UVX!H $DD=.='-_Y 
  #? <; COMING IN, WE.RE COMING, 
WOO, *COMING IN,*
 '.$DD==4 U!HH8 = 
  #+ <; COMING IN FROM THE       #AC
COLD/ #B/ $IT.S YOU
 '.!II99JD"C'-_% Y M UX!H$4"C2K. 
@DAL 0 AL 0L @CODA
  #= <; *$WE.RE COMING IN, WE.RE CO-
MING IN,* WE.RE
 '.@CODA 0L UVX!H 2=@AUTRO-@CHORUS!
$DD=.='-_Y =
  #( <; COMING IN, WE.RE COMING IN, 
WHOA, YEAH, COMING IN FROM THE 
COLD/
 '.$DD==4 4VFAEADAJ II99JD"C'-_%
  #* <; $WE.RE
 '.$Y M UVX!H2; @REPEAT AND FADE

         $CONCRETE $JUNGLE
  $EDIZ. $FIFTY-$SIX $HOPE, #AIHJ

        MODERATE REGGAE 3#D/  
  #, '.@INTRO M'-!& M'-!^ M'-!& M2;
  #; <; #A/ $NO SUN WILL SHINE IN MY
DAY TODAY =$NO SUN WILL SHINE/= =#B/
SEE ADDITIONAL LYRICS; #C/ INSTRUMEN
-TAL=
 '.2=.@VERSE U!6HJ'-#D 9V9IH"C 
H^]"CWU FFEF"C6V
  #: <; $THE HIGH YELLOW MOON WON.T 
COME OUT TO PLAY/ =$WON.T COME   #AD
OUT TO PLAY/=
 '.VX!E6H.] 9V$F.&E.&'-!^ QU'-_Z 
!III[^"C9V
  #/ <; $DARKNESS HAS COVERED MY 
LIGHT/ =$AND HAS CHANGED/= $AND HAS 
CHANGED MY DAY INTO NIGHT/
 '.U$6HF'-_Y HHF!J"CWV'-!& DD4!
FG8'-#B &H["CH&!]"CWV
  #? <; $NOW WHERE IS THIS LOVE TO 
BE FOUND, WON.T SOMEONE TELL ME? 
#A/, #C/ $CAUSE
 '.VX$E8FE'-_[ PV;X!HJ OU'-_Z VE&%!
I.["CH&A!]2K.
  #+ <; LIFE MUST BE SOMEWHERE TO BE
FOUND, YEAH/ $INSTEAD OF A CONCRETE
 '.@CHORUS!WVV;XEE'-!& F4.V;XDJ'-!^ 
$6!H.A]"CWV'-!& XF;FFE67'-!P!
$K_4!,>5$K<W
  #= <; JUNGLE WHERE THE LIVIN. IS 
HARDEST/ $CONCRETE
 '.$H.["C8U'-!& V;XHG;HGF8'-!^ 6VU!
'-!& U67'-!P_4_5
  #( <; JUNGLE, OH MAN, YOU.VE GOT 
TO DO YOUR BEST, YEAH/
 '.$H.["C8VX!H'-!& JA9HI.[I.['-!^ 
J.$&"C6U'-!&
  #,-; <; $CONCRETE JUNGLE, YOU  #AE
NAME IT, IN THIS
 '.#,#;.M2; #:.U$67'-!P_4_52K. 
@AUTRO$H.["C8VUF'-!& HFVVFG'-!^
  #; <; CONCRETE JUNGLE/ $CONCRETE 
JUNGLE, YOU NAME IT, WE GOT IT, CON-
CRETE
 '.$HHGFU'-!& U67'-!P$K_4!,>5$K_5 
8HFHFXF'-!& H&AZAWV$FG'-!^ 
  #: <; JUNGLE NOW/
 '.$H%&"C6U'-!& M'-!P$K_4!,>5$K_5 
2=.M'-!& M'-!S._5 
  #/ '.M'.!& #,.M'-!P$K_4!,>5$K<W2; 
#;.@RIT.M'-!P$K_4!,>W$K_5 M'-!&2K

  #B/ $NO CHAINS AROUND MY FEET, BUT
$I.M NOT FREE/@ $I KNOW $I AM BOUND 
HERE IN CAPTIVITY/@ $AND $I.VE NEVER
KNOWN HAPPINESS,@ $AND $I.VE NEVER 
KNOWN SWEET CARESSES/@ $STILL, $I BE
ALWAYS LAUGHING LIKE A CLOWN/@ 
$WON.T SOMEONE HELP ME?@ 
  $CHORUS #B/ .$CAUSE $I.VE GOT TO 
PICK MYSELF FROM OFF THE GROUND, 
YEAH/@ $IN THIS HERE CONCRETE JUN-
GLE/@ $I SAY, WHAT DO YOU GOT FOR 
ME, NOW?@ $CONCRETE JUNGLE, OH, WHY 
WON.T YOU LET ME BE, NOW?@@      #AF

        $COULD YOU BE LOVED
  $EDIZ. $FIFTY-$SIX $HOPE, #AIGI

   MODERATELY BRIGHT REGGAE 33#D/  
  #, <; $COULD YOU BE LOVED
 '.2=.@INTRO M'-!] M2; U@CHORUS$EF!
GG"C'-_Z Q.V'-<]
  #; <; AND BE LOVED? #A/ $DON.T LET
THEM FOOL YOU =#B/ SEE ADDITIONAL LY
-RICS=
 '.UX$EGF"C'-_[ FE"COV'-_Z2; 0 
@VERSE UX$EFG'-!] GGVU
  #: <; OR EVEN TRY TO SCHOOL YOU,
 '.M'-!& M VX.$ZGEFH'-"[ GGVU
  #,-; <; OH, NO/ $WE.VE GOT A MIND 
OF OUR OWN/ $SO, GO TO
 '.UX$8F'-!& M UXEFG'-!] H%&7XEFG
  #; <; HELL IF WHAT YOU.RE THINKIN.
ISN.T RIGHT/ $LOVE WOULD NEVER
 '.$HH=GGHG'-_R3!Q FCGVU'-!& 
U7MEFG'-!]
  #: <; LEAVE US ALONE; IN THE DAR-
KNESS THERE MUST COME OUT TO LIGHT/
 '.$H%&7VFG 8HHGGHG'-_R3!Q 
6VU'-_^2K. @TO CODA 0L 
  #/ <; $COULD YOU BE LOVED AND  #AG
BE LOVED?
 '.@CHORUS 2=.U$EFGG"C'-_Z Q.V'-<] 
UXEGFC"C'-_[ FCEC"COV'-_Z2;
  #? <; $THE
 '.@INTERLUDE M'-!] M M UVX.!^
  #+ <; ROAD OF LIFE IS ROCKY AND 
YOU MAY STUMBLE TOO/ $SO
 '.!JIJ^]"C]]XXI'-<] JI]JZ"C5X.!^
  #= <; WHILE YOU POINT YOUR FIN-
GERS, SOMEONE ELSE IS JUDGIN. YOU/
 '.!JIJ^]"C]]XJI JI]J!ZU
  #( <; **$COULD YOU BE,* LOVED? 
=$LOVE YOUR BROTHER MAN/= *$COULD 
YOU BE,* LOVED?
 '.!]]J=]JJJV ]]J]JJJ"CWV
  #,-: <; **$COULD YOU BE,* LOVED? 
*$COULD YOU BE,* LOVED?
 '.!]]J=]JJJV ]]J]JJJ"CWV @D.0 AL 
CODA
  #; <; $STAY ALIVE, OH/ $COULD YOU 
BE LOVED
 '.0L @CODA $G[&"C6XGV 2=@CHORUS 
U$EFGG"C'-_Z Q.V'-<]
  #: <; AND BE LOVED? $YOU
 '.UX$EGFC"C'-_[ #,$FCEC"COV'-_Z2; 
#;$FCEC"COX!I'-_Z
  #/ <; AIN.T GONNA MISS YOUR    #AH
WATER UNTIL YOUR WELL RUNS DRY/ $NO
 '.!J]]J^]"C]]XXI'-<] J^]"CJJ5X!I
  #? <; MATTER HOW YOU TREAT HIM, 
THE MAN WILL NEVER BE SATISFIED/
 '.!J^]"CJI]J^JI ]]J]J!ZU2K.
  #+ <; **$COULD YOU BE,* LOVED? 
*$COULD YOU BE,* LOVED?
 '.2=!]]J=]JJJV ]]J]JJJU2;
  #= <; $SAY SOMETHIN., SAY SOME-
THIN./
 '.2=@OUTRO @W. VOC. AD LIB. 
$7&ZXU'-!] 5Y]XU2; @REPEAT AND FADE 

  #B/ $DON.T LET THEM CHANGE YOU@ 
$OR EVEN REARRANGE YOU, OH, NO/@ 
$WE.VE GOT A LIFE TO LIVE/@ $THEY 
SAY **ONLY,*@ THE FITTEST OF THE FIT
-TEST SHALL SURVIVE/@ $STAY ALIVE, 
OH/@@ 

              $EXODUS
  $EDIZ. $FIFTY-$SIX $HOPE, #AIGG

        MODERATE RAGGAE #D/  
  #, <; $EXODUS, MOVEMENT OF $JAH 
PEO-
 '.@INTRO.M'-<^2; @PLAY #AB      #AI
TIMES @CHORUS$6FF"C6V'-<^ M M $66!
5DE"C
  #; <; PLE, OH YEAH/ $OPEN YOUR 
EYES AND LET ME TELL YOU THIS/
 '.$E4.VX$I"C IAHAFEAN XFEDEDED 
FD9U2K.
  #: <; #A/ $MEN AND PEOPLE WILL 
FIGHT YA DOWN :_$SPOKEN: $TELL ME 
_WHY/ WHEN YOU SEE $JAH LIGHT/ =#B/,
#C/ SEE ADDITIONAL LYRICS=
 '. 0 @VERSE X$FFE"CEDDF'-<^ !IIVU 
D4D"CD4I"C 9VU
  #/ <; $LET ME TELL YOU, IF YOU.RE 
NOT WRONG/ :_$SPOKEN: $THEN _WHY? 
EV.RYTHING IS ALRIGHT/
 '.X$FHEE4F HFVU VDD=DI
  #? <; $SO WE GONNA WALK, ALRIGHT,
 '.U!HIDE 6VU X5D"C4V
  #+ <; THROUGH THE ROADS OF CREA-
TION/ $WE.RE THE GENERATION
 '.X!III"CIIID"C D9.U $6HEDF6
  #= <; :_$SPOKEN: $TELL ME _WHY+ 
TROD THROUGH GREAT TRIBULATION/
 '.M !999II 49U2K.
  #( <; $EXODUS, MOVEMENT OF $JAH 
PEO-
 '.@CHORUS 2=$6FF"C6V'-<^ M M    #BJ
665DE"C
  #,-; <; PLE
 '.$E4.U @#?TH TIME, TO CODA 0L 
#,.#CM2;
  #; '.#;.#CM @DAL 02K. #:.M
  #: <; =$MOVEMENT OF $JAH PEOPLE=/ 
$SEND US ANOTHER $BROTHER $MOSES/ 
=$MOVEMENT OF $JAH PEO-
 '.$666FH"C H6.U 2=$666FH"C
  #/ <; PLE/= $GONNA CROSS THE $RED 
$SEA/ =$MOVEMENT OF $JAH PEOPLE/= 
$SEN US ANTOHER $BROTHER
 '.$H6.U 666FH"C #,$H6.U2; 
  #? <; $EXODUS,
 '.#;$H6.U 2=$6FF"C6V MM
  #+ <; MOVEMENT OF $JAH PEOPLE/
 '.$665DE"C E4.U #CM2;
  #= <; $EXODUS, $EXODUS/
 '.2=$6FF"C6V M 5DD"C4V M2; @PLAY #D
TIMES
  #( <; $MOVE+ $MOVE+
 '.2=$6VU M 6VU #,#;.M2; #:.M2K. 
@DAL 0 AL @CODA 0L @TAKE #,ST ENDING
  #* <; *$MOVEMENT OF $JAH PEOPLE/* 
 '.@CODA 0L M 2=@OUTRO!999ID"C'-<^ 
D9.U 999ID"C D9.U2;
  #,) <; $JAH COME TO BREAK      #BA
DOWN .PRESSION, RULE EQUALITY,
 '.;V!99;999 ;49VU 9HIHIV M
  #,-: <; WIPE AWAY TRANSGRESSION, 
SET THE CAPTIVES FREE/
 '.X$6EE4F !9VU 4ID"CD4I"C 9VU2K.
  #; <; $EXODUS, MOVEMENT OF $JAH 
PEOPLE/
 '.2=$6FF"C6V M M $665DE"C E4.U 
  #: <; $MOVEMENT OF $JAH PEOPLE;
 '.#CM2; 2=!999ID"C D9.U2; @REPEAT 
AND FADE

  #B/, #C/ $OPEN YOUR EYES, AND LOOK
WITHIN/@ $ARE YOU SATISFIED WITH THE
LIFE YOU.RE LIVING?@ $WE KNOW WHERE 
WE.RE GOING/@ $WE KNOW WHERE WE.RE 
FROM/@ $WE.RE LEAVING $BABYLON,@ 
$WE.RE GOING TO OUR FATHER LAND/@@ 

          $GET UP STAND UP
    $W. AND $M. BY $BOB $MARLEY
          AND $PETER $TOSH  
  $EDIZ. $FIFTY-$SIX $HOPE, #AIGD  

    MODERATELY SLOW REGGAE 22_C  
  #, '.@INTRO_JJV='-@NC. VJDU JJV= 
M2K.                             #BB
  #; <; $GET UP, STAND UP, STAND UP 
FOR YOUR RIGHT/
 '.@CHORUS.2=!JDVEFV'-!Y M 
!J4F"CF!J4 M
  #: <; $GET UP, STAND UP, #A/ STAND
UP FOR YOUR RIGHT/ =#B/, #C/ DON.T 
GIVE UP THE FIGHT/=
 '.!JDVEFV M !J4F"C6!J4 M
  #/ <; $GET UP, STAND UP, STAND UP 
FOR YOUR RIGHT/
 '.!JDVEFV M !J4F"C6!J4 M
  #? <; $GET UP, STAND UP, DON.T GI-
VE UP THE FIGHT/
 '.!JDVEFV M !WDF"CF!J4 M2K.
  #+ <; #A/ $PREACHER MAN, DON.T 
TELL ME, HEAVEN IS UNDER THE EARTH/ 
=#B/, #C/ SEE ADDITIONAL LYRICS=
 '.@VERSE X$8H7FH"C'-!Y HGA6U 
FFFE"CEFED"C 4VU
  #,-; <; $I KNOW YOU DON.T KNOW 
WHAT LIFE IS REALLY WORTH/ $IS NOT 
ALL
 '.VX$H7FG"C G8.VXF"C F6F5FD"C 
4VXFGH"C
  #; <; THAT GLITTERS IS GOLD? $AND 
HALF THE STORY HAS NEV-
 '.$87GFFH"C 8VVDH"C H7GF4H      #BC
  #: <; ER BEEN TOLD/ $SO NOW YOU 
SEE THE LIGHT, AAY/
 '.$F7F"C6X!J 4DE"CEE6 VRV
  #/ <; $STAND UP FOR YOUR RIGHTS/ 
$COME ON,
 '.#,#;.$H8G"CGF4"C 4VH7.2; 
  <; STAND UP FOR OUR RIGHT/ $SO 
YOU.D BETTER
 '.#:$G6D"CDJ4 VXH"CHFGF2K.
  #? <; $GET UP, STAND UP, STAND UP 
FOR YOUR RIGHT/
 '.@OUTRO@CHORUS.2=!JDVEFV'-!Y M 
!J4F"CF!J4 M
  #+ <; $GET UP/ STAND UP, DON.T GI-
VE UP THE FIGHT/
 '.!JDVEFV M !WDF"CF!J4 M2; @REPEAT 
AND FADE

  #B/ $MOST PEOPLE THINK GREAT $GOD 
WILL COME FROM THE SKY,@ $TAKE AWAY 
EV.RYTHING, AND MAKE EV.RYBODY FEEL 
HIGH/@ $BUT IF YOU KNOW WHAT LIFE IS
WORTH,@ $YOU WOULD LOOK FOR YOURS ON
EARTH/@ $AND NOW YOU SEE THE LIGHT/@
$YOU STAND UP FOR YOUR RIGHT, YAH+@ 
  #C/ $WE.RE SICK AND TIRED OF YOUR 
ISM AND SKISM GAME/@ $DIE AND    #BD
GO TO HEAVEN IN $JESUS. NAME, 
$LORD/@ $WE KNOW WHEN WE UNDERSTAND/
$ALMIGHTY $GOD IS A LIVING MAN/@ 
$YOU CAN FOOL SOME PEOPLE SOMETI-
MES,@ $BUT YOU CAN.T FOOL ALL THE 
PEOPLE ALL THE TIME/@ $SO NOW WE SEE
THE LIGHT/ $WE GONNA STAND UP FOR 
OUR RIGHT/@@ 

        $I SHOT THE SHERIFF
  $EDIZ. $FIFTY-$SIX $HOPE, #AIGD

           MODERATELY #D/  
  #, <; $I SHOT THE SHERIFF,
 '.@INTRO!9HF"CFEDF'-@NC. #B/ 
!ED"CDI"C #D/ _^2K. @CHORUS $6EDE6.!
'-!^ 
  #; <; BUT $I DID NOT SHOOT NO DEPU
-TY/ $I SHOT THE SHERIFF,
 '.V!IIDDED'-!Z F!I9U'-!^ M $6EDE6.
  #: <; BUT $I DID NOT SHOOT NO DEPU
-TY/ $ALL AROUND IN MY =#B/ #C/ #D/ 
SEE ADDITIONAL LYRICS=
 '.V!IIDDED'-!Z F!I9U'-!^ M2K. 
@VERSE V$II8FH'-_Q:!P
  #/ <; HOME TOWN THEY.RE TRYING TO 
TRACK ME DOWN/ $THEY SAY THEY    #BE
WANT TO BRING ME IN GUILT-
 '.$96VXF'-!^ I9I8HF"C'-_Q:!P 6VVXD!
'-!^ $II=HFHI"C'-_Q:!P 
  #? <; Y FOR THE KILLIN. OF A DEPU-
TY, FOR THE LIFE OF A DEPU-
 '.$I6.V!II'-#D $FGHG66 EA4.VGH 
9HF55
  #+ <; TY/ $BUT $I SAY
 '.#,#;#:$EA4.I$IIAH'-!^2; #/.M'-!^ 
!9HF"CFEDF'-@NC. E4I"CS'-U!S2K 

  #B/ $SHERIFF $JOHN $BROWN ALWAYS 
HATED ME@ $FOR WHAT, $I DON.T KNOW/@
$EVERY TIME THAT $I PLANT A SEED,@ 
$HE SAID, ($KILL IT BEFORE IT 
GROWS),@ $HE SAID, ($KILL IT BEFORE 
THEY GROW)/@ 
  #C/ $FREEDOM CAME MY WAY ONE DAY,@
$AND $I STARTED OUT OF TOWN/@ $ALL 
OF A SUDDEN, $I SAW $SHERIFF $JOHN 
$BROWN@ $AIMIN. TO SHOOT ME DOWN,@ 
$SO $I SHOT, $I SHOT, $I SHOT HIM 
DOWN/@ 
  #D/ $REFLEXES HAD THE BETTER OF 
ME,@ $AND WHAT IS TO BE MUST BE/@ 
$EV.RY DAY THE BUCKETT A-GO-A WELL@ 
$ONE DAY THE BOTTOM A-GO DROP    #BF
OUT@ $ONE DAY THE BOTTOM A-GO DROP 
OUT/@@ 

         $IRON $LION $ZION
  $EDIZ. $FIFTY-$SIX $HOPE, #AIIB

       MODERATE REGGAE 33#D/  
  #, <; #A/ $WELL, $I AM ON THE ROCK
AND THEN $I CHECK A STOCK/ $I HAD TO
=#B/, #D/ SEE ADDITIONAL LYRICS= 
 '. $6V @VERSE 0 2=!JWJWV'-!] 
UXWE"C'-$& ;5WW;9T'-#B UXIJD
  #; <; RUN LIKE A FUGITIVE TO SAVE 
THE LIFE $I LIVE/ $I.M GONNA BE 
 '.$7FEF!JW'-#B UVJE"C EJ5JW.'-!] 
V9;9W5
  #: <; IRON, LIKE A LION, IN $ZION/
$I.M GONNA BE 
 '.$G7.VEE'-_Z G6.V5'-$^ G!W.U'-!] 
X$7.;656
  #/ <; IRON, LIKE A LION, IN $ZION,
OH YEAH/ 
 '.$G7.VEE'-#D G6.V5 G!W.U @TO CODA 
0L VX$GFC7.
  #? <; $LION, IRON, $ZION, LION, 
$ZION/ 
 '.M $E5D4JJ'-<] #,$G7F5V2;      #BG
#;.M2K.
  #+ <; $I.M ON THE ROCK 
 '.@VERSE !JWJWV'-!] M'-$& M'-#B M
  #= <; $I CHECK A STOCK $I HAD TO 
 '.;V$76;5Q'-#D M M UX!I$EE
  #( <; RUN LIKE A FUGITIVE JUST 
 '.;$7778IGC'-#D ;FCECJVU M UVW
  #,-; <; TO, JUST TO SAVE THE LIFE 
$I LIVE, OH NOW/ $AND STILL, $I.M 
GONNA BE 
 '.!JWJ5EF"C'-#D F5GC"C7CW U75 
V!9;$56EF
  #; <; IRON LIKE A LION IN $ZION/ 
 '.$G7.VEE'-_Z G6.V5'-$^ G!W.U'-!]
  #: <; $I.M GONNA BE IRON LIKE A 
$LION IN $ZION/ $WHAT 
 '.V!W;565 G7.VEE'-_Z G6.V5'-$^ 
G!W.VX$G'-!]
  #/ <; DID YOU SAY? $IRON, LION, 
$ZION/ 
 '.$F5F"C6V M E5D4JJ'-<] M2K. @D.0 
AL CODA 
  #? <; $STEAL THEM OFF OF ME/ $I-
RON, LION, $ZION/ 
 '.0L @CODA V$GGFEW M E5D4JJ'-<] 
M2K.
  #+ '.@OUTRO M'-!] M'-$& #B     #BH
  #= <; $IRON, LION, $ZION/ $I.M ON 
THE RUN/ 
 '.M'-#D M $E5D4JJ U;JJJW
  #( <; $GOT NO GUN/ $IRON, LION, 
$ZION/ 
 '.M'-!] VX!IJ5.'-$& E5D4JJ'-@NC. 2K

  #B/ $I.M ON THE RUN, BUT $I AIN.T 
GOT NO GUN/@ $SEE, THEY WANT TO BE 
THE STAR,@ $SO THEY FIGHTING TRIBAL 
WAR/@ $AND THEY SAYING, ($IRON, LIKE
A LION, IN $ZION/@ $IRON, LIKE A 
LION, IN $ZION)/@ $IRON, LION, 
$ZION/@ 
  #D/ $I.M ON THE RUN, BUT $I DON.T 
GOT NO GUN/@ $SEE, MY BROTHERS WANT 
TO BE THE STARS,@ $SO THEY FIGHTING 
TRIBAL WAR/@ $AND THEY SAYING, ($I-
RON, LIKE A LION, IN $ZION/@ $IRON, 
LIKE A LION, IN $ZION)/@ $STEAL THEM
OFF OF ME/ $IRON, LION, $ZION/@@ 





         $IS THIS LOVE           #BI
  $EDIZ. $FIFTY-$SIX $HOPE, #AIGG

   MODERATE REGGAE ?DD=;4D* 3#D/  
  #, '.@INTRO VX_JE6H"C'-<& 8F_JEFV 
VXDF8J"C'-_Y WH$DJH$DJ'-_[
  #; <; #A/ $I WANNA LOVE
 '.!8X_JE6H"C'-<& 8F_JEFV M'-_Y 
UJE='-_R_O!,3Q2K.
  #: <; =#B/, #C/= YOU AND TREAT YOU
RIGHT/ $I WANNA LOVE
 '. 0 @VERSE 2=$6VU'-<& V!8WIH"C'-_Y
8VJE='-_R_O!,3>Q
  #/ <; YOU EVERY DAY AND EVERY 
NIGHT/ $WE.LL BE TOGETH-
 '.$6VU'-<& UV;!JJI 89JEJH"C'-_Y 
8W5JE'-_R_O!,3>Q
  #? <; ER WITH A ROOF RIGHT OVER 
OUR HEADS/ $WE.LL SHARE THE SHEL-
 '.$6VU'-#D UV!HH $66DEFE"C 5W5JE"C
  #,-; <; TER OF MY SINGLE BED/ 
$WE.LL SHARE THE SAME,
 '.$EFVU'-#D M !89WIH"C 8W5JE"C
  #; <; ROOM, $JAH PROVIDE THE 
BREAD/ $IS THIS
 '.$EFVU'-<& M 666FEA'-_Y 
YAJ.V;VW4'-_[
  #: <; LOVE, **IS THIS LOVE,*   #CJ
THAT $I.M FEELIN.? $IS THIS
 '.;$5W4='-<] ;5W4;54W D4.U'-<^ 
U;VW$6
  #/ <; LOVE, **IS THIS LOVE,* THAT 
$I.M FEELIN.?
 '.;$5W$6='-#D ;5W$6;54W E4.U M
  #? <; $I **WANNA KNOW,* NOW/ =#B/ 
$OH, **YES $I KNOW,* NOW/=
 '.M'-!S!W_4 M'-_O@NC.2K. 
X@BRIDGE$EDJ4!FH'-_Y WFHW9
  #+ <; $I **GOT TO KNOW,* NOW/ =#B/
$OH, **YES $I KNOW,* NOW/=
 '.M'-!S!W_4 M'-_O@NC. X$GFE6ED'-<] 
5DJ4W
  #= <; $I, $I.M WILLING AND ABLE, 
SO $I THROW MY
 '.$EF=.= 5XEEDJD 4VU'-<^ UVXD 
WV;VWW'-<&
  #( <; CARDS ON YOUR TABLE/ #B/ $I 
WANNA LOVE
 '.$6V!WHJ 9VU'-_O_N 
#,.U!JE='-!T!S2; 
  <; #C/ $SEE, $I WANNA LOVE
 '.#;.X$5.JE='-!T!S2K @DAL 0 AND 
FADE 

           $JAMMIN.              #CA
  $EDIZ. $FIFTY-$SIX $HOPE, #AIGG

   MODERATE REGGAE ?DD=;4D* 33#D/  
  #, <; $OOH YEAH;
 '.@INTRO.M'-<] M'-_&'\ #,.M'-_[ 
VX$H"C[G.V'-3<%2;
  #; <; WELL ALRIGHT/ #A/ $WE.RE JAM
-MIN. =#B/, #D/ $SEE ADDITIONAL LY-
RICS=
 '.#;.M'-_[ X.$ZHG"C7XD'-3<% 0 
@CHORUS 2=$F5.U'-<] M'-_&'\
  #: <; $I WANNA JAM IT WITH YOU/ 
$WE.RE JAMMIN., JAMMIN. $AND $I
 '.X$EEEEFGF"C'-_[ 6VVX!J'-3<% 
$F7.VXF"C'-<] F7.XE5'-_&'\
  #/ <; HOPE YOU LIKE JAMMIN., TOO/ 
#A/ $AIN.T NO RULES, =#B/, #C/ $SEE 
ADDITIONAL LYRICS= AIN.T NO VOW, WE 
CAN DO
 '.$HE5E6F"C'-_[ 6VXGGG"C'-3<%2K. 
@VERSE $GEJE"CEJEG'-<T_P'\
  #? <; IT ANYHOW/ $I AND $I WILL 
SEE YOU THROUGH/ .$CAUSE EVERY
 '.$IGEG"C5V'-<T_P'\ FEEJE6F"C'-_[ 
6VX!J;$GGG'-3<%
  #+ <; DAY WE PAY THE PRICE WE ARE 
THE LIVING SACRIFICE, JAMMIN.    #CB
TILL THE JAM IS THROUGH/
 '.$GEFG5;JJE'-<T_P'\ GIGE7V'-<T_P'\
FEEEEF"CF&Z'-_[ @TO CODA 0L
  #= <; #B/ $WE.RE #C/ $WE.RE ***JAM
-MIN.*/ $AND WE.RE
 '.#,$4VVXJ'-3<%2; #;$4VVXJ'-3<%2K. 
@CHORUS $F5.E5.'-<] F6.GGEE'-_&'\
  #( <; JAMMIN. IN THE NAME OF THE 
$LORD $WE.RE *JAMMIN.,*
 '.$HEEEEFGF"C'-_[ 6VVX!J'-3<% 
$F7.E5.'-<]
  #,-; <; *JAMMIN.*/ $WE.RE JAMMIN. 
RIGHT STRAIGHT FROM YARD/
 '.$F6.G7E'-_&'\ HH8H8G"C'-_[ 7VU!
'-3<%2K.
  #; <; $HOLY $MOUNT $ZION; $HOLY 
$MOUNT $ZION/
 '.@INTERLUDE.U!JCDEJ"C'-<] J$6.5V!
'-<& U!JCDEJ"C'-#B J$6.7V
  #: <; $JAH SITTETH IN $MOUNT $ZION
AND RULES ALL
 '.VX$G7FE'-<T@NC. 45WV 
VX$GGF"C;F5'-<T@NC.
  #/ <; CREATION/ $YEAH, *WE.RE* JAM
-MIN. #D/ $BOP-CHU-WA-WA
 '.$DF"C;F7E!9. VXIJW.'-<] U$GGFE!
'-_&'\2K. @D.0 AL @CODA          #CC
  #? <; $WE.RE *JAMMIN.*,
 '.0L @CODA.$4VVXI'-3<% @OUTRO 2=@W.
VOC. AD LIB.$F5.E5.'-<]
  #+ <; *JAMMIN.*/ $I WANNA JAM IT 
WITH YOU/ $WE.RE
 '.$F6.G7.'-_&'\ XEEEEFGF"C'-_[ 
6VVX!J'-3<%
  #= <; JAMMIN., **WE.RE JAMMIN., 
WE.RE JAMMIN.*, WE.RE JAMMIN./
 '.;$GGG;EEE='-#D ;GGG;EEE;GGG;E5
  #( <; $HOPE YOU LIKE JAMMIN., TOO/
$WE.RE
 '.$HG6F7F"C 6VVX!J2; @REPEAT TO 
FADE
  
  _$CHORUS #B/ $WE.RE JAMMIN.,@ $TO 
THINK THAT JAMMIN. WAS A THING OF 
THE PAST/@ $WE.RE JAMMIN.,@ $AND $I 
HOPE THIS JAM IS GONNA LAST/@ 
  #B/ $NO BULLET CAN STOP US NOW, WE
NEITHER BEG NOR WE WON.T BOW@ $NEI-
THER CAN BE BOUGHT NOR SOLD/@ $WE 
ALL DEFEND THE RIGHT, $JAH $JAH CHIL
-DREN MUST UNITE,@ $FOR LIFE IS 
WORTH MUCH MORE THAN GOLD/@ 
  _$CHORUS #D/ $BOP-CHU-WA-WA-WA/ 
$WE.RE JAMMIN./@ $I WANNA JAM    #CD
IT WITH YOU/@ $WE.RE JAMMIN.,@ $AND 
JAM DOWN, HOPE YOUR JAMMIN., TOO/@ 
  #C/ $JAH KNOWS HOW MUCH $I.VE 
TRIED, THE TRUTH CANNOT HIDE,@ $TO 
KEEP YOU SATISFIED/@ $TRUE LOVE THAT
NOW EXISTS IS THE LOVE $I CAN.T 
REIST,@ $SO JAM BY MY SIDE/@@ 

        $LIVELY UP YOURSELF
  $EDIZ. $FIFTY-$SIX $HOPE, #AIGE  

BRIGHT REGGAE SHUFFLE ?DD=;4D* 33#D/
  #, <; $OH,
 '.@INTRO M'-$Z M'-$[ M'-$Z 
#,#;#:.M'-$[2; #/.UVX$E'-$[
  #; <; LIVELY UP YOURSELF AND DON.T
BE NO DRAG/ 
 '.@CHOUS$7GG"CG7H"C'-$Z 8.E;665'-$[
QU'-$Z M'-$[
  #: <; $LIVELY UP YOURSELF, REAGGE 
IS ANOTHER BAG/ 
 '.$7GG"CG7H"C'-#D REEFE GG5U M
  #/ <; $LIVELY UP YOURSELF AND 
DON.T SAY NO/ 
 '.$7GG"CG7H"C'-$Z 8XE6EG"C'-$[ 
QU'-$Z M'-$[
  #? <; $LIVELY UP YOURSELF      #CE
.CAUSE $I SAID SO/ $YOU, WHAT YOU 
GONNA DO? #A/ $YOU 
 '.$7GG"CG7H"C'-#D 8X!I$E5E"C OVXI 
IIHH7X!I2K.
  #+ <; =#B/= ROCK SO, YOU ROCK SO, 
LIKE YOU NEVER DID BEFORE/ $YOU 
 '.0 @VERSE $5E!I$57'-$Z UVEE'-$[ 
GEGGO'-$Z UVX!I'-$[
  #= <; DIP SO, YOU DIP SO TILL YOU 
DIP THROUGH MY DOOR/ $YOU 
 '.$5E!I$57'-#D UVHH ;887IAHV UVX!I
  #,-; <; SKANK SO, YOU SKANK SO, OH
YEAH/ $YOU 
 '.$5E!I$57'-#D UVXH"C H7.U UVX!I
  #; <; COME SO, YOU COME SO, COME 
ALIVE TODAY/ $AND 
 '.$5E!I$57'-#D VIH7EE"C OU UVXE2K. 
@TO CODA 0L
  #: <; LIVELY UP YOURSELF *A-LOT-A,
A-LOT-A* 
 '.@CHORUS $7GG"CG7H"C'-$Z RUXE'-$[ 
D5ED5E'-$Z D5ED5.'-$[ 
  #? <; LIVELY UP YOURSELF, DID YOU 
KNOW, DID YOU KNOW?
 '.$7GG"CG7H"C'-#D RVGH SVGH SU
  #? <; $LIVELY UP YOURSELF, .CAUSE 
IF YOU DON.T DO IT, AIN.T NOBO-  #CF
DY GONNA DO IT FOR YOU/ 
 '.$7GG"CG7H"C'-#D 8.EGG= 7.I"CIHHH 
HH;IHGS
  #+ <; $LIVELY UP YOURSELF AND 
*DON.T BE NO, DON.T BE NO*, NO 
DRAG/
 '.$7GG"CG7H"C'-#D 8.!J5EE 4EE= 
4EEE5.
  #= <; $WHAT YOU GOT THAT $I DON.T 
KNOW? 
 '.X$IHGU'-#D VXFF5G"C QU M
  #( <; $I.M ATRYIN. TO WONDER, WON-
DER WHY YOU, *WONDER* WHY YOU 
 '.;V$87;887'-#D H8.VHG H8.VXH"C 
H8.HH=
  #* <; ACT SO AND DON.T BE NO 
DRAG/
 '.$95U'-$Z VXE6FE'-$[ QU'-$Z M'-$[
  #,-: <; $LIVELY UP YOURSELF, FOR 
REGGAE IS ANOTHER BAG/ #B/ $YOU.RE 
GONNA 
 '.$7GG"CG7H"C'-$Z 8.!JEEFE'-$[ 
GG5U'-$Z UXHH1G'-$[2K. @DAL 0 AL 
@CODA 0L
  #; <; $LIVELY UP YOURSELF, YOUR WO
-MAN IN THE MORNING TIME, Y.ALL/ 
 '.@CODA @CHORUS $7GG"C7H"C'-$Z  #CG
8HHHG='-$[ H9E"CO'-$Z
  #: <; $KEEP A LIVELY UP YOURSELF 
AND WHEN THE EVENING COME AND TAKE 
YA, 
 '-M'-$[ $IIHGHG='-$Z IIHGHG='-$[
  #/ <; **TAKE YA*/ $COME ON BABY, 
 '.X$H7"CG8G'-$Z G8I"CS'-$[ 
XE5E5.'-$Z
  #? <; $I WANNA BE LIVELY MYSELF/ 
 '.VX!IJEEG"C'-$[ GGGE"CO'-$Z M'-$[ 
  #+ <; $COME ON BABE, $I WANNA BE 
LIVELY MYSELF/ 
 '.X!I$5O'-$Z VX!IJEEG"C'-$[ 
GGGE"CO'-$Z M'-$[
  #= <; $LIVELY UP YOURSELF/ 
 '.$7GG"CG7H"C'-$Z RU'-$[ M'-$Z 
M'-$[
  #( '.M'-$Z M'-$[ #B2K.
  #* '-@OUTRO 2=.M'-$Z M'-$[2; @PLAY
#G TIMES M'-_4_O. M2L'-_Z2K2






       $NO WOMAN NO CRY          #CH
   $W. AND $M. BY $VINCENT $FORD
  $EDIZ. $FIFTY-$SIX $HOPE, #AIGD

         RELAXED REGGAE #D/  
  #, '.@INTRO.M'-_[ 2=.M'-_N_R!,>T 
M'-<S_Q M'-_N_7_4 M'-_N_R2; @PLAY 
FOUR TIMES
  #; <; *$NO, WOMAN, NO CRY/*
 '.@CHORUS.2=.VX$DJDJI'-#D M 
V$FXGFGD M
  #: <; *$NO, WOMAN, NO CRY/*
 '.VX$DJEXD'-#D#C 9VU V$FXGFGD
  #/ <; $SAID, SAID/ $SAID $I REMEM-
BER WHEN WE USED TO SIT
 '.UX$DXD'-_N_R2K. 0 @VERSE V;X$FF!
HH6'-_N_R!,>T F&&"CFY^U'-!S_Q
  #? <; $IN THE GOVERNMENT YARD IN 
$TRENCHTOWN $OBA, $OBSERVING THE
 '.V$&FFF5F.!]'-#B E4.U V&FFF8F.%!
'-_N_R!,>T
  #+ <; HYPOCRITES AS THEY WOULD MIN
-GLE WITH THE GOOD PEOPLE WE MEET,
 '.$HF4VM![$YZ'-!S_Q VX&&;FFF;GFE!
'-#B 4VU
  #,-; <; GOOD FRIENDS WE HAD OH 
GOOD FRIENDS WE.VE LOST ALONG THE 
WAY/                             #CI
 '.VX$&["CHH[FDD'-#B HHFYC^U 
VX$F5DF"C'-_N_R!,>T
  #; <; $IN THIS BRIGHT FUTURE YOU 
CAN.T FORGET YOUR PAST
 '.$6VU'-!S_Q VFHH[&V'-_N_R!,>T 
GHFHFDV'-!S_Q
  #: <; SO, DRY YOUR TEARS, $I SAY/ 
$AND
 '.VM$&Z&GA6!J"C'-_N_R!,>T @TO CODA 
0L #,!JDVV8'-!S_Q2;

  ?#B/ $NO, WOMAN, NO CRY/*@ $HERE, 
LITTLE DARLIN., DON.T SHED NO 
TEARS/@ $NO, WOMAN, NO CRY/@ $SAID 
$I REMEMBER WHEN WE USED TO SIT@ $IN
THE GOVERNMENT YARD IN $TRENCHTOWN/@
$AND THEN $GEORGIE WOULD MAKE A FIRE
-LIGHT@ $AS IT WAS LOGWOOD BURNIN. 
THROUGH THE NIGHT/@ $THEN WE WOULD 
COOK CORN MEAL PORRIDGE@ $OF WHICH 
$I.LL SHARE WITH YOU/@ $MY FEET IS 
MY ONLY CARRIAGE/@ $SO, $I.VE GOT TO
PUSH ON@ 

  <; THROUGH, $BUT WHILE $I.M GONE, 
$I MEAN...
'.#;!JDM^YZF.Y5'-!S_Q2K.         #DJ
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 '.$DDDID4E"C'-!Z EFVU'-_[       #DC
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           $ONE LOVE             #DD
  $EDIZ. $FIFTY-$SIX $HOPE, #AIFH

     RELAXED REGGAE BEAT 333#D/  
  #, '.@INTRO.V$D.Y"CN'-_^ 
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WAS IN THE BEGINNING, =$ONE LOVE/=@ 
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0 AL 0L @POI CODA

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  #B/ $LET.S GET TOGETHER TO FIGHT 
THIS $HOLY $ARMAGEDDON, =$ONE LO-
VE/=@ $SO WHEN THE MAN COMES THERE 
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$HAVE PITY ON THOSE WHOSE CHANCES 
GROW THINNER/@ $THERE AIN.T NO HI-
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          $REDEMPTION SONG
  $EDIZ. $FIFTY-$SIX $HOPE, #AIHJ

          MODERATELY 3#D/  
  #, '._8.IW8'-@NC. !465W 8.IJ5J 49R
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  #: <; PIRATES, YES, THEY ROB $I/ 
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#C/ SEE ADDITIONAL LYRICS=
 '.0 @VERSE 2=$54;W45'-_[ 
5VVXF"C'-<& FF"CF&ZDWD"C'-_N$K_R!,>T
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DEMPTION
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SONGS,
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IT/@ $WE.VE GOT TO FULFILL THE 
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            $SOUL REBEL
  $EDIZ. $FIFTY-$SIX $HOPE, #AIGA

       MODERATE RAGGAE 333#D/  
  #, '.@INTRO!]]XM%]YJ.%"C7'-<] = 
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SEE THE MORNING SUN,
 '.#;.M2K. @VERSE V$D&&"CF%&"C6'-_^ 
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YOU.RE NOT LIV-
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  $EDIZ. $FIFTY-$SIX $HOPE, #AIGG  

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TO YOU
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