$S $U $O $N $I $RIVISTA BIMESTRALE DI MUSICA $NOVEMBRE-$DICEMBRE #BJAI N. #II $ANNO $XXIII $BOB $MARLEY =#AIDE-#AIHA= $DIR. RESP.: $PIETRO $PISCITELLI $REDATTORE $MATTEO $BONETTI $SEGR. DI REDAZ. $GIANLUCA $CASALINO $REGISTRAZIONE $TRIB. $MONZA #AD-#AJ-#BJAE N. #AF $STAMPATO IN $BRAILLE A CURA DELLA $BIBLIOTECA $ITALIANA PER I $CIECHI VIA $G. $FERRARI, #E\$A $TEL. #JCI-#BH.CB.GA - #BJIJJ $MONZA - #BJAI $COPIA IN OMAGGIO $INDICE #B $AFRICA UNITE.....................#C $BUFFALO $SOLDIER.................#F $COMING IN FROM THE $COLD........#AJ $CONCRETE $JUNGLE................#AC $COULD YOU BE LOVED..............#AF $EXODUS..........................#AH $GET UP STAND UP.................#BA $I SHOT THE SHERIFF..............#BD $IRON $LION $ZION................#BF $IS THIS LOVE....................#BI $JAMMIN..........................#CA $LIVELY UP YOURSELF..............#CD $NO WOMAN NO CRY.................#CH $ONE DROP........................#DA $ONE LOVE........................#DD $REDEMPTION SONG.................#DF $SOUL REBEL......................#DI $THREE LITTLE BIRDS..............#EA $AFRICA UNITE #C $W. AND $M. $BOB $MARLEY =*= $EDIZ. $FIFTY-$SIX $HOPE, #AIGI MODERATE REGGAE 3_C #, '.;V!W5 &ZF"C6"CFEFE'-_R_O ]^J"CT.'-!& ]^J"CW"CJIHG'-_R_O &ZF"CPJE'-!& #; '.$&ZF"C6"CFEFE'-#D ]^J"CT. ]^J"CW"CJIHG &ZF"CP.2K. #: <; $AFRICA, UNITE, .CAUSE WE.RE MOVING RIGHT OUT OF $BABY- '.@CHORUS V!HJ9$EF'-_R_O UV!FH'-!& ;99W;5WIH'-_N_O #/ <; LON, AND WE.RE GOING TO OUR FATHER.S LAND/ '.!RVFH'-!& ;99W;5AWIH'-_N_O RU'-!& M2K. #? <; #A/ $HOW GOOD AND HOW PLEA- SANT IT WOULD BE, BEFORE $GOD AND =#B/ SEE ADDITIONAL LYRICS= '.0 @VERSE VX!H;$65W'-_[ ;555"C! EJ$6'-_Z VXE;665'-!& #+ <; MAN, YEAH, TO SEE THE UNIFI- CATION OF ALL '.$NXJAIAH'-$Y VXJ$6EE"C'-_[ EEJ$F"CFEDE'-_Z =*= $BOB $MARLEY, AUTORE DI #D TUTTI I BRANI, SALVO DIVERSA INDICA- ZIONE/ #= <; $AFRICANS, YEAH/ $AS IT.S BEEN SAID ALREADY, '.UX!WI'-!& RX9.'-$Y U;$65W'-_[ $6.EF8.'-_Z #( <; LET IT BE DONE, YEAH/ $WE A- RE THE CHILDREN OF THE '.U;V$66'-#D ;5NXW. U$F5J $654W #,-; <; $RASTAMAN/ $WE ARE THE CHILDREN OF THE '.UX!WI'-#D RU U$F5J $654W #; <; HIGHER MAN/ $AFRICA, UNITE, .CAUSE THE '.UX!WI'-!& RU'-$Y2K. 0L @TO CODA @CHORUS V!HJ9$EF'-_R_O UVFG'-!& #: <; CHILDREN WANNA COME HOME, **YEAH*/ $AFRICA, UNITE, '.$88GFEF"C'-#B F!WH"CHW. VHJ9$EF! '-_R_O #/ <; .CAUSE WE.RE MOVING RIGHT OUT OF $BABYLON, AND WE.RE '.UV!FH'-!& ;99W;5WIH'-_N_O RVFH! '-!&2K. @DAL 0 AL 0L @CODA #? <; GROOVING TO OUR FATHER.S LAND/ #E '.;!99W;5AWIH'-#B PU M2K. #+ <; $WE ARE THE CHILDREN OF THE HIGHER '.@CODA 0L U$F5J'-_[ $654W'-_Z U! XWI'-!& #= <; MAN/ $AFRICA, UNITE/ '.!RU'-_Y 2=.V@OUTRO @W. VOC. AD LIB.!HJ9$EF'-_R_O M'-!& #( <; $AFRICA, UNITE/ $UNITE FOR THE BENEFIT OF '.V!HJ9$EF'-_R_O UV5'-!& 8HHHGGF! '-#D #* <; YOUR PEOPLE/ $UNITE FOR IT.S LATER THAN YOU THINK/ '.$G7FV!9 WJE;4W9 ;8RU2; @REPEAT AND FADE #B/ $HOW GOOD AND HOW PLEASANT IT WOULD BE,@ $BEFORE $GOD AND MAN,@ $TO SEE THE UNIFICATION OF ALL $RA- STAMAN, YEAH/@ $AS IT.S BEEN SAID AL -READY, LET IT BE DONE, YEAH/@ $I TELL YOU WHO WE ARE UNDER THE SUN/@ $WE ARE THE CHILDREN OF THE $RASTA- MAN/@ $WE ARE THE CHILDREN OF THE HI -GHER MAN/@@ $BUFFALO $SOLDIER #F $W. AND $M. BY $NOEL $G. $WILLIAMS AND $BOB $MARLEY $EDIZ. $MUSIC $SALES, #AIHC MODERATE REGGAE ?DD=;4D* 333#D/ #, <; $BUFFALO SOLDIER, DREADLOCK $RASTA; $IT WAS A '.@VERSE $DD4W4'-_^ M 44W9'-3!% UXDFG'-_^ #; <; BUFFALO SOLDIER IN THE HEART OF $AMERICA/ '.$DD4W4 UVIJ 4DEDJ9'-3!% M'-_^ #: <; $STOLEN FROM $AFRICA, BROUGHT TO $AMERICA; '.$4DJDJ4 M 4DEDJ9'-3!% M'-_^ #/ <; FIGHTING ON ARRIVAL, FIGH- TING FOR SURVIVAL, $I MEAN IT/ '.$DD=W4 M DDDEDAJ9 VXDFGV2K. #? <; $WHEN $I ANALYZE THE STENCH, TO ME IT MAKES A LOT OF SENSE =SEE ADDITIONAL LYRICS= '.@BRIDGE X$G"C%F%FG='-_O_S M'-_O3!N XGIG6X!G'-_S_P IJ4U'-3!% #+ <; HOW THE FREADLOCK RASTA WAS THE BUFFALO SOLDIER/ #B/ $AND HE WAS '.X$7FG6G"C'-_O_S G7.U'-_O3!N #G #,.X$9$DJGIJ"C'-_S_P JIVXDFG'-3!%2; #= <; WHO THE HECK DO $I THINK $I AM/ #C/ $I.M JUST A BUFFALO SOLDIER IN THE '.#;.X$IAGF7!II'-_S_P DJ9! XDFG'-3!%2K. @VERSE $DD4W4"C'-_^ 4VVIJ #( <; HEART OF $AMERICA, STOLEN FROM $AFRICA, '.$4DEDJ9'-3!% M'-_^ 4DJ=4 M #,-; <; BROUGHT TO $AMERICA/ $SAID HE WAS FIGHTING ON ARRIVAL, '.$4DEDJ9'-3!% UDF7'-_^ DD=W4 M #; <; FIGHTING FOR SURVIVAL/ $SAID HE WAS THE BUFFALO SOLDIER, IN THE '.$DDDEDAJ9'-#D UDFFG DD4W4 UVIJ #: <; WAR FOR $AMERICA/ $SINGING: *WO, YO, YO*, YO '.$4DEDJ9'-#D UDFV 976XI"C ^I.76V #/ <; $WO, **YO, YO,* YO/ *$WO, YO, YO*, YO/ '.$976ED"C DDW9V'-_9_5_S $976XI"C! '-_^ ^I.76V #? <; $WO, **YO, YO,* YO/ $BUFFALO SOLDIER TRODDING THROUGH THE '.$976ED"C DADW9V'-_9_5_S2K. @INTERLUDE $DD44!7'-3!% U$DJJI #H #+ <; LAND/ $SAID YOU WANNA RUN AND THEN YOU MAKE A STAND/ $TRODDING THROUGH THE '.!W.AI"C9V'-_Z UIJJI'-3!Y 4XIJIJG! '-3!% 9VDJJI #= <; LAND, YEAH/ #D/ $SAID HE WAS A BUFFALO SOLDIER, IN THE =#E/ SEE ADDITIONAL LYRICS= '.!JA9.VGAFA'-_Z GAIVDFFG'-3!N_P2K. 0 @VERSE $DD4W4'-_^ UVIJ #( <; WAR FOR $AMERICA, BUFFALO SOLDIER, DREADLOCK $RASTA/ '.$4IIJD9'-3!% M'-_^ DD4W4 M 44W9! '-3!% #* <; $FIGHTING ON ARRIVAL, FIGH- TING FOR SURVIVAL, '.M'-_^ DD=W4 M DD=W9'-3!% M'-_^ #,) <; DRIVEN FROM THE MAINLAND TO THE HEART OF THE $CARIBBEAN/ $SIN- GING: '.$DD=54 UVIJ 4DDEDJI'-3!% UDFV! '-_^2K. #,-: <; $WO, **YO, YO*/ $WO, *YO, YO,* '.@OUTRO 2=$976XI"C'-_^ ^I.76V 97! 6ED"C #; <; **YO, YO, YO* #I '.#,$DDW9V'-_9_5_S2; #;$DDW9V'-=2K. @DAL 0 #:$DDW9V'-_9_5_S2; @REPEAT AND FADE #B/ $AND HE WAS TAKEN FROM $AFRI- CA, BROUGHT TO $AMERICA,@ $FIGHTING ON ARRIVAL, FIGHTING FOR SURVIVAL/@ $SAID HE WAS A BUFFALO SOLDIER, DREA -DLOCK $RASTA,@ $BUFFALO SOLDIER IN THE HEART OF $AMERICA/@ $BRIDGE/ $IF YOU KNOW YOUR HISTO- RY,@ $THEN YOU WOULD KNOW WHERE YOU.RE COMING FROM/@ $THEN YOU WOULDN.T HAVE TO ASK ME@ $WHO THE HECK DO $I THINK $I AM/@ #E/ $TRODDING THROUGH $SAN $JUAN IN THE ARMS OF $AMERICA/@ $TRODDING THROUGH $JAMAICA, THE BUFFALO SOL- DIER/@ $FIGHTING ON ARRIVAL, FIGH- TING FOR SURVIVAL/@ $BUFFALO SOL- DIER, DREADLOCK $RASTA/@@ $COMING IN FROM THE $COLD #AJ $EDIZ. $FIFTY-$SIX $HOPE, #AIHJ MODERATE REGGAE #D/ #, '.@INTRO.#DM'-_Y #; <; $IN THIS LIFE, '.#CM'-_% #,.M2; #;.UX$DEF2K. #: <; *IN THIS LIFE,* IN THIS OH SWEET LIFE WE.RE '.@CHORUS.UX$DEF'-_Y = UXDEF"C 654W #/ <; COMING IN FROM THE COLD/ $WE.RE '.!II99JD"C'-_% NU M UVX!H #? <; COMING IN, *WE.RE COMING IN, WE.RE COMING IN,* WE.RE COMING IN, WE.RE '.$DD=.='-_Y = = #+ <; COMING IN, WE.RE COMING IN FROM THE COLD/ #A/ $IT.S YOU '. $DD=FF6 U7FD"C'-_% NU M UX!8$D"C2K. #= <; *IT.S YOU,* $I.M TALKIN. TO/ $WELL, IT.S YOU '.0 @VERSE $4VX!8$D"C'-_Y 4VX6G"C G5D"CDWD'-_Q_R 4V4DD"C'-_Y #( <; *YOU,* $I.M TALKING TO NOW/ '.$4VVXDA'-!^ EA4.VXG"C G5D"CDWE"C! '-_Q_R E4.U'-_N!P #AA #,-; <; $WHY DO YOU LOOK SO SAD AND FORSAKEN? '.U;!9W4'-!^ ;564"C4V U5JE"C'-_Q_R E4.U'-_N!P #; <; $WHEN ONE DOOR IS CLOSED, DON.T YOU KNOW ANOTHER IS OPENED? =#B/ MANY MORE IS OPENED= '.U;!9W4'-!^ 56;549 VXI$EDJE"C! '-_Q_R EW.U'-_Y #: <; $WOULD YOU LET THE SYSTEM MA -KE YOU KILL YOUR BROTHER MAN? =#B/ $WOULD YOU LET THE SYSTEM GET ON TOP OF YOUR HEAD AGAIN?= $NO DREAD, NO+ '.V!IJDE='-_% FFEDED9 $O4.I"C'-!Z 9VU #/ <; $WOULD YOU MAKE =#B/ LET= THE SYSTEM MAKE YOU KILL YOUR BRO- THER MAN? $NO, DREAD, NO+ '.V!IJDE='-#D FFGHFF4 O4.I"C 9VU #? <; $WOULD YOU MAKE THE SYSTEM GET ON TOP OF YOUR HEAD AGAIN? $NO, DREAD, NO+ $WELL, '.V!IJDE='-#D FFZZFED9 $O4.I"C 9VX$5. #+ <; THE BIGGEST MAN YOU EVER DID SEE WAS, WAS JUST A BABY/ $IN THIS '.X!H$EE"CE5!H'-_[ $EE5345 #AB X53D5DE"C E8.X1D52K. #= <; LIFE, IN THIS LIFE, *IN THIS* LIFE, OH SWEET LIFE '.@CHORUS!HAAGFGAR'-_Y X$DEFXD5 XDEFVXF"C 654V #( <; COMING IN FROM THE COLD/ $WE.RE '.!II99JD"C'-_% Y M UVX!H #* <; COMING IN, *WE.RE COMING IN,* WE.RE *COMING IN,* '.$DD=.='-_Y DD=DE6 VXI"CIF4 #,-: <; WOO, COMING IN FROM THE COLD/ '.X$4.U II99JD"C'-_% Y M @TO CODA 0L #; <; *$IT.S LIFE, IT.S LIFE,* IT.S LIFE '.UX!8$D X!8$D='-_Y = #: <; IT.S LIFE, IT.S WOAH WELL, COMING IN FROM THE COLD/ '.X!8$DX!HV V$4X6. !II99JD"C'-_% Y #/ <; *$WE.RE COMING IN,* WE.RE '.M UVX!H $DD=.='-_Y #? <; COMING IN, WE.RE COMING, WOO, *COMING IN,* '.$DD==4 U!HH8 = #+ <; COMING IN FROM THE #AC COLD/ #B/ $IT.S YOU '.!II99JD"C'-_% Y M UX!H$4"C2K. @DAL 0 AL 0L @CODA #= <; *$WE.RE COMING IN, WE.RE CO- MING IN,* WE.RE '.@CODA 0L UVX!H 2=@AUTRO-@CHORUS! $DD=.='-_Y = #( <; COMING IN, WE.RE COMING IN, WHOA, YEAH, COMING IN FROM THE COLD/ '.$DD==4 4VFAEADAJ II99JD"C'-_% #* <; $WE.RE '.$Y M UVX!H2; @REPEAT AND FADE $CONCRETE $JUNGLE $EDIZ. $FIFTY-$SIX $HOPE, #AIHJ MODERATE REGGAE 3#D/ #, '.@INTRO M'-!& M'-!^ M'-!& M2; #; <; #A/ $NO SUN WILL SHINE IN MY DAY TODAY =$NO SUN WILL SHINE/= =#B/ SEE ADDITIONAL LYRICS; #C/ INSTRUMEN -TAL= '.2=.@VERSE U!6HJ'-#D 9V9IH"C H^]"CWU FFEF"C6V #: <; $THE HIGH YELLOW MOON WON.T COME OUT TO PLAY/ =$WON.T COME #AD OUT TO PLAY/= '.VX!E6H.] 9V$F.&E.&'-!^ QU'-_Z !III[^"C9V #/ <; $DARKNESS HAS COVERED MY LIGHT/ =$AND HAS CHANGED/= $AND HAS CHANGED MY DAY INTO NIGHT/ '.U$6HF'-_Y HHF!J"CWV'-!& DD4! FG8'-#B &H["CH&!]"CWV #? <; $NOW WHERE IS THIS LOVE TO BE FOUND, WON.T SOMEONE TELL ME? #A/, #C/ $CAUSE '.VX$E8FE'-_[ PV;X!HJ OU'-_Z VE&%! I.["CH&A!]2K. #+ <; LIFE MUST BE SOMEWHERE TO BE FOUND, YEAH/ $INSTEAD OF A CONCRETE '.@CHORUS!WVV;XEE'-!& F4.V;XDJ'-!^ $6!H.A]"CWV'-!& XF;FFE67'-!P! $K_4!,>5$K5$K_5 8HFHFXF'-!& H&AZAWV$FG'-!^ #: <; JUNGLE NOW/ '.$H%&"C6U'-!& M'-!P$K_4!,>5$K_5 2=.M'-!& M'-!S._5 #/ '.M'.!& #,.M'-!P$K_4!,>5$KW$K_5 M'-!&2K #B/ $NO CHAINS AROUND MY FEET, BUT $I.M NOT FREE/@ $I KNOW $I AM BOUND HERE IN CAPTIVITY/@ $AND $I.VE NEVER KNOWN HAPPINESS,@ $AND $I.VE NEVER KNOWN SWEET CARESSES/@ $STILL, $I BE ALWAYS LAUGHING LIKE A CLOWN/@ $WON.T SOMEONE HELP ME?@ $CHORUS #B/ .$CAUSE $I.VE GOT TO PICK MYSELF FROM OFF THE GROUND, YEAH/@ $IN THIS HERE CONCRETE JUN- GLE/@ $I SAY, WHAT DO YOU GOT FOR ME, NOW?@ $CONCRETE JUNGLE, OH, WHY WON.T YOU LET ME BE, NOW?@@ #AF $COULD YOU BE LOVED $EDIZ. $FIFTY-$SIX $HOPE, #AIGI MODERATELY BRIGHT REGGAE 33#D/ #, <; $COULD YOU BE LOVED '.2=.@INTRO M'-!] M2; U@CHORUS$EF! GG"C'-_Z Q.V'-<] #; <; AND BE LOVED? #A/ $DON.T LET THEM FOOL YOU =#B/ SEE ADDITIONAL LY -RICS= '.UX$EGF"C'-_[ FE"COV'-_Z2; 0 @VERSE UX$EFG'-!] GGVU #: <; OR EVEN TRY TO SCHOOL YOU, '.M'-!& M VX.$ZGEFH'-"[ GGVU #,-; <; OH, NO/ $WE.VE GOT A MIND OF OUR OWN/ $SO, GO TO '.UX$8F'-!& M UXEFG'-!] H%&7XEFG #; <; HELL IF WHAT YOU.RE THINKIN. ISN.T RIGHT/ $LOVE WOULD NEVER '.$HH=GGHG'-_R3!Q FCGVU'-!& U7MEFG'-!] #: <; LEAVE US ALONE; IN THE DAR- KNESS THERE MUST COME OUT TO LIGHT/ '.$H%&7VFG 8HHGGHG'-_R3!Q 6VU'-_^2K. @TO CODA 0L #/ <; $COULD YOU BE LOVED AND #AG BE LOVED? '.@CHORUS 2=.U$EFGG"C'-_Z Q.V'-<] UXEGFC"C'-_[ FCEC"COV'-_Z2; #? <; $THE '.@INTERLUDE M'-!] M M UVX.!^ #+ <; ROAD OF LIFE IS ROCKY AND YOU MAY STUMBLE TOO/ $SO '.!JIJ^]"C]]XXI'-<] JI]JZ"C5X.!^ #= <; WHILE YOU POINT YOUR FIN- GERS, SOMEONE ELSE IS JUDGIN. YOU/ '.!JIJ^]"C]]XJI JI]J!ZU #( <; **$COULD YOU BE,* LOVED? =$LOVE YOUR BROTHER MAN/= *$COULD YOU BE,* LOVED? '.!]]J=]JJJV ]]J]JJJ"CWV #,-: <; **$COULD YOU BE,* LOVED? *$COULD YOU BE,* LOVED? '.!]]J=]JJJV ]]J]JJJ"CWV @D.0 AL CODA #; <; $STAY ALIVE, OH/ $COULD YOU BE LOVED '.0L @CODA $G[&"C6XGV 2=@CHORUS U$EFGG"C'-_Z Q.V'-<] #: <; AND BE LOVED? $YOU '.UX$EGFC"C'-_[ #,$FCEC"COV'-_Z2; #;$FCEC"COX!I'-_Z #/ <; AIN.T GONNA MISS YOUR #AH WATER UNTIL YOUR WELL RUNS DRY/ $NO '.!J]]J^]"C]]XXI'-<] J^]"CJJ5X!I #? <; MATTER HOW YOU TREAT HIM, THE MAN WILL NEVER BE SATISFIED/ '.!J^]"CJI]J^JI ]]J]J!ZU2K. #+ <; **$COULD YOU BE,* LOVED? *$COULD YOU BE,* LOVED? '.2=!]]J=]JJJV ]]J]JJJU2; #= <; $SAY SOMETHIN., SAY SOME- THIN./ '.2=@OUTRO @W. VOC. AD LIB. $7&ZXU'-!] 5Y]XU2; @REPEAT AND FADE #B/ $DON.T LET THEM CHANGE YOU@ $OR EVEN REARRANGE YOU, OH, NO/@ $WE.VE GOT A LIFE TO LIVE/@ $THEY SAY **ONLY,*@ THE FITTEST OF THE FIT -TEST SHALL SURVIVE/@ $STAY ALIVE, OH/@@ $EXODUS $EDIZ. $FIFTY-$SIX $HOPE, #AIGG MODERATE RAGGAE #D/ #, <; $EXODUS, MOVEMENT OF $JAH PEO- '.@INTRO.M'-<^2; @PLAY #AB #AI TIMES @CHORUS$6FF"C6V'-<^ M M $66! 5DE"C #; <; PLE, OH YEAH/ $OPEN YOUR EYES AND LET ME TELL YOU THIS/ '.$E4.VX$I"C IAHAFEAN XFEDEDED FD9U2K. #: <; #A/ $MEN AND PEOPLE WILL FIGHT YA DOWN :_$SPOKEN: $TELL ME _WHY/ WHEN YOU SEE $JAH LIGHT/ =#B/, #C/ SEE ADDITIONAL LYRICS= '. 0 @VERSE X$FFE"CEDDF'-<^ !IIVU D4D"CD4I"C 9VU #/ <; $LET ME TELL YOU, IF YOU.RE NOT WRONG/ :_$SPOKEN: $THEN _WHY? EV.RYTHING IS ALRIGHT/ '.X$FHEE4F HFVU VDD=DI #? <; $SO WE GONNA WALK, ALRIGHT, '.U!HIDE 6VU X5D"C4V #+ <; THROUGH THE ROADS OF CREA- TION/ $WE.RE THE GENERATION '.X!III"CIIID"C D9.U $6HEDF6 #= <; :_$SPOKEN: $TELL ME _WHY+ TROD THROUGH GREAT TRIBULATION/ '.M !999II 49U2K. #( <; $EXODUS, MOVEMENT OF $JAH PEO- '.@CHORUS 2=$6FF"C6V'-<^ M M #BJ 665DE"C #,-; <; PLE '.$E4.U @#?TH TIME, TO CODA 0L #,.#CM2; #; '.#;.#CM @DAL 02K. #:.M #: <; =$MOVEMENT OF $JAH PEOPLE=/ $SEND US ANOTHER $BROTHER $MOSES/ =$MOVEMENT OF $JAH PEO- '.$666FH"C H6.U 2=$666FH"C #/ <; PLE/= $GONNA CROSS THE $RED $SEA/ =$MOVEMENT OF $JAH PEOPLE/= $SEN US ANTOHER $BROTHER '.$H6.U 666FH"C #,$H6.U2; #? <; $EXODUS, '.#;$H6.U 2=$6FF"C6V MM #+ <; MOVEMENT OF $JAH PEOPLE/ '.$665DE"C E4.U #CM2; #= <; $EXODUS, $EXODUS/ '.2=$6FF"C6V M 5DD"C4V M2; @PLAY #D TIMES #( <; $MOVE+ $MOVE+ '.2=$6VU M 6VU #,#;.M2; #:.M2K. @DAL 0 AL @CODA 0L @TAKE #,ST ENDING #* <; *$MOVEMENT OF $JAH PEOPLE/* '.@CODA 0L M 2=@OUTRO!999ID"C'-<^ D9.U 999ID"C D9.U2; #,) <; $JAH COME TO BREAK #BA DOWN .PRESSION, RULE EQUALITY, '.;V!99;999 ;49VU 9HIHIV M #,-: <; WIPE AWAY TRANSGRESSION, SET THE CAPTIVES FREE/ '.X$6EE4F !9VU 4ID"CD4I"C 9VU2K. #; <; $EXODUS, MOVEMENT OF $JAH PEOPLE/ '.2=$6FF"C6V M M $665DE"C E4.U #: <; $MOVEMENT OF $JAH PEOPLE; '.#CM2; 2=!999ID"C D9.U2; @REPEAT AND FADE #B/, #C/ $OPEN YOUR EYES, AND LOOK WITHIN/@ $ARE YOU SATISFIED WITH THE LIFE YOU.RE LIVING?@ $WE KNOW WHERE WE.RE GOING/@ $WE KNOW WHERE WE.RE FROM/@ $WE.RE LEAVING $BABYLON,@ $WE.RE GOING TO OUR FATHER LAND/@@ $GET UP STAND UP $W. AND $M. BY $BOB $MARLEY AND $PETER $TOSH $EDIZ. $FIFTY-$SIX $HOPE, #AIGD MODERATELY SLOW REGGAE 22_C #, '.@INTRO_JJV='-@NC. VJDU JJV= M2K. #BB #; <; $GET UP, STAND UP, STAND UP FOR YOUR RIGHT/ '.@CHORUS.2=!JDVEFV'-!Y M !J4F"CF!J4 M #: <; $GET UP, STAND UP, #A/ STAND UP FOR YOUR RIGHT/ =#B/, #C/ DON.T GIVE UP THE FIGHT/= '.!JDVEFV M !J4F"C6!J4 M #/ <; $GET UP, STAND UP, STAND UP FOR YOUR RIGHT/ '.!JDVEFV M !J4F"C6!J4 M #? <; $GET UP, STAND UP, DON.T GI- VE UP THE FIGHT/ '.!JDVEFV M !WDF"CF!J4 M2K. #+ <; #A/ $PREACHER MAN, DON.T TELL ME, HEAVEN IS UNDER THE EARTH/ =#B/, #C/ SEE ADDITIONAL LYRICS= '.@VERSE X$8H7FH"C'-!Y HGA6U FFFE"CEFED"C 4VU #,-; <; $I KNOW YOU DON.T KNOW WHAT LIFE IS REALLY WORTH/ $IS NOT ALL '.VX$H7FG"C G8.VXF"C F6F5FD"C 4VXFGH"C #; <; THAT GLITTERS IS GOLD? $AND HALF THE STORY HAS NEV- '.$87GFFH"C 8VVDH"C H7GF4H #BC #: <; ER BEEN TOLD/ $SO NOW YOU SEE THE LIGHT, AAY/ '.$F7F"C6X!J 4DE"CEE6 VRV #/ <; $STAND UP FOR YOUR RIGHTS/ $COME ON, '.#,#;.$H8G"CGF4"C 4VH7.2; <; STAND UP FOR OUR RIGHT/ $SO YOU.D BETTER '.#:$G6D"CDJ4 VXH"CHFGF2K. #? <; $GET UP, STAND UP, STAND UP FOR YOUR RIGHT/ '.@OUTRO@CHORUS.2=!JDVEFV'-!Y M !J4F"CF!J4 M #+ <; $GET UP/ STAND UP, DON.T GI- VE UP THE FIGHT/ '.!JDVEFV M !WDF"CF!J4 M2; @REPEAT AND FADE #B/ $MOST PEOPLE THINK GREAT $GOD WILL COME FROM THE SKY,@ $TAKE AWAY EV.RYTHING, AND MAKE EV.RYBODY FEEL HIGH/@ $BUT IF YOU KNOW WHAT LIFE IS WORTH,@ $YOU WOULD LOOK FOR YOURS ON EARTH/@ $AND NOW YOU SEE THE LIGHT/@ $YOU STAND UP FOR YOUR RIGHT, YAH+@ #C/ $WE.RE SICK AND TIRED OF YOUR ISM AND SKISM GAME/@ $DIE AND #BD GO TO HEAVEN IN $JESUS. NAME, $LORD/@ $WE KNOW WHEN WE UNDERSTAND/ $ALMIGHTY $GOD IS A LIVING MAN/@ $YOU CAN FOOL SOME PEOPLE SOMETI- MES,@ $BUT YOU CAN.T FOOL ALL THE PEOPLE ALL THE TIME/@ $SO NOW WE SEE THE LIGHT/ $WE GONNA STAND UP FOR OUR RIGHT/@@ $I SHOT THE SHERIFF $EDIZ. $FIFTY-$SIX $HOPE, #AIGD MODERATELY #D/ #, <; $I SHOT THE SHERIFF, '.@INTRO!9HF"CFEDF'-@NC. #B/ !ED"CDI"C #D/ _^2K. @CHORUS $6EDE6.! '-!^ #; <; BUT $I DID NOT SHOOT NO DEPU -TY/ $I SHOT THE SHERIFF, '.V!IIDDED'-!Z F!I9U'-!^ M $6EDE6. #: <; BUT $I DID NOT SHOOT NO DEPU -TY/ $ALL AROUND IN MY =#B/ #C/ #D/ SEE ADDITIONAL LYRICS= '.V!IIDDED'-!Z F!I9U'-!^ M2K. @VERSE V$II8FH'-_Q:!P #/ <; HOME TOWN THEY.RE TRYING TO TRACK ME DOWN/ $THEY SAY THEY #BE WANT TO BRING ME IN GUILT- '.$96VXF'-!^ I9I8HF"C'-_Q:!P 6VVXD! '-!^ $II=HFHI"C'-_Q:!P #? <; Y FOR THE KILLIN. OF A DEPU- TY, FOR THE LIFE OF A DEPU- '.$I6.V!II'-#D $FGHG66 EA4.VGH 9HF55 #+ <; TY/ $BUT $I SAY '.#,#;#:$EA4.I$IIAH'-!^2; #/.M'-!^ !9HF"CFEDF'-@NC. E4I"CS'-U!S2K #B/ $SHERIFF $JOHN $BROWN ALWAYS HATED ME@ $FOR WHAT, $I DON.T KNOW/@ $EVERY TIME THAT $I PLANT A SEED,@ $HE SAID, ($KILL IT BEFORE IT GROWS),@ $HE SAID, ($KILL IT BEFORE THEY GROW)/@ #C/ $FREEDOM CAME MY WAY ONE DAY,@ $AND $I STARTED OUT OF TOWN/@ $ALL OF A SUDDEN, $I SAW $SHERIFF $JOHN $BROWN@ $AIMIN. TO SHOOT ME DOWN,@ $SO $I SHOT, $I SHOT, $I SHOT HIM DOWN/@ #D/ $REFLEXES HAD THE BETTER OF ME,@ $AND WHAT IS TO BE MUST BE/@ $EV.RY DAY THE BUCKETT A-GO-A WELL@ $ONE DAY THE BOTTOM A-GO DROP #BF OUT@ $ONE DAY THE BOTTOM A-GO DROP OUT/@@ $IRON $LION $ZION $EDIZ. $FIFTY-$SIX $HOPE, #AIIB MODERATE REGGAE 33#D/ #, <; #A/ $WELL, $I AM ON THE ROCK AND THEN $I CHECK A STOCK/ $I HAD TO =#B/, #D/ SEE ADDITIONAL LYRICS= '. $6V @VERSE 0 2=!JWJWV'-!] UXWE"C'-$& ;5WW;9T'-#B UXIJD #; <; RUN LIKE A FUGITIVE TO SAVE THE LIFE $I LIVE/ $I.M GONNA BE '.$7FEF!JW'-#B UVJE"C EJ5JW.'-!] V9;9W5 #: <; IRON, LIKE A LION, IN $ZION/ $I.M GONNA BE '.$G7.VEE'-_Z G6.V5'-$^ G!W.U'-!] X$7.;656 #/ <; IRON, LIKE A LION, IN $ZION, OH YEAH/ '.$G7.VEE'-#D G6.V5 G!W.U @TO CODA 0L VX$GFC7. #? <; $LION, IRON, $ZION, LION, $ZION/ '.M $E5D4JJ'-<] #,$G7F5V2; #BG #;.M2K. #+ <; $I.M ON THE ROCK '.@VERSE !JWJWV'-!] M'-$& M'-#B M #= <; $I CHECK A STOCK $I HAD TO '.;V$76;5Q'-#D M M UX!I$EE #( <; RUN LIKE A FUGITIVE JUST '.;$7778IGC'-#D ;FCECJVU M UVW #,-; <; TO, JUST TO SAVE THE LIFE $I LIVE, OH NOW/ $AND STILL, $I.M GONNA BE '.!JWJ5EF"C'-#D F5GC"C7CW U75 V!9;$56EF #; <; IRON LIKE A LION IN $ZION/ '.$G7.VEE'-_Z G6.V5'-$^ G!W.U'-!] #: <; $I.M GONNA BE IRON LIKE A $LION IN $ZION/ $WHAT '.V!W;565 G7.VEE'-_Z G6.V5'-$^ G!W.VX$G'-!] #/ <; DID YOU SAY? $IRON, LION, $ZION/ '.$F5F"C6V M E5D4JJ'-<] M2K. @D.0 AL CODA #? <; $STEAL THEM OFF OF ME/ $I- RON, LION, $ZION/ '.0L @CODA V$GGFEW M E5D4JJ'-<] M2K. #+ '.@OUTRO M'-!] M'-$& #B #BH #= <; $IRON, LION, $ZION/ $I.M ON THE RUN/ '.M'-#D M $E5D4JJ U;JJJW #( <; $GOT NO GUN/ $IRON, LION, $ZION/ '.M'-!] VX!IJ5.'-$& E5D4JJ'-@NC. 2K #B/ $I.M ON THE RUN, BUT $I AIN.T GOT NO GUN/@ $SEE, THEY WANT TO BE THE STAR,@ $SO THEY FIGHTING TRIBAL WAR/@ $AND THEY SAYING, ($IRON, LIKE A LION, IN $ZION/@ $IRON, LIKE A LION, IN $ZION)/@ $IRON, LION, $ZION/@ #D/ $I.M ON THE RUN, BUT $I DON.T GOT NO GUN/@ $SEE, MY BROTHERS WANT TO BE THE STARS,@ $SO THEY FIGHTING TRIBAL WAR/@ $AND THEY SAYING, ($I- RON, LIKE A LION, IN $ZION/@ $IRON, LIKE A LION, IN $ZION)/@ $STEAL THEM OFF OF ME/ $IRON, LION, $ZION/@@ $IS THIS LOVE #BI $EDIZ. $FIFTY-$SIX $HOPE, #AIGG MODERATE REGGAE ?DD=;4D* 3#D/ #, '.@INTRO VX_JE6H"C'-<& 8F_JEFV VXDF8J"C'-_Y WH$DJH$DJ'-_[ #; <; #A/ $I WANNA LOVE '.!8X_JE6H"C'-<& 8F_JEFV M'-_Y UJE='-_R_O!,3Q2K. #: <; =#B/, #C/= YOU AND TREAT YOU RIGHT/ $I WANNA LOVE '. 0 @VERSE 2=$6VU'-<& V!8WIH"C'-_Y 8VJE='-_R_O!,3>Q #/ <; YOU EVERY DAY AND EVERY NIGHT/ $WE.LL BE TOGETH- '.$6VU'-<& UV;!JJI 89JEJH"C'-_Y 8W5JE'-_R_O!,3>Q #? <; ER WITH A ROOF RIGHT OVER OUR HEADS/ $WE.LL SHARE THE SHEL- '.$6VU'-#D UV!HH $66DEFE"C 5W5JE"C #,-; <; TER OF MY SINGLE BED/ $WE.LL SHARE THE SAME, '.$EFVU'-#D M !89WIH"C 8W5JE"C #; <; ROOM, $JAH PROVIDE THE BREAD/ $IS THIS '.$EFVU'-<& M 666FEA'-_Y YAJ.V;VW4'-_[ #: <; LOVE, **IS THIS LOVE,* #CJ THAT $I.M FEELIN.? $IS THIS '.;$5W4='-<] ;5W4;54W D4.U'-<^ U;VW$6 #/ <; LOVE, **IS THIS LOVE,* THAT $I.M FEELIN.? '.;$5W$6='-#D ;5W$6;54W E4.U M #? <; $I **WANNA KNOW,* NOW/ =#B/ $OH, **YES $I KNOW,* NOW/= '.M'-!S!W_4 M'-_O@NC.2K. X@BRIDGE$EDJ4!FH'-_Y WFHW9 #+ <; $I **GOT TO KNOW,* NOW/ =#B/ $OH, **YES $I KNOW,* NOW/= '.M'-!S!W_4 M'-_O@NC. X$GFE6ED'-<] 5DJ4W #= <; $I, $I.M WILLING AND ABLE, SO $I THROW MY '.$EF=.= 5XEEDJD 4VU'-<^ UVXD WV;VWW'-<& #( <; CARDS ON YOUR TABLE/ #B/ $I WANNA LOVE '.$6V!WHJ 9VU'-_O_N #,.U!JE='-!T!S2; <; #C/ $SEE, $I WANNA LOVE '.#;.X$5.JE='-!T!S2K @DAL 0 AND FADE $JAMMIN. #CA $EDIZ. $FIFTY-$SIX $HOPE, #AIGG MODERATE REGGAE ?DD=;4D* 33#D/ #, <; $OOH YEAH; '.@INTRO.M'-<] M'-_&'\ #,.M'-_[ VX$H"C[G.V'-3<%2; #; <; WELL ALRIGHT/ #A/ $WE.RE JAM -MIN. =#B/, #D/ $SEE ADDITIONAL LY- RICS= '.#;.M'-_[ X.$ZHG"C7XD'-3<% 0 @CHORUS 2=$F5.U'-<] M'-_&'\ #: <; $I WANNA JAM IT WITH YOU/ $WE.RE JAMMIN., JAMMIN. $AND $I '.X$EEEEFGF"C'-_[ 6VVX!J'-3<% $F7.VXF"C'-<] F7.XE5'-_&'\ #/ <; HOPE YOU LIKE JAMMIN., TOO/ #A/ $AIN.T NO RULES, =#B/, #C/ $SEE ADDITIONAL LYRICS= AIN.T NO VOW, WE CAN DO '.$HE5E6F"C'-_[ 6VXGGG"C'-3<%2K. @VERSE $GEJE"CEJEG'-T M'-T F&&"CFY^U'-!S_Q #? <; $IN THE GOVERNMENT YARD IN $TRENCHTOWN $OBA, $OBSERVING THE '.V$&FFF5F.!]'-#B E4.U V&FFF8F.%! '-_N_R!,>T #+ <; HYPOCRITES AS THEY WOULD MIN -GLE WITH THE GOOD PEOPLE WE MEET, '.$HF4VM![$YZ'-!S_Q VX&&;FFF;GFE! '-#B 4VU #,-; <; GOOD FRIENDS WE HAD OH GOOD FRIENDS WE.VE LOST ALONG THE WAY/ #CI '.VX$&["CHH[FDD'-#B HHFYC^U VX$F5DF"C'-_N_R!,>T #; <; $IN THIS BRIGHT FUTURE YOU CAN.T FORGET YOUR PAST '.$6VU'-!S_Q VFHH[&V'-_N_R!,>T GHFHFDV'-!S_Q #: <; SO, DRY YOUR TEARS, $I SAY/ $AND '.VM$&Z&GA6!J"C'-_N_R!,>T @TO CODA 0L #,!JDVV8'-!S_Q2; ?#B/ $NO, WOMAN, NO CRY/*@ $HERE, LITTLE DARLIN., DON.T SHED NO TEARS/@ $NO, WOMAN, NO CRY/@ $SAID $I REMEMBER WHEN WE USED TO SIT@ $IN THE GOVERNMENT YARD IN $TRENCHTOWN/@ $AND THEN $GEORGIE WOULD MAKE A FIRE -LIGHT@ $AS IT WAS LOGWOOD BURNIN. THROUGH THE NIGHT/@ $THEN WE WOULD COOK CORN MEAL PORRIDGE@ $OF WHICH $I.LL SHARE WITH YOU/@ $MY FEET IS MY ONLY CARRIAGE/@ $SO, $I.VE GOT TO PUSH ON@ <; THROUGH, $BUT WHILE $I.M GONE, $I MEAN... '.#;!JDM^YZF.Y5'-!S_Q2K. #DJ #/ <; *$EVERYTHING.S GONNA BE AL- RIGHT/* '.@INTERLUDE 2=.X$YYD^[$DD!8! '-_N_R!,>T ='-!S_7_8 #? <; *$EVERYTHING.S GONNA BE AL- RIGHT/* '.X$YYD^[$DD!8'-_N_R!,>T #,.X$YY! D^[$DD!8'-!S_7_82; #+ <; $EVERYTHING.S GONNA BE AL- RIGHT SO, WOMAN, NO CRY/ $NO, NO '.#;.X$YYDYZFDED'-!S_Q2K. @CHORUS.;$FGH4U'-_N_R!,>T UVX&^! '-!S_Q #= <; WOMAN, NO WOMAN, NO CRY/ $OH, MY LITTLE SISTER, DON.T SHED NO TEARS/ '.$HDFXGFGD'-_N_7._D M'-_N_R V&FFF! EJV'-_N_R!,>T DD="C4V'-!S_Q #,-: <; $NO, WOMAN, NO CRY/ '.V$FXGFGD'-_N_7._D M'-_N_R 2=@GUITAR SOLO.M'-_N_R!,>T M!S_Q #; '.M'-_N_7._D #,#;#:.M'-_N_R2; #/'-_N_R @D.S. AL CODA2K. #: <; THROUGH, BUT WHILE $I.M GONE $I MEAN... $NO, WOMAN, NO CRY/ '.0L @CODA !JDM^YZF.Y5'-!S_Q2K. @CHORUS.VX$DJDJI'-_N_R!,>T #DA M'-!S_Q #/ <; $NO, WOMAN, NO CRY/ $OH, MY LITTLE DARLIN., $I SAY '.V$FXGFGD'-_N_7._D M'-_N_R V&FFF2,EJX[$Z'-_N_R!,>T #? <; DON.T SHED NO TEARS/ $NO, WO -MAN, NO CRY/ $YEAH/ '.$DDDIU'-!S_Q V$FXGFGD'-_N_7._D UVXF'-_N_R2K. #+ <; $LITTLE DARLIN., DON.T SHED NO TEARS/ $NO, WOMAN, NO CRY/ '.@OUTRO 2=.VX!&&EFV'-_N_R!,>T _IDEF"C6V'-!S_Q VFXGFGD'-_N_7._D M! '-_N_R2; #= 2=.M'-_N_R!,>T M'-!S_Q M'-_N_7._D #,.M'-_[2; #;.M2L2K $ONE DROP $EDIZ. $FIFTY-$SIX $HOPE, #AIGI MODERATELY ?DD=;4D* #D/ #, '._HIDF"C 2=!&"C'-_Y P_HIDG"C %'-T 4VU'-!^ #/ <; MINUTES AFTER THEY TOOK $I FROM THE BOTTOMLESS PIT/ $BUT MY '.X!JIH"CH[$Y"CDJ'-#D WVU X8HH8I"C IIVXD6 #? <; HAND WAS MADE STRONG BY THE HAND OF THE $ALMIGHT- '.$5A4A;W45"C'-#D#C EEVU XFFFZD]"CJD"C #+ <; Y/ $WE FORWARD IN THIS GENE- RATION '.$DDVX5J"C'-!^ JJ98$DI'-_[ W.J"CWV'-!& #= <; TRIUMPHANTLY/ $WON.T YOU HELP TO SING '.VX!H8.I"C'-_Y I9.U'-_Z W5WIH"C2K. #,-; <; $THESE SONGS OF FREEDOM? .$CAUSE ALL $I EVER HAD, '.@CHORUS!8VU'-_[ VXH"CHWI'-_N_O 98VXH'-#B W5FG6"C #; <; REDEMPTION SONGS, RE- #DH DEMPTION '.$6VU'-!& VX!HW.I"C'-_N_O I8.U'-_[2K. @TO CODA 0L VX!HW.I"C'-_N_O #: <; SONGS/ #B/ $EMANCI- '.#,!I8.U'-_[ UXJJ$F'-_N_O2; <; SONGS, '.#;!I8.U'-_[ #/ <; REDEMPTION SONGS/ '.VX!HW.I"C'-_N_O I8.U'-_[ M'-_N_O2K. #? <; #C/ EMANCI- '.@INTERLUDE 2=.M'-!& M'-_N_O M'-!& #,.M'-_N_O2; #;.UX!JJE'-_N_O @DAL 0 AL 0L @CODA #+ <; ALL $I EVER HAD, REDEMPTION SONGS, '.0L @CODA !W5FG6"C'-_N_O 6VU'-!& VX!HW.I"C'-#B I8.U #= <; THESE *SONGS OF FREEDOM*/ '.VX!H"CHWI'-#B I8.U U;W99'-#B 8VU #( M'-_N_R!,>T M'-!^ M M'-$Z!,>^ M2K #B/, #C/ $EMANCIPATE YOURSELVES FROM MENTAL SLAV.RY@ $NONE BUT OUR- SELVES CAN FREE OUR MINDS/@ $HA #DI -VE NO FEAR FOR ATOMIC ENERGY,@ .$CAUSE NONE OF THEM CAN STOP THE TI -ME/@ $HOW LONG SHALL THEY KILL OUR PROPHETS@ $WHILE WE STAND ASIDE AND LOOK?@ $SOME SAY IT.S JUST A PART OF IT/@ $WE.VE GOT TO FULFILL THE BOOK/@@ $SOUL REBEL $EDIZ. $FIFTY-$SIX $HOPE, #AIGA MODERATE RAGGAE 333#D/ #, '.@INTRO!]]XM%]YJ.%"C7'-<] = ^^XM&^]I.&"C6'-_^ #; <; *$SOUL REBEL*/ '.UVX!I 0 @CHORUS 2=!WWU'-<] UV$7 66U'-_^ #: <; $I.M A CAPTURER, SOUL ADVEN- TURER/ '.UV!II WJJU'-<] U$77 6FFU'-_^ #,-; <; $I.M A '.#,.UV!II2; <; #A/, #B/ $SEE THE MORNING SUN, SEE THE MORNING SUN, '.#;.M2K. @VERSE V$D&&"CF%&"C6'-_^ = #; <; ON THE HILLSIDE/ $IF #EJ YOU.RE NOT LIV- '.UX.$%F.%'-<] 5VU U!IIJD'-_Z #: <; ING GOOD, GOTTA TRAVEL WIDE, YOU GOTTA TRAVEL WIDE/ '.!JJVXE"CZF. VDYY"CD.^$EF'-_^ VDYY"C4V #/ <; $SAID $I.M A LIVING MAN/ $SAID $I.M A LIVING MAN AND '.V$Y&&&"CF%&"C6 VY&&&"CF%&"CFF #? <; $I.VE GOT, $I.VE GOT WORK TO DO/ $IF YOU.RE NOT HAP- '.$77XGIG'-<] &E.VU U!IIJD"C'-_Z #+ <; PY THEN YOU *MUST BE BLUE,* PEOPLE SAY/ $SOUL '.$DJVV^^I YD.VVDYY"C'-_^2K. 0L @TO CODA $4DF7X!I'-_S.3$7 @DAL 0 AL @CODA @=TAKE #,ST ENDING= #= <; PEOPLE SAY/ $I.M A REBEL SOUL '.@CODA 0L "C$4DF7!II'-_S.3$7 2=.@OUTRO.@CHOVUS !WWU'-<] UV$7 #( <; REBEL/ $I.M A CAPTURER, '.$66U'-_^ UV!II WJJU'-<] #* <; SOUL ADVENTURER/ $I.M A '.U$88 6FFU'-_^ UV!II2; @REPEAT AND FADE $THREE LITTLE BIRDS #EA $EDIZ. $FIFTY-$SIX $HOPE, #AIGG MODERATELY SLOW 333#D/ #, '.@INTRO.V!^]^$&"CFD;]2]^X'-_^ = #; <; $DON.T '.V!^1]^$&"CFD;]2]^X V^]^$&"CF!J;]2]^D2K. #: <; WORRY ABOUT A THING, .CAUSE '.2=@CHORUS.1!JIVX.^]ADFD"C'-_^ 4VVXI #,-; <; EV.RY LITTLE THING GONNA BE ALRIGHT/ $SINGIN., ($DON.T '.$%GGG7X%%1[G&"C'-_O._[_E. 6VVY&F! '-_^ #; <; QORRY ABOUT A THING, .CAUSE '.$FGVX.!^]ADFD"C 4VVXI #: <; EV.RY LITTLE THING GONNA BE ALRIGHT)/ #A/, #B/ $RISE UP THIS '.$%GGG7X%%1[G&"C'-#D#B 6VV;!IJI #/ <; MORNING, SMILED WITH THE RI- SING SUN/ $THREE LITTLE BIRDS '.@VERSE $DDVVYEY'-_^ DJWV$%GFG"C! '-_& #? <; PITCH BY MY DOORSTEP, SIN- GIN. SWEET '.$7VX.%GF'-_^ GEVV%I%"C'-_Z #EB #+ <; SONGS OF MELODIES PURE AND TRUE, SAYIN., ($THIS IS MY MESSAGE TO YOU '.$%F.VX.YYZF'-_^ FEWVYF.'-_& X!IIIIJID'-_Z #= <; U U)/ $SINGIN., ($DON.T '.#,!J9.VY&F'-_^2; <; U U)/ $SINGIN., ($DON.T '.#;!J9.VY&F'-_^ #( <; WORRY ABOUT A THING, .CAUSE '.2=@OUTRO-CHORUS.$FGVX.!^]ADFD"C! '-_^ 4VVXI #* <; EV.RY LITTLE THING GONNA BE ALRIGHT)/ $SINGIN., ($DON.T '.$%GGG7X%%1[G&"C'-_O._[_E. 6VVY&F! '-_^2; @REPEAT AND FADE