$S $U $O $N $I $RIVISTA TRIMESTRALE DI MUSICA Brano estratto dal numero di $GENNAIO-$MARZO #BJJC N. #BD $ANNO $VII <; $SHOULD $I BRING HIM DOWN@ SHOULD $I SCREAM AND SHOUT@ SHOULD SPEAK OF LOVE@ LET MY FEELINGS OUT?@ $INEVER THOUGHT $I.D COME TO THIS@ WHAT.S IT ALL ABOUT?@ $YET IF HE SAID HE LOVED ME@ $I.D BE LOST@ $I.D BE FRIGHTENED@ $I COULDN.T COPE@ $JUST COULDN.T COPE@ $I.D TURN MY HEAD@ $I.D BACK AWAY@ $I WOULDN.T WANT TO KNOW@ $HE SCARES ME@ $ONE $MUSIC BY $MARVIN $HAMLISCH $LYRIC BY $EDWARD $KLEBAN $EDIZ. MUS. $M. $HAMLISCH & $E. $KLEBAN, #AIGE $W.$M. & $A. $C. $MUSIC MODERATELY 222#D/ #, $@ @MF.(!5E.3Y=2@(_88= (5E.3Y! E.YE.1Y2@(_88= (6F.Z=2@(_99= 6*VU2K. _@ >6V"WV = >7V"WV >7"W4342K. #; <; $ONE SINGULAR SENSATION EVERY LITTLE STEP SHE TAKES '. !5VU E.3YE.YE8. 3!D.3]=4!H.Y"C $@0A !5<($50*V_50* E.3Y=E8.2@_RH!5.* 3D.3]=4H.Y"C2@_R8X.["C _@ 0A >6V"WV = 1>9V_26V #: <; $ONE THRILLING COMBINATION '. "C!N.V 5VU E.3Y=E8. $@ $C!4#;1!I1J_1D;3D1DJ9 5<($520*V!50* E.3Y=E8.2@_RH!5.* _@ 1>9V1"9V >6V"WV = #/ <; EVERY MOVE THAT SHE MAKES/ $ONE SMILE HAND SUDDENLY NOBODY '. !WW;W1929 [ V1999 1I.3%F.1&E.%9 $@ !W#2)=;W#)190*290* 810)D.1ZF.0%080 V19\2#)== 1I.30*)%1F.Z\3)$CE.\)%90*: _@ >8V= 4V= _26V= 5V= #, <; ELSE WILL DO/ $YOU KNOW YOU.LL NEVER BE LONELY WITH '. !T1S R.V V1WWW 1J.3[3G.3&"CF.%8 $@ !T1S2@V!8#)V370# 8#-J.0Y10E.0Y0W0 V1W3#)== 1J.--3[3G.3&$CF.%8- _@ >8V19V W2988 38V5V 34V4V #; '. YOU KNOW WHO/ $ONE MOMENT IN HER PRESENCE '. 1!S1T 3Y O.V !E.3Y=E8. $@ 1!S303)1-1T303*:1- 3N101#1)3-N3#3*: $501*2:<($W0*)V!W0*) !E.3Y=E8.! 2@_RH!5.* _@ V3>7-V36- 1P-= 26V"WV = #: <; AND YOU CAN FORGET THE REST, FOR THE GIRL IS SECON BEST '. 3!D.3]=4!H.Y"C N.V H.3%=H$4!H"C $@ 3!D.3]=4H.Y"C2@_R.8X.["C 4#;1!I1J_1D;3D1DJ9 H.3%=H$4H"C! 2@!P10F080F0$C _@ 1>9V_26V 19V_269 29V6V #/ <; TO NONE, SON/ $OOOH+ SIGH+ '. "C!R1S T.V 1T.V 5V= $@ $C!R1S2@!6060V370# ]2@V!8#)= 1]! 2@V!8\1)= OO2@V!W1*)= _@ 1>9V5V 8V5V = V4-= #, <; GIVE HER YOUR ATTENTION/ $DO $I REALLY HAVE TO MENTION, '. $E.3Y=E4. 5V= E.3Y=E14. $@ $E.3Y=E4.2@1!S2#3Q0 OO2@V!W1#)= E.3Y=E14.2@1!S1#T0* _@ >Q:T_2: V8= N:N: #; <; SHE.S THE ONE? '. $& Z & M $@ _2$&2@V$410#2)= Z2@V!W2\)=1 $6#-!J.*]*D.10)Y0)2D.0)Y0) W2\)_7?1892K. _@ >7V= WV"W51 R288 771892K. #: <; SHE WALKS INTO A ROOM AND YOU KNOW SHE.S UN- '. 122 X.3![I.]"CJ.1[3H.^"C I.3[I.]"CJ.1[9 $@ 122 V!70=2@_SR = _@ >WV7V = #/ <; COMMONLY RARE, VERY UNIQUE, PERI -PATETIC, POETIC AND CHIC/ '. ;3!HI3I1W;JI1I8 ;3HI3I;1JJI;JI1I8 $@ 3!703:VU 3703:VV<(3810#1) _@ 1>6VU 16VV<(6 #, <; SEE WALKS INTO A ROOM AND YOU KNOW FROM HER MADDENING POISE, EFFOR -TLESS WHIRL, '. X.3![I.2]"CJ.1[3H.^"C I.3[I.]"CJ.1[9 ;2IJ1J4;DJ2J9 $@ V1!70=2@_S1R = 290*)VV90*) _@ _>WV7V = _5VV5 #; <; SHEE.S THE SPECIAL GIRL STROL- LING/ $CAN.T HELP '. V!H.1^1J.1Y5 2] S.V V9= $@ !8\#1)VU V_2W0)= V9\1#3)= V90*! V<(9\1#3) _@ >8VU 16V= 9V= V5-V<(16- #: ALL OF HER QUALITES EXTOLLING/ $LOA -DED WITH CHARISMA IS MA- '. V;!GH3H;IH1H7 ^ 3R.V 3H.33%H.%= $@ <(!90*VU V9303*=2@3!Y V3730=2@3_] V3810V3730 _@ <(>7-VU 3_5V= 3>8V= 34V3WV #/ JAUNTILY SAUNTERING, AMBLING, SHAM- BLER/ $SHE WALKS INTO A ROOM '. ;3!HH33G;HHG= X.3[I.]"CJ.1[3H.^"C $@ V38101#V353\ 901*=V70: _@ 1>WV1"W>W 2WV7V #, <; AND YOU KNOW YOU MUST SHUFFLE A- LONG, JOIN THE PARADE/ '. "C!I.3[I.]"CJ.1[9 ;3HI3I1W;JI1I8 $@ V!70=2@_SR 3701*3:VU _@ >WV7V 16VU #; <; SHE.S THE QUINTESSENCE OF MAKING THE GRADE/ $THIS IS WHAT CHA CALL TRAV.LLING+ '. ;3!HI3I;1JJI;JI1I8 V3G.[2I.%8 T1S $@ 3!701*3:VV<(3$703: V!62#=2@1_[ V50V34#2@_[ _@ 1>6VV<(6 26V= 16V9V #: <; OH, STRUT YOUR STUFF/ $CAN.T, GET ENOUGHT OF HER/ '. V$5D.^$5 V5D.^$5 Z 2O.V $@ V!70=2@_^ V370=2@!Y V910=2@1_] V810V8202@2_TS _@ >5V= = 8V= 4V7V #/ <; LOVE HER/ 9.M A SON OF A GUN, '. 1$Z P.V X.3![I.]"CJ.1[3H.^"C $@ V!90=2@!Y V8\=2@1_] 810#2)VU _@ >5V= 8V= 4VU <; SHE IS ONE OF A KIND/ '. "C!I.%1H..^"CI.[7 TU M $@ !820:VU WG.%H.[G.%2@!50WW6* W1)-VU2K. _@ >7VU W5254 W"W4342K. #; @BRIGHTER TEMPO <; ONE SINGULAR SEN -SATION '. 222 !5VU E.3YE.YE8. <; SHE WALKS INT A ROOM AND YOU KNOW SHE.S UN- '. 222 X.3!YE.&"CF.1Y3D.Z"C E.3YE.&"CF.Y5 $@ 222 !0A _@ 222 !0A #: <; EVERY LITTLE STEP SHE TAKES/ '. 3!D.3]D.]4H.Y"C N.V <; COMMONLY RARE, VERY UNIQUE, PERIPA- TETIC, POETIC AND CHIC/ '. ;!HH3H19;I3H1H16 ;HH3H;1II3H;IH1H16 <; ONE THRILLING COMBINATION '. !5VU E.3Y=E8. #, <; SHE WALKS INTO A ROOM AND YOU KNOW FROM HER '. X.3!YE.2&"CF.1Y3D.Z"C E.3YE.&"CF.1Y5 #; <; EVERY MOVE THAT SHE MAKES/ $ONE SMILE AND '. !WW;W1929 [ V1999 <; MADDENING POISE, AFFORT LESS WHIRL, SHE.S THE SPECIAL GIRL STROL- '. ;!HI1IW;JI2I8 VD.Z1F.%8 [ #: <; SUNDDENLY NOBODY ELSE WILL DO/ '. 1!I.3%1F.Z"CE.%9 T1S R.V <; -ING/ $CAN.T HELP ALL OF HER QUALI- TIES EX- '. 3!% V8V19 V;H2I1I;JI2I8 #, <; YOU KNOW YOU.LL NEVER BE LONELY WITH YOU KNOW '. V1!WWW 1J.3[3G.3&"CF.%8 1S1T <; TOLLING/ $LOADED WITH CHARISMA IS MA- '. 3!% 3& 3D.1Y3D.1Y= #; <; WHO ONE '. 3$Y O.V <; JAUNTILY, SAUNTERING, AMBLING, SHAM -BLER/ $SHE WALKS INTO A ROOM '. ;3!DD1D=.= X.3YE.&"CF.1Y3D.Z"C #: <; MOMENT IN HER PRESENCE AND YOU CAN FORGET THE REST, '. !E.3Y=E8. 3D.3]=4H.Y"C <; $KAND YOU KNOW YOU MUST SHUFFLE A- LONG, JOIN THE PARADE/ '. "C!E.3YE.&"CF.1Y5 ;HH3H9;I3H1H16 #, <; $FOR THE GIRL IS SECOND BEST '. "C!N.V H.3%H.%H_1$4!H"C <; SHE.S THE QUINTSENCE OF MAKING THE GRADE/ $THIS IS WHATCHA CALL '. ;!HH3H;1IIH;IH1H16 V1_J.Y2E.1]4 #; <; TO NONE, SON/ '. "C!R1S T.V 1T.V <; TRAV.LLING+ $OH, STRUT YOUR STUFF/ $CAN.T GET ENOUGH '. !P1O V8G.Z8 V8G.Z8 #: <; $OOOOH+ $SIGH+ $GIVE HER YOUR AT -TENTION/ $DO $I '. $5V= E.3YE.YE4. 5V= <; OF HER/ $LOVE '. ![ 3% RC"CH.3%8"C #, <; REALLY HAVE TO MENTION, SHE.S THE '. $E.3YE.YE14. & Z <; HER/ $I.M A SON OF A GUN, SHE IS O- NE OF A '. 3![ X.1[H.$Y"CD.![$D.!["C H.3%H.]"CJ.%8 #; <; ONE? '. $&"C & M M2K <; KIND/ '. !&"C & M M2K $@ ($5E.3Y=2@(!8#8#= (5E.3YE.YE.1Y! 2@(!8#8#== (6F.Z=2@(!9#9#= (6F.Z! F.ZF.3Y2@(_9#9#==2K. _@ >6V"WV = >7V"WV =2K. #: $@-_@ 2=#D2; @REPEAT AND FADE