$S $U $O $N $I $RIVISTA TRIMESTRALE DI MUSICA Brano estratto dal numero di $APRILE-$GIUGNO #BJAA N. #EG $ANNO $XV $LIKE A ROLLING STONE $WORDS AND MUSIC BY $BOB $DYLAN $COPYRIGHT, #AIFE $WARNER $BROS BRIGHT _C #, '. !#DM $@ @F$Y"C2@V!90)90)V 4DD7#)60) Y"C2@V!80*80*V Y2@V!80*=V2K _@ >Q.-4- 5-VU N.-"8- =2K. #; <; $ONCE UPON A TIME YOU DRESSED SO FINE $YOU THREW THE BUMS A DIME '. @VERSE 2=$4DD"CDDDD'-_Y 4DD"C4.D'-N.-4- O.-5- P.-6- #: <; IN YOUR PRIME, DIDN.T YOU? '. $4DD"CN'-_% M'-$[ $6.FFA5. M M $@ $4DD"CN2@!^) V!8\)=V $6.FFC5.2@!!T#= V!8\)=V = _@ >Q.-7- R.-8- = = #/ <; $PEOPLE.D CALL, SAY, ($BEWARE DOLL, YOU.RE BOUND TO FALL) $YOU THOUGHT THEY WERE ALL '. V$DD4.D'-_Y 44='-N.--4 O.5 P.6 Q.7 #, <; KIDDIN. YOU $YOU USED TO '. M'-$[ $6.FFA5. M M M'-_% $66P $@ V!8\)=V $6.FFC5.2@!T#= V!8\)=V = V!90)=V $60*:=P0*: _@ >R.8 =#C >Q.7 = #; <; LAUGH ABOUT $EVERYBODY THAT WAS '. M'-_[ $6EE"CO M'-_% $F3EFEF6. M'-_[ $@ V!W0)=V $6#)E0*E0*"CO0* V!90)=V $F3E=F6.2@!40*=N0* V!W0)=V _@ >R.8 = >Q.7 = R.8 #: <; HANGIN. OUT $NOW YOU DON.T TALK SO LOUD '. $6EE"CO U44'-_% Y'-_Y 4!8R"C'-R.8 Q.7 P.6 O.5 N.4 #/ <; $NOW YOU DON.T SEEM SO PROUD $A- BOUT HAVING TO BE '. U$44'-_% Y'-_Y 4!8R"C'-Q.7 P.6 O.5 N.4 Q.7 = #, <; SCROUNGING FOR YOUR NEXT MEAL/ '. $NN 44N Z"C'-_[ Z"C = O!2K $@ $NN2@V!90)S0) $44N2@V!90)S0) $Z"C2@V!W0)T0) Z"C2@= Z"C2@V!W0)T0) O!2@V!W0)!2K _@ >Q.7 Q.7 R.8 =#B R-,2K #; <; $HOW DOES IT FEEL $HOW DOES IT FEEL '. @CHORUS ;$765 Y'-_Y M'-_% M'-_[ U;$444'-_R_Q &'-_Y $@ ;$765 Y2@V!80*R0* !S892@V!7#Q# ![2@V!50O0 U;$4442@V!8#)S0) $&2@V$4#)N#) _@ U >N.--4 Q.7 R.8 [ N.4 #: <; $TO BE WITHOUT A HOME '. M'-_% M'-_[ VX$DDD='-_% $&'-_Y M'-_% M'-_[ $@ !S892@V!7#Q# [2@V!50O0 VX$DDD=2@V!90)S0) $&2@V$4#)N#) !S892@V!7#Q# [2@V!50O0 _@ >Q.7 R.8 [ N.4 #D#B #/ <; $LIKE A COMPLETE UNKNOWN $LIKE A ROLLING STONE? '. X$DDD44'-_% &'-_Y M'-_% M'-_[ V$DD76'-_% Y'-_Y $@ X$DDD442@V!90)S0) $&2@V$4#)N#) !S892@V!8*Q# [2@V!50O0 V$DD762@!V!90N0 $Y2@V!80*R0* _@ >[ N.4 Q.7 R.8 [ N.4 #, M'-_% M'-_[ M2; @FOURTH TIME TO CODA @CODA1 M'-_Y M'-_% M'-_[ M'-_Y2K $@ !S892@V!7#Q# ![2@!50O0 V8#)R#)2; @FOURTH TIME TO CODA @CODA V!80*R0* S892@V!7#Q# [2@V!50O0 $Y#)-2K _@ >Q.7 R.8 [-2; @CODA >N.--4 Q.7 R.8 Y-2K #B/ $YOU.VE GONE TO THE FINEST SCHOOL ALL RIGHT, $MISS $LONELY@ $BUT YOU KNOW YOU ONLY USED TO GET JUICED IN IT@ $AND NOBODY HAS EVER TAUGHT YOU HOW TO LIVE ON THE STREET@ $AND NOW YOU FIND OUT YOU.RE GONNA HAVE TO GET USED TO IT@ $YOU SAID YOU.D NEVER COM- PROMISE@ $WITH THE MYSTERY TRAMP, BUT KNOW YOU REALIZE@ $HE.S NOT SELLING A- NY ALIBIS@ $AS YOU STARE INTO THE VA- CUUM OF HIS EYES@ $AND SAY DO YOU WANT TO MAKE A DEAL?@ #C/ $YOU NEVER TURNED AROUND TO SEE THE FROWNS ON THE JUGGLERS AND THE CLOWNS@ $WHEN THEY ALL COME DOWN AND DID TRICKS FOR YOU@ $YOU NEVER UNDER- STOOD THAT IT AIN.T NO GOOD@ $YOU SHOULDN.T LET OTHER PEOPLE GET YOUR KICKS FOR YOU@ $YOU USED TO RIDE ON THE CHROME HORSE WITH YOUR DIPLOMAT@ $WHO CARRIED ON HIS SHOULDER A $SIAME- SE CAT@ $AIN.T IT HARD WHEN YOU DISCO- VER THAT@ $HE REALLY WASN.T WHERE IT.S AT@ $AFTER HE TOOK FROM YOU EVERYTHING HE COULD STEAL/@ #D/ $PRINCESS ON THE STEEPLE AND ALL THE PRETTY PEOPLE@ $THEY.RE DRINKIN., THINKIN. THAT THEY GOT IT MADE@ $EX- CHANGING ALL PRECIOUS GIFTS@ $BUT YOU.D BETTER TAKE YOUR DIAMOND RING, YOU.D BETTER PAWN IT BABE@ $YOU USED TO BE SO AMUSED@ $AT $NAPOLEON IN RAGS AND THE LANGUAGE THAT HE USED@ $GO TO HIM NOW, HE CALLS YOU, YOU CAN.T REFU- SE@ $WHEN YOU GOT NOTHING, YOU GOT NO- THING TO LOSE@ $YOU.RE INVISIBLE NOW, YOU GOT NO SECRETS TO CONCEAL/@