$S $U $O $N $I $RIVISTA BIMESTRALE DI MUSICA Brano estratto dal numero di $GENNAIO-$FEBBRAIO #BJAI N. #ID $ANNO $XXIII $AMY $WINEHOUSE $BACK TO BLACK $W. AND $M. BY $AMY $WINEHOUSE AND $MARK $RONSON $EDIZ. MUS. $EMI, #BJJF SWUNG QUAVERS 4=#ACJ 2#D/ #: <; $HE LEFT NO TIME TO REGRET, KEPT HIS DICK '.V!5"CZAA&AZA3Y5'-!Z 55.5"CE"C E5.U'-![ V555"C #/ <; WET, WITH HIS SAME OLD SAFE BET/ $ME '.!E5.VX_I'-2_] !5_9="C 93N.'-_^ U.XE"C #,-; <; AND MY HEAD HIGH, AND MY TEARS '.!EA3DO'-#H V555A D5.U V555A #; <; DRY, GET ON WITHOUT MY GUY/ $YOU '.!D5.VX_I !5_9!55A"C E3DN. U.XEA"C #: <; WENT BACK TO WHAT YOU KNEW, SO FAR '.!EA3DA5A"CEA1DEAD'-#H 5XE55"C 5O. V5O"C #/ <; REMOVED FROM ALL THAT WE WENT THROUGH/ $AND '.!EEOX_I !5_9="C 93N. U.XI #,-: <; $I TREAD A TROUBLED TRACK, MY ODDS ARE '.!EA3DAO.'-#H 5XE55A 45U V555"C #; <; STACKED, $I.LL GO BACK TO BLACK/ '.!5O. 5_9!5A_9A"C I3DN. M2K. #: <; $WE ONLY SAID GOODBYE WITH WORDS, $I DIED A HUNDRED TIMES, YOU GO '.VX!F76'-#H 8GG"C7FG"C 7XF"CF7. ;687Q U7GAFA"C #/ <; BACK TO HER, AND $I GO BACK TO... $I GO BACK TO '.!F8G7.G 6.AE5.A3D 34.AI9V V!65.A3D'-@N.C. 34.AIS2K. #,-/ <; US/ $I LOVE YOU MUCH, IT.S NOT E- '.!ZA3YAE"CO.'-#H V555 _IA!E"COV V!7070GA0F0 #; <; NOUGH, YOU LOVE BLOW AND $I LOVE PUFF/ $AND LIFE '.!70V705# 70XE#7A05# 70G0F30$CP0 U._IIA #: <; IS LIKE A PIPE, AND $I.M A TINY '.!Z'-#H V!5O"C EEOXE# 705#= #/ <; PENNY ROLLING UP THE WALLS INSIDE/ '. !705#= 70E#G#$CQ0$C G0F3060$CP0 M2K. #,-? <; $WE ONLY SAID GOODBYE WITH WORDS, $I DIED A HUNDRED TIMES, '. 0 2=.VX!67F"C'-!Z FHGG"C7FG"C 7XF"CF7.'-![ FHGG"CQ #; <; YOU GO BACK TO HER, AND $I GO BACK TO... '.U!7GAF"C'-2_] F8G7.G PO'-_^ 0L @TO CODA ON REPEAT 3!NS2; MM2K. #: <; $BLACK, $BLACK, $BLACK, '.@STRAIGHT QUAVERS VX_IA"CIH9"C! '-!Z SU VX_IA"CIHA9"C SU VXIA"C9HAI"C'-_% #/ <; $BLACK, '._SU VXIA"C9HI"C'-_^ SU #,-+ <; $BLACK, $BLACK, '.VX_I"CIH9"C'-!Z SU VXI"CIH9"C'-2_] SU #; <; $BLACK/ $I GO '.VX_I"C9HI"C'-_% SU V!76.AE'-_^ #: <; BACK TO, $I GO BACK TO/ '.!5.A3DN V!76.E'-$^ 5.A3DN2K. @D.0 AL CODA WITH REPEAT #/ <; BACK TO BLACK/ '.0L 3!NS SU'-!Z2K $PIANO SWUNG QUAVERS 4=#ACJ 2#D/ #, $@$90*=== = W0)=== = _@_5XE5XE"C 5XE"CE4. >8XH8V 8XH"CH29. #; $@$W#)=== = 9#3)=== =2K. _@>WXJWV WXJ"CJ7J 9XI9V 9XI"CI43D2K. #: $@.0A $90*=== = W0)=== = _@.0A >5XE5V 5XE"CE4. 8XH8V 8XH"CH29. #/ $@$W#)=== = 9#3)=== = _@>WXJWV WXJ"CJW. 9XI9V 9XII6. #,-; $@$90*=== = W0)=== = _@>5XE5V 5XE"CE4. 8XH8V 8XH"CH29. #; $@$W#)=== = 9#3)===1 = _@>WXJWV WXJ"CJW. 9XI9V1 9XII6. #:#/#,-: $@._@.!0A #; $@!9#3)===2K. _@ >98762K. #: $@$90*=== = W0)=== = W#)===2@.@OPTIONAL STRING PART!TS _@>5XE5V 5XE"CE4. 8XH8V 8XH"CH29. WXJWV #/ $@$W#)===2@!RQ $9#3)===2@!& =2@!QP U.=TAMBOURINE= ?B!9 U.?B92K. _@>WXJ"CJW. 9XI9V 9XII6. =DRUMS= ?B>9X?BI?B9V =2K. #,-/#;#: $@._@.!0A #/ $@ !9#3)===2K. _@ _IIHHGGFF2K. #,-? $@.0 2=$90*=== = W0)=== = _@ 0 2=>5XE5V 5XE"CE4. 8XH8V 8XH"CH29. #; $@$W#)=== = 9#3)=== 0L @TO CODA ON REPEAT $9#3)===2; U.! =TAMBOURINE= ?B!9 U.?B92K. _@>WXJWV WXJ"CJW. 9XI9V 0L 9XII6.2; ?B>9! =DRUMS= X?B>I?B9V ?B9X?BI?B9V2K. #: $@STRAIGHT QUAVERS !%0)$C !%0) %0*$C %0* %#)$C _@>5XE5V = WXJWV = >7XG7V #/ $@!%#) &30*$C 6!30*X3DDFIH _@>7XG7V "9XI9V = #,-+ $@!%0) Q0)9070 Q0*W#= W.JW52@!% _@>5XE5V = WXJWV WXJJDEF #; $@$N.0*XG- 4.I"C9!,!Q.#$K!7 3DFHIR2@_^ _@>7XG7V = "9XI9V #: $@!T\962@3!Y !W.JJEEH2@!& $[3*:2K. =D.0 AL CODA WITH REPEAT 2K. 0 _@"9XI9V = =2K. 0 #/ $@.0L =CODA= $9#3)===2@$Q-P- !%0)2@$Z-2K _@. 0L >9XF"CFE6 Z2K