$S $U $O $N $I  

    $RIVISTA TRIMESTRALE DI MUSICA  

       Brano estratto dal numero di
$OTTOBRE-$DICEMBRE #BJAD        N. #GA
                          $ANNO $XVIII

         $LA FL5TE ENCHANT%E
              $M. $RAVEL
       $EXTRAIT DE $SH%H%RAZADE
     $POUR CHANT, FL5TE ET PIANO
    $POH^ME DE $TRISTAN $KLINGSOR
      $%DITION $DURAND, $FRANCE  

  TR^S LENT 4=#CF 33#D/ 
#, @
FL5TE #D/ U @P@EXPRESSIF._($G.&G.&!
_(7"CG@C$PQRS 
_(J.^@D$W"C_*.TIJIHF1DEF2,7
  @CHANT U #BM
  PIANO TR^S LENT 4=#CF 33#D/
  $@ @PP!Q0$,_T !Q0$,_T= @SF!R0$,1!N!
80$,470$,_W
  _@ 2C?"]?>%?]T$,_Q >T$,_Q= 
2C?"^?>&?^S*$,_R>9*$,_8>W$,_7

 #; @FL. =#A= #C/ #CM
 @CH. <; $L.OMBRE EST DOUCE ET MON MA3
-TRE DORT, $COIFF% D.UN BONNET CONIQUE
DE SOIE $ET SON LONG NEZ 
'. @PP@TR^S DOUCE ;X!JJ5ZZZ& 
!W.J_?.]JJJJ ;DDD3!8[HHH
 $@ #C/ @PP!50$,!7== 6$,3!8== 
60$,3!8==
 _@ M _6$,_W== _4$,3_8==

#,-; @FL. #D/ UVX@MF$($F"C F.ZF.1Y!
@C$&78@D.3$9876&.3NF"C
  @CH. <; JAUNE EN SA BARBE BLANCHE/
'. #D/ $(!W%GGG6"CFX M
 $@ #D/ $(!O0$,!Q1N0$,!P 
@P!9"C;I3H1HR2@!6"C106#P3*
 _@ $(>T$,_Q>S$,_P >S*Q3*

#; @FL. $F.1Y6"C@AD@LIB._+.&3!J3DF!JD!
'??$P!JDF!JDF!JD@RAPIDE!
@C.'??$PGHI3I3JD =#B= ALLEGRO 4=#ABJ 
@F.'??(<FM$]<6"CFG_?.$(OFEDI
 @CH. <; $MAIS MOI,
'. M VX@F!JC$P"C
 $@ !9"C;I3H1HR2@.@SUIVEZ!6"C106#P3* 
@ALLEGRO 4=#ABJ @MF@C$O3*:$,$Q!
5*$,$7@SF.1$4*$,$6
 _@ >S*Q3* ((>FJ_FJF@KJ#I@K(!E*

#: @FL. (<FM$]<6"CFG_?.$(OFE1DI <F(G!
_?.$(OFE1DI= 
@D.((<&CGFC$J]C3DJCF&CGFC!J]CDJCF
 @CH. <; JE SUIS %VEILL%E ENCOR $ET 
J.% COUTE AU DEHORS $UNE CHANSON DE
'. $F!JCC;JDEFG5C"C 51DCCDWDE 
6.@D!JJJ=C
 $@ @MF@C$O3*$,$Q5*$,$7@SF.1$4*$,$6 
@MF$53*$,$714*$,$6= @D$53*$,$7!W#$,$5!
8#$,!W53*$,!7
 _@ ((>FJ_FJF@KJ#I@K!E* _F@KJ#I@K(!E*=
_&*

#,-: @FL. @MP@D.;$D3ED;JDJ;3HJH;FHF 
@P@TR^S@RALENTI.;!DFD;FDF@C.3!542K. 
@MOD%R% 4=#FF #B/ 3!EXV
 @CH. <; FL5TE O] S.%PANCHE $TOUR [ 
TOUR LA TRISTESSE OU LA JOIE,
'. $4@MP@D!JCCJ3HHFF @P.;3!888C8!
3E.CC3$Z2K. #B/ @F.3$5C"CEX 
 $@ @MP@D!60$,3!86#$,!8_W30$,!6_80$,_W
@TR^@RALENTI@P.3!R"C0:$K!R!,@C.3!5040 
@MOD%R% 4=#FF #B/ 
@MF.X@C.3$8-3<H-2@3!R#-
 _@ _Y >Q*T* #B/ $(3>R3*2@X3_83!H

#; @FL. #D/ MM =#C= @LENT #E/ 4=#DJ 
@F.3$H.%=R. 
 @CH. <; $UN AIR TOUR [ TOUR LANGOU-
'. #D/ M M #E/ UX@MF<B!I;III;JJJ 
 $@ #D/ @F@TR^S@EXPESSIF.3<8.-G-!
3$8.-1I- 3<8.--;%[%;3$819.<H #E/ @LENT
4=#DJ #E/ @MF.$(1!S3\$CS.\
 _@ 2C?3"H-[-2@3_W30:403)$C!
;40)153\1)3503) 
_W30:403)$C;40)151\)3503)1C #E/ 
$(3_T"CT.

#: @FL. #D/ @MF.3$H_?.QHGD3!H;H$DG!
@RIT.$H.%8"C H.%8"C@TR^S@RALENTI!
;@D$HGH"C;H_(G_(H @TR^S@LENT #C/ 
@PP.3<H.%R"C
  @CH. <; REUX OU FRIVOLE $QUE MON A-
MOUREUX CH%RI JOUE, $ET QUAND JE 
M.AP-
'. #D/ ;3!HHH3II>;%CCGGG;HIHC 35VU #C/
VX@PP!GCC;GGG
 $@ #D/ 3!S3\@RIT.!T0"C 
3T30@TR^S@RALENTI.U @TR^S LENT #C/ 
@PPP.1$N.*1:$C
 _@ !N33N 3OU #C/ ?>FP.-30$C 

#,-/ @FL. 3<R"C_=.[GHGFD3<H H.%@C$R"C 
=#D= #D/ _?.3$[GFD3!H2,H.%8"C@D!H.% 
 @CH. <; PROCHE DE LA CROIS%E $IL ME 
SEMBLE QUE CHAQUE NOTE S.ENVOLE $DE LA
FL5TE VERS MA
'. ;3!HHHGHC$4"C ;D<BJJ@C_?.$YJJJJ!
;DDE@: #D/ $7"C;GEEDJ>;'\@D.3!HCCI
 $@ $D*:XVV M #D/ M
 _@ >F-30XVV M #D/ M
#; @FL. #C/ !O4@/ @P.1!N"CD.Z 14"C!
@D!D.ZD.Z 1D@/XVV
 @CH. <; JOUE $COMME UN MYST%RIEUX BAI
-SER/
'. #C/ ;!GGG=1HH@: 6>;VV M M2K
 $@ V@PP.@K(!G)-XV V@K(F)-XV M @PP.!
;1!D2)E*D);E*D)E*Y)E*DE 
 _@ V@K(>E*-XV V@K1>D*-XV V_P0 
VV;"I>I2_F

 #: @FL. @C%DEZ.M #D/ @#,ER MOUV.T 
@PP.@TR^S EXPRESSIF!
_($G.&=_(7"CG@C$PGHI _(J.^W"C!
_*.@D$TIJIHF1DEF7"C
 @CH. M #D/ #CM2K
 $@ 1!Y2)Z_[$Z@CEDEZ.;!D)E*D);E*D)E* 
#D/ @PPP.@#,ER @MOUV.T$Q0$,_T= 
@SF!R0$,1!N80$,!470$,_W G0*-XVU2K
 _@ ;((_H1!D2FH$DE(2F ?"]?>%?]T$,_Q!
>T$,_Q ?"^?>&?^S*$,_R9*$,_8>W$,_7 
"J*-XVU2K