$S $U $O $N $I  

    $RIVISTA TRIMESTRALE DI MUSICA  

       Brano estratto dal numero di
$GENNAIO-$MARZO #BJAE         N. #GB 

                            $ANNO $XIX


        $BILLIE.S BOUNCE =#B=  
  HEAD ALTO SAX & TRUMPET IN UNISON 

       4=#AFE =DD = ;4D= 33#D/  
  #, !I 2=.3!HI$E1G3GE1DE"C'-_Z 
EJEXX5J'-$[ EVE"CEJEX'-_Z
  #; 1$G3G;Z&ZJEFEE'-$Z VXGHEX1G'-$[ 
X8.1<DI<ED X<E$IXVX3D"C'-_Z
  #: <4$FE3E1<DI3I'-3<Q1<Q JV<F3EJH3E!
'-<& 1<EVEDDJJ'-$^ IVE"CEJEX'-_Z
  #/ X$5JEV!I2; @ALTO@SOLO $5F1G37H3H!
'-_Z IG1H^[GEJI'-$[ ;$&%&E1DE"C5.X'-_Z
  #? UVX<E"C'-$Z E3$[1[1GEFE1DJ'-$[ 
9HE1G3GH3H I]^GIDW.'-_Z M'-3<Q1<Q
  #,-; VX;$&[]EDJ2J'-<& IGH^[GE1JI'-$^
$FEFG"CQ'-_Z M2K. ;V$EX1GH;3888'-_Z
  #; ;1$H1GE1H3H1R'-$[ VXE3F3GH3H'-_Z 
;^]^GE1D"C4X1F'-$Z ;Z&ZJHF17.X'-$[
  =#B= =DA: ($THE BEST OF $CHARLIE 
$PARKER), BY $MARK $VOELPEL, $EDIZ. 
        $HAL $LEONARD, #BJJC=/  
  $STRUMENTI IN MI BEMOLLE 

  #: U$9<E$I H^[GHIG"C7'-_Z M'-3<Q1<Q 
V3Z&[]$(1ZJ3J$(D^3I$(1J1I'-<&
  #/ $[GFEYFH$(2J^%;[IH%E1JI'-$^ 
$5X1DJ9.'-_Z VXI$EGI<E"C'-_O$S2K.
  #? <51D]^HGF2F'-_Z E1D;JEGIH2!J$H!
'-$[ ;%[%E1JI;$&1%&E1DE'-_Z
  #+ !JE2JI"C9V'-$Z UVX1<G"C'-$[ ;765!
1DIHE 7.IVXH'-_Z
  #= ;$%[%F2FGI1DJG'-3<Q1<Q IH"C8V!
X<O3NTS'-<& HGFE;DFH;2J1D.^"C'-$^
  #( $I[^QV'-_Z X6."CP"C2K. $6.X[^[%!
17"C'-_Z GCGZ&ZY14I$F"C'-$[
  #* $61DI<E$I"C9'-_Z M'-$Z 
VXI<E$^[1GE"C'-$[ 5<E$^[1G!J"CW
  #,) VX$D;E3GIDJ"C'-_Z 
W;^]^HGF2FG'-3<Q1<Q 1FJ;[^[F3EJHF'-<&
  #,, 1$E3JD$IVXH'-$^ GIIIHGE!I'-_Z 
$7.EFEJI"C ^2K